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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A5A37 it is the complementary color #85A5C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A5A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A5A37 shade: #7F5A32, #906C45, #A17E58, #B2906B and #C3A27E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A5A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A5A37 shade: #7A5A37, #694824, #583611, #472400 and #361200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A5A37 shade: #7B5A37, #7B4837 and #7B3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A5A37 shade: #7B5A37, #7B6D37, #767B37, #647B37 and #527B37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A5A37 shade matches the following richer shades: #7B5A37, #895B28, #985C1A and #A65C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A5A37 shade: #7B5A37, #6C5A45, #5E5954, #4F5862 and #415871

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A5A37 shade: #7B3738, #7B4837, #7B5A37, #7B6C37 and #777B37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A5A37 shade: #42301D, #5E452A, #7B5A37, #976F44 and #B18453

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A5A37 shade: #7A5A37, #4A7B37 and #3F377B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A5A37 shade: #7A5A37, #377B5A and #5A377B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A5A37 shade: #7A5A37, #4A7B37, #37587B and #67377B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A5A37 shade: #7A5A37, #377B38, #37587B and #7B377A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 55 / 52

HEX #7A5A37

RGB 122 90 55

HSL 31.34, 0.38%, 0.35%

LAB 40.78, 8.67, 25.21

 

Complementary color

CMYK 34 / 18 / 0 / 22

HEX #85A5C8

RGB 133 165 200

HSL 211.34, 0.38%, 0.65%

LAB 66.57, -2.53, -21.46

 

CMYK 0 / 29 / 61 / 50

HEX #7F5A32

RGB 127 90 50

HSL 31.17, 0.44%, 0.35%

LAB 41.3, 10.52, 28.84

 

CMYK 0 / 25 / 52 / 44

HEX #906C45

RGB 144 108 69

HSL 31.2, 0.35%, 0.42%

LAB 48.37, 9.36, 27.27

 

CMYK 0 / 22 / 45 / 37

HEX #A17E58

RGB 161 126 88

HSL 31.23, 0.29%, 0.49%

LAB 55.28, 8.43, 25.82

 

CMYK 0 / 19 / 40 / 30

HEX #B2906B

RGB 178 144 107

HSL 31.27, 0.32%, 0.56%

LAB 62.06, 7.66, 24.5

 

CMYK 0 / 17 / 35 / 24

HEX #C3A27E

RGB 195 162 126

HSL 31.3, 0.37%, 0.63%

LAB 68.71, 7.01, 23.28

 

CMYK 0 / 26 / 55 / 52

HEX #7A5A37

RGB 122 90 55

HSL 31.34, 0.38%, 0.35%

LAB 40.78, 8.67, 25.21

 

CMYK 0 / 31 / 66 / 59

HEX #694824

RGB 105 72 36

HSL 31.3, 0.49%, 0.28%

LAB 33.49, 9.94, 26.85

 

CMYK 0 / 39 / 81 / 65

HEX #583611

RGB 88 54 17

HSL 31.27, 0.68%, 0.21%

LAB 26.02, 11.62, 28.43

 

CMYK 0 / 49 / 100 / 72

HEX #472400

RGB 71 36 0

HSL 30.42, 1%, 0.14%

LAB 18.37, 13.79, 26.93

 

CMYK 0 / 67 / 100 / 79

HEX #361200

RGB 54 18 0

HSL 20, 1%, 0.11%

LAB 10.68, 16.71, 16.37

 

CMYK 0 / 27 / 55 / 52

HEX #7B5A37

RGB 123 90 55

HSL 30.88, 0.38%, 0.35%

LAB 40.9, 9.13, 25.38

 

CMYK 0 / 41 / 55 / 52

HEX #7B4837

RGB 123 72 55

HSL 15, 0.38%, 0.35%

LAB 36.22, 19.88, 19.45

 

CMYK 0 / 55 / 55 / 52

HEX #7B3737

RGB 123 55 55

HSL 0, 0.38%, 0.35%

LAB 32.3, 29.6, 14.29

 

CMYK 0 / 27 / 55 / 52

HEX #7B5A37

RGB 123 90 55

HSL 30.88, 0.38%, 0.35%

LAB 40.9, 9.13, 25.38

 

CMYK 0 / 11 / 55 / 52

HEX #7B6D37

RGB 123 109 55

HSL 47.65, 0.38%, 0.35%

LAB 46.21, -2.05, 31.85

 

CMYK 4 / 0 / 55 / 52

HEX #767B37

RGB 118 123 55

HSL 64.41, 0.38%, 0.35%

LAB 49.85, -12.18, 36.01

 

CMYK 19 / 0 / 55 / 52

HEX #647B37

RGB 100 123 55

HSL 80.29, 0.38%, 0.35%

LAB 48.45, -20, 34.02

 

CMYK 33 / 0 / 55 / 52

HEX #527B37

RGB 82 123 55

HSL 96.18, 0.38%, 0.35%

LAB 47.28, -27.26, 32.35

 

CMYK 0 / 27 / 55 / 52

HEX #7B5A37

RGB 123 90 55

HSL 30.88, 0.38%, 0.35%

LAB 40.9, 9.13, 25.38

 

CMYK 0 / 34 / 71 / 46

HEX #895B28

RGB 137 91 40

HSL 31.55, 0.55%, 0.35%

LAB 42.69, 13.81, 36.14

 

CMYK 0 / 39 / 83 / 40

HEX #985C1A

RGB 152 92 26

HSL 31.43, 0.71%, 0.35%

LAB 44.81, 19.41, 45.36

 

CMYK 0 / 45 / 93 / 35

HEX #A65C0C

RGB 166 92 12

HSL 31.17, 0.87%, 0.35%

LAB 46.69, 25.26, 52.32

 

