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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79EED1 it is the complementary color #86112E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79EED1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79EED1 shade: #7EEECC, #8FFFDF, #A0FFF2, #B1FFFF and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79EED1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79EED1 shade: #79EED1, #68DCBE, #57CAAB, #46B898 and #35A685

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79EED1 shade: #77EDD0, #77EDB0, #77ED90, #7EED77 and #9EED77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79EED1 shade: #77EDD0, #77EAED, #77CBED, #77ABED and #778BED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79EED1 shade matches the following richer shades: #77EDD0 and #6BF9D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79EED1 shade: #77EDD0, #83E1C9, #90D4C3, #9CC8BD and #A9BBB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79EED1 shade: #77ED91, #77EDB0, #77EDCF, #77EBED and #77CCED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79EED1 shade: #2EE3B6, #53E8C3, #77EDD0, #9CF2DC and #C0F6E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79EED1 shade: #79EED1, #777DED and #EDA077

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79EED1 shade: #79EED1, #CF77ED and #EDCF77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79EED1 shade: #79EED1, #777DED, #ED7795 and #EDE777

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79EED1 shade: #79EED1, #9577ED, #ED7795 and #CFED77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 12 / 7

HEX #79EED1

RGB 121 238 209

HSL 165.13, 0.77%, 0.7%

LAB 86.91, -40.02, 3.86

 

Complementary color

CMYK 0 / 87 / 66 / 47

HEX #86112E

RGB 134 17 46

HSL 345.13, 0.77%, 0.3%

LAB 28.55, 48.06, 15.59

 

CMYK 47 / 0 / 14 / 7

HEX #7EEECC

RGB 126 238 204

HSL 161.79, 0.77%, 0.71%

LAB 86.97, -40, 6.59

 

CMYK 44 / 0 / 13 / 0

HEX #8FFFDF

RGB 143 255 223

HSL 162.86, 1%, 0.78%

LAB 92.88, -39.41, 5.32

 

CMYK 37 / 0 / 5 / 0

HEX #A0FFF2

RGB 160 255 242

HSL 171.79, 1%, 0.81%

LAB 94.06, -30.99, -2.69

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 49 / 0 / 12 / 7

HEX #79EED1

RGB 121 238 209

HSL 165.13, 0.77%, 0.7%

LAB 86.91, -40.02, 3.86

 

CMYK 53 / 0 / 14 / 14

HEX #68DCBE

RGB 104 220 190

HSL 164.48, 0.62%, 0.64%

LAB 80.65, -40.06, 4.76

 

CMYK 57 / 0 / 15 / 21

HEX #57CAAB

RGB 87 202 171

HSL 163.83, 0.52%, 0.57%

LAB 74.32, -40.04, 5.73

 

CMYK 62 / 0 / 17 / 28

HEX #46B898

RGB 70 184 152

HSL 163.16, 0.45%, 0.5%

LAB 67.91, -39.9, 6.79

 

CMYK 68 / 0 / 20 / 35

HEX #35A685

RGB 53 166 133

HSL 162.48, 0.52%, 0.43%

LAB 61.41, -39.6, 7.96

 

CMYK 50 / 0 / 12 / 7

HEX #77EDD0

RGB 119 237 208

HSL 165.25, 0.77%, 0.7%

LAB 86.53, -40.25, 3.82

 

CMYK 50 / 0 / 26 / 7

HEX #77EDB0

RGB 119 237 176

HSL 148.98, 0.77%, 0.7%

LAB 85.82, -47.08, 19.5

 

CMYK 50 / 0 / 39 / 7

HEX #77ED90

RGB 119 237 144

HSL 132.71, 0.77%, 0.7%

LAB 85.25, -52.82, 35.06

 

CMYK 47 / 0 / 50 / 7

HEX #7EED77

RGB 126 237 119

HSL 116.44, 0.77%, 0.7%

LAB 85.17, -54.57, 47.2

 

CMYK 33 / 0 / 50 / 7

HEX #9EED77

RGB 158 237 119

HSL 100.17, 0.77%, 0.7%

LAB 86.59, -44.81, 49.26

 

CMYK 50 / 0 / 12 / 7

HEX #77EDD0

RGB 119 237 208

HSL 165.25, 0.77%, 0.7%

LAB 86.53, -40.25, 3.82

 

CMYK 50 / 1 / 0 / 7

HEX #77EAED

RGB 119 234 237

HSL 181.53, 0.77%, 0.7%

LAB 86.45, -31.81, -11.52

 

CMYK 50 / 14 / 0 / 7

HEX #77CBED

RGB 119 203 237

HSL 197.29, 0.77%, 0.7%

LAB 77.73, -16.47, -24.68

 

CMYK 50 / 28 / 0 / 7

HEX #77ABED

RGB 119 171 237

HSL 213.56, 0.77%, 0.7%

LAB 68.87, 0.77, -38.34

 

CMYK 50 / 41 / 0 / 7

HEX #778BED

RGB 119 139 237

HSL 229.83, 0.77%, 0.7%

LAB 60.34, 19.24, -51.76

 

CMYK 50 / 0 / 12 / 7

HEX #77EDD0

RGB 119 237 208

HSL 165.25, 0.77%, 0.7%

LAB 86.53, -40.25, 3.82

 

CMYK 57 / 0 / 14 / 2

HEX #6BF9D6

RGB 107 249 214

HSL 165.21, 0.92%, 0.7%

LAB 89.73, -46.61, 5.29

 

CMYK 50 / 0 / 12 / 7

HEX #77EDD0

RGB 119 237 208

HSL 165.25, 0.77%, 0.7%

LAB 86.53, -40.25, 3.82

 

