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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CDD87 it is the complementary color #832278. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CDD87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CDD87 shade: #81DD82, #92EF95, #A3FFA8, #B4FFBB and #C5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CDD87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CDD87 shade: #7CDD87, #6BCB74, #5AB961, #49A74E and #38953B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CDD87 shade: #7DDD88, #8CDD7D, #A6DD7D, #C0DD7D and #DADD7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CDD87 shade: #7DDD88, #7DDDA2, #7DDDBC, #7DDDD6 and #7DCBDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CDD87 shade matches the following richer shades: #7DDD88, #70EA7D and #62F773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CDD87 shade: #7DDD88, #8AD092, #97C39C, #A4B5A6 and #B2A8B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CDD87 shade: #A6DD7D, #8DDD7D, #7DDD86, #7DDDA0 and #7DDDBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CDD87 shade: #3BCC4C, #5CD56A, #7DDD88, #9EE6A6 and #BEEEC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CDD87 shade: #7CDD87, #7DC0DD and #DD7D9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CDD87 shade: #7CDD87, #867DDD and #DD867D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CDD87 shade: #7CDD87, #7DC0DD, #DD7DD3 and #DD9A7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CDD87 shade: #7CDD87, #7DA3DD, #DD7DD3 and #DDB77D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 39 / 13

HEX #7CDD87

RGB 124 221 135

HSL 126.8, 0.59%, 0.68%

LAB 80.6, -46.29, 33.53

 

Complementary color

CMYK 0 / 74 / 8 / 49

HEX #832278

RGB 131 34 120

HSL 306.8, 0.59%, 0.32%

LAB 32.54, 50.52, -27.05

 

CMYK 42 / 0 / 41 / 13

HEX #81DD82

RGB 129 221 130

HSL 120.65, 0.58%, 0.69%

LAB 80.73, -45.61, 36.27

 

CMYK 39 / 0 / 38 / 6

HEX #92EF95

RGB 146 239 149

HSL 121.94, 0.74%, 0.75%

LAB 87, -45.41, 35.06

 

CMYK 36 / 0 / 34 / 0

HEX #A3FFA8

RGB 163 255 168

HSL 123.26, 1%, 0.82%

LAB 92.63, -44.32, 33.16

 

CMYK 29 / 0 / 27 / 0

HEX #B4FFBB

RGB 180 255 187

HSL 125.6, 1%, 0.85%

LAB 93.8, -36.06, 25.31

 

CMYK 23 / 0 / 19 / 0

HEX #C5FFCE

RGB 197 255 206

HSL 129.31, 1%, 0.89%

LAB 95.1, -27.49, 17.58

 

CMYK 44 / 0 / 39 / 13

HEX #7CDD87

RGB 124 221 135

HSL 126.8, 0.59%, 0.68%

LAB 80.6, -46.29, 33.53

 

CMYK 47 / 0 / 43 / 20

HEX #6BCB74

RGB 107 203 116

HSL 125.63, 0.48%, 0.61%

LAB 74.25, -46.44, 34.79

 

CMYK 51 / 0 / 48 / 27

HEX #5AB961

RGB 90 185 97

HSL 124.42, 0.4%, 0.54%

LAB 67.82, -46.5, 36.11

 

CMYK 56 / 0 / 53 / 35

HEX #49A74E

RGB 73 167 78

HSL 123.19, 0.39%, 0.47%

LAB 61.31, -46.42, 37.47

 

CMYK 62 / 0 / 60 / 42

HEX #38953B

RGB 56 149 59

HSL 121.94, 0.45%, 0.4%

LAB 54.71, -46.07, 38.8

 

CMYK 43 / 0 / 38 / 13

HEX #7DDD88

RGB 125 221 136

HSL 126.88, 0.59%, 0.68%

LAB 80.66, -45.84, 33.1

 

CMYK 37 / 0 / 43 / 13

HEX #8CDD7D

RGB 140 221 125

HSL 110.63, 0.59%, 0.68%

LAB 81.16, -42.96, 39.41

 

