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Color name
HEX #7A1885

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A1885 it is the complementary color #85E77A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A1885. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A1885 shade: #7F1880, #902A93, #A13CA6, #B24EB9 and #C360CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A1885. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A1885 shade: #7A1885, #690672, #58005F, #47004C and #360039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A1885 shade: #7A1885, #851873, #851855, #851838 and #85181A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A1885 shade: #7A1885, #5D1885, #3F1885, #221885 and #181885

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A1885 shade matches the following richer shades: #7A1885 and #840B92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A1885 shade: #7A1885, #702578, #66326C, #5B3E5F and #514B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A1885 shade: #3E1885, #5B1885, #781885, #851875 and #851858

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A1885 shade: #3A0B3F, #5A1262, #7A1885, #9A1EA8 and #BA25CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A1885 shade: #7A1885, #852118 and #18854D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A1885 shade: #7A1885, #857818 and #188578

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A1885 shade: #7A1885, #852118, #258518 and #187C85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A1885 shade: #7A1885, #854218, #258518 and #185B85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

Complementary color

CMYK 42 / 0 / 47 / 9

HEX #85E77A

RGB 133 231 122

HSL 113.94, 0.69%, 0.69%

LAB 83.73, -49.74, 44.04

 

CMYK 1 / 81 / 0 / 50

HEX #7F1880

RGB 127 24 128

HSL 299.42, 0.68%, 0.3%

LAB 31.17, 54.13, -34.29

 

CMYK 2 / 71 / 0 / 42

HEX #902A93

RGB 144 42 147

HSL 298.29, 0.56%, 0.37%

LAB 37.28, 55.3, -36.14

 

CMYK 3 / 64 / 0 / 35

HEX #A13CA6

RGB 161 60 166

HSL 297.17, 0.47%, 0.44%

LAB 43.6, 55.58, -37.4

 

CMYK 4 / 58 / 0 / 27

HEX #B24EB9

RGB 178 78 185

HSL 296.07, 0.43%, 0.52%

LAB 50, 55.36, -38.3

 

CMYK 4 / 53 / 0 / 20

HEX #C360CC

RGB 195 96 204

HSL 295, 0.51%, 0.59%

LAB 56.41, 54.88, -38.97

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 8 / 95 / 0 / 55

HEX #690672

RGB 105 6 114

HSL 295, 0.9%, 0.24%

LAB 24.79, 51.46, -35.84

 

CMYK 7 / 100 / 0 / 63

HEX #58005F

RGB 88 0 95

HSL 295.58, 1%, 0.19%

LAB 19.64, 46.44, -31.88

 

CMYK 7 / 100 / 0 / 70

HEX #47004C

RGB 71 0 76

HSL 296.05, 1%, 0.15%

LAB 14.74, 39.99, -27.08

 

CMYK 5 / 100 / 0 / 78

HEX #360039

RGB 54 0 57

HSL 296.84, 1%, 0.11%

LAB 9.64, 33.26, -22.06

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 0 / 82 / 14 / 48

HEX #851873

RGB 133 24 115

HSL 309.91, 0.69%, 0.31%

LAB 31.53, 53.38, -25.45

 

CMYK 0 / 82 / 36 / 48

HEX #851855

RGB 133 24 85

HSL 326.42, 0.69%, 0.31%

LAB 30.15, 49.39, -8.19

 

CMYK 0 / 82 / 58 / 48

HEX #851838

RGB 133 24 56

HSL 342.39, 0.69%, 0.31%

LAB 29.22, 46.6, 9.76

 

CMYK 0 / 82 / 80 / 48

HEX #85181A

RGB 133 24 26

HSL 358.9, 0.69%, 0.31%

LAB 28.68, 44.91, 28.63

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 30 / 82 / 0 / 48

HEX #5D1885

RGB 93 24 133

HSL 277.98, 0.69%, 0.31%

LAB 25.78, 48.42, -46.4

 

CMYK 53 / 82 / 0 / 48

HEX #3F1885

RGB 63 24 133

HSL 261.47, 0.69%, 0.31%

LAB 21.59, 43.58, -53.43

 

CMYK 74 / 82 / 0 / 48

HEX #221885

RGB 34 24 133

HSL 245.5, 0.69%, 0.31%

LAB 18.74, 40.3, -58.22

 

CMYK 82 / 82 / 0 / 48

HEX #181885

RGB 24 24 133

HSL 240, 0.69%, 0.31%

LAB 18.1, 39.56, -59.3

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 10 / 92 / 0 / 43

HEX #840B92

RGB 132 11 146

HSL 293.78, 0.86%, 0.31%

LAB 32.3, 60.94, -43.61

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 7 / 69 / 0 / 53

HEX #702578

RGB 112 37 120

HSL 294.22, 0.53%, 0.31%

LAB 29.72, 44.6, -31.71

 

