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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CE74A it is the complementary color #8318B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CE74A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CE74A shade: #81E745, #92F958, #A3FF6B, #B4FF7E and #C5FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CE74A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CE74A shade: #7CE74A, #6BD537, #5AC324, #49B111 and #389F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CE74A shade: #7CE74A, #A6E74A, #D1E74A, #E7D34A and #E7A94A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CE74A shade: #7CE74A, #52E74A, #4AE76D, #4AE797 and #4AE7C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CE74A shade matches the following richer shades: #7CE74A and #76F839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CE74A shade: #7CE74A, #82D75A, #88C66B, #8EB67B and #94A58C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CE74A shade: #D2E74A, #A8E74A, #7EE74A, #54E74A and #4AE769

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CE74A shade: #50C519, #62E225, #7CE74A, #96EC6E and #B1F193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CE74A shade: #7CE74A, #4AE7D2 and #E74ABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CE74A shade: #7CE74A, #4A7EE7 and #E74A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CE74A shade: #7CE74A, #4AE7D2, #B34AE7 and #E74A5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CE74A shade: #7CE74A, #4ACDE7, #B34AE7 and #E7644A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

Complementary color

CMYK 28 / 87 / 0 / 29

HEX #8318B5

RGB 131 24 181

HSL 280.89, 0.77%, 0.4%

LAB 35.63, 64.75, -59.38

 

CMYK 44 / 0 / 70 / 9

HEX #81E745

RGB 129 231 69

HSL 97.78, 0.77%, 0.59%

LAB 83.05, -56.32, 66.1

 

CMYK 41 / 0 / 65 / 2

HEX #92F958

RGB 146 249 88

HSL 98.39, 0.93%, 0.66%

LAB 89.19, -56.64, 65.58

 

CMYK 36 / 0 / 58 / 0

HEX #A3FF6B

RGB 163 255 107

HSL 97.3, 1%, 0.71%

LAB 91.85, -51.99, 60.92

 

CMYK 29 / 0 / 51 / 0

HEX #B4FF7E

RGB 180 255 126

HSL 94.88, 1%, 0.75%

LAB 92.9, -44.43, 53.91

 

CMYK 23 / 0 / 43 / 0

HEX #C5FF91

RGB 197 255 145

HSL 91.64, 1%, 0.78%

LAB 94.07, -36.43, 46.64

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 50 / 0 / 74 / 16

HEX #6BD537

RGB 107 213 55

HSL 100.25, 0.65%, 0.53%

LAB 76.67, -56.96, 64.3

 

CMYK 54 / 0 / 82 / 24

HEX #5AC324

RGB 90 195 36

HSL 99.62, 0.69%, 0.45%

LAB 70.41, -56.2, 63.91

 

CMYK 59 / 0 / 90 / 31

HEX #49B111

RGB 73 177 17

HSL 99, 0.82%, 0.38%

LAB 64.08, -55.04, 62.38

 

CMYK 65 / 0 / 100 / 38

HEX #389F00

RGB 56 159 0

HSL 98.87, 1%, 0.31%

LAB 57.69, -53.39, 59.43

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 28 / 0 / 68 / 9

HEX #A6E74A

RGB 166 231 74

HSL 84.84, 0.77%, 0.6%

LAB 84.87, -43.54, 66.71

 

CMYK 10 / 0 / 68 / 9

HEX #D1E74A

RGB 209 231 74

HSL 68.41, 0.77%, 0.6%

LAB 87.58, -27.05, 70.34

 

CMYK 0 / 9 / 68 / 9

HEX #E7D34A

RGB 231 211 74

HSL 52.36, 0.77%, 0.6%

LAB 84, -8.21, 67.29

 

CMYK 0 / 27 / 68 / 9

HEX #E7A94A

RGB 231 169 74

HSL 36.31, 0.77%, 0.6%

LAB 73.45, 13.64, 56.31

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 65 / 0 / 68 / 9

HEX #52E74A

RGB 82 231 74

HSL 116.94, 0.77%, 0.6%

LAB 81.53, -67.95, 62.19

 

CMYK 68 / 0 / 53 / 9

HEX #4AE76D

RGB 74 231 109

HSL 133.38, 0.77%, 0.6%

LAB 81.68, -65.55, 47.28

 

CMYK 68 / 0 / 35 / 9

HEX #4AE797

RGB 74 231 151

HSL 149.43, 0.77%, 0.6%

LAB 82.29, -58.64, 27.35

 

CMYK 68 / 0 / 16 / 9

HEX #4AE7C1

RGB 74 231 193

HSL 165.48, 0.77%, 0.6%

LAB 83.16, -49.53, 6.68

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 52 / 0 / 77 / 3

HEX #76F839

RGB 118 248 57

HSL 100.84, 0.93%, 0.6%

LAB 87.62, -66.48, 74.39

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 40 / 0 / 58 / 16

HEX #82D75A

RGB 130 215 90

HSL 100.8, 0.61%, 0.6%

LAB 78.51, -47.8, 52.68

 