CMYK 25 / 0 / 43 / 13

HEX #A6DD7D

RGB 166 221 125

HSL 94.38, 0.59%, 0.68%

LAB 82.54, -34.23, 41.44

 

CMYK 13 / 0 / 43 / 13

HEX #C0DD7D

RGB 192 221 125

HSL 78.13, 0.59%, 0.68%

LAB 84.17, -24.7, 43.84

 

CMYK 1 / 0 / 43 / 13

HEX #DADD7D

RGB 218 221 125

HSL 61.88, 0.59%, 0.68%

LAB 86.06, -14.65, 46.6

 

CMYK 43 / 0 / 38 / 13

HEX #7DDD88

RGB 125 221 136

HSL 126.88, 0.59%, 0.68%

LAB 80.66, -45.84, 33.1

 

CMYK 43 / 0 / 27 / 13

HEX #7DDDA2

RGB 125 221 162

HSL 143.13, 0.59%, 0.68%

LAB 81.12, -41.32, 20.3

 

CMYK 43 / 0 / 15 / 13

HEX #7DDDBC

RGB 125 221 188

HSL 159.38, 0.59%, 0.68%

LAB 81.68, -36.02, 7.4

 

CMYK 43 / 0 / 3 / 13

HEX #7DDDD6

RGB 125 221 214

HSL 175.63, 0.59%, 0.68%

LAB 82.34, -30.04, -5.44

 

CMYK 43 / 8 / 0 / 13

HEX #7DCBDD

RGB 125 203 221

HSL 191.25, 0.59%, 0.68%

LAB 77.46, -19.39, -16.47

 

CMYK 43 / 0 / 38 / 13

HEX #7DDD88

RGB 125 221 136

HSL 126.88, 0.59%, 0.68%

LAB 80.66, -45.84, 33.1

 

CMYK 52 / 0 / 47 / 8

HEX #70EA7D

RGB 112 234 125

HSL 126.39, 0.74%, 0.68%

LAB 83.85, -56.28, 42.57

 

CMYK 60 / 0 / 53 / 3

HEX #62F773

RGB 98 247 115

HSL 126.85, 0.9%, 0.68%

LAB 87.17, -65.71, 51.28

 

CMYK 43 / 0 / 38 / 13

HEX #7DDD88

RGB 125 221 136

HSL 126.88, 0.59%, 0.68%

LAB 80.66, -45.84, 33.1

 

CMYK 34 / 0 / 30 / 18

HEX #8AD092

RGB 138 208 146

HSL 126.86, 0.43%, 0.68%

LAB 77.63, -34.52, 24

 

CMYK 23 / 0 / 20 / 24

HEX #97C39C

RGB 151 195 156

HSL 126.82, 0.27%, 0.68%

LAB 74.83, -22.27, 14.93

 

CMYK 9 / 0 / 8 / 29

HEX #A4B5A6

RGB 164 181 166

HSL 127.06, 0.1%, 0.68%

LAB 72.02, -8.77, 5.64

 

CMYK 0 / 6 / 1 / 30

HEX #B2A8B1

RGB 178 168 177

HSL 306, 0.06%, 0.68%

LAB 69.93, 5.25, -3.34

 

CMYK 25 / 0 / 43 / 13

HEX #A6DD7D

RGB 166 221 125

HSL 94.38, 0.59%, 0.68%

LAB 82.54, -34.23, 41.44

 

CMYK 36 / 0 / 43 / 13

HEX #8DDD7D

RGB 141 221 125

HSL 110, 0.59%, 0.68%

LAB 81.21, -42.64, 39.48

 

CMYK 43 / 0 / 39 / 13

HEX #7DDD86

RGB 125 221 134

HSL 125.63, 0.59%, 0.68%

LAB 80.62, -46.16, 34.07

 

CMYK 43 / 0 / 28 / 13

HEX #7DDDA0

RGB 125 221 160

HSL 141.88, 0.59%, 0.68%

LAB 81.08, -41.7, 21.29

 

