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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CDBB5 it is the complementary color #83244A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CDBB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CDBB5 shade: #81DBB0, #92EDC3, #A3FFD6, #B4FFE9 and #C5FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CDBB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CDBB5 shade: #7CDBB5, #6BC9A2, #5AB78F, #49A57C and #389369

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CDBB5 shade: #7ADAB4, #7ADA9A, #7ADA80, #8EDA7A and #A8DA7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CDBB5 shade: #7ADAB4, #7ADACE, #7ACDDA, #7AB3DA and #7A99DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CDBB5 shade matches the following richer shades: #7ADAB4, #6DE8B7 and #5FF6B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CDBB5 shade: #7ADAB4, #88CDB1, #96BFAE, #A3B1AC and #B1A4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CDBB5 shade: #7ADA81, #7ADA9A, #7ADAB4, #7ADACE and #7ACEDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CDBB5 shade: #3AC98F, #5AD1A2, #7ADAB4, #9BE3C6 and #BBECD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CDBB5 shade: #7CDBB5, #7A8EDA and #DA8E7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CDBB5 shade: #7CDBB5, #B47ADA and #DAB47A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CDBB5 shade: #7CDBB5, #7A8EDA, #DA7AA1 and #DAC77A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CDBB5 shade: #7CDBB5, #847ADA, #DA7AA1 and #D1DA7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 17 / 14

HEX #7CDBB5

RGB 124 219 181

HSL 156, 0.57%, 0.67%

LAB 80.9, -36.87, 9.98

 

Complementary color

CMYK 0 / 73 / 44 / 49

HEX #83244A

RGB 131 36 74

HSL 336, 0.57%, 0.33%

LAB 30.83, 43.45, 0.03

 

CMYK 41 / 0 / 20 / 14

HEX #81DBB0

RGB 129 219 176

HSL 151.33, 0.56%, 0.68%

LAB 81, -36.58, 12.8

 

CMYK 38 / 0 / 18 / 7

HEX #92EDC3

RGB 146 237 195

HSL 152.31, 0.72%, 0.75%

LAB 87.3, -36.35, 11.87

 

CMYK 36 / 0 / 16 / 0

HEX #A3FFD6

RGB 163 255 214

HSL 153.26, 1%, 0.82%

LAB 93.52, -36.12, 11

 

CMYK 29 / 0 / 9 / 0

HEX #B4FFE9

RGB 180 255 233

HSL 162.4, 1%, 0.85%

LAB 94.78, -27.51, 3.13

 

CMYK 23 / 0 / 1 / 0

HEX #C5FFFC

RGB 197 255 252

HSL 176.9, 1%, 0.89%

LAB 96.17, -18.68, -4.52

 

CMYK 43 / 0 / 17 / 14

HEX #7CDBB5

RGB 124 219 181

HSL 156, 0.57%, 0.67%

LAB 80.9, -36.87, 9.98

 

CMYK 47 / 0 / 19 / 21

HEX #6BC9A2

RGB 107 201 162

HSL 155.11, 0.47%, 0.6%

LAB 74.51, -37.06, 10.95

 

CMYK 51 / 0 / 22 / 28

HEX #5AB78F

RGB 90 183 143

HSL 154.19, 0.39%, 0.54%

LAB 68.04, -37.21, 11.99

 

CMYK 56 / 0 / 25 / 35

HEX #49A57C

RGB 73 165 124

HSL 153.26, 0.39%, 0.47%

LAB 61.47, -37.3, 13.13

 

CMYK 62 / 0 / 29 / 42

HEX #389369

RGB 56 147 105

HSL 152.31, 0.45%, 0.4%

LAB 54.79, -37.27, 14.4

 

CMYK 44 / 0 / 17 / 15

HEX #7ADAB4

RGB 122 218 180

HSL 156.25, 0.56%, 0.67%

LAB 80.5, -37.14, 9.94

 

CMYK 44 / 0 / 29 / 15

HEX #7ADA9A

RGB 122 218 154

HSL 140, 0.56%, 0.67%

LAB 79.96, -42.3, 22.87

 

