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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A5A55 it is the complementary color #85A5AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A5A55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A5A55 shade: #7F5A50, #906C63, #A17E76, #B29089 and #C3A29C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A5A55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A5A55 shade: #7A5A55, #694842, #58362F, #47241C and #361209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A5A55 shade: #7B5A55 and #7B5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A5A55 shade: #7B5A55, #7B6455, #7B6F55, #7B7955 and #737B55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A5A55 shade matches the following richer shades: #7B5A55, #8C4E44, #9D4233, #AE3522 and #BF2912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A5A55 shade: #7B5A55, #6A6766, #597377, #487F88 and #378C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A5A55 shade: #7B5564, #7B555A, #7B5A55, #7B6455 and #7B6E55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A5A55 shade: #4A3633, #634844, #7B5A55, #936C66 and #A5837E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A5A55 shade: #7A5A55, #6E7B55 and #555F7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A5A55 shade: #7A5A55, #557B5A and #5A557B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A5A55 shade: #7A5A55, #6E7B55, #55767B and #62557B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A5A55 shade: #7A5A55, #637B55, #55767B and #6D557B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 30 / 52

HEX #7A5A55

RGB 122 90 85

HSL 8.11, 0.18%, 0.41%

LAB 41.38, 12.38, 8.02

 

Complementary color

CMYK 22 / 3 / 0 / 33

HEX #85A5AA

RGB 133 165 170

HSL 188.11, 0.18%, 0.59%

LAB 65.59, -9.81, -6.22

 

CMYK 0 / 29 / 37 / 50

HEX #7F5A50

RGB 127 90 80

HSL 12.77, 0.23%, 0.41%

LAB 41.85, 13.8, 11.81

 

CMYK 0 / 25 / 31 / 44

HEX #906C63

RGB 144 108 99

HSL 12, 0.19%, 0.48%

LAB 48.95, 12.98, 10.6

 

CMYK 0 / 22 / 27 / 37

HEX #A17E76

RGB 161 126 118

HSL 11.16, 0.19%, 0.55%

LAB 55.89, 12.29, 9.52

 

CMYK 0 / 19 / 23 / 30

HEX #B29089

RGB 178 144 137

HSL 10.24, 0.21%, 0.62%

LAB 62.69, 11.7, 8.55

 

CMYK 0 / 17 / 20 / 24

HEX #C3A29C

RGB 195 162 156

HSL 9.23, 0.25%, 0.69%

LAB 69.36, 11.18, 7.65

 

CMYK 0 / 26 / 30 / 52

HEX #7A5A55

RGB 122 90 85

HSL 8.11, 0.18%, 0.41%

LAB 41.38, 12.38, 8.02

 

CMYK 0 / 31 / 37 / 59

HEX #694842

RGB 105 72 66

HSL 9.23, 0.23%, 0.34%

LAB 34.05, 13.23, 9.25

 

CMYK 0 / 39 / 47 / 65

HEX #58362F

RGB 88 54 47

HSL 10.24, 0.3%, 0.26%

LAB 26.5, 14.3, 10.73

 

CMYK 0 / 49 / 61 / 72

HEX #47241C

RGB 71 36 28

HSL 11.16, 0.43%, 0.19%

LAB 18.74, 15.65, 12.64

 

CMYK 0 / 67 / 83 / 79

HEX #361209

RGB 54 18 9

HSL 12, 0.71%, 0.12%

LAB 10.82, 17.33, 12.9

 

CMYK 0 / 27 / 31 / 52

HEX #7B5A55

RGB 123 90 85

HSL 7.89, 0.18%, 0.41%

LAB 41.5, 12.8, 8.2

 

CMYK 0 / 31 / 31 / 52

HEX #7B5555

RGB 123 85 85

HSL 0, 0.18%, 0.41%

LAB 40.19, 15.8, 6.34

 

CMYK 0 / 27 / 31 / 52

HEX #7B5A55

RGB 123 90 85

HSL 7.89, 0.18%, 0.41%

LAB 41.5, 12.8, 8.2

 

CMYK 0 / 19 / 31 / 52

HEX #7B6455

RGB 123 100 85

HSL 23.68, 0.18%, 0.41%

LAB 44.21, 6.83, 11.98

 

CMYK 0 / 10 / 31 / 52

HEX #7B6F55

RGB 123 111 85

HSL 41.05, 0.18%, 0.41%

LAB 47.28, 0.36, 16.21

 

CMYK 0 / 2 / 31 / 52

HEX #7B7955

RGB 123 121 85

HSL 56.84, 0.18%, 0.41%

LAB 50.15, -5.37, 20.07

 

CMYK 7 / 0 / 31 / 52

HEX #737B55

RGB 115 123 85

HSL 72.63, 0.18%, 0.41%

LAB 50.06, -9.85, 19.83

 