CMYK 0 / 27 / 55 / 52

HEX #7B5A37

RGB 123 90 55

HSL 30.88, 0.38%, 0.35%

LAB 40.9, 9.13, 25.38

 

CMYK 0 / 17 / 36 / 58

HEX #6C5A45

RGB 108 90 69

HSL 32.31, 0.22%, 0.35%

LAB 39.46, 3.97, 14.88

 

CMYK 0 / 5 / 11 / 63

HEX #5E5954

RGB 94 89 84

HSL 30, 0.06%, 0.35%

LAB 38.14, 1.02, 3.61

 

CMYK 19 / 10 / 0 / 62

HEX #4F5862

RGB 79 88 98

HSL 211.58, 0.11%, 0.35%

LAB 36.97, -1.12, -6.96

 

CMYK 42 / 22 / 0 / 56

HEX #415871

RGB 65 88 113

HSL 211.25, 0.27%, 0.35%

LAB 36.55, -1.59, -17.01

 

CMYK 0 / 55 / 54 / 52

HEX #7B3738

RGB 123 55 56

HSL 359.12, 0.38%, 0.35%

LAB 32.32, 29.7, 13.68

 

CMYK 0 / 41 / 55 / 52

HEX #7B4837

RGB 123 72 55

HSL 15, 0.38%, 0.35%

LAB 36.22, 19.88, 19.45

 

CMYK 0 / 27 / 55 / 52

HEX #7B5A37

RGB 123 90 55

HSL 30.88, 0.38%, 0.35%

LAB 40.9, 9.13, 25.38

 

CMYK 0 / 12 / 55 / 52

HEX #7B6C37

RGB 123 108 55

HSL 46.76, 0.38%, 0.35%

LAB 45.92, -1.47, 31.51

 

CMYK 3 / 0 / 55 / 52

HEX #777B37

RGB 119 123 55

HSL 63.53, 0.38%, 0.35%

LAB 49.93, -11.73, 36.13

 

CMYK 0 / 27 / 56 / 74

HEX #42301D

RGB 66 48 29

HSL 30.81, 0.39%, 0.19%

LAB 21.43, 5.39, 15.3

 

CMYK 0 / 27 / 55 / 63

HEX #5E452A

RGB 94 69 42

HSL 31.15, 0.38%, 0.27%

LAB 31.35, 7.08, 20.4

 

CMYK 0 / 27 / 55 / 52

HEX #7B5A37

RGB 123 90 55

HSL 30.88, 0.38%, 0.35%

LAB 40.9, 9.13, 25.38

 

CMYK 0 / 26 / 55 / 41

HEX #976F44

RGB 151 111 68

HSL 31.08, 0.38%, 0.43%

LAB 49.94, 10.64, 29.96

 

CMYK 0 / 25 / 53 / 31

HEX #B18453

RGB 177 132 83

HSL 31.28, 0.38%, 0.51%

LAB 58.48, 11.42, 33.01

 

CMYK 0 / 26 / 55 / 52

HEX #7A5A37

RGB 122 90 55

HSL 31.34, 0.38%, 0.35%

LAB 40.78, 8.67, 25.21

 

CMYK 40 / 0 / 55 / 52

HEX #4A7B37

RGB 74 123 55

HSL 103.24, 0.38%, 0.35%

LAB 46.84, -30.22, 31.71

 

CMYK 49 / 55 / 0 / 52

HEX #3F377B

RGB 63 55 123

HSL 247.06, 0.38%, 0.35%

LAB 27.35, 22.64, -37.76

 

CMYK 0 / 26 / 55 / 52

HEX #7A5A37

RGB 122 90 55

HSL 31.34, 0.38%, 0.35%

LAB 40.78, 8.67, 25.21

 

CMYK 55 / 0 / 27 / 52

HEX #377B5A

RGB 55 123 90

HSL 150.88, 0.38%, 0.35%

LAB 46.6, -29.88, 11.64

 

CMYK 27 / 55 / 0 / 52

HEX #5A377B

RGB 90 55 123

HSL 270.88, 0.38%, 0.35%

LAB 30.25, 29.89, -32.96

 

CMYK 0 / 26 / 55 / 52

HEX #7A5A37

RGB 122 90 55

HSL 31.34, 0.38%, 0.35%

LAB 40.78, 8.67, 25.21

 

CMYK 40 / 0 / 55 / 52

HEX #4A7B37

RGB 74 123 55

HSL 103.24, 0.38%, 0.35%

LAB 46.84, -30.22, 31.71

 

CMYK 55 / 28 / 0 / 52

HEX #37587B

RGB 55 88 123

HSL 210.88, 0.38%, 0.35%

LAB 36.41, -1.08, -23.45

 

CMYK 16 / 55 / 0 / 52

HEX #67377B

RGB 103 55 123

HSL 282.35, 0.38%, 0.35%

LAB 31.91, 33.66, -30.21

 

CMYK 0 / 26 / 55 / 52

HEX #7A5A37

RGB 122 90 55

HSL 31.34, 0.38%, 0.35%

LAB 40.78, 8.67, 25.21

 

CMYK 55 / 0 / 54 / 52

HEX #377B38

RGB 55 123 56

HSL 120.88, 0.38%, 0.35%

LAB 45.99, -36.22, 29.97

 

CMYK 55 / 28 / 0 / 52

HEX #37587B

RGB 55 88 123

HSL 210.88, 0.38%, 0.35%

LAB 36.41, -1.08, -23.45

 

CMYK 0 / 55 / 1 / 52

HEX #7B377A

RGB 123 55 122

HSL 300.88, 0.38%, 0.35%

LAB 34.7, 39.4, -25.01

 

Description

Color code: HEX #7A5A37 | qconv.com Color code: HEX #7A5A37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 90 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 90 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 55 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 55% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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