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Color name
HEX #7A0F4C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A0F4C it is the complementary color #85F0B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A0F4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A0F4C shade: #7F0F47, #90215A, #A1336D, #B24580 and #C35793

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A0F4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A0F4C shade: #7A0F4C, #690039, #580026, #470013 and #360000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A0F4C shade: #7A0F4C, #7A0F2F, #7A0F12 and #7A0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A0F4C shade: #7A0F4C, #7A0F69, #6E0F7A, #510F7A and #340F7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A0F4C shade matches the following richer shades: #7A0F4C and #85044D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A0F4C shade: #7A0F4C, #6F1A4A, #642549, #593047 and #4D3B46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A0F4C shade: #6E0F7A, #7A0F6A, #7A0F4D, #7A0F31 and #7A0F14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A0F4C shade: #31061E, #550A35, #7A0F4C, #9F1363 and #C3187A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A0F4C shade: #7A0F4C, #7A510F and #0F787A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A0F4C shade: #7A0F4C, #4D7A0F and #0F4D7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A0F4C shade: #7A0F4C, #7A510F, #0F7A3B and #0F387A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A0F4C shade: #7A0F4C, #7A710F, #0F7A3B and #0F187A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

Complementary color

CMYK 45 / 0 / 25 / 6

HEX #85F0B3

RGB 133 240 179

HSL 145.79, 0.78%, 0.73%

LAB 87.27, -44.3, 20.05

 

CMYK 0 / 88 / 44 / 50

HEX #7F0F47

RGB 127 15 71

HSL 330, 0.79%, 0.28%

LAB 27.6, 48.6, -2.82

 

CMYK 0 / 77 / 38 / 44

HEX #90215A

RGB 144 33 90

HSL 329.19, 0.63%, 0.35%

LAB 33.47, 50.15, -6.24

 

CMYK 0 / 68 / 32 / 37

HEX #A1336D

RGB 161 51 109

HSL 328.36, 0.52%, 0.42%

LAB 39.66, 50.58, -8.72

 

CMYK 0 / 61 / 28 / 30

HEX #B24580

RGB 178 69 128

HSL 327.52, 0.44%, 0.48%

LAB 46.01, 50.4, -10.59

 

CMYK 0 / 55 / 25 / 24

HEX #C35793

RGB 195 87 147

HSL 326.67, 0.47%, 0.55%

LAB 52.43, 49.9, -12.05

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 0 / 100 / 46 / 59

HEX #690039

RGB 105 0 57

HSL 327.43, 1%, 0.21%

LAB 21.2, 44.79, -3.23

 

CMYK 0 / 100 / 57 / 65

HEX #580026

RGB 88 0 38

HSL 334.09, 1%, 0.17%

LAB 16.58, 38.77, 3.13

 

CMYK 0 / 100 / 73 / 72

HEX #470013

RGB 71 0 19

HSL 343.94, 1%, 0.14%

LAB 11.87, 32.74, 9.87

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 0 / 88 / 61 / 52

HEX #7A0F2F

RGB 122 15 47

HSL 342.06, 0.78%, 0.27%

LAB 25.82, 45.18, 10.8

 

CMYK 0 / 88 / 85 / 52

HEX #7A0F12

RGB 122 15 18

HSL 358.32, 0.78%, 0.27%

LAB 25.33, 43.74, 29.27

 

CMYK 0 / 88 / 88 / 52

HEX #7A0F0F

RGB 122 15 15

HSL 0, 0.78%, 0.27%

LAB 25.3, 43.65, 30.94

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 0 / 88 / 14 / 52

HEX #7A0F69

RGB 122 15 105

HSL 309.53, 0.78%, 0.27%

LAB 28.11, 51.64, -24.55

 

CMYK 10 / 88 / 0 / 52

HEX #6E0F7A

RGB 110 15 122

HSL 293.27, 0.78%, 0.27%

LAB 26.91, 51.98, -37.5

 

CMYK 34 / 88 / 0 / 52

HEX #510F7A

RGB 81 15 122

HSL 277.01, 0.78%, 0.27%

LAB 21.93, 46.86, -45.8

 

CMYK 57 / 88 / 0 / 52

HEX #340F7A

RGB 52 15 122

HSL 260.75, 0.78%, 0.27%

LAB 17.81, 42.84, -52.72

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 0 / 97 / 42 / 48

HEX #85044D

RGB 133 4 77

HSL 326.05, 0.94%, 0.27%

LAB 28.4, 52.68, -5.5

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 0 / 77 / 33 / 56

HEX #6F1A4A

RGB 111 26 74

HSL 326.12, 0.62%, 0.27%

LAB 25.6, 41.27, -8.16

 

