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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79ED77 it is the complementary color #861288. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79ED77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79ED77 shade: #7EED72, #8FFF85, #A0FF98, #B1FFAB and #C2FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79ED77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79ED77 shade: #79ED77, #68DB64, #57C951, #46B73E and #35A52B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79ED77 shade: #79ED77, #99ED77, #B9ED77, #D8ED77 and #EDE277

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79ED77 shade: #79ED77, #77ED95, #77EDB5, #77EDD4 and #77E6ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79ED77 shade matches the following richer shades: #79ED77 and #6DF96B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79ED77 shade: #79ED77, #85E183, #91D490, #9DC89C and #A9BBA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79ED77 shade: #BAED77, #9AED77, #7BED77, #77ED93 and #77EDB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79ED77 shade: #31E32E, #55E853, #79ED77, #9DF29C and #C1F6C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79ED77 shade: #79ED77, #77D9ED and #ED77AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79ED77 shade: #79ED77, #777BED and #ED777B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79ED77 shade: #79ED77, #77D9ED, #E977ED and #ED8B77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79ED77 shade: #79ED77, #77B6ED, #E977ED and #EDAE77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

Complementary color

CMYK 1 / 87 / 0 / 47

HEX #861288

RGB 134 18 136

HSL 298.98, 0.77%, 0.3%

LAB 32.43, 58.35, -37.2

 

CMYK 47 / 0 / 52 / 7

HEX #7EED72

RGB 126 237 114

HSL 114.15, 0.77%, 0.69%

LAB 85.11, -55.2, 49.47

 

CMYK 44 / 0 / 48 / 0

HEX #8FFF85

RGB 143 255 133

HSL 115.08, 1%, 0.76%

LAB 91.26, -55.17, 48.26

 

CMYK 37 / 0 / 40 / 0

HEX #A0FF98

RGB 160 255 152

HSL 115.34, 1%, 0.8%

LAB 92.25, -47.61, 40.54

 

CMYK 31 / 0 / 33 / 0

HEX #B1FFAB

RGB 177 255 171

HSL 115.71, 1%, 0.84%

LAB 93.37, -39.55, 32.76

 

CMYK 24 / 0 / 25 / 0

HEX #C2FFBE

RGB 194 255 190

HSL 116.31, 1%, 0.87%

LAB 94.61, -31.13, 25.03

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 53 / 0 / 54 / 14

HEX #68DB64

RGB 104 219 100

HSL 117.98, 0.62%, 0.63%

LAB 78.77, -55.85, 48.16

 

CMYK 57 / 0 / 60 / 21

HEX #57C951

RGB 87 201 81

HSL 117, 0.53%, 0.55%

LAB 72.49, -55.6, 49.35

 

CMYK 62 / 0 / 66 / 28

HEX #46B73E

RGB 70 183 62

HSL 116.03, 0.49%, 0.48%

LAB 66.15, -55.08, 50.39

 

CMYK 68 / 0 / 74 / 35

HEX #35A52B

RGB 53 165 43

HSL 115.08, 0.59%, 0.41%

LAB 59.75, -54.15, 51.05

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 35 / 0 / 50 / 7

HEX #99ED77

RGB 153 237 119

HSL 102.71, 0.77%, 0.7%

LAB 86.34, -46.44, 48.9

 

CMYK 22 / 0 / 50 / 7

HEX #B9ED77

RGB 185 237 119

HSL 86.44, 0.77%, 0.7%

LAB 88.07, -35.44, 51.4

 

CMYK 9 / 0 / 50 / 7

HEX #D8ED77

RGB 216 237 119

HSL 70.68, 0.77%, 0.7%

LAB 90.09, -23.81, 54.3

 

CMYK 0 / 5 / 50 / 7

HEX #EDE277

RGB 237 226 119

HSL 54.41, 0.77%, 0.7%

LAB 88.79, -10.17, 53.14

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 50 / 0 / 37 / 7

HEX #77ED95

RGB 119 237 149

HSL 135.25, 0.77%, 0.7%

LAB 85.33, -52, 32.65

 

CMYK 50 / 0 / 24 / 7

HEX #77EDB5

RGB 119 237 181

HSL 151.53, 0.77%, 0.7%

LAB 85.92, -46.09, 17.05

 

CMYK 50 / 0 / 11 / 7

HEX #77EDD4

RGB 119 237 212

HSL 167.29, 0.77%, 0.7%

LAB 86.62, -39.32, 1.87

 

CMYK 50 / 3 / 0 / 7

HEX #77E6ED

RGB 119 230 237

HSL 183.56, 0.77%, 0.7%

LAB 85.32, -29.9, -13.21

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 56 / 0 / 57 / 2

HEX #6DF96B

RGB 109 249 107

HSL 119.15, 0.92%, 0.7%

LAB 88, -64.92, 55.93

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 41 / 0 / 42 / 12

HEX #85E183

RGB 133 225 131

HSL 118.72, 0.61%, 0.7%

LAB 82.1, -45.98, 37.56

 

