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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79DD0C it is the complementary color #8622F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79DD0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79DD0C shade: #7EDD07, #8FEF1A, #A0FF2D, #B1FF40 and #C2FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79DD0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79DD0C shade: #79DD0C, #68CB00, #57B900, #46A700 and #359500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79DD0C shade: #79DE0B, #B2DE0B, #DED20B, #DE990B and #DE600B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79DD0C shade: #79DE0B, #40DE0B, #0BDE0F, #0BDE48 and #0BDE81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79DD0C shade matches the following richer shades: #79DE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79DD0C shade: #79DE0B, #79CB1E, #78B831, #77A544 and #769257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79DD0C shade: #DED00B, #B4DE0B, #7CDE0B, #44DE0B and #0BDE0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79DD0C shade: #4E9007, #64B709, #79DE0B, #8EF320 and #A2F547

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79DD0C shade: #79DD0C, #0BDE98 and #DE0BD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79DD0C shade: #79DD0C, #0B7CDE and #DE0B7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79DD0C shade: #79DD0C, #0BDE98, #6E0BDE and #DE0B52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79DD0C shade: #79DD0C, #0BDED7, #6E0BDE and #DE0B12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 95 / 13

HEX #79DD0C

RGB 121 221 12

HSL 88.71, 0.9%, 0.46%

LAB 79.5, -57.38, 76.46

 

Complementary color

CMYK 45 / 86 / 0 / 5

HEX #8622F3

RGB 134 34 243

HSL 268.71, 0.9%, 0.54%

LAB 42.28, 75.76, -84.27

 

CMYK 43 / 0 / 97 / 13

HEX #7EDD07

RGB 126 221 7

HSL 86.64, 0.94%, 0.45%

LAB 79.71, -55.87, 77.18

 

CMYK 40 / 0 / 89 / 6

HEX #8FEF1A

RGB 143 239 26

HSL 87.04, 0.87%, 0.52%

LAB 85.83, -56.94, 80.21

 

CMYK 37 / 0 / 82 / 0

HEX #A0FF2D

RGB 160 255 45

HSL 87.14, 1%, 0.59%

LAB 91.32, -56.99, 81.52

 

CMYK 31 / 0 / 75 / 0

HEX #B1FF40

RGB 177 255 64

HSL 84.5, 1%, 0.63%

LAB 92.24, -50.35, 77.58

 

CMYK 24 / 0 / 67 / 0

HEX #C2FF53

RGB 194 255 83

HSL 81.28, 1%, 0.66%

LAB 93.28, -43.16, 72.53

 

CMYK 45 / 0 / 95 / 13

HEX #79DD0C

RGB 121 221 12

HSL 88.71, 0.9%, 0.46%

LAB 79.5, -57.38, 76.46

 

CMYK 49 / 0 / 100 / 20

HEX #68CB00

RGB 104 203 0

HSL 89.26, 1%, 0.4%

LAB 73.32, -56.06, 72.44

 

CMYK 53 / 0 / 100 / 27

HEX #57B900

RGB 87 185 0

HSL 91.78, 1%, 0.36%

LAB 67.07, -54.45, 67.26

 

CMYK 58 / 0 / 100 / 35

HEX #46A700

RGB 70 167 0

HSL 94.85, 1%, 0.33%

LAB 60.73, -52.68, 62.01

 

CMYK 64 / 0 / 100 / 42

HEX #359500

RGB 53 149 0

HSL 98.66, 1%, 0.29%

LAB 54.29, -50.66, 56.7

 

CMYK 45 / 0 / 95 / 13

HEX #79DE0B

RGB 121 222 11

HSL 88.72, 0.91%, 0.46%

LAB 79.8, -57.77, 76.8

 

CMYK 20 / 0 / 95 / 13

HEX #B2DE0B

RGB 178 222 11

HSL 72.51, 0.91%, 0.46%

LAB 82.77, -37.36, 80.41

 

CMYK 0 / 5 / 95 / 13

HEX #DED20B

RGB 222 210 11

HSL 56.59, 0.91%, 0.46%

LAB 82.73, -13.4, 81.79

 

CMYK 0 / 31 / 95 / 13

HEX #DE990B

RGB 222 153 11

HSL 40.38, 0.91%, 0.46%

LAB 68.27, 16.33, 71.25

 

CMYK 0 / 57 / 95 / 13

HEX #DE600B

RGB 222 96 11

HSL 24.17, 0.91%, 0.46%

LAB 56.01, 45.83, 62.93

 

CMYK 45 / 0 / 95 / 13

HEX #79DE0B

RGB 121 222 11

HSL 88.72, 0.91%, 0.46%

LAB 79.8, -57.77, 76.8

 

CMYK 71 / 0 / 95 / 13

HEX #40DE0B

RGB 64 222 11

HSL 104.93, 0.91%, 0.46%

LAB 78.09, -71.68, 74.7

 

CMYK 95 / 0 / 93 / 13

HEX #0BDE0F

RGB 11 222 15

HSL 121.14, 0.91%, 0.46%

LAB 77.49, -76.96, 73.53

 

CMYK 95 / 0 / 68 / 13

HEX #0BDE48

RGB 11 222 72

HSL 137.35, 0.91%, 0.46%

LAB 77.75, -73.66, 58.63

 

CMYK 95 / 0 / 42 / 13

HEX #0BDE81

RGB 11 222 129

HSL 153.55, 0.91%, 0.46%

LAB 78.4, -65.64, 33.23

 

CMYK 45 / 0 / 95 / 13

HEX #79DE0B

RGB 121 222 11

HSL 88.72, 0.91%, 0.46%

LAB 79.8, -57.77, 76.8

 

