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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CE9F2 it is the complementary color #83160D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CE9F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CE9F2 shade: #81E9ED, #92FBFF, #A3FFFF, #B4FFFF and #C5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CE9F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CE9F2 shade: #7CE9F2, #6BD7DF, #5AC5CC, #49B3B9 and #38A1A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CE9F2 shade: #7DE9F2, #7DC9F2, #7DAAF2, #7D8AF2 and #8F7DF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CE9F2 shade: #7DE9F2, #7DC9F2, #7DAAF2, #7D8AF2 and #7D7DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CE9F2 shade matches the following richer shades: #7DE9F2 and #71F2FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CE9F2 shade: #7DE9F2, #88DFE6, #94D5DB, #9FCBCF and #ABC2C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CE9F2 shade: #7DF2BB, #7DF2DA, #7DEAF2, #7DCBF2 and #7DABF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CE9F2 shade: #31DCEA, #57E2EE, #7DE9F2, #A2EFF5 and #C8F5F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CE9F2 shade: #7CE9F2, #9C7DF2 and #F2CB7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CE9F2 shade: #7CE9F2, #F27DEA and #EAF27D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CE9F2 shade: #7CE9F2, #9C7DF2, #F2847D and #D2F27D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CE9F2 shade: #7CE9F2, #BF7DF2, #F2847D and #AFF27D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 4 / 0 / 5

HEX #7CE9F2

RGB 124 233 242

HSL 184.58, 0.82%, 0.72%

LAB 86.49, -28.99, -14.07

 

Complementary color

CMYK 0 / 83 / 90 / 49

HEX #83160D

RGB 131 22 13

HSL 4.58, 0.82%, 0.28%

LAB 27.92, 44.5, 35.04

 

CMYK 46 / 2 / 0 / 7

HEX #81E9ED

RGB 129 233 237

HSL 182.22, 0.75%, 0.72%

LAB 86.53, -29.18, -11.35

 

CMYK 43 / 2 / 0 / 0

HEX #92FBFF

RGB 146 251 255

HSL 182.2, 1%, 0.79%

LAB 92.72, -29.45, -11.46

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 49 / 4 / 0 / 5

HEX #7CE9F2

RGB 124 233 242

HSL 184.58, 0.82%, 0.72%

LAB 86.49, -28.99, -14.07

 

CMYK 52 / 4 / 0 / 13

HEX #6BD7DF

RGB 107 215 223

HSL 184.14, 0.64%, 0.65%

LAB 80.21, -28.84, -13.47

 

CMYK 56 / 3 / 0 / 20

HEX #5AC5CC

RGB 90 197 204

HSL 183.68, 0.53%, 0.58%

LAB 73.85, -28.61, -12.84

 

CMYK 61 / 3 / 0 / 27

HEX #49B3B9

RGB 73 179 185

HSL 183.21, 0.44%, 0.51%

LAB 67.4, -28.27, -12.16

 

CMYK 66 / 3 / 0 / 35

HEX #38A1A6

RGB 56 161 166

HSL 182.73, 0.5%, 0.44%

LAB 60.86, -27.77, -11.41

 

CMYK 48 / 4 / 0 / 5

HEX #7DE9F2

RGB 125 233 242

HSL 184.62, 0.82%, 0.72%

LAB 86.53, -28.78, -14.01

 

CMYK 48 / 17 / 0 / 5

HEX #7DC9F2

RGB 125 201 242

HSL 201.03, 0.82%, 0.72%

LAB 77.61, -12.7, -27.52

 

CMYK 48 / 30 / 0 / 5

HEX #7DAAF2

RGB 125 170 242

HSL 216.92, 0.82%, 0.72%

LAB 69.13, 4.17, -40.64

 

CMYK 48 / 43 / 0 / 5

HEX #7D8AF2

RGB 125 138 242

HSL 233.33, 0.82%, 0.72%

LAB 60.74, 22.69, -53.87

 

CMYK 41 / 48 / 0 / 5

HEX #8F7DF2

RGB 143 125 242

HSL 249.23, 0.82%, 0.72%

LAB 58.9, 34.48, -56.72

 

CMYK 48 / 4 / 0 / 5

HEX #7DE9F2

RGB 125 233 242

HSL 184.62, 0.82%, 0.72%

LAB 86.53, -28.78, -14.01

 

CMYK 48 / 17 / 0 / 5

HEX #7DC9F2

RGB 125 201 242

HSL 201.03, 0.82%, 0.72%

LAB 77.61, -12.7, -27.52

 

CMYK 48 / 30 / 0 / 5

HEX #7DAAF2

RGB 125 170 242

HSL 216.92, 0.82%, 0.72%

LAB 69.13, 4.17, -40.64

 

CMYK 48 / 43 / 0 / 5

HEX #7D8AF2

RGB 125 138 242

HSL 233.33, 0.82%, 0.72%

LAB 60.74, 22.69, -53.87

 

CMYK 48 / 48 / 0 / 5

HEX #7D7DF2

RGB 125 125 242

HSL 240, 0.82%, 0.72%

LAB 57.5, 30.37, -59.03

 

CMYK 48 / 4 / 0 / 5

HEX #7DE9F2

RGB 125 233 242

HSL 184.62, 0.82%, 0.72%

LAB 86.53, -28.78, -14.01

 

CMYK 55 / 4 / 0 / 1

HEX #71F2FD

RGB 113 242 253

HSL 184.71, 0.97%, 0.72%

LAB 88.97, -32.58, -16.14

 

CMYK 48 / 4 / 0 / 5

HEX #7DE9F2

RGB 125 233 242

HSL 184.62, 0.82%, 0.72%

LAB 86.53, -28.78, -14.01

 