CMYK 43 / 0 / 16 / 13

HEX #7DDDBA

RGB 125 221 186

HSL 158.13, 0.59%, 0.68%

LAB 81.63, -36.46, 8.39

 

CMYK 71 / 0 / 63 / 20

HEX #3BCC4C

RGB 59 204 76

HSL 127.03, 0.59%, 0.52%

LAB 72.65, -63.05, 51.54

 

CMYK 57 / 0 / 50 / 16

HEX #5CD56A

RGB 92 213 106

HSL 126.94, 0.59%, 0.6%

LAB 76.62, -55.76, 42.62

 

CMYK 43 / 0 / 38 / 13

HEX #7DDD88

RGB 125 221 136

HSL 126.88, 0.59%, 0.68%

LAB 80.66, -45.84, 33.1

 

CMYK 31 / 0 / 28 / 10

HEX #9EE6A6

RGB 158 230 166

HSL 126.67, 0.59%, 0.76%

LAB 85.31, -35, 24.24

 

CMYK 20 / 0 / 18 / 7

HEX #BEEEC4

RGB 190 238 196

HSL 127.5, 0.59%, 0.84%

LAB 89.9, -23.35, 15.35

 

CMYK 44 / 0 / 39 / 13

HEX #7CDD87

RGB 124 221 135

HSL 126.8, 0.59%, 0.68%

LAB 80.6, -46.29, 33.53

 

CMYK 43 / 13 / 0 / 13

HEX #7DC0DD

RGB 125 192 221

HSL 198.13, 0.59%, 0.68%

LAB 74.37, -13.71, -21.14

 

CMYK 0 / 43 / 30 / 13

HEX #DD7D9A

RGB 221 125 154

HSL 341.88, 0.59%, 0.68%

LAB 63.65, 40.48, 0.91

 

CMYK 44 / 0 / 39 / 13

HEX #7CDD87

RGB 124 221 135

HSL 126.8, 0.59%, 0.68%

LAB 80.6, -46.29, 33.53

 

CMYK 39 / 43 / 0 / 13

HEX #867DDD

RGB 134 125 221

HSL 245.63, 0.59%, 0.68%

LAB 57.03, 26.45, -48.03

 

CMYK 0 / 39 / 43 / 13

HEX #DD867D

RGB 221 134 125

HSL 5.63, 0.59%, 0.68%

LAB 64.89, 32.33, 19.1

 

CMYK 44 / 0 / 39 / 13

HEX #7CDD87

RGB 124 221 135

HSL 126.8, 0.59%, 0.68%

LAB 80.6, -46.29, 33.53

 

CMYK 43 / 13 / 0 / 13

HEX #7DC0DD

RGB 125 192 221

HSL 198.13, 0.59%, 0.68%

LAB 74.37, -13.71, -21.14

 

CMYK 0 / 43 / 5 / 13

HEX #DD7DD3

RGB 221 125 211

HSL 306.25, 0.59%, 0.68%

LAB 65.55, 49.17, -28.45

 

CMYK 0 / 30 / 43 / 13

HEX #DD9A7D

RGB 221 154 125

HSL 18.13, 0.59%, 0.68%

LAB 69.44, 21.62, 25.27

 

CMYK 44 / 0 / 39 / 13

HEX #7CDD87

RGB 124 221 135

HSL 126.8, 0.59%, 0.68%

LAB 80.6, -46.29, 33.53

 

CMYK 43 / 26 / 0 / 13

HEX #7DA3DD

RGB 125 163 221

HSL 216.25, 0.59%, 0.68%

LAB 66.35, 2.09, -33.46

 

CMYK 0 / 43 / 5 / 13

HEX #DD7DD3

RGB 221 125 211

HSL 306.25, 0.59%, 0.68%

LAB 65.55, 49.17, -28.45

 

CMYK 0 / 17 / 43 / 13

HEX #DDB77D

RGB 221 183 125

HSL 36.25, 0.59%, 0.68%

LAB 76.51, 6.1, 34.58

 

Description

Color code: HEX #7CDD87 | qconv.com Color code: HEX #7CDD87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 221 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 221 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 39 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 39% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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