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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79DC36 it is the complementary color #8623C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79DC36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79DC36 shade: #7EDC31, #8FEE44, #A0FF57, #B1FF6A and #C2FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79DC36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79DC36 shade: #79DC36, #68CA23, #57B810, #46A600 and #359400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79DC36 shade: #79DB37, #A6DB37, #D2DB37, #DBB837 and #DB8C37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79DC36 shade: #79DB37, #4DDB37, #37DB4D, #37DB7A and #37DBA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79DC36 shade matches the following richer shades: #79DB37 and #76EE24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79DC36 shade: #79DB37, #7DC84A, #81B55D, #84A270 and #888F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79DC36 shade: #D3DB37, #A7DB37, #7CDB37, #50DB37 and #37DB4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79DC36 shade: #53A31C, #65C723, #79DB37, #91E15A and #A8E87D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79DC36 shade: #79DC36, #37DBB8 and #DB37BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79DC36 shade: #79DC36, #377CDB and #DB377C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79DC36 shade: #79DC36, #37DBB8, #9737DB and #DB375B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79DC36 shade: #79DC36, #37CEDB, #9737DB and #DB4537

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 75 / 14

HEX #79DC36

RGB 121 220 54

HSL 95.78, 0.7%, 0.54%

LAB 79.34, -55.5, 67.42

 

Complementary color

CMYK 33 / 83 / 0 / 21

HEX #8623C9

RGB 134 35 201

HSL 275.78, 0.7%, 0.46%

LAB 38.7, 66.36, -66.09

 

CMYK 43 / 0 / 78 / 14

HEX #7EDC31

RGB 126 220 49

HSL 92.98, 0.71%, 0.53%

LAB 79.52, -54.21, 69.2

 

CMYK 40 / 0 / 71 / 7

HEX #8FEE44

RGB 143 238 68

HSL 93.53, 0.83%, 0.6%

LAB 85.71, -54.72, 69.35

 

CMYK 37 / 0 / 66 / 0

HEX #A0FF57

RGB 160 255 87

HSL 93.93, 1%, 0.67%

LAB 91.54, -54.66, 68.67

 

CMYK 31 / 0 / 58 / 0

HEX #B1FF6A

RGB 177 255 106

HSL 91.41, 1%, 0.71%

LAB 92.53, -47.43, 62.31

 

CMYK 24 / 0 / 51 / 0

HEX #C2FF7D

RGB 194 255 125

HSL 88.15, 1%, 0.75%

LAB 93.65, -39.69, 55.46

 

CMYK 45 / 0 / 75 / 14

HEX #79DC36

RGB 121 220 54

HSL 95.78, 0.7%, 0.54%

LAB 79.34, -55.5, 67.42

 

CMYK 49 / 0 / 83 / 21

HEX #68CA23

RGB 104 202 35

HSL 95.21, 0.7%, 0.46%

LAB 73.09, -54.8, 66.79

 

CMYK 53 / 0 / 91 / 28

HEX #57B810

RGB 87 184 16

HSL 94.64, 0.84%, 0.39%

LAB 66.78, -53.76, 65.01

 

CMYK 58 / 0 / 100 / 35

HEX #46A600

RGB 70 166 0

HSL 94.7, 1%, 0.33%

LAB 60.4, -52.32, 61.76

 

CMYK 64 / 0 / 100 / 42

HEX #359400

RGB 53 148 0

HSL 98.51, 1%, 0.29%

LAB 53.96, -50.31, 56.44

 

CMYK 45 / 0 / 75 / 14

HEX #79DB37

RGB 121 219 55

HSL 95.85, 0.69%, 0.54%

LAB 79.04, -55.06, 66.81

 

CMYK 24 / 0 / 75 / 14

HEX #A6DB37

RGB 166 219 55

HSL 79.39, 0.69%, 0.54%

LAB 81.32, -39.4, 69.78

 

