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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79DDC6 it is the complementary color #862239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79DDC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79DDC6 shade: #7EDDC1, #8FEFD4, #A0FFE7, #B1FFFA and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79DDC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79DDC6 shade: #79DDC6, #68CBB3, #57B9A0, #46A78D and #35957A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79DDC6 shade: #78DDC6, #78DDAA, #78DD8F, #7CDD78 and #97DD78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79DDC6 shade: #78DDC6, #78D9DD, #78BEDD, #78A2DD and #7887DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79DDC6 shade matches the following richer shades: #78DDC6, #6AEACD and #5DF8D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79DDC6 shade: #78DDC6, #85CFBE, #93C2B7, #A1B4B0 and #AEA6A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79DDC6 shade: #78DD8F, #78DDAA, #78DDC5, #78D9DD and #78BFDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79DDC6 shade: #36CCAA, #57D5B8, #78DDC6, #99E5D4 and #BAEDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79DDC6 shade: #79DDC6, #787BDD and #DD9D78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79DDC6 shade: #79DDC6, #C578DD and #DDC578

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79DDC6 shade: #79DDC6, #787BDD, #DD788F and #DDD978

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79DDC6 shade: #79DDC6, #9378DD, #DD788F and #C2DD78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 10 / 13

HEX #79DDC6

RGB 121 221 198

HSL 166.2, 0.6%, 0.67%

LAB 81.76, -34.78, 2.19

 

Complementary color

CMYK 0 / 75 / 57 / 47

HEX #862239

RGB 134 34 57

HSL 346.2, 0.6%, 0.33%

LAB 30.66, 43.59, 11.1

 

CMYK 43 / 0 / 13 / 13

HEX #7EDDC1

RGB 126 221 193

HSL 162.32, 0.58%, 0.68%

LAB 81.84, -34.67, 4.98

 

CMYK 40 / 0 / 11 / 6

HEX #8FEFD4

RGB 143 239 212

HSL 163.13, 0.75%, 0.75%

LAB 88.13, -34.5, 4.16

 

CMYK 37 / 0 / 9 / 0

HEX #A0FFE7

RGB 160 255 231

HSL 164.84, 1%, 0.81%

LAB 93.78, -33.4, 2.59

 

CMYK 31 / 0 / 2 / 0

HEX #B1FFFA

RGB 177 255 250

HSL 176.15, 1%, 0.85%

LAB 95.06, -24.74, -5.24

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 45 / 0 / 10 / 13

HEX #79DDC6

RGB 121 221 198

HSL 166.2, 0.6%, 0.67%

LAB 81.76, -34.78, 2.19

 

CMYK 49 / 0 / 12 / 20

HEX #68CBB3

RGB 104 203 179

HSL 165.45, 0.49%, 0.6%

LAB 75.4, -34.88, 3.04

 

CMYK 53 / 0 / 14 / 27

HEX #57B9A0

RGB 87 185 160

HSL 164.69, 0.41%, 0.53%

LAB 68.94, -34.92, 3.95

 

CMYK 58 / 0 / 16 / 35

HEX #46A78D

RGB 70 167 141

HSL 163.92, 0.41%, 0.46%

LAB 62.39, -34.89, 4.96

 

CMYK 64 / 0 / 18 / 42

HEX #35957A

RGB 53 149 122

HSL 163.13, 0.48%, 0.4%

LAB 55.74, -34.73, 6.07

 

CMYK 46 / 0 / 10 / 13

HEX #78DDC6

RGB 120 221 198

HSL 166.34, 0.6%, 0.67%

LAB 81.72, -35.02, 2.13

 

CMYK 46 / 0 / 23 / 13

HEX #78DDAA

RGB 120 221 170

HSL 149.7, 0.6%, 0.67%

LAB 81.08, -41.08, 16.02

 

CMYK 46 / 0 / 35 / 13

HEX #78DD8F

RGB 120 221 143

HSL 133.66, 0.6%, 0.67%

LAB 80.57, -46.09, 29.37

 

