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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CCB15 it is the complementary color #8334EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CCB15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CCB15 shade: #81CB10, #92DD23, #A3EF36, #B4FF49 and #C5FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CCB15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CCB15 shade: #7CCB15, #6BB902, #5AA700, #499500 and #388300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CCB15 shade: #7CCB15, #ADCB15, #CBB715, #CB8615 and #CB5515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CCB15 shade: #7CCB15, #4BCB15, #1ACB15, #15CB41 and #15CB72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CCB15 shade matches the following richer shades: #7CCB15 and #7EDD03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CCB15 shade: #7CCB15, #79B827, #77A639, #75944B and #72825D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CCB15 shade: #CBB815, #ACCB15, #7CCB15, #4BCB15 and #1BCB15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CCB15 shade: #4E800D, #65A511, #7CCB15, #91E721 and #A4EB47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CCB15 shade: #7CCB15, #15CB88 and #CB15C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CCB15 shade: #7CCB15, #157CCB and #CB157C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CCB15 shade: #7CCB15, #15CB88, #6415CB and #CB1557

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CCB15 shade: #7CCB15, #15CBBE, #6415CB and #CB1521

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

Complementary color

CMYK 44 / 78 / 0 / 8

HEX #8334EA

RGB 131 52 234

HSL 266.04, 0.81%, 0.56%

LAB 43.1, 67.5, -77.87

 

CMYK 36 / 0 / 92 / 20

HEX #81CB10

RGB 129 203 16

HSL 83.74, 0.85%, 0.43%

LAB 74.46, -47.57, 72.07

 

CMYK 34 / 0 / 84 / 13

HEX #92DD23

RGB 146 221 35

HSL 84.19, 0.73%, 0.5%

LAB 80.71, -48.46, 74.24

 

CMYK 32 / 0 / 77 / 6

HEX #A3EF36

RGB 163 239 54

HSL 84.65, 0.85%, 0.57%

LAB 86.89, -49.13, 75.26

 

CMYK 29 / 0 / 71 / 0

HEX #B4FF49

RGB 180 255 73

HSL 84.73, 1%, 0.64%

LAB 92.44, -48.8, 74.95

 

CMYK 23 / 0 / 64 / 0

HEX #C5FF5C

RGB 197 255 92

HSL 81.35, 1%, 0.68%

LAB 93.52, -41.45, 69.43

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 42 / 0 / 99 / 27

HEX #6BB902

RGB 107 185 2

HSL 85.57, 0.98%, 0.37%

LAB 67.89, -48.13, 68.01

 

CMYK 46 / 0 / 100 / 35

HEX #5AA700

RGB 90 167 0

HSL 87.66, 1%, 0.33%

LAB 61.49, -46.69, 62.94

 

CMYK 51 / 0 / 100 / 42

HEX #499500

RGB 73 149 0

HSL 90.6, 1%, 0.29%

LAB 54.98, -45.11, 57.54

 

CMYK 57 / 0 / 100 / 49

HEX #388300

RGB 56 131 0

HSL 94.35, 1%, 0.26%

LAB 48.35, -43.34, 52.05

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 15 / 0 / 90 / 20

HEX #ADCB15

RGB 173 203 21

HSL 69.89, 0.81%, 0.44%

LAB 77.07, -30.5, 74.53

 

CMYK 0 / 10 / 90 / 20

HEX #CBB715

RGB 203 183 21

HSL 53.41, 0.81%, 0.44%

LAB 73.94, -7.77, 73.06

 

CMYK 0 / 34 / 90 / 20

HEX #CB8615

RGB 203 134 21

HSL 37.25, 0.81%, 0.44%

LAB 61.48, 18.47, 63.4

 

CMYK 0 / 58 / 90 / 20

HEX #CB5515

RGB 203 85 21

HSL 21.1, 0.81%, 0.44%

LAB 50.98, 44.05, 55.42

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 63 / 0 / 90 / 20

HEX #4BCB15

RGB 75 203 21

HSL 102.2, 0.81%, 0.44%

LAB 72.4, -63.3, 68.77

 

CMYK 87 / 0 / 90 / 20

HEX #1ACB15

RGB 26 203 21

HSL 118.35, 0.81%, 0.44%

LAB 71.55, -70.74, 67.69

 

CMYK 90 / 0 / 68 / 20

HEX #15CB41

RGB 21 203 65

HSL 134.51, 0.81%, 0.44%

LAB 71.73, -68.28, 54.95

 