CMYK 4 / 0 / 75 / 14

HEX #D2DB37

RGB 210 219 55

HSL 63.29, 0.69%, 0.54%

LAB 84.3, -21.82, 73.65

 

CMYK 0 / 16 / 75 / 14

HEX #DBB837

RGB 219 184 55

HSL 47.2, 0.69%, 0.54%

LAB 75.83, -0.32, 66.01

 

CMYK 0 / 36 / 75 / 14

HEX #DB8C37

RGB 219 140 55

HSL 31.1, 0.69%, 0.54%

LAB 65.04, 23.14, 55.52

 

CMYK 45 / 0 / 75 / 14

HEX #79DB37

RGB 121 219 55

HSL 95.85, 0.69%, 0.54%

LAB 79.04, -55.06, 66.81

 

CMYK 65 / 0 / 75 / 14

HEX #4DDB37

RGB 77 219 55

HSL 111.95, 0.69%, 0.54%

LAB 77.59, -66.48, 64.89

 

CMYK 75 / 0 / 65 / 14

HEX #37DB4D

RGB 55 219 77

HSL 128.05, 0.69%, 0.54%

LAB 77.29, -68.43, 56.25

 

CMYK 75 / 0 / 44 / 14

HEX #37DB7A

RGB 55 219 122

HSL 144.51, 0.69%, 0.54%

LAB 77.8, -62.32, 36.06

 

CMYK 75 / 0 / 24 / 14

HEX #37DBA6

RGB 55 219 166

HSL 160.61, 0.69%, 0.54%

LAB 78.59, -53.53, 14.38

 

CMYK 45 / 0 / 75 / 14

HEX #79DB37

RGB 121 219 55

HSL 95.85, 0.69%, 0.54%

LAB 79.04, -55.06, 66.81

 

CMYK 50 / 0 / 85 / 7

HEX #76EE24

RGB 118 238 36

HSL 95.64, 0.86%, 0.54%

LAB 84.55, -63.89, 76.89

 

CMYK 45 / 0 / 75 / 14

HEX #79DB37

RGB 121 219 55

HSL 95.85, 0.69%, 0.54%

LAB 79.04, -55.06, 66.81

 

CMYK 38 / 0 / 63 / 22

HEX #7DC84A

RGB 125 200 74

HSL 95.71, 0.53%, 0.54%

LAB 73.65, -44.68, 54.13

 

CMYK 29 / 0 / 49 / 29

HEX #81B55D

RGB 129 181 93

HSL 95.45, 0.37%, 0.54%

LAB 68.39, -32.84, 39.23

 

CMYK 19 / 0 / 31 / 36

HEX #84A270

RGB 132 162 112

HSL 96, 0.21%, 0.54%

LAB 63.27, -19.8, 22.7

 

CMYK 5 / 0 / 8 / 44

HEX #888F83

RGB 136 143 131

HSL 95, 0.05%, 0.54%

LAB 58.53, -4.88, 5.5

 

CMYK 4 / 0 / 75 / 14

HEX #D3DB37

RGB 211 219 55

HSL 62.93, 0.69%, 0.54%

LAB 84.37, -21.4, 73.74

 

CMYK 24 / 0 / 75 / 14

HEX #A7DB37

RGB 167 219 55

HSL 79.02, 0.69%, 0.54%

LAB 81.38, -39.02, 69.86

 

CMYK 43 / 0 / 75 / 14

HEX #7CDB37

RGB 124 219 55

HSL 94.76, 0.69%, 0.54%

LAB 79.17, -54.12, 66.98

 

CMYK 63 / 0 / 75 / 14

HEX #50DB37

RGB 80 219 55

HSL 110.85, 0.69%, 0.54%

LAB 77.66, -65.85, 64.99

 

CMYK 75 / 0 / 66 / 14

HEX #37DB4A

RGB 55 219 74

HSL 126.95, 0.69%, 0.54%

LAB 77.26, -68.74, 57.44

 

