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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A17C3 it is the complementary color #85E83C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A17C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A17C3 shade: #7F17BE, #9029D1, #A13BE4, #B24DF7 and #C35FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A17C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A17C3 shade: #7A17C3, #6905B0, #58009D, #47008A and #360077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A17C3 shade: #7A17C4, #A917C4, #C417B0, #C41781 and #C41752

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A17C3 shade: #7A17C4, #4C17C4, #1D17C4 and #1717C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A17C3 shade matches the following richer shades: #7A17C4 and #7D05D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A17C3 shade: #7A17C4, #7828B2, #753AA0, #724C8F and #705D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A17C3 shade: #1C17C4, #4B17C4, #7917C4, #A717C4 and #C417B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A17C3 shade: #4C0E7A, #63129F, #7A17C4, #911FE4 and #A344E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A17C3 shade: #7A17C3, #C4173F and #17C433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A17C3 shade: #7A17C3, #C47917 and #17C479

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A17C3 shade: #7A17C3, #C4173F, #62C417 and #17C49B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A17C3 shade: #7A17C3, #C42217, #62C417 and #17B8C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 88 / 0 / 24

HEX #7A17C3

RGB 122 23 195

HSL 274.53, 0.79%, 0.43%

LAB 35.38, 66.63, -68.09

 

Complementary color

CMYK 43 / 0 / 74 / 9

HEX #85E83C

RGB 133 232 60

HSL 94.53, 0.79%, 0.57%

LAB 83.46, -56.05, 69.66

 

CMYK 33 / 88 / 0 / 25

HEX #7F17BE

RGB 127 23 190

HSL 277.37, 0.78%, 0.42%

LAB 35.68, 66.24, -64.63

 

CMYK 31 / 80 / 0 / 18

HEX #9029D1

RGB 144 41 209

HSL 276.79, 0.67%, 0.49%

LAB 41.4, 67.73, -66.27

 

CMYK 29 / 74 / 0 / 11

HEX #A13BE4

RGB 161 59 228

HSL 276.21, 0.76%, 0.56%

LAB 47.37, 68.27, -67.33

 

CMYK 28 / 69 / 0 / 3

HEX #B24DF7

RGB 178 77 247

HSL 275.65, 0.91%, 0.64%

LAB 53.48, 68.22, -68.01

 

CMYK 24 / 63 / 0 / 0

HEX #C35FFF

RGB 195 95 255

HSL 277.5, 1%, 0.69%

LAB 58.98, 65.49, -63.47

 

CMYK 37 / 88 / 0 / 24

HEX #7A17C3

RGB 122 23 195

HSL 274.53, 0.79%, 0.43%

LAB 35.38, 66.63, -68.09

 

CMYK 40 / 97 / 0 / 31

HEX #6905B0

RGB 105 5 176

HSL 275.09, 0.94%, 0.35%

LAB 30.03, 63.88, -65.72

 

CMYK 44 / 100 / 0 / 38

HEX #58009D

RGB 88 0 157

HSL 273.63, 1%, 0.31%

LAB 25.29, 58.94, -62.11

 

CMYK 49 / 100 / 0 / 46

HEX #47008A

RGB 71 0 138

HSL 270.87, 1%, 0.27%

LAB 20.73, 53.1, -57.95

 

CMYK 55 / 100 / 0 / 53

HEX #360077

RGB 54 0 119

HSL 267.23, 1%, 0.23%

LAB 16.09, 47.17, -53.64

 

CMYK 38 / 88 / 0 / 23

HEX #7A17C4

RGB 122 23 196

HSL 274.34, 0.79%, 0.43%

LAB 35.47, 66.84, -68.53

 

CMYK 14 / 88 / 0 / 23

HEX #A917C4

RGB 169 23 196

HSL 290.64, 0.79%, 0.43%

LAB 42.81, 73.68, -56.26

 

CMYK 0 / 88 / 10 / 23

HEX #C417B0

RGB 196 23 176

HSL 306.94, 0.79%, 0.43%

LAB 46.29, 75.35, -38.69

 

CMYK 0 / 88 / 34 / 23

HEX #C41781

RGB 196 23 129

HSL 323.24, 0.79%, 0.43%

LAB 44.14, 69.61, -13.73

 

CMYK 0 / 88 / 58 / 23

HEX #C41752

RGB 196 23 82

HSL 339.54, 0.79%, 0.43%

LAB 42.7, 65.6, 13.48

 

CMYK 38 / 88 / 0 / 23

HEX #7A17C4

RGB 122 23 196

HSL 274.34, 0.79%, 0.43%

LAB 35.47, 66.84, -68.53

 

CMYK 61 / 88 / 0 / 23

HEX #4C17C4

RGB 76 23 196

HSL 258.38, 0.79%, 0.43%

LAB 29.75, 62.06, -78.16

 

CMYK 85 / 88 / 0 / 23

HEX #1D17C4

RGB 29 23 196

HSL 242.08, 0.79%, 0.43%

LAB 26.33, 59.54, -83.94

 

CMYK 88 / 88 / 0 / 23

HEX #1717C4

RGB 23 23 196

HSL 240, 0.79%, 0.43%

LAB 26.1, 59.38, -84.33

 

CMYK 38 / 88 / 0 / 23

HEX #7A17C4

RGB 122 23 196

HSL 274.34, 0.79%, 0.43%

LAB 35.47, 66.84, -68.53

 

CMYK 42 / 98 / 0 / 16

HEX #7D05D6

RGB 125 5 214

HSL 274.45, 0.95%, 0.43%

LAB 36.6, 73.86, -77.13

 

CMYK 38 / 88 / 0 / 23

HEX #7A17C4

RGB 122 23 196

HSL 274.34, 0.79%, 0.43%

LAB 35.47, 66.84, -68.53

 