CMYK 90 / 0 / 44 / 20

HEX #15CB72

RGB 21 203 114

HSL 150.66, 0.81%, 0.44%

LAB 72.29, -61.46, 32.89

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 43 / 0 / 99 / 13

HEX #7EDD03

RGB 126 221 3

HSL 86.15, 0.97%, 0.44%

LAB 79.7, -55.92, 77.53

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 34 / 0 / 79 / 28

HEX #79B827

RGB 121 184 39

HSL 86.07, 0.65%, 0.44%

LAB 68.38, -41.69, 61.68

 

CMYK 28 / 0 / 66 / 35

HEX #77A639

RGB 119 166 57

HSL 85.87, 0.49%, 0.44%

LAB 62.92, -33.25, 49.63

 

CMYK 21 / 0 / 49 / 42

HEX #75944B

RGB 117 148 75

HSL 85.48, 0.33%, 0.44%

LAB 57.53, -23.59, 34.88

 

CMYK 12 / 0 / 28 / 49

HEX #72825D

RGB 114 130 93

HSL 85.95, 0.17%, 0.44%

LAB 52.21, -12.87, 18.15

 

CMYK 0 / 9 / 90 / 20

HEX #CBB815

RGB 203 184 21

HSL 53.74, 0.81%, 0.44%

LAB 74.21, -8.29, 73.26

 

CMYK 15 / 0 / 90 / 20

HEX #ACCB15

RGB 172 203 21

HSL 70.22, 0.81%, 0.44%

LAB 77, -30.91, 74.45

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 63 / 0 / 90 / 20

HEX #4BCB15

RGB 75 203 21

HSL 102.2, 0.81%, 0.44%

LAB 72.4, -63.3, 68.77

 

CMYK 87 / 0 / 90 / 20

HEX #1BCB15

RGB 27 203 21

HSL 118.02, 0.81%, 0.44%

LAB 71.55, -70.66, 67.71

 

CMYK 39 / 0 / 90 / 50

HEX #4E800D

RGB 78 128 13

HSL 86.09, 0.82%, 0.28%

LAB 48.37, -34.28, 49.89

 

CMYK 39 / 0 / 90 / 35

HEX #65A511

RGB 101 165 17

HSL 85.95, 0.81%, 0.36%

LAB 61.41, -41.7, 60.58

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 37 / 0 / 86 / 9

HEX #91E721

RGB 145 231 33

HSL 86.06, 0.8%, 0.52%

LAB 83.59, -52.93, 77.12

 

CMYK 30 / 0 / 70 / 8

HEX #A4EB47

RGB 164 235 71

HSL 85.98, 0.8%, 0.6%

LAB 85.89, -46.17, 68.81

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 90 / 0 / 33 / 20

HEX #15CB88

RGB 21 203 136

HSL 157.91, 0.81%, 0.44%

LAB 72.66, -57.13, 21.95

 

CMYK 0 / 90 / 3 / 20

HEX #CB15C5

RGB 203 21 197

HSL 301.98, 0.81%, 0.44%

LAB 48.59, 79.89, -47.25

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 90 / 39 / 0 / 20

HEX #157CCB

RGB 21 124 203

HSL 206.04, 0.81%, 0.44%

LAB 50.55, 1.83, -48.47

 

CMYK 0 / 90 / 39 / 20

HEX #CB157C

RGB 203 21 124

HSL 326.04, 0.81%, 0.44%

LAB 45.2, 70.99, -8.92

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 90 / 0 / 33 / 20

HEX #15CB88

RGB 21 203 136

HSL 157.91, 0.81%, 0.44%

LAB 72.66, -57.13, 21.95

 

CMYK 51 / 90 / 0 / 20

HEX #6415CB

RGB 100 21 203

HSL 266.04, 0.81%, 0.44%

LAB 33.04, 66.41, -76.72

 

CMYK 0 / 90 / 57 / 20

HEX #CB1557

RGB 203 21 87

HSL 338.24, 0.81%, 0.44%

LAB 44.12, 67.99, 12.52

 

CMYK 39 / 0 / 90 / 20

HEX #7CCB15

RGB 124 203 21

HSL 86.04, 0.81%, 0.44%

LAB 74.22, -49.2, 71.03

 

CMYK 90 / 0 / 6 / 20

HEX #15CBBE

RGB 21 203 190

HSL 175.71, 0.81%, 0.44%

LAB 73.93, -43.59, -5.27

 

CMYK 51 / 90 / 0 / 20

HEX #6415CB

RGB 100 21 203

HSL 266.04, 0.81%, 0.44%

LAB 33.04, 66.41, -76.72

 

CMYK 0 / 90 / 84 / 20

HEX #CB1521

RGB 203 21 33

HSL 356.04, 0.81%, 0.44%

LAB 43.28, 65.59, 43.97

 

Description

Color code: HEX #7CCB15 | qconv.com Color code: HEX #7CCB15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 203 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 203 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 90 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 90% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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