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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79EB87 it is the complementary color #861478. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79EB87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79EB87 shade: #7EEB82, #8FFD95, #A0FFA8, #B1FFBB and #C2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79EB87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79EB87 shade: #79EB87, #68D974, #57C761, #46B54E and #35A33B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79EB87 shade: #79EB87, #8AEB79, #A9EB79, #C7EB79 and #E6EB79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79EB87 shade: #79EB87, #79EBA6, #79EBC4, #79EBE3 and #79D4EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79EB87 shade matches the following richer shades: #79EB87 and #6DF77E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79EB87 shade: #79EB87, #86DE91, #92D29A, #9FC5A3 and #ABB9AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79EB87 shade: #A9EB79, #8AEB79, #79EB87, #79EBA5 and #79EBC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79EB87 shade: #32E047, #55E567, #79EB87, #9DF0A7 and #C1F5C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79EB87 shade: #79EB87, #79C7EB and #EB7999

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79EB87 shade: #79EB87, #8779EB and #EB8779

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79EB87 shade: #79EB87, #79C7EB, #EB79DD and #EB9D79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79EB87 shade: #79EB87, #79A5EB, #EB79DD and #EBBF79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

Complementary color

CMYK 0 / 85 / 10 / 47

HEX #861478

RGB 134 20 120

HSL 307.37, 0.74%, 0.3%

LAB 31.63, 55.37, -28.44

 

CMYK 46 / 0 / 45 / 8

HEX #7EEB82

RGB 126 235 130

HSL 122.2, 0.73%, 0.71%

LAB 84.72, -52.28, 41.35

 

CMYK 43 / 0 / 41 / 1

HEX #8FFD95

RGB 143 253 149

HSL 123.27, 0.96%, 0.78%

LAB 90.9, -52.15, 40.11

 

CMYK 37 / 0 / 34 / 0

HEX #A0FFA8

RGB 160 255 168

HSL 125.05, 1%, 0.81%

LAB 92.5, -45.21, 32.95

 

CMYK 31 / 0 / 27 / 0

HEX #B1FFBB

RGB 177 255 187

HSL 127.69, 1%, 0.85%

LAB 93.65, -36.99, 25.08

 

CMYK 24 / 0 / 19 / 0

HEX #C2FFCE

RGB 194 255 206

HSL 131.8, 1%, 0.88%

LAB 94.93, -28.44, 17.31

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 52 / 0 / 47 / 15

HEX #68D974

RGB 104 217 116

HSL 126.37, 0.6%, 0.63%

LAB 78.36, -52.94, 40

 

CMYK 56 / 0 / 51 / 22

HEX #57C761

RGB 87 199 97

HSL 125.36, 0.5%, 0.56%

LAB 72.05, -52.84, 41.33

 

CMYK 61 / 0 / 57 / 29

HEX #46B54E

RGB 70 181 78

HSL 124.32, 0.44%, 0.49%

LAB 65.67, -52.54, 42.66

 

CMYK 67 / 0 / 64 / 36

HEX #35A33B

RGB 53 163 59

HSL 123.27, 0.51%, 0.42%

LAB 59.22, -51.91, 43.91

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 41 / 0 / 49 / 8

HEX #8AEB79

RGB 138 235 121

HSL 111.05, 0.74%, 0.7%

LAB 85.1, -50.04, 46.27

 

CMYK 28 / 0 / 49 / 8

HEX #A9EB79

RGB 169 235 121

HSL 94.74, 0.74%, 0.7%

LAB 86.62, -39.99, 48.48

 

CMYK 15 / 0 / 49 / 8

HEX #C7EB79

RGB 199 235 121

HSL 78.95, 0.74%, 0.7%

LAB 88.42, -29.14, 51.09

 

CMYK 2 / 0 / 49 / 8

HEX #E6EB79

RGB 230 235 121

HSL 62.63, 0.74%, 0.7%

LAB 90.61, -17.21, 54.24

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 49 / 0 / 29 / 8

HEX #79EBA6

RGB 121 235 166

HSL 143.68, 0.74%, 0.7%

LAB 85.12, -47.66, 23.71

 

CMYK 49 / 0 / 17 / 8

HEX #79EBC4

RGB 121 235 196

HSL 159.47, 0.74%, 0.7%

LAB 85.74, -41.59, 8.98

 

CMYK 49 / 0 / 3 / 8

HEX #79EBE3

RGB 121 235 227

HSL 175.79, 0.74%, 0.7%

LAB 86.52, -34.37, -6.15

 

