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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CA9F8 it is the complementary color #835607. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CA9F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CA9F8 shade: #81A9F3, #92BBFF, #A3CDFF, #B4DFFF and #C5F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CA9F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CA9F8 shade: #7CA9F8, #6B97E5, #5A85D2, #4973BF and #3861AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CA9F8 shade: #7CA9F8, #7C87F8, #927CF8, #B37CF8 and #D47CF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CA9F8 shade: #7CA9F8, #7C87F8 and #7C7CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CA9F8 shade matches the following richer shades: #7CA9F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CA9F8 shade: #7CA9F8, #87ACEC, #92AFE1, #9DB2D6 and #A8B5CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CA9F8 shade: #7CEBF8, #7CCAF8, #7CA9F8, #7C88F8 and #907CF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CA9F8 shade: #2D75F3, #548FF6, #7CA9F8, #A3C2FA and #CADCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CA9F8 shade: #7CA9F8, #E37CF8 and #DBF87C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CA9F8 shade: #7CA9F8, #F87CA9 and #A9F87C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CA9F8 shade: #7CA9F8, #E37CF8, #F8CA7C and #90F87C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CA9F8 shade: #7CA9F8, #F87CE7, #F8CA7C and #7CF88C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

Complementary color

CMYK 0 / 34 / 95 / 49

HEX #835607

RGB 131 86 7

HSL 38.23, 0.9%, 0.27%

LAB 40.4, 12.67, 46.78

 

CMYK 47 / 30 / 0 / 5

HEX #81A9F3

RGB 129 169 243

HSL 218.95, 0.83%, 0.73%

LAB 69.12, 5.97, -41.17

 

CMYK 43 / 27 / 0 / 0

HEX #92BBFF

RGB 146 187 255

HSL 217.43, 1%, 0.79%

LAB 75.37, 3.43, -37.85

 

CMYK 36 / 20 / 0 / 0

HEX #A3CDFF

RGB 163 205 255

HSL 212.61, 1%, 0.82%

LAB 81.11, -1.96, -28.92

 

CMYK 29 / 13 / 0 / 0

HEX #B4DFFF

RGB 180 223 255

HSL 205.6, 1%, 0.85%

LAB 86.85, -6.76, -20.1

 

CMYK 23 / 5 / 0 / 0

HEX #C5F1FF

RGB 197 241 255

HSL 194.48, 1%, 0.89%

LAB 92.58, -11.09, -11.4

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 53 / 34 / 0 / 10

HEX #6B97E5

RGB 107 151 229

HSL 218.36, 0.7%, 0.66%

LAB 62.44, 7.09, -44.06

 

CMYK 57 / 37 / 0 / 18

HEX #5A85D2

RGB 90 133 210

HSL 218.5, 0.57%, 0.59%

LAB 55.69, 8.07, -44.15

 

CMYK 62 / 40 / 0 / 25

HEX #4973BF

RGB 73 115 191

HSL 218.64, 0.48%, 0.52%

LAB 48.81, 9.28, -44.28

 

CMYK 67 / 44 / 0 / 33

HEX #3861AC

RGB 56 97 172

HSL 218.79, 0.51%, 0.45%

LAB 41.8, 10.8, -44.44

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 50 / 46 / 0 / 3

HEX #7C87F8

RGB 124 135 248

HSL 234.68, 0.9%, 0.73%

LAB 60.24, 26.04, -57.97

 

CMYK 41 / 50 / 0 / 3

HEX #927CF8

RGB 146 124 248

HSL 250.65, 0.9%, 0.73%

LAB 59.25, 37.41, -59.45

 

CMYK 28 / 50 / 0 / 3

HEX #B37CF8

RGB 179 124 248

HSL 266.61, 0.9%, 0.73%

LAB 62.32, 45.49, -54.38

 

CMYK 15 / 50 / 0 / 3

HEX #D47CF8

RGB 212 124 248

HSL 282.58, 0.9%, 0.73%

LAB 65.9, 54.1, -48.49

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 50 / 46 / 0 / 3

HEX #7C87F8

RGB 124 135 248

HSL 234.68, 0.9%, 0.73%

LAB 60.24, 26.04, -57.97

 

CMYK 50 / 50 / 0 / 3

HEX #7C7CF8

RGB 124 124 248

HSL 240, 0.9%, 0.73%

LAB 57.54, 32.53, -62.3

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 43 / 27 / 0 / 7

HEX #87ACEC

RGB 135 172 236

HSL 218.02, 0.73%, 0.73%

LAB 69.97, 3.76, -36.01

 