CMYK 44 / 0 / 41 / 15

HEX #7ADA80

RGB 122 218 128

HSL 123.75, 0.56%, 0.67%

LAB 79.52, -46.67, 35.64

 

CMYK 35 / 0 / 44 / 15

HEX #8EDA7A

RGB 142 218 122

HSL 107.5, 0.56%, 0.67%

LAB 80.35, -41.41, 39.88

 

CMYK 23 / 0 / 44 / 15

HEX #A8DA7A

RGB 168 218 122

HSL 91.25, 0.56%, 0.67%

LAB 81.77, -32.49, 41.98

 

CMYK 44 / 0 / 17 / 15

HEX #7ADAB4

RGB 122 218 180

HSL 156.25, 0.56%, 0.67%

LAB 80.5, -37.14, 9.94

 

CMYK 44 / 0 / 6 / 15

HEX #7ADACE

RGB 122 218 206

HSL 172.5, 0.56%, 0.67%

LAB 81.15, -31.25, -2.95

 

CMYK 44 / 6 / 0 / 15

HEX #7ACDDA

RGB 122 205 218

HSL 188.13, 0.56%, 0.67%

LAB 77.79, -21.9, -14.36

 

CMYK 44 / 18 / 0 / 15

HEX #7AB3DA

RGB 122 179 218

HSL 204.38, 0.56%, 0.67%

LAB 70.48, -8.34, -25.45

 

CMYK 44 / 30 / 0 / 15

HEX #7A99DA

RGB 122 153 218

HSL 220.63, 0.56%, 0.67%

LAB 63.33, 6.17, -36.51

 

CMYK 44 / 0 / 17 / 15

HEX #7ADAB4

RGB 122 218 180

HSL 156.25, 0.56%, 0.67%

LAB 80.5, -37.14, 9.94

 

CMYK 53 / 0 / 21 / 9

HEX #6DE8B7

RGB 109 232 183

HSL 156.1, 0.73%, 0.67%

LAB 84.16, -45.81, 13.49

 

CMYK 61 / 0 / 25 / 4

HEX #5FF6B9

RGB 95 246 185

HSL 155.76, 0.89%, 0.67%

LAB 87.89, -54.03, 17.64

 

CMYK 44 / 0 / 17 / 15

HEX #7ADAB4

RGB 122 218 180

HSL 156.25, 0.56%, 0.67%

LAB 80.5, -37.14, 9.94

 

CMYK 34 / 0 / 14 / 20

HEX #88CDB1

RGB 136 205 177

HSL 155.65, 0.41%, 0.67%

LAB 77.32, -27.81, 7.08

 

CMYK 21 / 0 / 9 / 25

HEX #96BFAE

RGB 150 191 174

HSL 155.12, 0.24%, 0.67%

LAB 74.06, -17.14, 4.1

 

CMYK 8 / 0 / 3 / 31

HEX #A3B1AC

RGB 163 177 172

HSL 158.57, 0.08%, 0.67%

LAB 71.02, -5.84, 0.87

 

CMYK 0 / 7 / 5 / 31

HEX #B1A4A9

RGB 177 164 169

HSL 336.92, 0.08%, 0.67%

LAB 68.58, 5.61, -0.89

 

CMYK 44 / 0 / 41 / 15

HEX #7ADA81

RGB 122 218 129

HSL 124.38, 0.56%, 0.67%

LAB 79.54, -46.52, 35.16

 

CMYK 44 / 0 / 29 / 15

HEX #7ADA9A

RGB 122 218 154

HSL 140, 0.56%, 0.67%

LAB 79.96, -42.3, 22.87

 

CMYK 44 / 0 / 17 / 15

HEX #7ADAB4

RGB 122 218 180

HSL 156.25, 0.56%, 0.67%

LAB 80.5, -37.14, 9.94

 

CMYK 44 / 0 / 6 / 15

HEX #7ADACE

RGB 122 218 206

HSL 172.5, 0.56%, 0.67%

LAB 81.15, -31.25, -2.95

 