CMYK 44 / 0 / 46 / 13

HEX #7CDD78

RGB 124 221 120

HSL 117.62, 0.6%, 0.67%

LAB 80.38, -48.51, 40.74

 

CMYK 32 / 0 / 46 / 13

HEX #97DD78

RGB 151 221 120

HSL 101.58, 0.6%, 0.67%

LAB 81.65, -40.03, 42.6

 

CMYK 46 / 0 / 10 / 13

HEX #78DDC6

RGB 120 221 198

HSL 166.34, 0.6%, 0.67%

LAB 81.72, -35.02, 2.13

 

CMYK 46 / 2 / 0 / 13

HEX #78D9DD

RGB 120 217 221

HSL 182.38, 0.6%, 0.67%

LAB 81.2, -27.53, -10.87

 

CMYK 46 / 14 / 0 / 13

HEX #78BEDD

RGB 120 190 221

HSL 198.42, 0.6%, 0.67%

LAB 73.57, -13.87, -22.37

 

CMYK 46 / 27 / 0 / 13

HEX #78A2DD

RGB 120 162 221

HSL 215.05, 0.6%, 0.67%

LAB 65.79, 1.4, -34.34

 

CMYK 46 / 39 / 0 / 13

HEX #7887DD

RGB 120 135 221

HSL 231.09, 0.6%, 0.67%

LAB 58.55, 17.06, -45.69

 

CMYK 46 / 0 / 10 / 13

HEX #78DDC6

RGB 120 221 198

HSL 166.34, 0.6%, 0.67%

LAB 81.72, -35.02, 2.13

 

CMYK 55 / 0 / 12 / 8

HEX #6AEACD

RGB 106 234 205

HSL 166.41, 0.75%, 0.67%

LAB 85.16, -42.37, 3.36

 

CMYK 63 / 0 / 15 / 3

HEX #5DF8D4

RGB 93 248 212

HSL 166.06, 0.92%, 0.67%

LAB 89.02, -49.16, 5.25

 

CMYK 46 / 0 / 10 / 13

HEX #78DDC6

RGB 120 221 198

HSL 166.34, 0.6%, 0.67%

LAB 81.72, -35.02, 2.13

 

CMYK 36 / 0 / 8 / 19

HEX #85CFBE

RGB 133 207 190

HSL 166.22, 0.44%, 0.67%

LAB 78.07, -26.82, 1.16

 

CMYK 24 / 0 / 6 / 24

HEX #93C2B7

RGB 147 194 183

HSL 165.96, 0.28%, 0.67%

LAB 74.95, -17.75, 0.48

 

CMYK 11 / 0 / 2 / 29

HEX #A1B4B0

RGB 161 180 176

HSL 167.37, 0.11%, 0.67%

LAB 71.79, -7.34, -0.2

 

CMYK 0 / 5 / 3 / 32

HEX #AEA6A8

RGB 174 166 168

HSL 345, 0.05%, 0.67%

LAB 68.82, 3.24, -0.01

 

CMYK 46 / 0 / 35 / 13

HEX #78DD8F

RGB 120 221 143

HSL 133.66, 0.6%, 0.67%

LAB 80.57, -46.09, 29.37

 

CMYK 46 / 0 / 23 / 13

HEX #78DDAA

RGB 120 221 170

HSL 149.7, 0.6%, 0.67%

LAB 81.08, -41.08, 16.02

 

CMYK 46 / 0 / 11 / 13

HEX #78DDC5

RGB 120 221 197

HSL 165.74, 0.6%, 0.67%

LAB 81.7, -35.25, 2.62

 

CMYK 46 / 2 / 0 / 13

HEX #78D9DD

RGB 120 217 221

HSL 182.38, 0.6%, 0.67%

LAB 81.2, -27.53, -10.87

 

CMYK 46 / 14 / 0 / 13

HEX #78BFDD

RGB 120 191 221

HSL 197.82, 0.6%, 0.67%

LAB 73.85, -14.4, -21.95

 

