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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A3248 it is the complementary color #85CDB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A3248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A3248 shade: #7F3243, #904456, #A15669, #B2687C and #C37A8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A3248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A3248 shade: #7A3248, #692035, #580E22, #47000F and #360000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A3248 shade: #7B3248, #7B3234 and #7B3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A3248 shade: #7B3248, #7B325C, #7B326F, #72327B and #5F327B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A3248 shade matches the following richer shades: #7B3248, #892443, #97163D and #A50838

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A3248 shade: #7B3248, #6D404D, #5F4E53, #515C58 and #436A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A3248 shade: #7B3270, #7B325C, #7B3249, #7B3235 and #7B4232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A3248 shade: #401A26, #5D2637, #7B3248, #983E59 and #B54A6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A3248 shade: #7A3248, #7B7232 and #32667B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A3248 shade: #7A3248, #497B32 and #32497B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A3248 shade: #7A3248, #7B7232, #327B64 and #323A7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A3248 shade: #7A3248, #6D7B32, #327B64 and #3F327B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 41 / 52

HEX #7A3248

RGB 122 50 72

HSL 341.67, 0.42%, 0.34%

LAB 31.55, 33.71, 2.18

 

Complementary color

CMYK 35 / 0 / 11 / 20

HEX #85CDB7

RGB 133 205 183

HSL 161.67, 0.42%, 0.66%

LAB 77.32, -27.39, 3.83

 

CMYK 0 / 61 / 47 / 50

HEX #7F3243

RGB 127 50 67

HSL 346.75, 0.44%, 0.35%

LAB 32.25, 34.97, 6.57

 

CMYK 0 / 53 / 40 / 44

HEX #904456

RGB 144 68 86

HSL 345.79, 0.36%, 0.42%

LAB 39.13, 34.05, 4.6

 

CMYK 0 / 47 / 35 / 37

HEX #A15669

RGB 161 86 105

HSL 344.8, 0.3%, 0.48%

LAB 45.98, 33.07, 3.05

 

CMYK 0 / 42 / 30 / 30

HEX #B2687C

RGB 178 104 124

HSL 343.78, 0.32%, 0.55%

LAB 52.75, 32.13, 1.77

 

CMYK 0 / 37 / 27 / 24

HEX #C37A8F

RGB 195 122 143

HSL 342.74, 0.38%, 0.62%

LAB 59.44, 31.24, 0.68

 

CMYK 0 / 59 / 41 / 52

HEX #7A3248

RGB 122 50 72

HSL 341.67, 0.42%, 0.34%

LAB 31.55, 33.71, 2.18

 

CMYK 0 / 70 / 50 / 59

HEX #692035

RGB 105 32 53

HSL 342.74, 0.53%, 0.27%

LAB 24.62, 34.35, 4.51

 

CMYK 0 / 84 / 61 / 65

HEX #580E22

RGB 88 14 34

HSL 343.78, 0.73%, 0.2%

LAB 17.94, 34.2, 7.93

 

CMYK 0 / 100 / 79 / 72

HEX #47000F

RGB 71 0 15

HSL 347.32, 1%, 0.14%

LAB 11.78, 32.52, 12.08

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 59 / 41 / 52

HEX #7B3248

RGB 123 50 72

HSL 341.92, 0.42%, 0.34%

LAB 31.72, 34.08, 2.45

 

CMYK 0 / 59 / 58 / 52

HEX #7B3234

RGB 123 50 52

HSL 358.36, 0.42%, 0.34%

LAB 31.21, 32, 14.76

 

CMYK 0 / 59 / 59 / 52

HEX #7B3232

RGB 123 50 50

HSL 0, 0.42%, 0.34%

LAB 31.17, 31.83, 16

 

CMYK 0 / 59 / 41 / 52

HEX #7B3248

RGB 123 50 72

HSL 341.92, 0.42%, 0.34%

LAB 31.72, 34.08, 2.45

 

CMYK 0 / 59 / 25 / 52

HEX #7B325C

RGB 123 50 92

HSL 325.48, 0.42%, 0.34%

LAB 32.4, 36.8, -9.51

 

CMYK 0 / 59 / 10 / 52

HEX #7B326F

RGB 123 50 111

HSL 309.86, 0.42%, 0.34%

LAB 33.22, 39.91, -20.39

 

CMYK 7 / 59 / 0 / 52

HEX #72327B

RGB 114 50 123

HSL 292.6, 0.42%, 0.34%

LAB 32.46, 39.55, -29.25

 

CMYK 23 / 59 / 0 / 52

HEX #5F327B

RGB 95 50 123

HSL 276.99, 0.42%, 0.34%

LAB 29.77, 34.21, -33.67

 

CMYK 0 / 59 / 41 / 52

HEX #7B3248

RGB 123 50 72

HSL 341.92, 0.42%, 0.34%

LAB 31.72, 34.08, 2.45

 

CMYK 0 / 74 / 51 / 46

HEX #892443

RGB 137 36 67

HSL 341.58, 0.58%, 0.34%

LAB 31.77, 44.64, 6.14

 

CMYK 0 / 85 / 60 / 41

HEX #97163D

RGB 151 22 61

HSL 341.86, 0.75%, 0.34%

LAB 32.9, 52.61, 12.08

 

CMYK 0 / 95 / 66 / 35

HEX #A50838

RGB 165 8 56

HSL 341.66, 0.91%, 0.34%

LAB 34.92, 58.41, 18.57

 

CMYK 0 / 59 / 41 / 52

HEX #7B3248

RGB 123 50 72

HSL 341.92, 0.42%, 0.34%

LAB 31.72, 34.08, 2.45

 

