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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A0FE4 it is the complementary color #85F01B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A0FE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A0FE4 shade: #7F0FDF, #9021F2, #A133FF, #B245FF and #C357FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A0FE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A0FE4 shade: #7A0FE4, #6900D1, #5800BE, #4700AB and #360098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A0FE4 shade: #7A0EE6, #B40EE6, #E60EDD, #E60EA3 and #E60E68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A0FE4 shade: #7A0EE6, #400EE6 and #0E0EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A0FE4 shade matches the following richer shades: #7A0EE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A0FE4 shade: #7A0EE6, #7A22D2, #7A36BE, #7A4AAA and #7A5D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A0FE4 shade: #0E15E6, #400EE6, #7A0EE6, #B30EE6 and #E60EDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A0FE4 shade: #510998, #660CBF, #7A0EE6, #8F2CF1 and #A453F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A0FE4 shade: #7A0FE4, #E60E4F and #0EE624

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A0FE4 shade: #7A0FE4, #E67A0E and #0EE67A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A0FE4 shade: #7A0FE4, #E60E4F, #7AE60E and #0EE6A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A0FE4 shade: #7A0FE4, #E60E0E, #7AE60E and #0EE6E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 93 / 0 / 11

HEX #7A0FE4

RGB 122 15 228

HSL 270.14, 0.88%, 0.48%

LAB 37.99, 75.22, -82.9

 

Complementary color

CMYK 45 / 0 / 89 / 6

HEX #85F01B

RGB 133 240 27

HSL 90.14, 0.88%, 0.52%

LAB 85.7, -60.47, 79.77

 

CMYK 43 / 93 / 0 / 13

HEX #7F0FDF

RGB 127 15 223

HSL 272.31, 0.87%, 0.47%

LAB 38.17, 74.64, -79.72

 

CMYK 40 / 86 / 0 / 5

HEX #9021F2

RGB 144 33 242

HSL 271.87, 0.89%, 0.54%

LAB 43.4, 76.94, -81.82

 

CMYK 37 / 80 / 0 / 0

HEX #A133FF

RGB 161 51 255

HSL 272.35, 1%, 0.6%

LAB 48.47, 76.82, -80.72

 

CMYK 30 / 73 / 0 / 0

HEX #B245FF

RGB 178 69 255

HSL 275.16, 1%, 0.64%

LAB 52.89, 73.15, -73.42

 

CMYK 24 / 66 / 0 / 0

HEX #C357FF

RGB 195 87 255

HSL 278.57, 1%, 0.67%

LAB 57.69, 69.04, -65.54

 

CMYK 46 / 93 / 0 / 11

HEX #7A0FE4

RGB 122 15 228

HSL 270.14, 0.88%, 0.48%

LAB 37.99, 75.22, -82.9

 

CMYK 50 / 100 / 0 / 18

HEX #6900D1

RGB 105 0 209

HSL 270.14, 1%, 0.41%

LAB 33.15, 71.69, -80.02

 

CMYK 54 / 100 / 0 / 25

HEX #5800BE

RGB 88 0 190

HSL 267.79, 1%, 0.37%

LAB 28.88, 66.24, -76.02

 

CMYK 58 / 100 / 0 / 33

HEX #4700AB

RGB 71 0 171

HSL 264.91, 1%, 0.34%

LAB 24.58, 60.75, -71.87

 

CMYK 64 / 100 / 0 / 40

HEX #360098

RGB 54 0 152

HSL 261.32, 1%, 0.3%

LAB 20.25, 55.21, -67.52

 

CMYK 47 / 94 / 0 / 10

HEX #7A0EE6

RGB 122 14 230

HSL 270, 0.89%, 0.48%

LAB 38.14, 75.8, -83.79

 

CMYK 22 / 94 / 0 / 10

HEX #B40EE6

RGB 180 14 230

HSL 286.11, 0.89%, 0.48%

LAB 46.62, 82.44, -69.56

 

CMYK 0 / 94 / 4 / 10

HEX #E60EDD

RGB 230 14 221

HSL 302.5, 0.89%, 0.48%

LAB 54.4, 88.64, -51.48

 

CMYK 0 / 94 / 29 / 10

HEX #E60EA3

RGB 230 14 163

HSL 318.61, 0.89%, 0.48%

LAB 51.59, 81.48, -22.26

 

CMYK 0 / 94 / 55 / 10

HEX #E60E68

RGB 230 14 104

HSL 335, 0.89%, 0.48%

LAB 49.66, 76.34, 10.52

 

CMYK 47 / 94 / 0 / 10

HEX #7A0EE6

RGB 122 14 230

HSL 270, 0.89%, 0.48%

LAB 38.14, 75.8, -83.79

 

CMYK 72 / 94 / 0 / 10

HEX #400EE6

RGB 64 14 230

HSL 253.89, 0.89%, 0.48%

LAB 32.07, 72.02, -94.03

 

CMYK 94 / 94 / 0 / 10

HEX #0E0EE6

RGB 14 14 230

HSL 240, 0.89%, 0.48%

LAB 29.71, 70.86, -98.03

 

CMYK 47 / 94 / 0 / 10

HEX #7A0EE6

RGB 122 14 230

HSL 270, 0.89%, 0.48%

LAB 38.14, 75.8, -83.79

 

CMYK 47 / 94 / 0 / 10

HEX #7A0EE6

RGB 122 14 230

HSL 270, 0.89%, 0.48%

LAB 38.14, 75.8, -83.79

 

