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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A37CD it is the complementary color #85C832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A37CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A37CD shade: #7F37C8, #9049DB, #A15BEE, #B26DFF and #C37FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A37CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A37CD shade: #7A37CD, #6925BA, #5813A7, #470194 and #360081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A37CD shade: #7A37CD, #A237CD, #CA37CD, #CD37A6 and #CD377E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A37CD shade: #7A37CD, #5137CD and #3737CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A37CD shade matches the following richer shades: #7A37CD, #7722E1 and #750EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A37CD shade: #7A37CD, #7C4BB8, #7E5FA4, #807390 and #82877C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A37CD shade: #3746CD, #5037CD, #7837CD, #A037CD and #C837CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A37CD shade: #53238E, #662BAF, #7A37CD, #9058D5 and #A579DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A37CD shade: #7A37CD, #CD376E and #37CD3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A37CD shade: #7A37CD, #CD7837 and #37CD78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A37CD shade: #7A37CD, #CD376E, #8CCD37 and #37CD96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A37CD shade: #7A37CD, #CD3741, #8CCD37 and #37CDC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

Complementary color

CMYK 34 / 0 / 75 / 22

HEX #85C832

RGB 133 200 50

HSL 86.8, 0.6%, 0.49%

LAB 73.89, -43.62, 63.64

 

CMYK 37 / 73 / 0 / 22

HEX #7F37C8

RGB 127 55 200

HSL 269.79, 0.57%, 0.5%

LAB 40.27, 57.52, -63

 

CMYK 34 / 67 / 0 / 14

HEX #9049DB

RGB 144 73 219

HSL 269.18, 0.67%, 0.57%

LAB 46.72, 56.98, -63.37

 

CMYK 32 / 62 / 0 / 7

HEX #A15BEE

RGB 161 91 238

HSL 268.57, 0.81%, 0.65%

LAB 53.2, 56.2, -63.53

 

CMYK 30 / 57 / 0 / 0

HEX #B26DFF

RGB 178 109 255

HSL 268.36, 1%, 0.71%

LAB 59.55, 54.84, -62.67

 

CMYK 24 / 50 / 0 / 0

HEX #C37FFF

RGB 195 127 255

HSL 271.88, 1%, 0.75%

LAB 64.96, 49.59, -53.92

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 44 / 80 / 0 / 27

HEX #6925BA

RGB 105 37 186

HSL 267.38, 0.67%, 0.44%

LAB 33.71, 58, -65.61

 

CMYK 47 / 89 / 0 / 35

HEX #5813A7

RGB 88 19 167

HSL 267.97, 0.8%, 0.36%

LAB 27.66, 57.19, -64.29

 

CMYK 52 / 99 / 0 / 42

HEX #470194

RGB 71 1 148

HSL 268.57, 0.99%, 0.29%

LAB 21.94, 55.16, -62.18

 

CMYK 58 / 100 / 0 / 49

HEX #360081

RGB 54 0 129

HSL 265.12, 1%, 0.25%

LAB 17.32, 49.6, -58

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 21 / 73 / 0 / 20

HEX #A237CD

RGB 162 55 205

HSL 282.8, 0.6%, 0.51%

LAB 45.39, 65.23, -57.38

 

CMYK 1 / 73 / 0 / 20

HEX #CA37CD

RGB 202 55 205

HSL 298.8, 0.6%, 0.51%

LAB 51.49, 73.32, -47.26

 

CMYK 0 / 73 / 19 / 20

HEX #CD37A6

RGB 205 55 166

HSL 315.6, 0.6%, 0.51%

LAB 50.05, 68.21, -26.77

 

CMYK 0 / 73 / 39 / 20

HEX #CD377E

RGB 205 55 126

HSL 331.6, 0.6%, 0.51%

LAB 48.53, 63.44, -5.13

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 60 / 73 / 0 / 20

HEX #5137CD

RGB 81 55 205

HSL 250.4, 0.6%, 0.51%

LAB 35.77, 51.65, -73.46

 

CMYK 73 / 73 / 0 / 20

HEX #3737CD

RGB 55 55 205

HSL 240, 0.6%, 0.51%

LAB 33.88, 48.8, -76.64

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 47 / 85 / 0 / 12

HEX #7722E1

RGB 119 34 225

HSL 266.7, 0.76%, 0.51%

LAB 38.73, 70.02, -79.97

 

CMYK 52 / 94 / 0 / 4

HEX #750EF5

RGB 117 14 245

HSL 266.75, 0.92%, 0.51%

LAB 39.05, 78.63, -90.8

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 33 / 59 / 0 / 28

HEX #7C4BB8

RGB 124 75 184

HSL 266.97, 0.43%, 0.51%

LAB 42.43, 42.96, -50.19

 