CMYK 45 / 0 / 95 / 13

HEX #79DE0B

RGB 121 222 11

HSL 88.72, 0.91%, 0.46%

LAB 79.8, -57.77, 76.8

 

CMYK 40 / 0 / 85 / 20

HEX #79CB1E

RGB 121 203 30

HSL 88.44, 0.74%, 0.46%

LAB 74.11, -49.96, 69.14

 

CMYK 35 / 0 / 73 / 28

HEX #78B831

RGB 120 184 49

HSL 88.44, 0.58%, 0.46%

LAB 68.38, -41.5, 58.38

 

CMYK 28 / 0 / 59 / 35

HEX #77A544

RGB 119 165 68

HSL 88.45, 0.42%, 0.46%

LAB 62.72, -31.81, 44.49

 

CMYK 19 / 0 / 40 / 43

HEX #769257

RGB 118 146 87

HSL 88.47, 0.25%, 0.46%

LAB 57.17, -20.64, 28.09

 

CMYK 0 / 6 / 95 / 13

HEX #DED00B

RGB 222 208 11

HSL 56.02, 0.91%, 0.46%

LAB 82.2, -12.4, 81.4

 

CMYK 19 / 0 / 95 / 13

HEX #B4DE0B

RGB 180 222 11

HSL 71.94, 0.91%, 0.46%

LAB 82.9, -36.57, 80.56

 

CMYK 44 / 0 / 95 / 13

HEX #7CDE0B

RGB 124 222 11

HSL 87.87, 0.91%, 0.46%

LAB 79.93, -56.83, 76.95

 

CMYK 69 / 0 / 95 / 13

HEX #44DE0B

RGB 68 222 11

HSL 103.79, 0.91%, 0.46%

LAB 78.17, -70.97, 74.8

 

CMYK 95 / 0 / 95 / 13

HEX #0BDE0B

RGB 11 222 11

HSL 120, 0.91%, 0.46%

LAB 77.48, -77.04, 73.95

 

CMYK 46 / 0 / 95 / 44

HEX #4E9007

RGB 78 144 7

HSL 88.91, 0.91%, 0.3%

LAB 53.58, -41.29, 55.34

 

CMYK 45 / 0 / 95 / 28

HEX #64B709

RGB 100 183 9

HSL 88.62, 0.91%, 0.38%

LAB 66.97, -49.54, 66.32

 

CMYK 45 / 0 / 95 / 13

HEX #79DE0B

RGB 121 222 11

HSL 88.72, 0.91%, 0.46%

LAB 79.8, -57.77, 76.8

 

CMYK 42 / 0 / 87 / 5

HEX #8EF320

RGB 142 243 32

HSL 88.72, 0.9%, 0.54%

LAB 86.98, -58.64, 80.14

 

CMYK 34 / 0 / 71 / 4

HEX #A2F547

RGB 162 245 71

HSL 88.62, 0.9%, 0.62%

LAB 88.66, -51.04, 71.56

 

CMYK 45 / 0 / 95 / 13

HEX #79DD0C

RGB 121 221 12

HSL 88.71, 0.9%, 0.46%

LAB 79.5, -57.38, 76.46

 

CMYK 95 / 0 / 32 / 13

HEX #0BDE98

RGB 11 222 152

HSL 160.09, 0.91%, 0.46%

LAB 78.8, -61.05, 21.95

 

CMYK 0 / 95 / 6 / 13

HEX #DE0BD0

RGB 222 11 208

HSL 303.98, 0.91%, 0.46%

LAB 52.2, 85.75, -47.65

 

CMYK 45 / 0 / 95 / 13

HEX #79DD0C

RGB 121 221 12

HSL 88.71, 0.9%, 0.46%

LAB 79.5, -57.38, 76.46

 

CMYK 95 / 44 / 0 / 13

HEX #0B7CDE

RGB 11 124 222

HSL 207.87, 0.91%, 0.46%

LAB 51.57, 8.77, -57.62

 

CMYK 0 / 95 / 44 / 13

HEX #DE0B7C

RGB 222 11 124

HSL 327.87, 0.91%, 0.46%

LAB 48.54, 76.33, -3.55

 

CMYK 45 / 0 / 95 / 13

HEX #79DD0C

RGB 121 221 12

HSL 88.71, 0.9%, 0.46%

LAB 79.5, -57.38, 76.46

 

CMYK 95 / 0 / 32 / 13

HEX #0BDE98

RGB 11 222 152

HSL 160.09, 0.91%, 0.46%

LAB 78.8, -61.05, 21.95

 

CMYK 50 / 95 / 0 / 13

HEX #6E0BDE

RGB 110 11 222

HSL 268.15, 0.91%, 0.46%

LAB 35.65, 73.44, -83.37

 

CMYK 0 / 95 / 63 / 13

HEX #DE0B52

RGB 222 11 82

HSL 339.81, 0.91%, 0.46%

LAB 47.47, 73.43, 20.81

 

CMYK 45 / 0 / 95 / 13

HEX #79DD0C

RGB 121 221 12

HSL 88.71, 0.9%, 0.46%

LAB 79.5, -57.38, 76.46

 

CMYK 95 / 0 / 3 / 13

HEX #0BDED7

RGB 11 222 215

HSL 178.01, 0.91%, 0.46%

LAB 80.3, -45.07, -9.25

 

CMYK 50 / 95 / 0 / 13

HEX #6E0BDE

RGB 110 11 222

HSL 268.15, 0.91%, 0.46%

LAB 35.65, 73.44, -83.37

 

CMYK 0 / 95 / 92 / 13

HEX #DE0B12

RGB 222 11 18

HSL 358.01, 0.91%, 0.46%

LAB 46.73, 71.38, 55.17

 

Description

Color code: HEX #79DD0C | qconv.com Color code: HEX #79DD0C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 221 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 221 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 95 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 95% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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