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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CD835 it is the complementary color #8327CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CD835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CD835 shade: #81D830, #92EA43, #A3FC56, #B4FF69 and #C5FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CD835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CD835 shade: #7CD835, #6BC622, #5AB40F, #49A200 and #389000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CD835 shade: #7CD835, #A8D835, #D4D835, #D8B035 and #D88435

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CD835 shade: #7CD835, #50D835, #35D846, #35D872 and #35D89E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CD835 shade matches the following richer shades: #7CD835 and #7AEC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CD835 shade: #7CD835, #7FC549, #81B15C, #849E6F and #868B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CD835 shade: #D5D835, #AAD835, #7FD835, #53D835 and #35D843

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CD835 shade: #559D1E, #68C024, #7CD835, #93DF58 and #A9E57A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CD835 shade: #7CD835, #35D8AF and #D835C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CD835 shade: #7CD835, #357FD8 and #D8357F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CD835 shade: #7CD835, #35D8AF, #8F35D8 and #D8355E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CD835 shade: #7CD835, #35D0D8, #8F35D8 and #D83D35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

Complementary color

CMYK 35 / 81 / 0 / 21

HEX #8327CA

RGB 131 39 202

HSL 273.87, 0.68%, 0.47%

LAB 38.8, 64.86, -66.54

 

CMYK 40 / 0 / 78 / 15

HEX #81D830

RGB 129 216 48

HSL 91.07, 0.68%, 0.52%

LAB 78.46, -51.71, 68.54

 

CMYK 38 / 0 / 71 / 8

HEX #92EA43

RGB 146 234 67

HSL 91.62, 0.8%, 0.59%

LAB 84.67, -52.21, 68.7

 

CMYK 35 / 0 / 66 / 1

HEX #A3FC56

RGB 163 252 86

HSL 92.17, 0.97%, 0.66%

LAB 90.82, -52.54, 68.33

 

CMYK 29 / 0 / 59 / 0

HEX #B4FF69

RGB 180 255 105

HSL 90, 1%, 0.71%

LAB 92.68, -46.48, 62.94

 

CMYK 23 / 0 / 51 / 0

HEX #C5FF7C

RGB 197 255 124

HSL 86.56, 1%, 0.74%

LAB 93.82, -38.73, 56.15

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 46 / 0 / 83 / 22

HEX #6BC622

RGB 107 198 34

HSL 93.29, 0.71%, 0.45%

LAB 71.98, -52.39, 66.09

 

CMYK 50 / 0 / 92 / 29

HEX #5AB40F

RGB 90 180 15

HSL 92.73, 0.85%, 0.38%

LAB 65.63, -51.41, 64.25

 

CMYK 55 / 0 / 100 / 36

HEX #49A200

RGB 73 162 0

HSL 92.96, 1%, 0.32%

LAB 59.21, -50.03, 60.86

 

CMYK 61 / 0 / 100 / 44

HEX #389000

RGB 56 144 0

HSL 96.67, 1%, 0.28%

LAB 52.72, -48.15, 55.49

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 22 / 0 / 75 / 15

HEX #A8D835

RGB 168 216 53

HSL 77.67, 0.68%, 0.53%

LAB 80.57, -37.39, 69.75

 

CMYK 2 / 0 / 75 / 15

HEX #D4D835

RGB 212 216 53

HSL 61.47, 0.68%, 0.53%

LAB 83.63, -19.61, 73.71

 

CMYK 0 / 19 / 75 / 15

HEX #D8B035

RGB 216 176 53

HSL 45.28, 0.68%, 0.53%

LAB 73.48, 2.5, 64.4

 

CMYK 0 / 39 / 75 / 15

HEX #D88435

RGB 216 132 53

HSL 29.08, 0.68%, 0.53%

LAB 62.81, 26.09, 54.04

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 63 / 0 / 75 / 15

HEX #50D835

RGB 80 216 53

HSL 110.06, 0.68%, 0.53%

LAB 76.72, -64.98, 64.72

 

CMYK 75 / 0 / 68 / 15

HEX #35D846

RGB 53 216 70

HSL 126.26, 0.68%, 0.53%

LAB 76.26, -68.46, 57.94

 

CMYK 75 / 0 / 47 / 15

HEX #35D872

RGB 53 216 114

HSL 142.45, 0.68%, 0.53%

LAB 76.73, -62.85, 38.65

 

CMYK 75 / 0 / 27 / 15

HEX #35D89E

RGB 53 216 158

HSL 158.65, 0.68%, 0.53%

LAB 77.48, -54.4, 17.04

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 48 / 0 / 86 / 7

HEX #7AEC22

RGB 122 236 34

HSL 93.86, 0.84%, 0.53%

LAB 84.09, -62.09, 76.97

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 36 / 0 / 63 / 23

HEX #7FC549

RGB 127 197 73

HSL 93.87, 0.52%, 0.53%

LAB 72.84, -42.81, 53.7

 