CMYK 35 / 22 / 0 / 12

HEX #92AFE1

RGB 146 175 225

HSL 217.97, 0.57%, 0.73%

LAB 71.01, 2.04, -28.34

 

CMYK 27 / 17 / 0 / 16

HEX #9DB2D6

RGB 157 178 214

HSL 217.89, 0.41%, 0.73%

LAB 72.14, 0.82, -20.55

 

CMYK 17 / 11 / 0 / 20

HEX #A8B5CB

RGB 168 181 203

HSL 217.71, 0.25%, 0.73%

LAB 73.34, 0.09, -12.65

 

CMYK 50 / 5 / 0 / 3

HEX #7CEBF8

RGB 124 235 248

HSL 186.29, 0.9%, 0.73%

LAB 87.23, -28.4, -16.11

 

CMYK 50 / 19 / 0 / 3

HEX #7CCAF8

RGB 124 202 248

HSL 202.26, 0.9%, 0.73%

LAB 78.05, -11.77, -30.05

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 50 / 45 / 0 / 3

HEX #7C88F8

RGB 124 136 248

HSL 234.19, 0.9%, 0.73%

LAB 60.49, 25.45, -57.57

 

CMYK 42 / 50 / 0 / 3

HEX #907CF8

RGB 144 124 248

HSL 249.68, 0.9%, 0.73%

LAB 59.09, 36.94, -59.73

 

CMYK 81 / 52 / 0 / 5

HEX #2D75F3

RGB 45 117 243

HSL 218.18, 0.89%, 0.56%

LAB 51.56, 23.17, -69.37

 

CMYK 66 / 42 / 0 / 4

HEX #548FF6

RGB 84 143 246

HSL 218.15, 0.9%, 0.65%

LAB 60.05, 13.04, -57.29

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 35 / 22 / 0 / 2

HEX #A3C2FA

RGB 163 194 250

HSL 218.62, 0.9%, 0.81%

LAB 78.04, 2.7, -30.97

 

CMYK 20 / 13 / 0 / 1

HEX #CADCFC

RGB 202 220 252

HSL 218.4, 0.89%, 0.89%

LAB 87.37, 0.56, -17.59

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 8 / 50 / 0 / 3

HEX #E37CF8

RGB 227 124 248

HSL 289.84, 0.9%, 0.73%

LAB 67.67, 58.1, -45.58

 

CMYK 12 / 0 / 50 / 3

HEX #DBF87C

RGB 219 248 124

HSL 74.03, 0.9%, 0.73%

LAB 93.3, -27.42, 55.87

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 0 / 50 / 32 / 3

HEX #F87CA9

RGB 248 124 169

HSL 338.23, 0.9%, 0.73%

LAB 67.45, 52.04, -1.62

 

CMYK 32 / 0 / 50 / 3

HEX #A9F87C

RGB 169 248 124

HSL 98.23, 0.9%, 0.73%

LAB 90.33, -45.32, 51.6

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 8 / 50 / 0 / 3

HEX #E37CF8

RGB 227 124 248

HSL 289.84, 0.9%, 0.73%

LAB 67.67, 58.1, -45.58

 

CMYK 0 / 19 / 50 / 3

HEX #F8CA7C

RGB 248 202 124

HSL 37.74, 0.9%, 0.73%

LAB 83.78, 6.93, 44.84

 

CMYK 42 / 0 / 50 / 3

HEX #90F87C

RGB 144 248 124

HSL 110.32, 0.9%, 0.73%

LAB 89.17, -53.19, 49.91

 

CMYK 50 / 32 / 0 / 3

HEX #7CA9F8

RGB 124 169 248

HSL 218.23, 0.9%, 0.73%

LAB 69.07, 6.28, -44

 

CMYK 0 / 50 / 7 / 3

HEX #F87CE7

RGB 248 124 231

HSL 308.23, 0.9%, 0.73%

LAB 69.57, 60.9, -33.06

 

CMYK 0 / 19 / 50 / 3

HEX #F8CA7C

RGB 248 202 124

HSL 37.74, 0.9%, 0.73%

LAB 83.78, 6.93, 44.84

 

CMYK 50 / 0 / 44 / 3

HEX #7CF88C

RGB 124 248 140

HSL 127.74, 0.9%, 0.73%

LAB 88.6, -56.55, 41.4

 

Description

Color code: HEX #7CA9F8 | qconv.com Color code: HEX #7CA9F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 169 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 169 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 32 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 32% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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