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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A5842 it is the complementary color #85A7BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A5842. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A5842 shade: #7F583D, #906A50, #A17C63, #B28E76 and #C3A089

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A5842. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A5842 shade: #7A5842, #69462F, #58341C, #472209 and #361000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A5842 shade: #7A5842, #7A4942 and #7A4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A5842 shade: #7A5842, #7A6742, #7A7642, #6F7A42 and #5F7A42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A5842 shade matches the following richer shades: #7A5842, #895532, #995123, #A84E14 and #B74B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A5842 shade: #7A5842, #6B5B51, #5C5E60, #4C626F and #3D657F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A5842 shade: #7A424A, #7A4842, #7A5742, #7A6642 and #7A7542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A5842 shade: #453125, #5F4433, #7A5842, #956B50 and #AB7F63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A5842 shade: #7A5842, #597A42 and #42427A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A5842 shade: #7A5842, #427A57 and #57427A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A5842 shade: #7A5842, #597A42, #42647A and #63427A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A5842 shade: #7A5842, #487A42, #42647A and #74427A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

Complementary color

CMYK 30 / 12 / 0 / 26

HEX #85A7BD

RGB 133 167 189

HSL 203.57, 0.3%, 0.63%

LAB 66.75, -6.4, -15.08

 

CMYK 0 / 31 / 52 / 50

HEX #7F583D

RGB 127 88 61

HSL 24.55, 0.35%, 0.37%

LAB 40.94, 12.73, 22.03

 

CMYK 0 / 26 / 44 / 44

HEX #906A50

RGB 144 106 80

HSL 24.38, 0.29%, 0.44%

LAB 48.03, 11.7, 20.52

 

CMYK 0 / 23 / 39 / 37

HEX #A17C63

RGB 161 124 99

HSL 24.19, 0.25%, 0.51%

LAB 54.96, 10.85, 19.17

 

CMYK 0 / 20 / 34 / 30

HEX #B28E76

RGB 178 142 118

HSL 24, 0.28%, 0.58%

LAB 61.76, 10.13, 17.96

 

CMYK 0 / 18 / 30 / 24

HEX #C3A089

RGB 195 160 137

HSL 23.79, 0.33%, 0.65%

LAB 68.42, 9.52, 16.85

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 0 / 33 / 55 / 59

HEX #69462F

RGB 105 70 47

HSL 23.79, 0.38%, 0.3%

LAB 33.11, 12.16, 19.87

 

CMYK 0 / 41 / 68 / 65

HEX #58341C

RGB 88 52 28

HSL 24, 0.52%, 0.23%

LAB 25.61, 13.61, 21.74

 

CMYK 0 / 52 / 87 / 72

HEX #472209

RGB 71 34 9

HSL 24.19, 0.78%, 0.16%

LAB 17.93, 15.52, 22.74

 

CMYK 0 / 70 / 100 / 79

HEX #361000

RGB 54 16 0

HSL 17.78, 1%, 0.11%

LAB 10.22, 17.91, 15.72

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 0 / 40 / 46 / 52

HEX #7A4942

RGB 122 73 66

HSL 7.5, 0.3%, 0.37%

LAB 36.55, 20.02, 13.05

 

CMYK 0 / 46 / 46 / 52

HEX #7A4242

RGB 122 66 66

HSL 0, 0.3%, 0.37%

LAB 34.86, 24.14, 10.73

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 0 / 16 / 46 / 52

HEX #7A6742

RGB 122 103 66

HSL 39.64, 0.3%, 0.37%

LAB 44.56, 2.13, 23.65

 

CMYK 0 / 3 / 46 / 52

HEX #7A7642

RGB 122 118 66

HSL 55.71, 0.3%, 0.37%

LAB 48.87, -6.51, 29.09

 

CMYK 9 / 0 / 46 / 52

HEX #6F7A42

RGB 111 122 66

HSL 71.79, 0.3%, 0.37%

LAB 49.12, -13.54, 29.2

 

CMYK 22 / 0 / 46 / 52

HEX #5F7A42

RGB 95 122 66

HSL 88.93, 0.3%, 0.37%

LAB 47.94, -20.23, 27.46

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 0 / 38 / 64 / 46

HEX #895532

RGB 137 85 50

HSL 24.14, 0.47%, 0.37%

LAB 41.29, 18.01, 29.13

 

CMYK 0 / 47 / 77 / 40

HEX #995123

RGB 153 81 35

HSL 23.39, 0.63%, 0.37%

LAB 42.43, 26.42, 39.06

 

CMYK 0 / 54 / 88 / 34

HEX #A84E14

RGB 168 78 20

HSL 23.51, 0.79%, 0.37%

LAB 43.98, 33.82, 47.9

 

