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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CB0CE it is the complementary color #834F31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CB0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CB0CE shade: #81B0C9, #92C2DC, #A3D4EF, #B4E6FF and #C5F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CB0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CB0CE shade: #7CB0CE, #6B9EBB, #5A8CA8, #497A95 and #386882

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CB0CE shade: #7CB0CE, #7C9ACE, #7C84CE, #8B7CCE and #A17CCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CB0CE shade: #7CB0CE, #7C9ACE, #7C84CE and #7C7CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CB0CE shade matches the following richer shades: #7CB0CE, #6EB4DD, #5FB8EB and #51BCFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CB0CE shade: #7CB0CE, #8BACC0, #99A9B1, #A8A5A3 and #B6A195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CB0CE shade: #7CCEBF, #7CC7CE, #7CB2CE, #7C9CCE and #7C86CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CB0CE shade: #438BB5, #5E9EC3, #7CB0CE, #9AC2D9 and #B8D4E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CB0CE shade: #7CB0CE, #A97CCE and #CECA7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CB0CE shade: #7CB0CE, #CE7CB2 and #B2CE7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CB0CE shade: #7CB0CE, #A97CCE, #CE997C and #A1CE7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CB0CE shade: #7CB0CE, #C27CCE, #CE997C and #89CE7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

Complementary color

CMYK 0 / 40 / 63 / 49

HEX #834F31

RGB 131 79 49

HSL 21.95, 0.46%, 0.35%

LAB 38.97, 18.77, 26.72

 

CMYK 36 / 12 / 0 / 21

HEX #81B0C9

RGB 129 176 201

HSL 200.83, 0.4%, 0.65%

LAB 69.42, -9.41, -17.7

 

CMYK 34 / 12 / 0 / 14

HEX #92C2DC

RGB 146 194 220

HSL 201.08, 0.51%, 0.72%

LAB 75.98, -9.51, -18.05

 

CMYK 32 / 11 / 0 / 6

HEX #A3D4EF

RGB 163 212 239

HSL 201.32, 0.7%, 0.79%

LAB 82.44, -9.59, -18.4

 

CMYK 29 / 10 / 0 / 0

HEX #B4E6FF

RGB 180 230 255

HSL 200, 1%, 0.85%

LAB 88.69, -10.37, -17.31

 

CMYK 23 / 3 / 0 / 0

HEX #C5F8FF

RGB 197 248 255

HSL 187.24, 1%, 0.89%

LAB 94.41, -14.59, -8.68

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 43 / 16 / 0 / 27

HEX #6B9EBB

RGB 107 158 187

HSL 201.75, 0.37%, 0.58%

LAB 62.65, -9.27, -20.32

 

CMYK 46 / 17 / 0 / 34

HEX #5A8CA8

RGB 90 140 168

HSL 201.54, 0.31%, 0.51%

LAB 55.84, -9.03, -20.02

 

CMYK 51 / 18 / 0 / 42

HEX #497A95

RGB 73 122 149

HSL 201.32, 0.34%, 0.44%

LAB 48.89, -8.71, -19.71

 

CMYK 57 / 20 / 0 / 49

HEX #386882

RGB 56 104 130

HSL 201.08, 0.4%, 0.36%

LAB 41.77, -8.27, -19.41

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 40 / 25 / 0 / 19

HEX #7C9ACE

RGB 124 154 206

HSL 218.05, 0.46%, 0.65%

LAB 63.22, 2.74, -29.99

 

CMYK 40 / 36 / 0 / 19

HEX #7C84CE

RGB 124 132 206

HSL 234.15, 0.46%, 0.65%

LAB 57.31, 15.52, -39.2

 

CMYK 33 / 40 / 0 / 19

HEX #8B7CCE

RGB 139 124 206

HSL 250.98, 0.46%, 0.65%

LAB 56.45, 24.32, -40.47

 

CMYK 22 / 40 / 0 / 19

HEX #A17CCE

RGB 161 124 206

HSL 267.07, 0.46%, 0.65%

LAB 58.46, 30.64, -37.17

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 40 / 25 / 0 / 19

HEX #7C9ACE

RGB 124 154 206

HSL 218.05, 0.46%, 0.65%

LAB 63.22, 2.74, -29.99

 

CMYK 40 / 36 / 0 / 19

HEX #7C84CE

RGB 124 132 206

HSL 234.15, 0.46%, 0.65%

LAB 57.31, 15.52, -39.2

 

CMYK 40 / 40 / 0 / 19

HEX #7C7CCE

RGB 124 124 206

HSL 240, 0.46%, 0.65%

LAB 55.23, 20.26, -42.47

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 50 / 19 / 0 / 13

HEX #6EB4DD

RGB 110 180 221

HSL 202.16, 0.62%, 0.65%

LAB 70.3, -10.88, -27.42

 

CMYK 60 / 22 / 0 / 8

HEX #5FB8EB

RGB 95 184 235

HSL 201.86, 0.78%, 0.65%

LAB 71.36, -11.94, -33.46

 

