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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79E952 it is the complementary color #8616AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79E952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79E952 shade: #7EE94D, #8FFB60, #A0FF73, #B1FF86 and #C2FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79E952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79E952 shade: #79E952, #68D73F, #57C52C, #46B319 and #35A106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79E952 shade: #7AE853, #A2E853, #CAE853, #E8DE53 and #E8B653

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79E952 shade: #7AE853, #53E855, #53E87D, #53E8A5 and #53E8CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79E952 shade matches the following richer shades: #7AE853 and #72F843

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79E952 shade: #7AE853, #81D963, #89C972, #90B982 and #98A992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79E952 shade: #CAE853, #A3E853, #7BE853, #53E853 and #53E87B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79E952 shade: #49CE1A, #5DE32E, #7AE853, #96ED78 and #B2F29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79E952 shade: #79E952, #53E8DE and #E853B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79E952 shade: #79E952, #537BE8 and #E8537B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79E952 shade: #79E952, #53E8DE, #C053E8 and #E8535D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79E952 shade: #79E952, #53C5E8, #C053E8 and #E87653

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 65 / 9

HEX #79E952

RGB 121 233 82

HSL 104.5, 0.77%, 0.62%

LAB 83.42, -58.42, 61.44

 

Complementary color

CMYK 23 / 87 / 0 / 32

HEX #8616AD

RGB 134 22 173

HSL 284.5, 0.77%, 0.38%

LAB 35.32, 64.11, -55.09

 

CMYK 46 / 0 / 67 / 9

HEX #7EE94D

RGB 126 233 77

HSL 101.15, 0.78%, 0.61%

LAB 83.57, -57.39, 63.63

 

CMYK 43 / 0 / 62 / 2

HEX #8FFB60

RGB 143 251 96

HSL 101.81, 0.95%, 0.68%

LAB 89.71, -57.65, 62.89

 

CMYK 37 / 0 / 55 / 0

HEX #A0FF73

RGB 160 255 115

HSL 100.71, 1%, 0.73%

LAB 91.79, -52.15, 57.32

 

CMYK 31 / 0 / 47 / 0

HEX #B1FF86

RGB 177 255 134

HSL 98.68, 1%, 0.76%

LAB 92.83, -44.54, 50.08

 

CMYK 24 / 0 / 40 / 0

HEX #C2FF99

RGB 194 255 153

HSL 95.88, 1%, 0.8%

LAB 94.01, -36.48, 42.66

 

CMYK 48 / 0 / 65 / 9

HEX #79E952

RGB 121 233 82

HSL 104.5, 0.77%, 0.62%

LAB 83.42, -58.42, 61.44

 

CMYK 52 / 0 / 71 / 16

HEX #68D73F

RGB 104 215 63

HSL 103.82, 0.66%, 0.55%

LAB 77.22, -57.99, 62.01

 

CMYK 56 / 0 / 78 / 23

HEX #57C52C

RGB 87 197 44

HSL 103.14, 0.63%, 0.47%

LAB 70.97, -57.3, 62.08

 

CMYK 61 / 0 / 86 / 30

HEX #46B319

RGB 70 179 25

HSL 102.47, 0.75%, 0.4%

LAB 64.65, -56.21, 61.23

 

CMYK 67 / 0 / 96 / 37

HEX #35A106

RGB 53 161 6

HSL 101.81, 0.93%, 0.33%

LAB 58.28, -54.59, 58.98

 

CMYK 47 / 0 / 64 / 9

HEX #7AE853

RGB 122 232 83

HSL 104.3, 0.76%, 0.62%

LAB 83.17, -57.67, 60.77

 

CMYK 30 / 0 / 64 / 9

HEX #A2E853

RGB 162 232 83

HSL 88.19, 0.76%, 0.62%

LAB 85.01, -44.76, 63.3

 

CMYK 13 / 0 / 64 / 9

HEX #CAE853

RGB 202 232 83

HSL 72.08, 0.76%, 0.62%

LAB 87.43, -29.75, 66.61

 

CMYK 0 / 4 / 64 / 9

HEX #E8DE53

RGB 232 222 83

HSL 55.97, 0.76%, 0.62%

LAB 87.01, -12.8, 66.85

 

CMYK 0 / 22 / 64 / 9

HEX #E8B653

RGB 232 182 83

HSL 39.87, 0.76%, 0.62%

LAB 76.82, 7.71, 55.93

 

CMYK 47 / 0 / 64 / 9

HEX #7AE853

RGB 122 232 83

HSL 104.3, 0.76%, 0.62%

LAB 83.17, -57.67, 60.77

 

CMYK 64 / 0 / 63 / 9

HEX #53E855

RGB 83 232 85

HSL 120.81, 0.76%, 0.62%

LAB 81.95, -67.05, 58.27

 

CMYK 64 / 0 / 46 / 9

HEX #53E87D

RGB 83 232 125

HSL 136.91, 0.76%, 0.62%

LAB 82.4, -61.94, 40.56

 

CMYK 64 / 0 / 29 / 9

HEX #53E8A5

RGB 83 232 165

HSL 153.02, 0.76%, 0.62%

LAB 83.06, -54.74, 21.21

 

CMYK 64 / 0 / 12 / 9

HEX #53E8CD

RGB 83 232 205

HSL 169.13, 0.76%, 0.62%

LAB 83.94, -45.65, 1.52

 

CMYK 47 / 0 / 64 / 9

HEX #7AE853

RGB 122 232 83

HSL 104.3, 0.76%, 0.62%

LAB 83.17, -57.67, 60.77

 

CMYK 54 / 0 / 73 / 3

HEX #72F843

RGB 114 248 67

HSL 104.42, 0.93%, 0.62%

LAB 87.54, -66.92, 71.15

 