CMYK 42 / 84 / 0 / 18

HEX #7A22D2

RGB 122 34 210

HSL 270, 0.72%, 0.48%

LAB 37.73, 66.96, -72.98

 

CMYK 36 / 72 / 0 / 25

HEX #7A36BE

RGB 122 54 190

HSL 270, 0.56%, 0.48%

LAB 38.71, 54.66, -59.72

 

CMYK 28 / 56 / 0 / 33

HEX #7A4AAA

RGB 122 74 170

HSL 270, 0.39%, 0.48%

LAB 41.12, 39.5, -44.04

 

CMYK 19 / 38 / 0 / 41

HEX #7A5D96

RGB 122 93 150

HSL 270.53, 0.23%, 0.48%

LAB 44.47, 23.49, -26.84

 

CMYK 94 / 91 / 0 / 10

HEX #0E15E6

RGB 14 21 230

HSL 238.06, 0.89%, 0.48%

LAB 30.26, 69.18, -97.11

 

CMYK 72 / 94 / 0 / 10

HEX #400EE6

RGB 64 14 230

HSL 253.89, 0.89%, 0.48%

LAB 32.07, 72.02, -94.03

 

CMYK 47 / 94 / 0 / 10

HEX #7A0EE6

RGB 122 14 230

HSL 270, 0.89%, 0.48%

LAB 38.14, 75.8, -83.79

 

CMYK 22 / 94 / 0 / 10

HEX #B30EE6

RGB 179 14 230

HSL 285.83, 0.89%, 0.48%

LAB 46.46, 82.31, -69.83

 

CMYK 0 / 94 / 3 / 10

HEX #E60EDE

RGB 230 14 222

HSL 302.22, 0.89%, 0.48%

LAB 54.46, 88.78, -51.96

 

CMYK 47 / 94 / 0 / 40

HEX #510998

RGB 81 9 152

HSL 270.21, 0.89%, 0.32%

LAB 24.36, 55.26, -60.61

 

CMYK 47 / 94 / 0 / 25

HEX #660CBF

RGB 102 12 191

HSL 270.17, 0.88%, 0.4%

LAB 31.46, 65.72, -72.29

 

CMYK 47 / 94 / 0 / 10

HEX #7A0EE6

RGB 122 14 230

HSL 270, 0.89%, 0.48%

LAB 38.14, 75.8, -83.79

 

CMYK 41 / 82 / 0 / 5

HEX #8F2CF1

RGB 143 44 241

HSL 270.15, 0.88%, 0.56%

LAB 44.22, 73.54, -79.92

 

CMYK 33 / 66 / 0 / 4

HEX #A453F4

RGB 164 83 244

HSL 270.19, 0.88%, 0.64%

LAB 52.52, 62.12, -67.97

 

CMYK 46 / 93 / 0 / 11

HEX #7A0FE4

RGB 122 15 228

HSL 270.14, 0.88%, 0.48%

LAB 37.99, 75.22, -82.9

 

CMYK 0 / 94 / 66 / 10

HEX #E60E4F

RGB 230 14 79

HSL 341.94, 0.89%, 0.48%

LAB 49.13, 74.89, 25.14

 

CMYK 94 / 0 / 84 / 10

HEX #0EE624

RGB 14 230 36

HSL 126.11, 0.89%, 0.48%

LAB 80.08, -78.3, 72.17

 

CMYK 46 / 93 / 0 / 11

HEX #7A0FE4

RGB 122 15 228

HSL 270.14, 0.88%, 0.48%

LAB 37.99, 75.22, -82.9

 

CMYK 0 / 47 / 94 / 10

HEX #E67A0E

RGB 230 122 14

HSL 30, 0.89%, 0.48%

LAB 62.32, 36.1, 67.11

 

CMYK 94 / 0 / 47 / 10

HEX #0EE67A

RGB 14 230 122

HSL 150, 0.89%, 0.48%

LAB 80.79, -69.4, 39.79

 

CMYK 46 / 93 / 0 / 11

HEX #7A0FE4

RGB 122 15 228

HSL 270.14, 0.88%, 0.48%

LAB 37.99, 75.22, -82.9

 

CMYK 0 / 94 / 66 / 10

HEX #E60E4F

RGB 230 14 79

HSL 341.94, 0.89%, 0.48%

LAB 49.13, 74.89, 25.14

 

CMYK 47 / 0 / 94 / 10

HEX #7AE60E

RGB 122 230 14

HSL 90, 0.89%, 0.48%

LAB 82.25, -60.39, 78.49

 

CMYK 94 / 0 / 28 / 10

HEX #0EE6A5

RGB 14 230 165

HSL 161.94, 0.89%, 0.48%

LAB 81.51, -61.01, 18.93

 

CMYK 46 / 93 / 0 / 11

HEX #7A0FE4

RGB 122 15 228

HSL 270.14, 0.88%, 0.48%

LAB 37.99, 75.22, -82.9

 

CMYK 0 / 94 / 94 / 10

HEX #E60E0E

RGB 230 14 14

HSL 0, 0.89%, 0.48%

LAB 48.47, 73.06, 58.42

 

CMYK 47 / 0 / 94 / 10

HEX #7AE60E

RGB 122 230 14

HSL 90, 0.89%, 0.48%

LAB 82.25, -60.39, 78.49

 

CMYK 94 / 0 / 0 / 10

HEX #0EE6E6

RGB 14 230 230

HSL 180, 0.89%, 0.48%

LAB 83.13, -44.14, -13

 

Description

Color code: HEX #7A0FE4 | qconv.com Color code: HEX #7A0FE4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 15 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 15 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 93 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 93% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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