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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CEDD0 it is the complementary color #83122F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CEDD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CEDD0 shade: #81EDCB, #92FFDE, #A3FFF1, #B4FFFF and #C5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CEDD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CEDD0 shade: #7CEDD0, #6BDBBD, #5AC9AA, #49B797 and #38A584

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CEDD0 shade: #7CEDD0, #7CEDB2, #7CED93, #84ED7C and #A2ED7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CEDD0 shade: #7CEDD0, #7CEBED, #7CCDED, #7CAFED and #7C90ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CEDD0 shade matches the following richer shades: #7CEDD0 and #70F9D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CEDD0 shade: #7CEDD0, #88E1CA, #94D5C4, #A0C9BE and #ACBDB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CEDD0 shade: #7CED93, #7CEDB1, #7CEDCF, #7CEDED and #7CCFED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CEDD0 shade: #34E3B6, #58E8C3, #7CEDD0, #A1F2DD and #C5F7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CEDD0 shade: #7CEDD0, #7C84ED and #EDA27C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CEDD0 shade: #7CEDD0, #CF7CED and #EDCF7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CEDD0 shade: #7CEDD0, #7C84ED, #ED7C9A and #EDE57C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CEDD0 shade: #7CEDD0, #977CED, #ED7C9A and #D3ED7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

Complementary color

CMYK 0 / 86 / 64 / 49

HEX #83122F

RGB 131 18 47

HSL 344.6, 0.76%, 0.29%

LAB 28.02, 47.02, 14.09

 

CMYK 46 / 0 / 14 / 7

HEX #81EDCB

RGB 129 237 203

HSL 161.11, 0.75%, 0.72%

LAB 86.77, -39.05, 6.85

 

CMYK 43 / 0 / 13 / 0

HEX #92FFDE

RGB 146 255 222

HSL 161.83, 1%, 0.79%

LAB 92.97, -38.9, 5.99

 

CMYK 36 / 0 / 5 / 0

HEX #A3FFF1

RGB 163 255 241

HSL 170.87, 1%, 0.82%

LAB 94.17, -30.44, -1.99

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 51 / 0 / 14 / 14

HEX #6BDBBD

RGB 107 219 189

HSL 163.93, 0.61%, 0.64%

LAB 80.44, -39.19, 4.99

 

CMYK 55 / 0 / 15 / 21

HEX #5AC9AA

RGB 90 201 170

HSL 163.24, 0.51%, 0.57%

LAB 74.09, -39.2, 5.95

 

CMYK 60 / 0 / 17 / 28

HEX #49B797

RGB 73 183 151

HSL 162.55, 0.43%, 0.5%

LAB 67.66, -39.12, 7

 

CMYK 66 / 0 / 20 / 35

HEX #38A584

RGB 56 165 132

HSL 161.83, 0.49%, 0.43%

LAB 61.15, -38.9, 8.15

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 48 / 0 / 25 / 7

HEX #7CEDB2

RGB 124 237 178

HSL 148.67, 0.76%, 0.71%

LAB 86.04, -45.48, 18.8

 

CMYK 48 / 0 / 38 / 7

HEX #7CED93

RGB 124 237 147

HSL 132.21, 0.76%, 0.71%

LAB 85.48, -51.04, 33.89

 

CMYK 44 / 0 / 48 / 7

HEX #84ED7C

RGB 132 237 124

HSL 115.75, 0.76%, 0.71%

LAB 85.47, -52.23, 45.24

 

CMYK 32 / 0 / 48 / 7

HEX #A2ED7C

RGB 162 237 124

HSL 99.82, 0.76%, 0.71%

LAB 86.85, -42.89, 47.26

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 48 / 1 / 0 / 7

HEX #7CEBED

RGB 124 235 237

HSL 181.06, 0.76%, 0.71%

LAB 86.91, -31.23, -10.82

 

CMYK 48 / 14 / 0 / 7

HEX #7CCDED

RGB 124 205 237

HSL 196.99, 0.76%, 0.71%

LAB 78.5, -16.38, -23.48

 

CMYK 48 / 26 / 0 / 7

HEX #7CAFED

RGB 124 175 237

HSL 212.92, 0.76%, 0.71%

LAB 70.22, -0.31, -36.22

 

CMYK 48 / 39 / 0 / 7

HEX #7C90ED

RGB 124 144 237

HSL 229.38, 0.76%, 0.71%

LAB 61.95, 17.44, -49.18

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 55 / 0 / 14 / 2

HEX #70F9D6

RGB 112 249 214

HSL 164.67, 0.92%, 0.71%

LAB 89.88, -45.64, 5.52

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 40 / 0 / 10 / 12

HEX #88E1CA

RGB 136 225 202

HSL 164.49, 0.6%, 0.71%

LAB 83.63, -31.97, 2.86

 