CMYK 44 / 6 / 0 / 15

HEX #7ACEDA

RGB 122 206 218

HSL 187.5, 0.56%, 0.67%

LAB 78.08, -22.4, -13.93

 

CMYK 71 / 0 / 29 / 21

HEX #3AC98F

RGB 58 201 143

HSL 155.66, 0.57%, 0.51%

LAB 72.66, -51.12, 18.32

 

CMYK 57 / 0 / 22 / 18

HEX #5AD1A2

RGB 90 209 162

HSL 156.3, 0.56%, 0.59%

LAB 76.3, -44.54, 13.4

 

CMYK 44 / 0 / 17 / 15

HEX #7ADAB4

RGB 122 218 180

HSL 156.25, 0.56%, 0.67%

LAB 80.5, -37.14, 9.94

 

CMYK 32 / 0 / 13 / 11

HEX #9BE3C6

RGB 155 227 198

HSL 155.83, 0.56%, 0.75%

LAB 84.99, -28.52, 7.05

 

CMYK 21 / 0 / 8 / 7

HEX #BBECD8

RGB 187 236 216

HSL 155.51, 0.56%, 0.83%

LAB 89.63, -19.63, 4.54

 

CMYK 43 / 0 / 17 / 14

HEX #7CDBB5

RGB 124 219 181

HSL 156, 0.57%, 0.67%

LAB 80.9, -36.87, 9.98

 

CMYK 44 / 35 / 0 / 15

HEX #7A8EDA

RGB 122 142 218

HSL 227.5, 0.56%, 0.67%

LAB 60.38, 12.55, -41.12

 

CMYK 0 / 35 / 44 / 15

HEX #DA8E7A

RGB 218 142 122

HSL 12.5, 0.56%, 0.67%

LAB 66.26, 26.58, 22.58

 

CMYK 43 / 0 / 17 / 14

HEX #7CDBB5

RGB 124 219 181

HSL 156, 0.57%, 0.67%

LAB 80.9, -36.87, 9.98

 

CMYK 17 / 44 / 0 / 15

HEX #B47ADA

RGB 180 122 218

HSL 276.25, 0.56%, 0.67%

LAB 60.5, 40, -40.58

 

CMYK 0 / 17 / 44 / 15

HEX #DAB47A

RGB 218 180 122

HSL 36.25, 0.56%, 0.67%

LAB 75.42, 6.17, 34.68

 

CMYK 43 / 0 / 17 / 14

HEX #7CDBB5

RGB 124 219 181

HSL 156, 0.57%, 0.67%

LAB 80.9, -36.87, 9.98

 

CMYK 44 / 35 / 0 / 15

HEX #7A8EDA

RGB 122 142 218

HSL 227.5, 0.56%, 0.67%

LAB 60.38, 12.55, -41.12

 

CMYK 0 / 44 / 26 / 15

HEX #DA7AA1

RGB 218 122 161

HSL 335.63, 0.56%, 0.67%

LAB 62.84, 41.92, -4.32

 

CMYK 0 / 9 / 44 / 15

HEX #DAC77A

RGB 218 199 122

HSL 48.13, 0.56%, 0.67%

LAB 80.27, -3.79, 40.86

 

CMYK 43 / 0 / 17 / 14

HEX #7CDBB5

RGB 124 219 181

HSL 156, 0.57%, 0.67%

LAB 80.9, -36.87, 9.98

 

CMYK 39 / 44 / 0 / 15

HEX #847ADA

RGB 132 122 218

HSL 246.25, 0.56%, 0.67%

LAB 55.97, 26.88, -48.03

 

CMYK 0 / 44 / 26 / 15

HEX #DA7AA1

RGB 218 122 161

HSL 335.63, 0.56%, 0.67%

LAB 62.84, 41.92, -4.32

 

CMYK 4 / 0 / 44 / 15

HEX #D1DA7A

RGB 209 218 122

HSL 65.63, 0.56%, 0.67%

LAB 84.54, -17, 46.03

 

Description

Color code: HEX #7CDBB5 | qconv.com Color code: HEX #7CDBB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 219 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 219 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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