CMYK 32 / 0 / 32 / 17

HEX #91D490

RGB 145 212 144

HSL 119.12, 0.44%, 0.7%

LAB 79.11, -34.47, 27.11

 

CMYK 22 / 0 / 22 / 22

HEX #9DC89C

RGB 157 200 156

HSL 118.64, 0.29%, 0.7%

LAB 76.6, -22.72, 17.46

 

CMYK 10 / 0 / 10 / 27

HEX #A9BBA9

RGB 169 187 169

HSL 120, 0.12%, 0.7%

LAB 74.09, -9.62, 7.01

 

CMYK 22 / 0 / 50 / 7

HEX #BAED77

RGB 186 237 119

HSL 85.93, 0.77%, 0.7%

LAB 88.13, -35.08, 51.49

 

CMYK 35 / 0 / 50 / 7

HEX #9AED77

RGB 154 237 119

HSL 102.2, 0.77%, 0.7%

LAB 86.39, -46.12, 48.97

 

CMYK 48 / 0 / 50 / 7

HEX #7BED77

RGB 123 237 119

HSL 117.97, 0.77%, 0.7%

LAB 85.05, -55.39, 47.03

 

CMYK 50 / 0 / 38 / 7

HEX #77ED93

RGB 119 237 147

HSL 134.24, 0.77%, 0.7%

LAB 85.3, -52.33, 33.62

 

CMYK 50 / 0 / 25 / 7

HEX #77EDB2

RGB 119 237 178

HSL 150, 0.77%, 0.7%

LAB 85.86, -46.69, 18.52

 

CMYK 78 / 0 / 80 / 11

HEX #31E32E

RGB 49 227 46

HSL 119.01, 0.76%, 0.54%

LAB 79.49, -74.12, 69.26

 

CMYK 63 / 0 / 64 / 9

HEX #55E853

RGB 85 232 83

HSL 119.19, 0.76%, 0.62%

LAB 81.98, -66.84, 59.14

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 35 / 0 / 36 / 5

HEX #9DF29C

RGB 157 242 156

HSL 119.3, 0.77%, 0.78%

LAB 88.48, -42.32, 33.6

 

CMYK 22 / 0 / 22 / 4

HEX #C1F6C0

RGB 193 246 192

HSL 118.89, 0.75%, 0.86%

LAB 92.16, -26.89, 20.6

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 50 / 8 / 0 / 7

HEX #77D9ED

RGB 119 217 237

HSL 190.17, 0.77%, 0.7%

LAB 81.65, -23.56, -18.72

 

CMYK 0 / 50 / 28 / 7

HEX #ED77AA

RGB 237 119 170

HSL 334.07, 0.77%, 0.7%

LAB 65.04, 50.99, -5.91

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 50 / 48 / 0 / 7

HEX #777BED

RGB 119 123 237

HSL 237.97, 0.77%, 0.7%

LAB 56.29, 28.75, -58.22

 

CMYK 0 / 50 / 48 / 7

HEX #ED777B

RGB 237 119 123

HSL 357.97, 0.77%, 0.7%

LAB 63.86, 45.76, 19.17

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 50 / 8 / 0 / 7

HEX #77D9ED

RGB 119 217 237

HSL 190.17, 0.77%, 0.7%

LAB 81.65, -23.56, -18.72

 

CMYK 2 / 50 / 0 / 7

HEX #E977ED

RGB 233 119 237

HSL 297.97, 0.77%, 0.7%

LAB 67, 60.13, -40.52

 

CMYK 0 / 41 / 50 / 7

HEX #ED8B77

RGB 237 139 119

HSL 10.17, 0.77%, 0.7%

LAB 67.87, 35.22, 26.81

 

CMYK 49 / 0 / 50 / 7

HEX #79ED77

RGB 121 237 119

HSL 118.98, 0.77%, 0.7%

LAB 84.98, -55.93, 46.92

 

CMYK 50 / 23 / 0 / 7

HEX #77B6ED

RGB 119 182 237

HSL 207.97, 0.77%, 0.7%

LAB 71.89, -5.32, -33.65

 

CMYK 2 / 50 / 0 / 7

HEX #E977ED

RGB 233 119 237

HSL 297.97, 0.77%, 0.7%

LAB 67, 60.13, -40.52

 

CMYK 0 / 27 / 50 / 7

HEX #EDAE77

RGB 237 174 119

HSL 27.97, 0.77%, 0.7%

LAB 75.83, 16.74, 37.15

 

Description

Color code: HEX #79ED77 | qconv.com Color code: HEX #79ED77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 237 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 237 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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