CMYK 31 / 0 / 46 / 22

HEX #88C66B

RGB 136 198 107

HSL 100.88, 0.44%, 0.6%

LAB 73.99, -36.45, 39.26

 

CMYK 22 / 0 / 32 / 29

HEX #8EB67B

RGB 142 182 123

HSL 100.68, 0.29%, 0.6%

LAB 69.92, -24.49, 25.79

 

CMYK 10 / 0 / 15 / 35

HEX #94A58C

RGB 148 165 140

HSL 100.8, 0.12%, 0.6%

LAB 65.83, -10.75, 10.96

 

CMYK 9 / 0 / 68 / 9

HEX #D2E74A

RGB 210 231 74

HSL 68.03, 0.77%, 0.6%

LAB 87.65, -26.65, 70.44

 

CMYK 27 / 0 / 68 / 9

HEX #A8E74A

RGB 168 231 74

HSL 84.08, 0.77%, 0.6%

LAB 84.98, -42.82, 66.86

 

CMYK 45 / 0 / 68 / 9

HEX #7EE74A

RGB 126 231 74

HSL 100.13, 0.77%, 0.6%

LAB 82.96, -56.86, 64.12

 

CMYK 64 / 0 / 68 / 9

HEX #54E74A

RGB 84 231 74

HSL 116.18, 0.77%, 0.6%

LAB 81.58, -67.54, 62.26

 

CMYK 68 / 0 / 55 / 9

HEX #4AE769

RGB 74 231 105

HSL 131.85, 0.77%, 0.6%

LAB 81.64, -66.08, 49.08

 

CMYK 59 / 0 / 87 / 23

HEX #50C519

RGB 80 197 25

HSL 100.81, 0.77%, 0.44%

LAB 70.67, -59.98, 66.6

 

CMYK 57 / 0 / 84 / 11

HEX #62E225

RGB 98 226 37

HSL 100.63, 0.77%, 0.52%

LAB 80.25, -64.99, 72.63

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 36 / 0 / 53 / 7

HEX #96EC6E

RGB 150 236 110

HSL 100.95, 0.77%, 0.68%

LAB 85.81, -48.01, 52.4

 

CMYK 27 / 0 / 39 / 5

HEX #B1F193

RGB 177 241 147

HSL 100.85, 0.77%, 0.76%

LAB 89.09, -36.71, 39.08

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 68 / 0 / 9 / 9

HEX #4AE7D2

RGB 74 231 210

HSL 171.97, 0.77%, 0.6%

LAB 83.58, -45.29, -1.67

 

CMYK 0 / 68 / 18 / 9

HEX #E74ABD

RGB 231 74 189

HSL 316.05, 0.77%, 0.6%

LAB 57.62, 71.19, -28.12

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 68 / 45 / 0 / 9

HEX #4A7EE7

RGB 74 126 231

HSL 220.13, 0.77%, 0.6%

LAB 54.18, 16.6, -58.39

 

CMYK 0 / 68 / 45 / 9

HEX #E74A7E

RGB 231 74 126

HSL 340.13, 0.77%, 0.6%

LAB 55.47, 64, 5.54

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 68 / 0 / 9 / 9

HEX #4AE7D2

RGB 74 231 210

HSL 171.97, 0.77%, 0.6%

LAB 83.58, -45.29, -1.67

 

CMYK 23 / 68 / 0 / 9

HEX #B34AE7

RGB 179 74 231

HSL 280.13, 0.77%, 0.6%

LAB 52.12, 66.34, -61.23

 

CMYK 0 / 68 / 59 / 9

HEX #E74A5F

RGB 231 74 95

HSL 351.97, 0.77%, 0.6%

LAB 54.78, 61.55, 22.95

 

CMYK 46 / 0 / 68 / 9

HEX #7CE74A

RGB 124 231 74

HSL 100.89, 0.77%, 0.6%

LAB 82.88, -57.45, 64.02

 

CMYK 68 / 11 / 0 / 9

HEX #4ACDE7

RGB 74 205 231

HSL 189.94, 0.77%, 0.6%

LAB 76.61, -27.39, -23.29

 

CMYK 23 / 68 / 0 / 9

HEX #B34AE7

RGB 179 74 231

HSL 280.13, 0.77%, 0.6%

LAB 52.12, 66.34, -61.23

 

CMYK 0 / 57 / 68 / 9

HEX #E7644A

RGB 231 100 74

HSL 9.94, 0.77%, 0.6%

LAB 58.6, 49.19, 39.7

 

Description

Color code: HEX #7CE74A | qconv.com Color code: HEX #7CE74A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 231 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 231 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 68 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 68% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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