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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CA7CE it is the complementary color #835831. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CA7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CA7CE shade: #81A7C9, #92B9DC, #A3CBEF, #B4DDFF and #C5EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CA7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CA7CE shade: #7CA7CE, #6B95BB, #5A83A8, #497195 and #385F82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CA7CE shade: #7CA7CE, #7C91CE, #7D7CCE, #947CCE and #AA7CCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CA7CE shade: #7CA7CE, #7C91CE and #7C7CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CA7CE shade matches the following richer shades: #7CA7CE, #6EA8DD, #5FA9EB and #51A9FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CA7CE shade: #7CA7CE, #8BA7C0, #99A6B1, #A8A5A3 and #B6A495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CA7CE shade: #7CCEC9, #7CBECE, #7CA8CE, #7C92CE and #7C7CCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CA7CE shade: #437FB5, #5E93C3, #7CA7CE, #9ABBD9 and #B8D0E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CA7CE shade: #7CA7CE, #B37CCE and #C9CE7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CA7CE shade: #7CA7CE, #CE7CA8 and #A8CE7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CA7CE shade: #7CA7CE, #B37CCE, #CEA37C and #98CE7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CA7CE shade: #7CA7CE, #CC7CCE, #CEA37C and #7FCE7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

Complementary color

CMYK 0 / 33 / 63 / 49

HEX #835831

RGB 131 88 49

HSL 28.54, 0.46%, 0.35%

LAB 41.26, 13.46, 29.47

 

CMYK 36 / 17 / 0 / 21

HEX #81A7C9

RGB 129 167 201

HSL 208.33, 0.4%, 0.65%

LAB 66.92, -4.51, -21.51

 

CMYK 34 / 16 / 0 / 14

HEX #92B9DC

RGB 146 185 220

HSL 208.38, 0.51%, 0.72%

LAB 73.53, -4.7, -21.77

 

CMYK 32 / 15 / 0 / 6

HEX #A3CBEF

RGB 163 203 239

HSL 208.42, 0.7%, 0.79%

LAB 80.03, -4.87, -22.04

 

CMYK 29 / 13 / 0 / 0

HEX #B4DDFF

RGB 180 221 255

HSL 207.2, 1%, 0.85%

LAB 86.32, -5.73, -20.89

 

CMYK 23 / 6 / 0 / 0

HEX #C5EFFF

RGB 197 239 255

HSL 196.55, 1%, 0.89%

LAB 92.05, -10.07, -12.18

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 43 / 20 / 0 / 27

HEX #6B95BB

RGB 107 149 187

HSL 208.5, 0.37%, 0.58%

LAB 60.08, -4.26, -24.26

 

CMYK 46 / 22 / 0 / 34

HEX #5A83A8

RGB 90 131 168

HSL 208.46, 0.31%, 0.51%

LAB 53.2, -3.9, -24.07

 

CMYK 51 / 24 / 0 / 42

HEX #497195

RGB 73 113 149

HSL 208.42, 0.34%, 0.44%

LAB 46.17, -3.44, -23.9

 

CMYK 57 / 27 / 0 / 49

HEX #385F82

RGB 56 95 130

HSL 208.38, 0.4%, 0.36%

LAB 38.96, -2.83, -23.76

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 40 / 30 / 0 / 19

HEX #7C91CE

RGB 124 145 206

HSL 224.63, 0.46%, 0.65%

LAB 60.77, 7.9, -33.78

 

CMYK 39 / 40 / 0 / 19

HEX #7D7CCE

RGB 125 124 206

HSL 240.73, 0.46%, 0.65%

LAB 55.31, 20.52, -42.34

 

CMYK 28 / 40 / 0 / 19

HEX #947CCE

RGB 148 124 206

HSL 257.56, 0.46%, 0.65%

LAB 57.24, 26.86, -39.18

 

CMYK 17 / 40 / 0 / 19

HEX #AA7CCE

RGB 170 124 206

HSL 273.66, 0.46%, 0.65%

LAB 59.36, 33.31, -35.7

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 40 / 30 / 0 / 19

HEX #7C91CE

RGB 124 145 206

HSL 224.63, 0.46%, 0.65%

LAB 60.77, 7.9, -33.78

 

CMYK 40 / 40 / 0 / 19

HEX #7C7CCE

RGB 124 124 206

HSL 240, 0.46%, 0.65%

LAB 55.23, 20.26, -42.47

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 50 / 24 / 0 / 13

HEX #6EA8DD

RGB 110 168 221

HSL 208.65, 0.62%, 0.65%

LAB 66.93, -4.33, -32.61

 

CMYK 60 / 28 / 0 / 8

HEX #5FA9EB

RGB 95 169 235

HSL 208.29, 0.78%, 0.65%

LAB 67.13, -3.73, -40.04

 