CMYK 31 / 0 / 8 / 16

HEX #94D5C4

RGB 148 213 196

HSL 164.31, 0.44%, 0.71%

LAB 80.67, -24.19, 1.82

 

CMYK 20 / 0 / 5 / 21

HEX #A0C9BE

RGB 160 201 190

HSL 163.9, 0.28%, 0.71%

LAB 77.85, -15.78, 1.02

 

CMYK 9 / 0 / 2 / 26

HEX #ACBDB9

RGB 172 189 185

HSL 165.88, 0.11%, 0.71%

LAB 75.24, -6.6, 0.02

 

CMYK 48 / 0 / 38 / 7

HEX #7CED93

RGB 124 237 147

HSL 132.21, 0.76%, 0.71%

LAB 85.48, -51.04, 33.89

 

CMYK 48 / 0 / 25 / 7

HEX #7CEDB1

RGB 124 237 177

HSL 148.14, 0.76%, 0.71%

LAB 86.02, -45.67, 19.29

 

CMYK 48 / 0 / 13 / 7

HEX #7CEDCF

RGB 124 237 207

HSL 164.07, 0.76%, 0.71%

LAB 86.68, -39.34, 4.59

 

CMYK 48 / 0 / 0 / 7

HEX #7CEDED

RGB 124 237 237

HSL 180, 0.76%, 0.71%

LAB 87.47, -32.17, -9.98

 

CMYK 48 / 13 / 0 / 7

HEX #7CCFED

RGB 124 207 237

HSL 195.93, 0.76%, 0.71%

LAB 79.06, -17.41, -22.63

 

CMYK 77 / 0 / 20 / 11

HEX #34E3B6

RGB 52 227 182

HSL 164.57, 0.76%, 0.55%

LAB 81.32, -53.31, 9.79

 

CMYK 62 / 0 / 16 / 9

HEX #58E8C3

RGB 88 232 195

HSL 164.58, 0.76%, 0.63%

LAB 83.82, -47.24, 6.63

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 33 / 0 / 9 / 5

HEX #A1F2DD

RGB 161 242 221

HSL 164.44, 0.76%, 0.79%

LAB 90, -29.17, 2.29

 

CMYK 20 / 0 / 5 / 3

HEX #C5F7EA

RGB 197 247 234

HSL 164.4, 0.76%, 0.87%

LAB 93.59, -18.42, 1

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 48 / 44 / 0 / 7

HEX #7C84ED

RGB 124 132 237

HSL 235.75, 0.76%, 0.71%

LAB 58.88, 24.52, -54.05

 

CMYK 0 / 32 / 48 / 7

HEX #EDA27C

RGB 237 162 124

HSL 20.18, 0.76%, 0.71%

LAB 73.09, 23.57, 30.97

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 13 / 48 / 0 / 7

HEX #CF7CED

RGB 207 124 237

HSL 284.07, 0.76%, 0.71%

LAB 64.8, 50.52, -44.19

 

CMYK 0 / 13 / 48 / 7

HEX #EDCF7C

RGB 237 207 124

HSL 44.07, 0.76%, 0.71%

LAB 84.01, -0.08, 44.9

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 48 / 44 / 0 / 7

HEX #7C84ED

RGB 124 132 237

HSL 235.75, 0.76%, 0.71%

LAB 58.88, 24.52, -54.05

 

CMYK 0 / 48 / 35 / 7

HEX #ED7C9A

RGB 237 124 154

HSL 344.07, 0.76%, 0.71%

LAB 65.56, 46.54, 3.93

 

CMYK 0 / 3 / 48 / 7

HEX #EDE57C

RGB 237 229 124

HSL 55.75, 0.76%, 0.71%

LAB 89.63, -11.22, 51.78

 

CMYK 48 / 0 / 12 / 7

HEX #7CEDD0

RGB 124 237 208

HSL 164.6, 0.76%, 0.71%

LAB 86.71, -39.12, 4.11

 

CMYK 36 / 48 / 0 / 7

HEX #977CED

RGB 151 124 237

HSL 254.34, 0.76%, 0.71%

LAB 59.08, 35.66, -53.62

 

CMYK 0 / 48 / 35 / 7

HEX #ED7C9A

RGB 237 124 154

HSL 344.07, 0.76%, 0.71%

LAB 65.56, 46.54, 3.93

 

CMYK 11 / 0 / 48 / 7

HEX #D3ED7C

RGB 211 237 124

HSL 73.81, 0.76%, 0.71%

LAB 89.8, -25.25, 51.54

 

Description

Color code: HEX #7CEDD0 | qconv.com Color code: HEX #7CEDD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 237 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 237 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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