CMYK 27 / 0 / 48 / 31

HEX #81B15C

RGB 129 177 92

HSL 93.88, 0.35%, 0.53%

LAB 67.19, -31.09, 38.25

 

CMYK 16 / 0 / 30 / 38

HEX #849E6F

RGB 132 158 111

HSL 93.19, 0.2%, 0.53%

LAB 62.09, -17.9, 21.65

 

CMYK 4 / 0 / 6 / 45

HEX #868B83

RGB 134 139 131

HSL 97.5, 0.03%, 0.53%

LAB 57.24, -3.4, 3.63

 

CMYK 1 / 0 / 75 / 15

HEX #D5D835

RGB 213 216 53

HSL 61.1, 0.68%, 0.53%

LAB 83.71, -19.19, 73.81

 

CMYK 21 / 0 / 75 / 15

HEX #AAD835

RGB 170 216 53

HSL 76.93, 0.68%, 0.53%

LAB 80.69, -36.61, 69.91

 

CMYK 41 / 0 / 75 / 15

HEX #7FD835

RGB 127 216 53

HSL 92.76, 0.68%, 0.53%

LAB 78.39, -52.1, 66.91

 

CMYK 62 / 0 / 75 / 15

HEX #53D835

RGB 83 216 53

HSL 108.96, 0.68%, 0.53%

LAB 76.8, -64.32, 64.83

 

CMYK 75 / 0 / 69 / 15

HEX #35D843

RGB 53 216 67

HSL 125.15, 0.68%, 0.53%

LAB 76.24, -68.74, 59.08

 

CMYK 46 / 0 / 81 / 38

HEX #559D1E

RGB 85 157 30

HSL 94.02, 0.68%, 0.37%

LAB 58.17, -43.4, 54.27

 

CMYK 46 / 0 / 81 / 25

HEX #68C024

RGB 104 192 36

HSL 93.85, 0.68%, 0.45%

LAB 70.01, -50.92, 63.75

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 34 / 0 / 61 / 13

HEX #93DF58

RGB 147 223 88

HSL 93.78, 0.68%, 0.61%

LAB 81.67, -45.71, 57.35

 

CMYK 26 / 0 / 47 / 10

HEX #A9E57A

RGB 169 229 122

HSL 93.64, 0.67%, 0.69%

LAB 84.93, -37.18, 45.93

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 75 / 0 / 19 / 15

HEX #35D8AF

RGB 53 216 175

HSL 164.91, 0.68%, 0.53%

LAB 77.85, -50.44, 8.55

 

CMYK 0 / 75 / 11 / 15

HEX #D835C0

RGB 216 53 192

HSL 308.83, 0.68%, 0.53%

LAB 52.9, 74.92, -37.4

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 75 / 41 / 0 / 15

HEX #357FD8

RGB 53 127 216

HSL 212.76, 0.68%, 0.53%

LAB 52.83, 7.73, -52.17

 

CMYK 0 / 75 / 41 / 15

HEX #D8357F

RGB 216 53 127

HSL 332.76, 0.68%, 0.53%

LAB 50.31, 67.11, -2.9

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 75 / 0 / 19 / 15

HEX #35D8AF

RGB 53 216 175

HSL 164.91, 0.68%, 0.53%

LAB 77.85, -50.44, 8.55

 

CMYK 34 / 75 / 0 / 15

HEX #8F35D8

RGB 143 53 216

HSL 273.13, 0.68%, 0.53%

LAB 43.28, 64.84, -67.25

 

CMYK 0 / 75 / 56 / 15

HEX #D8355E

RGB 216 53 94

HSL 344.91, 0.68%, 0.53%

LAB 49.44, 64.36, 15.91

 

CMYK 43 / 0 / 75 / 15

HEX #7CD835

RGB 124 216 53

HSL 93.87, 0.68%, 0.53%

LAB 78.26, -53.07, 66.74

 

CMYK 75 / 4 / 0 / 15

HEX #35D0D8

RGB 53 208 216

HSL 182.94, 0.68%, 0.53%

LAB 76.57, -35.86, -15.32

 

CMYK 34 / 75 / 0 / 15

HEX #8F35D8

RGB 143 53 216

HSL 273.13, 0.68%, 0.53%

LAB 43.28, 64.84, -67.25

 

CMYK 0 / 72 / 75 / 15

HEX #D83D35

RGB 216 61 53

HSL 2.94, 0.68%, 0.53%

LAB 49.73, 59.48, 40.46

 

Description

Color code: HEX #7CD835 | qconv.com Color code: HEX #7CD835 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 216 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 216 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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