CMYK 23 / 42 / 0 / 36

HEX #7E5FA4

RGB 126 95 164

HSL 266.96, 0.27%, 0.51%

LAB 46.04, 26.95, -32.66

 

CMYK 11 / 20 / 0 / 44

HEX #807390

RGB 128 115 144

HSL 266.9, 0.12%, 0.51%

LAB 50.53, 10.97, -13.93

 

CMYK 4 / 0 / 8 / 47

HEX #82877C

RGB 130 135 124

HSL 87.27, 0.04%, 0.51%

LAB 55.61, -3.99, 5.27

 

CMYK 73 / 66 / 0 / 20

HEX #3746CD

RGB 55 70 205

HSL 234, 0.6%, 0.51%

LAB 37.12, 39.96, -71.32

 

CMYK 61 / 73 / 0 / 20

HEX #5037CD

RGB 80 55 205

HSL 250, 0.6%, 0.51%

LAB 35.69, 51.52, -73.61

 

CMYK 41 / 73 / 0 / 20

HEX #7837CD

RGB 120 55 205

HSL 266, 0.6%, 0.51%

LAB 39.8, 57.51, -66.7

 

CMYK 22 / 73 / 0 / 20

HEX #A037CD

RGB 160 55 205

HSL 282, 0.6%, 0.51%

LAB 45.1, 64.84, -57.86

 

CMYK 2 / 73 / 0 / 20

HEX #C837CD

RGB 200 55 205

HSL 298, 0.6%, 0.51%

LAB 51.17, 72.9, -47.78

 

CMYK 42 / 75 / 0 / 44

HEX #53238E

RGB 83 35 142

HSL 266.92, 0.6%, 0.35%

LAB 26.72, 44.2, -50.55

 

CMYK 42 / 75 / 0 / 31

HEX #662BAF

RGB 102 43 175

HSL 266.82, 0.61%, 0.43%

LAB 33.24, 52.33, -59.87

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 32 / 59 / 0 / 16

HEX #9058D5

RGB 144 88 213

HSL 266.88, 0.6%, 0.59%

LAB 49.15, 47.89, -56.04

 

CMYK 25 / 45 / 0 / 13

HEX #A579DD

RGB 165 121 221

HSL 266.4, 0.6%, 0.67%

LAB 58.88, 37.02, -44.93

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 0 / 73 / 46 / 20

HEX #CD376E

RGB 205 55 110

HSL 338, 0.6%, 0.51%

LAB 48.05, 61.89, 3.91

 

CMYK 73 / 0 / 71 / 20

HEX #37CD3C

RGB 55 205 60

HSL 122, 0.6%, 0.51%

LAB 72.76, -65.59, 58.1

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 0 / 41 / 73 / 20

HEX #CD7837

RGB 205 120 55

HSL 26, 0.6%, 0.51%

LAB 58.68, 28.02, 48.46

 

CMYK 73 / 0 / 41 / 20

HEX #37CD78

RGB 55 205 120

HSL 146, 0.6%, 0.51%

LAB 73.44, -57.64, 31.4

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 0 / 73 / 46 / 20

HEX #CD376E

RGB 205 55 110

HSL 338, 0.6%, 0.51%

LAB 48.05, 61.89, 3.91

 

CMYK 32 / 0 / 73 / 20

HEX #8CCD37

RGB 140 205 55

HSL 86, 0.6%, 0.51%

LAB 75.77, -42.95, 63.92

 

CMYK 73 / 0 / 27 / 20

HEX #37CD96

RGB 55 205 150

HSL 158, 0.6%, 0.51%

LAB 73.98, -51.59, 16.41

 

CMYK 40 / 73 / 0 / 20

HEX #7A37CD

RGB 122 55 205

HSL 266.8, 0.6%, 0.51%

LAB 40.04, 57.85, -66.29

 

CMYK 0 / 73 / 68 / 20

HEX #CD3741

RGB 205 55 65

HSL 356, 0.6%, 0.51%

LAB 47.1, 58.72, 29.99

 

CMYK 32 / 0 / 73 / 20

HEX #8CCD37

RGB 140 205 55

HSL 86, 0.6%, 0.51%

LAB 75.77, -42.95, 63.92

 

CMYK 73 / 0 / 5 / 20

HEX #37CDC3

RGB 55 205 195

HSL 176, 0.6%, 0.51%

LAB 75.09, -40.28, -6.21

 

Description

Color code: HEX #7A37CD | qconv.com Color code: HEX #7A37CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 55 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 55 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 73 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 73% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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