CMYK 68 / 32 / 0 / 2

HEX #51A9FA

RGB 81 169 250

HSL 208.76, 0.94%, 0.65%

LAB 67.3, -1.22, -48

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 28 / 13 / 0 / 25

HEX #8BA7C0

RGB 139 167 192

HSL 208.3, 0.3%, 0.65%

LAB 67.23, -3.86, -15.99

 

CMYK 14 / 6 / 0 / 31

HEX #99A6B1

RGB 153 166 177

HSL 207.5, 0.13%, 0.65%

LAB 67.44, -2.27, -7.23

 

CMYK 0 / 2 / 3 / 34

HEX #A8A5A3

RGB 168 165 163

HSL 24, 0.03%, 0.65%

LAB 67.93, 0.71, 1.41

 

CMYK 0 / 10 / 18 / 29

HEX #B6A495

RGB 182 164 149

HSL 27.27, 0.18%, 0.65%

LAB 68.51, 4.05, 10.16

 

CMYK 40 / 0 / 2 / 19

HEX #7CCEC9

RGB 124 206 201

HSL 176.34, 0.46%, 0.65%

LAB 77.66, -26.16, -5.4

 

CMYK 40 / 8 / 0 / 19

HEX #7CBECE

RGB 124 190 206

HSL 191.71, 0.46%, 0.65%

LAB 73.26, -16.85, -14.66

 

CMYK 40 / 18 / 0 / 19

HEX #7CA8CE

RGB 124 168 206

HSL 207.8, 0.46%, 0.65%

LAB 67.09, -5.1, -24.04

 

CMYK 40 / 29 / 0 / 19

HEX #7C92CE

RGB 124 146 206

HSL 223.9, 0.46%, 0.65%

LAB 61.04, 7.33, -33.36

 

CMYK 40 / 40 / 0 / 19

HEX #7C7CCE

RGB 124 124 206

HSL 240, 0.46%, 0.65%

LAB 55.23, 20.26, -42.47

 

CMYK 63 / 30 / 0 / 29

HEX #437FB5

RGB 67 127 181

HSL 208.42, 0.46%, 0.49%

LAB 51.51, -2.55, -34.29

 

CMYK 52 / 25 / 0 / 24

HEX #5E93C3

RGB 94 147 195

HSL 208.51, 0.46%, 0.57%

LAB 59.15, -3.98, -30.26

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 29 / 14 / 0 / 15

HEX #9ABBD9

RGB 154 187 217

HSL 208.57, 0.45%, 0.73%

LAB 74.46, -4.23, -18.68

 

CMYK 20 / 9 / 0 / 10

HEX #B8D0E5

RGB 184 208 229

HSL 208, 0.46%, 0.81%

LAB 82.36, -3.63, -13.06

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 13 / 40 / 0 / 19

HEX #B37CCE

RGB 179 124 206

HSL 280.24, 0.46%, 0.65%

LAB 60.3, 36.01, -34.17

 

CMYK 2 / 0 / 40 / 19

HEX #C9CE7C

RGB 201 206 124

HSL 63.66, 0.46%, 0.65%

LAB 80.75, -13.93, 40.17

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 0 / 40 / 18 / 19

HEX #CE7CA8

RGB 206 124 168

HSL 327.8, 0.46%, 0.65%

LAB 61.97, 37.78, -9.78

 

CMYK 18 / 0 / 40 / 19

HEX #A8CE7C

RGB 168 206 124

HSL 87.8, 0.46%, 0.65%

LAB 78.42, -26.56, 36.72

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 13 / 40 / 0 / 19

HEX #B37CCE

RGB 179 124 206

HSL 280.24, 0.46%, 0.65%

LAB 60.3, 36.01, -34.17

 

CMYK 0 / 21 / 40 / 19

HEX #CEA37C

RGB 206 163 124

HSL 28.54, 0.46%, 0.65%

LAB 70.02, 10.65, 26.3

 

CMYK 26 / 0 / 40 / 19

HEX #98CE7C

RGB 152 206 124

HSL 99.51, 0.46%, 0.65%

LAB 77.44, -32.32, 35.27

 

CMYK 40 / 19 / 0 / 19

HEX #7CA7CE

RGB 124 167 206

HSL 208.54, 0.46%, 0.65%

LAB 66.81, -4.55, -24.46

 

CMYK 1 / 40 / 0 / 19

HEX #CC7CCE

RGB 204 124 206

HSL 298.54, 0.46%, 0.65%

LAB 63.1, 43.62, -29.6

 

CMYK 0 / 21 / 40 / 19

HEX #CEA37C

RGB 206 163 124

HSL 28.54, 0.46%, 0.65%

LAB 70.02, 10.65, 26.3

 

CMYK 38 / 0 / 40 / 19

HEX #7FCE7C

RGB 127 206 124

HSL 117.8, 0.46%, 0.65%

LAB 76.14, -40.6, 33.32

 

Description

Color code: HEX #7CA7CE | qconv.com Color code: HEX #7CA7CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 167 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 167 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 19 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 19% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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