CMYK 42 / 0 / 11 / 12

HEX #83E1C9

RGB 131 225 201

HSL 164.68, 0.61%, 0.7%

LAB 83.39, -33.48, 3.01

 

CMYK 32 / 0 / 8 / 17

HEX #90D4C3

RGB 144 212 195

HSL 165, 0.44%, 0.7%

LAB 80.16, -25.07, 1.58

 

CMYK 22 / 0 / 5 / 22

HEX #9CC8BD

RGB 156 200 189

HSL 165, 0.29%, 0.7%

LAB 77.31, -16.74, 0.74

 

CMYK 10 / 0 / 2 / 27

HEX #A9BBB7

RGB 169 187 183

HSL 166.67, 0.12%, 0.7%

LAB 74.44, -6.95, -0.09

 

CMYK 50 / 0 / 39 / 7

HEX #77ED91

RGB 119 237 145

HSL 133.22, 0.77%, 0.7%

LAB 85.27, -52.66, 34.58

 

CMYK 50 / 0 / 26 / 7

HEX #77EDB0

RGB 119 237 176

HSL 148.98, 0.77%, 0.7%

LAB 85.82, -47.08, 19.5

 

CMYK 50 / 0 / 13 / 7

HEX #77EDCF

RGB 119 237 207

HSL 164.75, 0.77%, 0.7%

LAB 86.5, -40.48, 4.31

 

CMYK 50 / 1 / 0 / 7

HEX #77EBED

RGB 119 235 237

HSL 181.02, 0.77%, 0.7%

LAB 86.73, -32.28, -11.1

 

CMYK 50 / 14 / 0 / 7

HEX #77CCED

RGB 119 204 237

HSL 196.78, 0.77%, 0.7%

LAB 78.01, -16.99, -24.25

 

CMYK 80 / 0 / 20 / 11

HEX #2EE3B6

RGB 46 227 182

HSL 165.08, 0.76%, 0.54%

LAB 81.23, -53.9, 9.66

 

CMYK 64 / 0 / 16 / 9

HEX #53E8C3

RGB 83 232 195

HSL 165.1, 0.76%, 0.62%

LAB 83.7, -48.08, 6.43

 

CMYK 50 / 0 / 12 / 7

HEX #77EDD0

RGB 119 237 208

HSL 165.25, 0.77%, 0.7%

LAB 86.53, -40.25, 3.82

 

CMYK 36 / 0 / 9 / 5

HEX #9CF2DC

RGB 156 242 220

HSL 164.65, 0.77%, 0.78%

LAB 89.74, -30.74, 2.4

 

CMYK 22 / 0 / 5 / 4

HEX #C0F6E9

RGB 192 246 233

HSL 165.56, 0.75%, 0.86%

LAB 93.01, -19.65, 0.64

 

CMYK 49 / 0 / 12 / 7

HEX #79EED1

RGB 121 238 209

HSL 165.13, 0.77%, 0.7%

LAB 86.91, -40.02, 3.86

 

CMYK 50 / 47 / 0 / 7

HEX #777DED

RGB 119 125 237

HSL 236.95, 0.77%, 0.7%

LAB 56.79, 27.56, -57.42

 

CMYK 0 / 32 / 50 / 7

HEX #EDA077

RGB 237 160 119

HSL 20.85, 0.77%, 0.7%

LAB 72.55, 24.17, 32.94

 

CMYK 49 / 0 / 12 / 7

HEX #79EED1

RGB 121 238 209

HSL 165.13, 0.77%, 0.7%

LAB 86.91, -40.02, 3.86

 

CMYK 13 / 50 / 0 / 7

HEX #CF77ED

RGB 207 119 237

HSL 284.75, 0.77%, 0.7%

LAB 63.81, 53.08, -45.75

 

CMYK 0 / 13 / 50 / 7

HEX #EDCF77

RGB 237 207 119

HSL 44.75, 0.77%, 0.7%

LAB 83.95, -0.54, 47.28

 

CMYK 49 / 0 / 12 / 7

HEX #79EED1

RGB 121 238 209

HSL 165.13, 0.77%, 0.7%

LAB 86.91, -40.02, 3.86

 

CMYK 50 / 47 / 0 / 7

HEX #777DED

RGB 119 125 237

HSL 236.95, 0.77%, 0.7%

LAB 56.79, 27.56, -57.42

 

CMYK 0 / 50 / 37 / 7

HEX #ED7795

RGB 237 119 149

HSL 344.75, 0.77%, 0.7%

LAB 64.46, 48.44, 5.2

 

CMYK 0 / 3 / 50 / 7

HEX #EDE777

RGB 237 231 119

HSL 56.95, 0.77%, 0.7%

LAB 90.09, -12.65, 54.68

 

CMYK 49 / 0 / 12 / 7

HEX #79EED1

RGB 121 238 209

HSL 165.13, 0.77%, 0.7%

LAB 86.91, -40.02, 3.86

 

CMYK 37 / 50 / 0 / 7

HEX #9577ED

RGB 149 119 237

HSL 255.25, 0.77%, 0.7%

LAB 57.75, 38.02, -55.75

 

CMYK 0 / 50 / 37 / 7

HEX #ED7795

RGB 237 119 149

HSL 344.75, 0.77%, 0.7%

LAB 64.46, 48.44, 5.2

 

CMYK 13 / 0 / 50 / 7

HEX #CFED77

RGB 207 237 119

HSL 75.25, 0.77%, 0.7%

LAB 89.47, -27.26, 53.41

 

Description

Color code: HEX #79EED1 | qconv.com Color code: HEX #79EED1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 238 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 238 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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