CMYK 49 / 10 / 0 / 8

HEX #79D4EB

RGB 121 212 235

HSL 192.11, 0.74%, 0.7%

LAB 80.26, -21.16, -19.74

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 56 / 0 / 49 / 3

HEX #6DF77E

RGB 109 247 126

HSL 127.39, 0.9%, 0.7%

LAB 87.62, -61.81, 46.78

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 40 / 0 / 35 / 13

HEX #86DE91

RGB 134 222 145

HSL 127.5, 0.57%, 0.7%

LAB 81.49, -42.21, 29.68

 

CMYK 30 / 0 / 27 / 18

HEX #92D29A

RGB 146 210 154

HSL 127.5, 0.42%, 0.7%

LAB 78.77, -31.54, 21.43

 

CMYK 19 / 0 / 17 / 23

HEX #9FC5A3

RGB 159 197 163

HSL 126.32, 0.25%, 0.7%

LAB 76.04, -19.3, 12.94

 

CMYK 8 / 0 / 6 / 27

HEX #ABB9AD

RGB 171 185 173

HSL 128.57, 0.09%, 0.7%

LAB 73.79, -7.12, 4.42

 

CMYK 28 / 0 / 49 / 8

HEX #A9EB79

RGB 169 235 121

HSL 94.74, 0.74%, 0.7%

LAB 86.62, -39.99, 48.48

 

CMYK 41 / 0 / 49 / 8

HEX #8AEB79

RGB 138 235 121

HSL 111.05, 0.74%, 0.7%

LAB 85.1, -50.04, 46.27

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 49 / 0 / 30 / 8

HEX #79EBA5

RGB 121 235 165

HSL 143.16, 0.74%, 0.7%

LAB 85.1, -47.85, 24.2

 

CMYK 49 / 0 / 17 / 8

HEX #79EBC3

RGB 121 235 195

HSL 158.95, 0.74%, 0.7%

LAB 85.72, -41.8, 9.48

 

CMYK 78 / 0 / 68 / 12

HEX #32E047

RGB 50 224 71

HSL 127.24, 0.74%, 0.54%

LAB 78.72, -71.25, 60.16

 

CMYK 63 / 0 / 55 / 10

HEX #55E567

RGB 85 229 103

HSL 127.5, 0.73%, 0.62%

LAB 81.26, -63.56, 49.62

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 35 / 0 / 30 / 6

HEX #9DF0A7

RGB 157 240 167

HSL 127.23, 0.73%, 0.78%

LAB 88.1, -39.67, 27.52

 

CMYK 21 / 0 / 18 / 4

HEX #C1F5C8

RGB 193 245 200

HSL 128.08, 0.72%, 0.86%

LAB 92.05, -25.05, 16.34

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 49 / 15 / 0 / 8

HEX #79C7EB

RGB 121 199 235

HSL 198.95, 0.74%, 0.7%

LAB 76.62, -14.5, -25.28

 

CMYK 0 / 49 / 35 / 8

HEX #EB7999

RGB 235 121 153

HSL 343.16, 0.74%, 0.7%

LAB 64.67, 47.23, 3.19

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 43 / 49 / 0 / 8

HEX #8779EB

RGB 135 121 235

HSL 247.37, 0.74%, 0.7%

LAB 56.9, 32.96, -56.05

 

CMYK 0 / 43 / 49 / 8

HEX #EB8779

RGB 235 135 121

HSL 7.37, 0.74%, 0.7%

LAB 66.8, 36.72, 24.23

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 49 / 15 / 0 / 8

HEX #79C7EB

RGB 121 199 235

HSL 198.95, 0.74%, 0.7%

LAB 76.62, -14.5, -25.28

 

CMYK 0 / 49 / 6 / 8

HEX #EB79DD

RGB 235 121 221

HSL 307.37, 0.74%, 0.7%

LAB 66.94, 56.98, -31.73

 

CMYK 0 / 33 / 49 / 8

HEX #EB9D79

RGB 235 157 121

HSL 18.95, 0.74%, 0.7%

LAB 71.66, 25.16, 30.67

 

CMYK 49 / 0 / 43 / 8

HEX #79EB87

RGB 121 235 135

HSL 127.37, 0.74%, 0.7%

LAB 84.6, -52.89, 38.7

 

CMYK 49 / 30 / 0 / 8

HEX #79A5EB

RGB 121 165 235

HSL 216.84, 0.74%, 0.7%

LAB 67.26, 4.02, -39.75

 

CMYK 0 / 49 / 6 / 8

HEX #EB79DD

RGB 235 121 221

HSL 307.37, 0.74%, 0.7%

LAB 66.94, 56.98, -31.73

 

CMYK 0 / 19 / 49 / 8

HEX #EBBF79

RGB 235 191 121

HSL 36.84, 0.74%, 0.7%

LAB 79.79, 7.15, 41.09

 

Description

Color code: HEX #79EB87 | qconv.com Color code: HEX #79EB87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 235 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 235 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 43 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 43% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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