CMYK 47 / 0 / 64 / 9

HEX #7AE853

RGB 122 232 83

HSL 104.3, 0.76%, 0.62%

LAB 83.17, -57.67, 60.77

 

CMYK 41 / 0 / 54 / 15

HEX #81D963

RGB 129 217 99

HSL 104.75, 0.61%, 0.62%

LAB 79.15, -47.98, 49.33

 

CMYK 32 / 0 / 43 / 21

HEX #89C972

RGB 137 201 114

HSL 104.14, 0.45%, 0.62%

LAB 75.02, -36.55, 37.06

 

CMYK 22 / 0 / 30 / 27

HEX #90B982

RGB 144 185 130

HSL 104.73, 0.28%, 0.62%

LAB 71.04, -24.16, 23.58

 

CMYK 10 / 0 / 14 / 34

HEX #98A992

RGB 152 169 146

HSL 104.35, 0.12%, 0.62%

LAB 67.37, -10.35, 9.87

 

CMYK 13 / 0 / 64 / 9

HEX #CAE853

RGB 202 232 83

HSL 72.08, 0.76%, 0.62%

LAB 87.43, -29.75, 66.61

 

CMYK 30 / 0 / 64 / 9

HEX #A3E853

RGB 163 232 83

HSL 87.79, 0.76%, 0.62%

LAB 85.06, -44.4, 63.37

 

CMYK 47 / 0 / 64 / 9

HEX #7BE853

RGB 123 232 83

HSL 103.89, 0.76%, 0.62%

LAB 83.2, -57.38, 60.82

 

CMYK 64 / 0 / 64 / 9

HEX #53E853

RGB 83 232 83

HSL 120, 0.76%, 0.62%

LAB 81.93, -67.25, 59.07

 

CMYK 64 / 0 / 47 / 9

HEX #53E87B

RGB 83 232 123

HSL 136.11, 0.76%, 0.62%

LAB 82.37, -62.24, 41.5

 

CMYK 65 / 0 / 87 / 19

HEX #49CE1A

RGB 73 206 26

HSL 104.33, 0.78%, 0.45%

LAB 73.31, -64.56, 68.61

 

CMYK 59 / 0 / 80 / 11

HEX #5DE32E

RGB 93 227 46

HSL 104.42, 0.76%, 0.54%

LAB 80.44, -66.13, 70.48

 

CMYK 47 / 0 / 64 / 9

HEX #7AE853

RGB 122 232 83

HSL 104.3, 0.76%, 0.62%

LAB 83.17, -57.67, 60.77

 

CMYK 37 / 0 / 49 / 7

HEX #96ED78

RGB 150 237 120

HSL 104.62, 0.76%, 0.7%

LAB 86.21, -47.28, 48.24

 

CMYK 26 / 0 / 36 / 5

HEX #B2F29C

RGB 178 242 156

HSL 104.65, 0.77%, 0.78%

LAB 89.57, -35.58, 35.23

 

CMYK 48 / 0 / 65 / 9

HEX #79E952

RGB 121 233 82

HSL 104.5, 0.77%, 0.62%

LAB 83.42, -58.42, 61.44

 

CMYK 64 / 0 / 4 / 9

HEX #53E8DE

RGB 83 232 222

HSL 175.97, 0.76%, 0.62%

LAB 84.39, -41.29, -6.79

 

CMYK 0 / 64 / 22 / 9

HEX #E853B6

RGB 232 83 182

HSL 320.13, 0.76%, 0.62%

LAB 58.71, 67.12, -22.39

 

CMYK 48 / 0 / 65 / 9

HEX #79E952

RGB 121 233 82

HSL 104.5, 0.77%, 0.62%

LAB 83.42, -58.42, 61.44

 

CMYK 64 / 47 / 0 / 9

HEX #537BE8

RGB 83 123 232

HSL 223.89, 0.76%, 0.62%

LAB 53.85, 20.21, -59.46

 

CMYK 0 / 64 / 47 / 9

HEX #E8537B

RGB 232 83 123

HSL 343.89, 0.76%, 0.62%

LAB 56.85, 60.51, 9.3

 

CMYK 48 / 0 / 65 / 9

HEX #79E952

RGB 121 233 82

HSL 104.5, 0.77%, 0.62%

LAB 83.42, -58.42, 61.44

 

CMYK 64 / 0 / 4 / 9

HEX #53E8DE

RGB 83 232 222

HSL 175.97, 0.76%, 0.62%

LAB 84.39, -41.29, -6.79

 

CMYK 17 / 64 / 0 / 9

HEX #C053E8

RGB 192 83 232

HSL 283.89, 0.76%, 0.62%

LAB 55.3, 65.49, -56.6

 

CMYK 0 / 64 / 60 / 9

HEX #E8535D

RGB 232 83 93

HSL 355.97, 0.76%, 0.62%

LAB 56.22, 58.17, 26.05

 

CMYK 48 / 0 / 65 / 9

HEX #79E952

RGB 121 233 82

HSL 104.5, 0.77%, 0.62%

LAB 83.42, -58.42, 61.44

 

CMYK 64 / 15 / 0 / 9

HEX #53C5E8

RGB 83 197 232

HSL 194.09, 0.76%, 0.62%

LAB 74.57, -21.73, -26.93

 

CMYK 17 / 64 / 0 / 9

HEX #C053E8

RGB 192 83 232

HSL 283.89, 0.76%, 0.62%

LAB 55.3, 65.49, -56.6

 

CMYK 0 / 49 / 64 / 9

HEX #E87653

RGB 232 118 83

HSL 14.09, 0.76%, 0.62%

LAB 62.29, 41.33, 39.25

 

Description

Color code: HEX #79E952 | qconv.com Color code: HEX #79E952 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 233 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 233 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 65 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 65% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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