CMYK 49 / 0 / 83 / 36

HEX #53A31C

RGB 83 163 28

HSL 95.56, 0.71%, 0.37%

LAB 59.99, -46.55, 56.49

 

CMYK 49 / 0 / 82 / 22

HEX #65C723

RGB 101 199 35

HSL 95.85, 0.7%, 0.46%

LAB 72.05, -54.57, 65.81

 

CMYK 45 / 0 / 75 / 14

HEX #79DB37

RGB 121 219 55

HSL 95.85, 0.69%, 0.54%

LAB 79.04, -55.06, 66.81

 

CMYK 36 / 0 / 60 / 12

HEX #91E15A

RGB 145 225 90

HSL 95.56, 0.69%, 0.62%

LAB 82.17, -47.05, 57.02

 

CMYK 28 / 0 / 46 / 9

HEX #A8E87D

RGB 168 232 125

HSL 95.89, 0.7%, 0.7%

LAB 85.77, -38.53, 45.51

 

CMYK 45 / 0 / 75 / 14

HEX #79DC36

RGB 121 220 54

HSL 95.78, 0.7%, 0.54%

LAB 79.34, -55.5, 67.42

 

CMYK 75 / 0 / 16 / 14

HEX #37DBB8

RGB 55 219 184

HSL 167.2, 0.69%, 0.54%

LAB 79, -49.22, 5.42

 

CMYK 0 / 75 / 14 / 14

HEX #DB37BD

RGB 219 55 189

HSL 310.98, 0.69%, 0.54%

LAB 53.46, 74.58, -34.74

 

CMYK 45 / 0 / 75 / 14

HEX #79DC36

RGB 121 220 54

HSL 95.78, 0.7%, 0.54%

LAB 79.34, -55.5, 67.42

 

CMYK 75 / 43 / 0 / 14

HEX #377CDB

RGB 55 124 219

HSL 214.76, 0.69%, 0.54%

LAB 52.22, 10.92, -54.83

 

CMYK 0 / 75 / 43 / 14

HEX #DB377C

RGB 219 55 124

HSL 334.76, 0.69%, 0.54%

LAB 50.98, 67, -0.04

 

CMYK 45 / 0 / 75 / 14

HEX #79DC36

RGB 121 220 54

HSL 95.78, 0.7%, 0.54%

LAB 79.34, -55.5, 67.42

 

CMYK 75 / 0 / 16 / 14

HEX #37DBB8

RGB 55 219 184

HSL 167.2, 0.69%, 0.54%

LAB 79, -49.22, 5.42

 

CMYK 31 / 75 / 0 / 14

HEX #9737DB

RGB 151 55 219

HSL 275.12, 0.69%, 0.54%

LAB 44.84, 66.11, -66.38

 

CMYK 0 / 75 / 58 / 14

HEX #DB375B

RGB 219 55 91

HSL 346.83, 0.69%, 0.54%

LAB 50.15, 64.38, 18.8

 

CMYK 45 / 0 / 75 / 14

HEX #79DC36

RGB 121 220 54

HSL 95.78, 0.7%, 0.54%

LAB 79.34, -55.5, 67.42

 

CMYK 75 / 6 / 0 / 14

HEX #37CEDB

RGB 55 206 219

HSL 184.76, 0.69%, 0.54%

LAB 76.11, -33.83, -17.63

 

CMYK 31 / 75 / 0 / 14

HEX #9737DB

RGB 151 55 219

HSL 275.12, 0.69%, 0.54%

LAB 44.84, 66.11, -66.38

 

CMYK 0 / 68 / 75 / 14

HEX #DB4537

RGB 219 69 55

HSL 5.12, 0.69%, 0.54%

LAB 51.37, 57.55, 41.31

 

Description

Color code: HEX #79DC36 | qconv.com Color code: HEX #79DC36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 220 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 220 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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