CMYK 0 / 63 / 27 / 61

HEX #642549

RGB 100 37 73

HSL 325.71, 0.46%, 0.27%

LAB 25.3, 32.75, -8.14

 

CMYK 0 / 46 / 20 / 65

HEX #593047

RGB 89 48 71

HSL 326.34, 0.3%, 0.27%

LAB 25.84, 22.15, -6.16

 

CMYK 0 / 23 / 9 / 70

HEX #4D3B46

RGB 77 59 70

HSL 323.33, 0.13%, 0.27%

LAB 27.15, 10.05, -3.71

 

CMYK 10 / 88 / 0 / 52

HEX #6E0F7A

RGB 110 15 122

HSL 293.27, 0.78%, 0.27%

LAB 26.91, 51.98, -37.5

 

CMYK 0 / 88 / 13 / 52

HEX #7A0F6A

RGB 122 15 106

HSL 308.97, 0.78%, 0.27%

LAB 28.17, 51.79, -25.11

 

CMYK 0 / 88 / 37 / 52

HEX #7A0F4D

RGB 122 15 77

HSL 325.23, 0.78%, 0.27%

LAB 26.78, 47.95, -8.18

 

CMYK 0 / 88 / 60 / 52

HEX #7A0F31

RGB 122 15 49

HSL 340.93, 0.78%, 0.27%

LAB 25.87, 45.32, 9.5

 

CMYK 0 / 88 / 84 / 52

HEX #7A0F14

RGB 122 15 20

HSL 357.2, 0.78%, 0.27%

LAB 25.35, 43.8, 28.09

 

CMYK 0 / 88 / 39 / 81

HEX #31061E

RGB 49 6 30

HSL 326.51, 0.78%, 0.11%

LAB 7.92, 24.12, -4.64

 

CMYK 0 / 88 / 38 / 67

HEX #550A35

RGB 85 10 53

HSL 325.6, 0.79%, 0.19%

LAB 17.49, 36.51, -6.43

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 0 / 88 / 38 / 38

HEX #9F1363

RGB 159 19 99

HSL 325.71, 0.79%, 0.35%

LAB 35.47, 58.64, -8.73

 

CMYK 0 / 88 / 37 / 24

HEX #C3187A

RGB 195 24 122

HSL 325.61, 0.78%, 0.43%

LAB 43.74, 68.5, -10.04

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 0 / 34 / 88 / 52

HEX #7A510F

RGB 122 81 15

HSL 37.01, 0.78%, 0.27%

LAB 37.94, 11.55, 41.96

 

CMYK 88 / 2 / 0 / 52

HEX #0F787A

RGB 15 120 122

HSL 181.12, 0.78%, 0.27%

LAB 45.55, -25.96, -8.96

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 37 / 0 / 88 / 52

HEX #4D7A0F

RGB 77 122 15

HSL 85.23, 0.78%, 0.27%

LAB 46.35, -31.89, 47.66

 

CMYK 88 / 37 / 0 / 52

HEX #0F4D7A

RGB 15 77 122

HSL 205.23, 0.78%, 0.27%

LAB 31.38, -1.2, -30.84

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 0 / 34 / 88 / 52

HEX #7A510F

RGB 122 81 15

HSL 37.01, 0.78%, 0.27%

LAB 37.94, 11.55, 41.96

 

CMYK 88 / 0 / 52 / 52

HEX #0F7A3B

RGB 15 122 59

HSL 144.67, 0.78%, 0.27%

LAB 44.71, -43.06, 26.57

 

CMYK 88 / 54 / 0 / 52

HEX #0F387A

RGB 15 56 122

HSL 217.01, 0.78%, 0.27%

LAB 24.75, 13.24, -41.46

 

CMYK 0 / 88 / 38 / 52

HEX #7A0F4C

RGB 122 15 76

HSL 325.79, 0.78%, 0.27%

LAB 26.74, 47.84, -7.57

 

CMYK 0 / 7 / 88 / 52

HEX #7A710F

RGB 122 113 15

HSL 54.95, 0.78%, 0.27%

LAB 46.95, -7.17, 49.52

 

CMYK 88 / 0 / 52 / 52

HEX #0F7A3B

RGB 15 122 59

HSL 144.67, 0.78%, 0.27%

LAB 44.71, -43.06, 26.57

 

CMYK 88 / 80 / 0 / 52

HEX #0F187A

RGB 15 24 122

HSL 234.95, 0.78%, 0.27%

LAB 16.31, 35.2, -55.31

 

Description

Color code: HEX #7A0F4C | qconv.com Color code: HEX #7A0F4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 15 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 15 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 38 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 38% 52% C M Y K

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