CMYK 68 / 25 / 0 / 2

HEX #51BCFA

RGB 81 188 250

HSL 202.01, 0.94%, 0.65%

LAB 72.64, -11.69, -39.63

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 28 / 10 / 0 / 25

HEX #8BACC0

RGB 139 172 192

HSL 202.64, 0.3%, 0.65%

LAB 68.61, -6.59, -13.91

 

CMYK 14 / 5 / 0 / 31

HEX #99A9B1

RGB 153 169 177

HSL 200, 0.13%, 0.65%

LAB 68.26, -3.91, -6.02

 

CMYK 0 / 2 / 3 / 34

HEX #A8A5A3

RGB 168 165 163

HSL 24, 0.03%, 0.65%

LAB 67.93, 0.71, 1.41

 

CMYK 0 / 12 / 18 / 29

HEX #B6A195

RGB 182 161 149

HSL 21.82, 0.18%, 0.65%

LAB 67.73, 5.7, 9.05

 

CMYK 40 / 0 / 7 / 19

HEX #7CCEBF

RGB 124 206 191

HSL 169.02, 0.46%, 0.65%

LAB 77.39, -28.53, -0.42

 

CMYK 40 / 3 / 0 / 19

HEX #7CC7CE

RGB 124 199 206

HSL 185.12, 0.46%, 0.65%

LAB 75.82, -21.45, -10.84

 

CMYK 40 / 14 / 0 / 19

HEX #7CB2CE

RGB 124 178 206

HSL 200.49, 0.46%, 0.65%

LAB 69.88, -10.53, -19.78

 

CMYK 40 / 24 / 0 / 19

HEX #7C9CCE

RGB 124 156 206

HSL 216.59, 0.46%, 0.65%

LAB 63.77, 1.6, -29.14

 

CMYK 40 / 35 / 0 / 19

HEX #7C86CE

RGB 124 134 206

HSL 232.68, 0.46%, 0.65%

LAB 57.84, 14.33, -38.37

 

CMYK 63 / 23 / 0 / 29

HEX #438BB5

RGB 67 139 181

HSL 202.11, 0.46%, 0.49%

LAB 55.07, -9.48, -28.74

 

CMYK 52 / 19 / 0 / 24

HEX #5E9EC3

RGB 94 158 195

HSL 201.98, 0.46%, 0.57%

LAB 62.32, -10.13, -25.37

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 29 / 11 / 0 / 15

HEX #9AC2D9

RGB 154 194 217

HSL 201.9, 0.45%, 0.73%

LAB 76.35, -7.96, -15.82

 

CMYK 20 / 7 / 0 / 10

HEX #B8D4E5

RGB 184 212 229

HSL 202.67, 0.46%, 0.81%

LAB 83.41, -5.72, -11.49

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 18 / 40 / 0 / 19

HEX #A97CCE

RGB 169 124 206

HSL 272.93, 0.46%, 0.65%

LAB 59.26, 33.01, -35.87

 

CMYK 0 / 2 / 40 / 19

HEX #CECA7C

RGB 206 202 124

HSL 57.07, 0.46%, 0.65%

LAB 80.08, -9.93, 39.4

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 0 / 40 / 14 / 19

HEX #CE7CB2

RGB 206 124 178

HSL 320.49, 0.46%, 0.65%

LAB 62.3, 39.37, -14.98

 

CMYK 14 / 0 / 40 / 19

HEX #B2CE7C

RGB 178 206 124

HSL 80.49, 0.46%, 0.65%

LAB 79.08, -22.82, 37.7

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 18 / 40 / 0 / 19

HEX #A97CCE

RGB 169 124 206

HSL 272.93, 0.46%, 0.65%

LAB 59.26, 33.01, -35.87

 

CMYK 0 / 26 / 40 / 19

HEX #CE997C

RGB 206 153 124

HSL 21.22, 0.46%, 0.65%

LAB 67.55, 16.08, 22.99

 

CMYK 22 / 0 / 40 / 19

HEX #A1CE7C

RGB 161 206 124

HSL 92.93, 0.46%, 0.65%

LAB 77.98, -29.12, 36.07

 

CMYK 40 / 15 / 0 / 19

HEX #7CB0CE

RGB 124 176 206

HSL 201.95, 0.46%, 0.65%

LAB 69.32, -9.46, -20.63

 

CMYK 6 / 40 / 0 / 19

HEX #C27CCE

RGB 194 124 206

HSL 291.22, 0.46%, 0.65%

LAB 61.95, 40.57, -31.48

 

CMYK 0 / 26 / 40 / 19

HEX #CE997C

RGB 206 153 124

HSL 21.22, 0.46%, 0.65%

LAB 67.55, 16.08, 22.99

 

CMYK 33 / 0 / 40 / 19

HEX #89CE7C

RGB 137 206 124

HSL 110.49, 0.46%, 0.65%

LAB 76.63, -37.41, 34.06

 

Description

Color code: HEX #7CB0CE | qconv.com Color code: HEX #7CB0CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 176 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 176 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 15 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 15% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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