CMYK 33 / 78 / 0 / 30

HEX #7828B2

RGB 120 40 178

HSL 274.78, 0.63%, 0.43%

LAB 35.45, 57.39, -57.95

 

CMYK 27 / 64 / 0 / 37

HEX #753AA0

RGB 117 58 160

HSL 274.71, 0.47%, 0.43%

LAB 36.64, 44.46, -45.27

 

CMYK 20 / 47 / 0 / 44

HEX #724C8F

RGB 114 76 143

HSL 274.03, 0.31%, 0.43%

LAB 39.12, 29.46, -31.07

 

CMYK 10 / 26 / 0 / 51

HEX #705D7D

RGB 112 93 125

HSL 275.63, 0.15%, 0.43%

LAB 42.39, 14.24, -15.08

 

CMYK 86 / 88 / 0 / 23

HEX #1C17C4

RGB 28 23 196

HSL 241.73, 0.79%, 0.43%

LAB 26.29, 59.51, -84.01

 

CMYK 62 / 88 / 0 / 23

HEX #4B17C4

RGB 75 23 196

HSL 258.03, 0.79%, 0.43%

LAB 29.65, 61.98, -78.33

 

CMYK 38 / 88 / 0 / 23

HEX #7917C4

RGB 121 23 196

HSL 273.99, 0.79%, 0.43%

LAB 35.33, 66.72, -68.77

 

CMYK 15 / 88 / 0 / 23

HEX #A717C4

RGB 167 23 196

HSL 289.94, 0.79%, 0.43%

LAB 42.48, 73.36, -56.81

 

CMYK 0 / 88 / 9 / 23

HEX #C417B2

RGB 196 23 178

HSL 306.24, 0.79%, 0.43%

LAB 46.4, 75.62, -39.7

 

CMYK 38 / 89 / 0 / 52

HEX #4C0E7A

RGB 76 14 122

HSL 274.44, 0.79%, 0.27%

LAB 21.04, 46.38, -47.29

 

CMYK 38 / 89 / 0 / 38

HEX #63129F

RGB 99 18 159

HSL 274.47, 0.8%, 0.35%

LAB 28.35, 56.99, -58.24

 

CMYK 38 / 88 / 0 / 23

HEX #7A17C4

RGB 122 23 196

HSL 274.34, 0.79%, 0.43%

LAB 35.47, 66.84, -68.53

 

CMYK 36 / 86 / 0 / 11

HEX #911FE4

RGB 145 31 228

HSL 274.72, 0.78%, 0.51%

LAB 42.16, 74.61, -75.93

 

CMYK 30 / 71 / 0 / 9

HEX #A344E9

RGB 163 68 233

HSL 274.55, 0.79%, 0.59%

LAB 49.26, 66.12, -67.09

 

CMYK 37 / 88 / 0 / 24

HEX #7A17C3

RGB 122 23 195

HSL 274.53, 0.79%, 0.43%

LAB 35.38, 66.63, -68.09

 

CMYK 0 / 88 / 68 / 23

HEX #C4173F

RGB 196 23 63

HSL 346.13, 0.79%, 0.43%

LAB 42.32, 64.52, 24.9

 

CMYK 88 / 0 / 74 / 23

HEX #17C433

RGB 23 196 51

HSL 129.71, 0.79%, 0.43%

LAB 69.4, -67.32, 57.78

 

CMYK 37 / 88 / 0 / 24

HEX #7A17C3

RGB 122 23 195

HSL 274.53, 0.79%, 0.43%

LAB 35.38, 66.63, -68.09

 

CMYK 0 / 38 / 88 / 23

HEX #C47917

RGB 196 121 23

HSL 33.99, 0.79%, 0.43%

LAB 57.53, 22.56, 59.43

 

CMYK 88 / 0 / 38 / 23

HEX #17C479

RGB 23 196 121

HSL 153.99, 0.79%, 0.43%

LAB 70.21, -57.56, 26.54

 

CMYK 37 / 88 / 0 / 24

HEX #7A17C3

RGB 122 23 195

HSL 274.53, 0.79%, 0.43%

LAB 35.38, 66.63, -68.09

 

CMYK 0 / 88 / 68 / 23

HEX #C4173F

RGB 196 23 63

HSL 346.13, 0.79%, 0.43%

LAB 42.32, 64.52, 24.9

 

CMYK 50 / 0 / 88 / 23

HEX #62C417

RGB 98 196 23

HSL 93.99, 0.79%, 0.43%

LAB 70.97, -54.79, 67.49

 

CMYK 88 / 0 / 21 / 23

HEX #17C49B

RGB 23 196 155

HSL 165.78, 0.79%, 0.43%

LAB 70.89, -49.91, 9.31

 

CMYK 37 / 88 / 0 / 24

HEX #7A17C3

RGB 122 23 195

HSL 274.53, 0.79%, 0.43%

LAB 35.38, 66.63, -68.09

 

CMYK 0 / 83 / 88 / 23

HEX #C42217

RGB 196 34 23

HSL 3.82, 0.79%, 0.43%

LAB 42.68, 60.87, 47.78

 

CMYK 50 / 0 / 88 / 23

HEX #62C417

RGB 98 196 23

HSL 93.99, 0.79%, 0.43%

LAB 70.97, -54.79, 67.49

 

CMYK 88 / 6 / 0 / 23

HEX #17B8C4

RGB 23 184 196

HSL 184.16, 0.79%, 0.43%

LAB 68.35, -33.05, -16.88

 

Description

Color code: HEX #7A17C3 | qconv.com Color code: HEX #7A17C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 23 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 23 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 88 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 88% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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