CMYK 41 / 3 / 0 / 10

HEX #88DFE6

RGB 136 223 230

HSL 184.47, 0.65%, 0.72%

LAB 83.82, -24.43, -11.68

 

CMYK 32 / 3 / 0 / 14

HEX #94D5DB

RGB 148 213 219

HSL 185.07, 0.5%, 0.72%

LAB 81.29, -19, -9.54

 

CMYK 23 / 2 / 0 / 19

HEX #9FCBCF

RGB 159 203 207

HSL 185, 0.33%, 0.72%

LAB 78.8, -13.48, -6.74

 

CMYK 12 / 1 / 0 / 24

HEX #ABC2C3

RGB 171 194 195

HSL 182.5, 0.17%, 0.72%

LAB 76.79, -7.57, -3.15

 

CMYK 48 / 0 / 23 / 5

HEX #7DF2BB

RGB 125 242 187

HSL 151.79, 0.82%, 0.72%

LAB 87.7, -45.59, 16.48

 

CMYK 48 / 0 / 10 / 5

HEX #7DF2DA

RGB 125 242 218

HSL 167.69, 0.82%, 0.72%

LAB 88.41, -38.86, 1.36

 

CMYK 48 / 3 / 0 / 5

HEX #7DEAF2

RGB 125 234 242

HSL 184.1, 0.82%, 0.72%

LAB 86.81, -29.26, -13.59

 

CMYK 48 / 16 / 0 / 5

HEX #7DCBF2

RGB 125 203 242

HSL 200, 0.82%, 0.72%

LAB 78.16, -13.75, -26.67

 

CMYK 48 / 29 / 0 / 5

HEX #7DABF2

RGB 125 171 242

HSL 216.41, 0.82%, 0.72%

LAB 69.4, 3.61, -40.22

 

CMYK 79 / 6 / 0 / 8

HEX #31DCEA

RGB 49 220 234

HSL 184.54, 0.81%, 0.55%

LAB 80.62, -36.49, -18.86

 

CMYK 63 / 5 / 0 / 7

HEX #57E2EE

RGB 87 226 238

HSL 184.77, 0.82%, 0.64%

LAB 83.23, -33.56, -16.97

 

CMYK 48 / 4 / 0 / 5

HEX #7DE9F2

RGB 125 233 242

HSL 184.62, 0.82%, 0.72%

LAB 86.53, -28.78, -14.01

 

CMYK 34 / 2 / 0 / 4

HEX #A2EFF5

RGB 162 239 245

HSL 184.34, 0.81%, 0.8%

LAB 89.86, -22.09, -10.43

 

CMYK 20 / 2 / 0 / 2

HEX #C8F5F9

RGB 200 245 249

HSL 184.9, 0.8%, 0.88%

LAB 93.63, -13.48, -6.69

 

CMYK 49 / 4 / 0 / 5

HEX #7CE9F2

RGB 124 233 242

HSL 184.58, 0.82%, 0.72%

LAB 86.49, -28.99, -14.07

 

CMYK 36 / 48 / 0 / 5

HEX #9C7DF2

RGB 156 125 242

HSL 255.9, 0.82%, 0.72%

LAB 60.02, 37.64, -54.86

 

CMYK 0 / 16 / 48 / 5

HEX #F2CB7D

RGB 242 203 125

HSL 40, 0.82%, 0.72%

LAB 83.48, 4.08, 43.84

 

CMYK 49 / 4 / 0 / 5

HEX #7CE9F2

RGB 124 233 242

HSL 184.58, 0.82%, 0.72%

LAB 86.49, -28.99, -14.07

 

CMYK 0 / 48 / 3 / 5

HEX #F27DEA

RGB 242 125 234

HSL 304.1, 0.82%, 0.72%

LAB 69.1, 59.23, -35.51

 

CMYK 3 / 0 / 48 / 5

HEX #EAF27D

RGB 234 242 125

HSL 64.1, 0.82%, 0.72%

LAB 92.79, -18.69, 55.05

 

CMYK 49 / 4 / 0 / 5

HEX #7CE9F2

RGB 124 233 242

HSL 184.58, 0.82%, 0.72%

LAB 86.49, -28.99, -14.07

 

CMYK 36 / 48 / 0 / 5

HEX #9C7DF2

RGB 156 125 242

HSL 255.9, 0.82%, 0.72%

LAB 60.02, 37.64, -54.86

 

CMYK 0 / 45 / 48 / 5

HEX #F2847D

RGB 242 132 125

HSL 3.59, 0.82%, 0.72%

LAB 67.17, 41.24, 22.66

 

CMYK 13 / 0 / 48 / 5

HEX #D2F27D

RGB 210 242 125

HSL 76.41, 0.82%, 0.72%

LAB 91.09, -27.9, 52.62

 

CMYK 49 / 4 / 0 / 5

HEX #7CE9F2

RGB 124 233 242

HSL 184.58, 0.82%, 0.72%

LAB 86.49, -28.99, -14.07

 

CMYK 21 / 48 / 0 / 5

HEX #BF7DF2

RGB 191 125 242

HSL 273.85, 0.82%, 0.72%

LAB 63.47, 46.71, -49.17

 

CMYK 0 / 45 / 48 / 5

HEX #F2847D

RGB 242 132 125

HSL 3.59, 0.82%, 0.72%

LAB 67.17, 41.24, 22.66

 

CMYK 28 / 0 / 48 / 5

HEX #AFF27D

RGB 175 242 125

HSL 94.36, 0.82%, 0.72%

LAB 88.97, -40.57, 49.55

 

Description

Color code: HEX #7CE9F2 | qconv.com Color code: HEX #7CE9F2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 233 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 233 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 4 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 4% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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