CMYK 74 / 0 / 17 / 20

HEX #36CCAA

RGB 54 204 170

HSL 166.4, 0.6%, 0.51%

LAB 74.11, -46.57, 5.86

 

CMYK 59 / 0 / 14 / 16

HEX #57D5B8

RGB 87 213 184

HSL 166.19, 0.6%, 0.59%

LAB 77.92, -41.81, 3.94

 

CMYK 46 / 0 / 10 / 13

HEX #78DDC6

RGB 120 221 198

HSL 166.34, 0.6%, 0.67%

LAB 81.72, -35.02, 2.13

 

CMYK 33 / 0 / 7 / 10

HEX #99E5D4

RGB 153 229 212

HSL 166.58, 0.59%, 0.75%

LAB 85.79, -27.1, 0.83

 

CMYK 22 / 0 / 5 / 7

HEX #BAEDE2

RGB 186 237 226

HSL 167.06, 0.59%, 0.83%

LAB 90.09, -18.44, -0.03

 

CMYK 45 / 0 / 10 / 13

HEX #79DDC6

RGB 121 221 198

HSL 166.2, 0.6%, 0.67%

LAB 81.76, -34.78, 2.19

 

CMYK 46 / 44 / 0 / 13

HEX #787BDD

RGB 120 123 221

HSL 238.22, 0.6%, 0.67%

LAB 55.46, 24.19, -50.59

 

CMYK 0 / 29 / 46 / 13

HEX #DD9D78

RGB 221 157 120

HSL 21.98, 0.6%, 0.67%

LAB 70.07, 19.49, 28.82

 

CMYK 45 / 0 / 10 / 13

HEX #79DDC6

RGB 121 221 198

HSL 166.2, 0.6%, 0.67%

LAB 81.76, -34.78, 2.19

 

CMYK 11 / 46 / 0 / 13

HEX #C578DD

RGB 197 120 221

HSL 285.74, 0.6%, 0.67%

LAB 62.1, 46.57, -39.62

 

CMYK 0 / 11 / 46 / 13

HEX #DDC578

RGB 221 197 120

HSL 45.74, 0.6%, 0.67%

LAB 79.99, -1.75, 41.57

 

CMYK 45 / 0 / 10 / 13

HEX #79DDC6

RGB 121 221 198

HSL 166.2, 0.6%, 0.67%

LAB 81.76, -34.78, 2.19

 

CMYK 46 / 44 / 0 / 13

HEX #787BDD

RGB 120 123 221

HSL 238.22, 0.6%, 0.67%

LAB 55.46, 24.19, -50.59

 

CMYK 0 / 46 / 35 / 13

HEX #DD788F

RGB 221 120 143

HSL 346.34, 0.6%, 0.67%

LAB 62.33, 41.68, 5.28

 

CMYK 0 / 2 / 46 / 13

HEX #DDD978

RGB 221 217 120

HSL 57.62, 0.6%, 0.67%

LAB 85.18, -11.95, 47.99

 

CMYK 45 / 0 / 10 / 13

HEX #79DDC6

RGB 121 221 198

HSL 166.2, 0.6%, 0.67%

LAB 81.76, -34.78, 2.19

 

CMYK 33 / 46 / 0 / 13

HEX #9378DD

RGB 147 120 221

HSL 256.04, 0.6%, 0.67%

LAB 56.94, 32.73, -48.11

 

CMYK 0 / 46 / 35 / 13

HEX #DD788F

RGB 221 120 143

HSL 346.34, 0.6%, 0.67%

LAB 62.33, 41.68, 5.28

 

CMYK 12 / 0 / 46 / 13

HEX #C2DD78

RGB 194 221 120

HSL 76.04, 0.6%, 0.67%

LAB 84.25, -24.48, 46.4

 

Description

Color code: HEX #79DDC6 | qconv.com Color code: HEX #79DDC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 221 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 221 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 10 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 10% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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