CMYK 6 / 54 / 0 / 58

HEX #66326C

RGB 102 50 108

HSL 293.79, 0.37%, 0.31%

LAB 29.88, 32.85, -23.93

 

CMYK 4 / 35 / 0 / 63

HEX #5B3E5F

RGB 91 62 95

HSL 292.73, 0.21%, 0.31%

LAB 30.63, 19.06, -14.56

 

CMYK 1 / 9 / 0 / 68

HEX #514B52

RGB 81 75 82

HSL 291.43, 0.04%, 0.31%

LAB 32.68, 3.98, -3.25

 

CMYK 53 / 82 / 0 / 48

HEX #3E1885

RGB 62 24 133

HSL 260.92, 0.69%, 0.31%

LAB 21.47, 43.44, -53.63

 

CMYK 32 / 82 / 0 / 48

HEX #5B1885

RGB 91 24 133

HSL 276.88, 0.69%, 0.31%

LAB 25.48, 48.06, -46.92

 

CMYK 10 / 82 / 0 / 48

HEX #781885

RGB 120 24 133

HSL 292.84, 0.69%, 0.31%

LAB 30.25, 53.58, -38.96

 

CMYK 0 / 82 / 12 / 48

HEX #851875

RGB 133 24 117

HSL 308.81, 0.69%, 0.31%

LAB 31.63, 53.68, -26.55

 

CMYK 0 / 82 / 34 / 48

HEX #851858

RGB 133 24 88

HSL 324.77, 0.69%, 0.31%

LAB 30.27, 49.74, -9.98

 

CMYK 8 / 83 / 0 / 75

HEX #3A0B3F

RGB 58 11 63

HSL 294.23, 0.7%, 0.15%

LAB 12.59, 30.47, -21.58

 

CMYK 8 / 82 / 0 / 62

HEX #5A1262

RGB 90 18 98

HSL 294, 0.69%, 0.23%

LAB 21.9, 42.53, -30.22

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 8 / 82 / 0 / 34

HEX #9A1EA8

RGB 154 30 168

HSL 293.91, 0.7%, 0.39%

LAB 38.94, 64.77, -46.08

 

CMYK 8 / 82 / 0 / 20

HEX #BA25CB

RGB 186 37 203

HSL 293.86, 0.69%, 0.47%

LAB 47.07, 74.85, -53.32

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 0 / 75 / 82 / 48

HEX #852118

RGB 133 33 24

HSL 4.95, 0.69%, 0.31%

LAB 29.76, 41.75, 30.93

 

CMYK 82 / 0 / 42 / 48

HEX #18854D

RGB 24 133 77

HSL 149.17, 0.69%, 0.31%

LAB 48.89, -42.84, 22.04

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 0 / 10 / 82 / 48

HEX #857818

RGB 133 120 24

HSL 52.84, 0.69%, 0.31%

LAB 50.08, -5.6, 49.98

 

CMYK 82 / 0 / 10 / 48

HEX #188578

RGB 24 133 120

HSL 172.84, 0.69%, 0.31%

LAB 49.89, -32.1, -1.34

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 0 / 75 / 82 / 48

HEX #852118

RGB 133 33 24

HSL 4.95, 0.69%, 0.31%

LAB 29.76, 41.75, 30.93

 

CMYK 72 / 0 / 82 / 48

HEX #258518

RGB 37 133 24

HSL 112.84, 0.69%, 0.31%

LAB 48.55, -47.72, 46.52

 

CMYK 82 / 7 / 0 / 48

HEX #187C85

RGB 24 124 133

HSL 184.95, 0.69%, 0.31%

LAB 47.37, -23.59, -12.74

 

CMYK 8 / 82 / 0 / 48

HEX #7A1885

RGB 122 24 133

HSL 293.94, 0.69%, 0.31%

LAB 30.6, 53.98, -38.38

 

CMYK 0 / 50 / 82 / 48

HEX #854218

RGB 133 66 24

HSL 23.12, 0.69%, 0.31%

LAB 35.89, 25.69, 36.95

 

CMYK 72 / 0 / 82 / 48

HEX #258518

RGB 37 133 24

HSL 112.84, 0.69%, 0.31%

LAB 48.55, -47.72, 46.52

 

CMYK 82 / 32 / 0 / 48

HEX #185B85

RGB 24 91 133

HSL 203.12, 0.69%, 0.31%

LAB 36.69, -4.81, -29.23

 

Description

Color code: HEX #7A1885 | qconv.com Color code: HEX #7A1885 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 24 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 24 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 82 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 82% 0% 48% C M Y K

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Provide designers and agencies with accurate color values.

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