CMYK 0 / 41 / 29 / 57

HEX #6D404D

RGB 109 64 77

HSL 342.67, 0.26%, 0.34%

LAB 32.82, 21.45, 0.54

 

CMYK 0 / 18 / 13 / 63

HEX #5F4E53

RGB 95 78 83

HSL 342.35, 0.1%, 0.34%

LAB 35.02, 8.04, -0.28

 

CMYK 12 / 0 / 4 / 64

HEX #515C58

RGB 81 92 88

HSL 158.18, 0.06%, 0.34%

LAB 38.04, -5.17, 0.84

 

CMYK 37 / 0 / 11 / 58

HEX #436A5E

RGB 67 106 94

HSL 161.54, 0.23%, 0.34%

LAB 41.7, -16.77, 2.38

 

CMYK 0 / 59 / 9 / 52

HEX #7B3270

RGB 123 50 112

HSL 309.04, 0.42%, 0.34%

LAB 33.27, 40.08, -20.95

 

CMYK 0 / 59 / 25 / 52

HEX #7B325C

RGB 123 50 92

HSL 325.48, 0.42%, 0.34%

LAB 32.4, 36.8, -9.51

 

CMYK 0 / 59 / 41 / 52

HEX #7B3249

RGB 123 50 73

HSL 341.1, 0.42%, 0.34%

LAB 31.75, 34.2, 1.84

 

CMYK 0 / 59 / 57 / 52

HEX #7B3235

RGB 123 50 53

HSL 357.53, 0.42%, 0.34%

LAB 31.23, 32.09, 14.14

 

CMYK 0 / 46 / 59 / 52

HEX #7B4232

RGB 123 66 50

HSL 13.15, 0.42%, 0.34%

LAB 34.68, 22.94, 20.54

 

CMYK 0 / 59 / 41 / 75

HEX #401A26

RGB 64 26 38

HSL 341.05, 0.42%, 0.18%

LAB 15.32, 20.03, 0.67

 

CMYK 0 / 59 / 41 / 64

HEX #5D2637

RGB 93 38 55

HSL 341.45, 0.42%, 0.26%

LAB 23.64, 27.1, 1.45

 

CMYK 0 / 59 / 41 / 52

HEX #7B3248

RGB 123 50 72

HSL 341.92, 0.42%, 0.34%

LAB 31.72, 34.08, 2.45

 

CMYK 0 / 59 / 41 / 40

HEX #983E59

RGB 152 62 89

HSL 342, 0.42%, 0.42%

LAB 39.31, 40.36, 3.14

 

CMYK 0 / 59 / 41 / 29

HEX #B54A6B

RGB 181 74 107

HSL 341.5, 0.42%, 0.5%

LAB 46.69, 46.52, 3.25

 

CMYK 0 / 59 / 41 / 52

HEX #7A3248

RGB 122 50 72

HSL 341.67, 0.42%, 0.34%

LAB 31.55, 33.71, 2.18

 

CMYK 0 / 7 / 59 / 52

HEX #7B7232

RGB 123 114 50

HSL 52.6, 0.42%, 0.34%

LAB 47.59, -5.35, 36.07

 

CMYK 59 / 17 / 0 / 52

HEX #32667B

RGB 50 102 123

HSL 197.26, 0.42%, 0.34%

LAB 40.59, -10.74, -17.01

 

CMYK 0 / 59 / 41 / 52

HEX #7A3248

RGB 122 50 72

HSL 341.67, 0.42%, 0.34%

LAB 31.55, 33.71, 2.18

 

CMYK 41 / 0 / 59 / 52

HEX #497B32

RGB 73 123 50

HSL 101.1, 0.42%, 0.34%

LAB 46.73, -31.18, 34.12

 

CMYK 59 / 41 / 0 / 52

HEX #32497B

RGB 50 73 123

HSL 221.1, 0.42%, 0.34%

LAB 31.52, 7.46, -31.16

 

CMYK 0 / 59 / 41 / 52

HEX #7A3248

RGB 122 50 72

HSL 341.67, 0.42%, 0.34%

LAB 31.55, 33.71, 2.18

 

CMYK 0 / 7 / 59 / 52

HEX #7B7232

RGB 123 114 50

HSL 52.6, 0.42%, 0.34%

LAB 47.59, -5.35, 36.07

 

CMYK 59 / 0 / 19 / 52

HEX #327B64

RGB 50 123 100

HSL 161.1, 0.42%, 0.34%

LAB 46.66, -28.69, 5.82

 

CMYK 59 / 53 / 0 / 52

HEX #323A7B

RGB 50 58 123

HSL 233.42, 0.42%, 0.34%

LAB 27.11, 17.62, -38.19

 

CMYK 0 / 59 / 41 / 52

HEX #7A3248

RGB 122 50 72

HSL 341.67, 0.42%, 0.34%

LAB 31.55, 33.71, 2.18

 

CMYK 11 / 0 / 59 / 52

HEX #6D7B32

RGB 109 123 50

HSL 71.51, 0.42%, 0.34%

LAB 49.07, -16.61, 37.42

 

CMYK 59 / 0 / 19 / 52

HEX #327B64

RGB 50 123 100

HSL 161.1, 0.42%, 0.34%

LAB 46.66, -28.69, 5.82

 

CMYK 49 / 59 / 0 / 52

HEX #3F327B

RGB 63 50 123

HSL 250.68, 0.42%, 0.34%

LAB 26.06, 25.91, -39.83

 

Description

Color code: HEX #7A3248 | qconv.com Color code: HEX #7A3248 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 50 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 50 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 41 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 41% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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