CMYK 0 / 59 / 98 / 28

HEX #B74B04

RGB 183 75 4

HSL 23.8, 0.96%, 0.37%

LAB 45.78, 41, 54.94

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 0 / 15 / 24 / 58

HEX #6B5B51

RGB 107 91 81

HSL 23.08, 0.14%, 0.37%

LAB 39.92, 4.75, 8.17

 

CMYK 4 / 2 / 0 / 62

HEX #5C5E60

RGB 92 94 96

HSL 210, 0.02%, 0.37%

LAB 39.79, -0.35, -1.42

 

CMYK 32 / 12 / 0 / 56

HEX #4C626F

RGB 76 98 111

HSL 202.29, 0.19%, 0.37%

LAB 40.28, -4.84, -10.04

 

CMYK 52 / 20 / 0 / 50

HEX #3D657F

RGB 61 101 127

HSL 203.64, 0.35%, 0.37%

LAB 40.95, -6.25, -18.84

 

CMYK 0 / 46 / 39 / 52

HEX #7A424A

RGB 122 66 74

HSL 351.43, 0.3%, 0.37%

LAB 35.06, 25.12, 5.93

 

CMYK 0 / 41 / 46 / 52

HEX #7A4842

RGB 122 72 66

HSL 6.43, 0.3%, 0.37%

LAB 36.3, 20.61, 12.71

 

CMYK 0 / 29 / 46 / 52

HEX #7A5742

RGB 122 87 66

HSL 22.5, 0.3%, 0.37%

LAB 40.16, 11.64, 17.91

 

CMYK 0 / 16 / 46 / 52

HEX #7A6642

RGB 122 102 66

HSL 38.57, 0.3%, 0.37%

LAB 44.28, 2.71, 23.29

 

CMYK 0 / 4 / 46 / 52

HEX #7A7542

RGB 122 117 66

HSL 54.64, 0.3%, 0.37%

LAB 48.58, -5.94, 28.73

 

CMYK 0 / 29 / 46 / 73

HEX #453125

RGB 69 49 37

HSL 22.5, 0.3%, 0.21%

LAB 22.29, 7.23, 11.21

 

CMYK 0 / 28 / 46 / 63

HEX #5F4433

RGB 95 68 51

HSL 23.18, 0.3%, 0.29%

LAB 31.36, 9.2, 14.86

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 0 / 28 / 46 / 42

HEX #956B50

RGB 149 107 80

HSL 23.48, 0.3%, 0.45%

LAB 48.86, 13.28, 21.73

 

CMYK 0 / 26 / 42 / 33

HEX #AB7F63

RGB 171 127 99

HSL 23.33, 0.3%, 0.53%

LAB 56.82, 13.33, 21.86

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 27 / 0 / 46 / 52

HEX #597A42

RGB 89 122 66

HSL 95.36, 0.3%, 0.37%

LAB 47.54, -22.62, 26.88

 

CMYK 46 / 46 / 0 / 52

HEX #42427A

RGB 66 66 122

HSL 240, 0.3%, 0.37%

LAB 30.54, 15.8, -32.01

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 46 / 0 / 29 / 52

HEX #427A57

RGB 66 122 87

HSL 142.5, 0.3%, 0.37%

LAB 46.67, -26.99, 13.55

 

CMYK 29 / 46 / 0 / 52

HEX #57427A

RGB 87 66 122

HSL 262.5, 0.3%, 0.37%

LAB 32.54, 21.92, -28.72

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 27 / 0 / 46 / 52

HEX #597A42

RGB 89 122 66

HSL 95.36, 0.3%, 0.37%

LAB 47.54, -22.62, 26.88

 

CMYK 46 / 18 / 0 / 52

HEX #42647A

RGB 66 100 122

HSL 203.57, 0.3%, 0.37%

LAB 40.7, -5.88, -16.16

 

CMYK 19 / 46 / 0 / 52

HEX #63427A

RGB 99 66 122

HSL 275.36, 0.3%, 0.37%

LAB 33.89, 25.69, -26.51

 

CMYK 0 / 28 / 46 / 52

HEX #7A5842

RGB 122 88 66

HSL 23.57, 0.3%, 0.37%

LAB 40.43, 11.04, 18.26

 

CMYK 41 / 0 / 46 / 52

HEX #487A42

RGB 72 122 66

HSL 113.57, 0.3%, 0.37%

LAB 46.57, -28.89, 25.44

 

CMYK 46 / 18 / 0 / 52

HEX #42647A

RGB 66 100 122

HSL 203.57, 0.3%, 0.37%

LAB 40.7, -5.88, -16.16

 

CMYK 5 / 46 / 0 / 52

HEX #74427A

RGB 116 66 122

HSL 293.57, 0.3%, 0.37%

LAB 36.01, 31.18, -23.03

 

Description

Color code: HEX #7A5842 | qconv.com Color code: HEX #7A5842 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 88 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 88 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 46 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 46% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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