CMYK 0 / 27 / 31 / 52

HEX #7B5A55

RGB 123 90 85

HSL 7.89, 0.18%, 0.41%

LAB 41.5, 12.8, 8.2

 

CMYK 0 / 44 / 51 / 45

HEX #8C4E44

RGB 140 78 68

HSL 8.33, 0.35%, 0.41%

LAB 40.31, 24.94, 17.32

 

CMYK 0 / 58 / 68 / 38

HEX #9D4233

RGB 157 66 51

HSL 8.49, 0.51%, 0.41%

LAB 40.09, 36.89, 27.83

 

CMYK 0 / 70 / 80 / 32

HEX #AE3522

RGB 174 53 34

HSL 8.14, 0.67%, 0.41%

LAB 40.67, 48.17, 38.95

 

CMYK 0 / 79 / 91 / 25

HEX #BF2912

RGB 191 41 18

HSL 7.98, 0.83%, 0.41%

LAB 42.32, 57.42, 49.18

 

CMYK 0 / 27 / 31 / 52

HEX #7B5A55

RGB 123 90 85

HSL 7.89, 0.18%, 0.41%

LAB 41.5, 12.8, 8.2

 

CMYK 0 / 3 / 4 / 58

HEX #6A6766

RGB 106 103 102

HSL 15, 0.02%, 0.41%

LAB 43.83, 0.97, 0.97

 

CMYK 25 / 3 / 0 / 53

HEX #597377

RGB 89 115 119

HSL 188, 0.14%, 0.41%

LAB 46.6, -8.44, -5.32

 

CMYK 47 / 7 / 0 / 47

HEX #487F88

RGB 72 127 136

HSL 188.44, 0.31%, 0.41%

LAB 49.9, -15.62, -10.55

 

CMYK 64 / 8 / 0 / 40

HEX #378C99

RGB 55 140 153

HSL 187.96, 0.47%, 0.41%

LAB 53.89, -21.17, -14.49

 

CMYK 0 / 31 / 19 / 52

HEX #7B5564

RGB 123 85 100

HSL 336.32, 0.18%, 0.41%

LAB 40.62, 18.22, -2.3

 

CMYK 0 / 31 / 27 / 52

HEX #7B555A

RGB 123 85 90

HSL 352.11, 0.18%, 0.41%

LAB 40.32, 16.57, 3.44

 

CMYK 0 / 27 / 31 / 52

HEX #7B5A55

RGB 123 90 85

HSL 7.89, 0.18%, 0.41%

LAB 41.5, 12.8, 8.2

 

CMYK 0 / 19 / 31 / 52

HEX #7B6455

RGB 123 100 85

HSL 23.68, 0.18%, 0.41%

LAB 44.21, 6.83, 11.98

 

CMYK 0 / 11 / 31 / 52

HEX #7B6E55

RGB 123 110 85

HSL 39.47, 0.18%, 0.41%

LAB 47, 0.94, 15.82

 

CMYK 0 / 27 / 31 / 71

HEX #4A3633

RGB 74 54 51

HSL 7.83, 0.18%, 0.25%

LAB 24.74, 8.43, 5.36

 

CMYK 0 / 27 / 31 / 61

HEX #634844

RGB 99 72 68

HSL 7.74, 0.19%, 0.33%

LAB 33.36, 10.89, 6.91

 

CMYK 0 / 27 / 31 / 52

HEX #7B5A55

RGB 123 90 85

HSL 7.89, 0.18%, 0.41%

LAB 41.5, 12.8, 8.2

 

CMYK 0 / 27 / 31 / 42

HEX #936C66

RGB 147 108 102

HSL 8, 0.18%, 0.49%

LAB 49.36, 14.65, 9.44

 

CMYK 0 / 21 / 24 / 35

HEX #A5837E

RGB 165 131 126

HSL 7.69, 0.18%, 0.57%

LAB 57.79, 12.25, 7.66

 

CMYK 0 / 26 / 30 / 52

HEX #7A5A55

RGB 122 90 85

HSL 8.11, 0.18%, 0.41%

LAB 41.38, 12.38, 8.02

 

CMYK 11 / 0 / 31 / 52

HEX #6E7B55

RGB 110 123 85

HSL 80.53, 0.18%, 0.41%

LAB 49.66, -11.91, 19.23

 

CMYK 31 / 23 / 0 / 52

HEX #555F7B

RGB 85 95 123

HSL 224.21, 0.18%, 0.41%

LAB 40.48, 3.21, -16.99

 

CMYK 0 / 26 / 30 / 52

HEX #7A5A55

RGB 122 90 85

HSL 8.11, 0.18%, 0.41%

LAB 41.38, 12.38, 8.02

 

CMYK 31 / 0 / 27 / 52

HEX #557B5A

RGB 85 123 90

HSL 127.89, 0.18%, 0.41%

LAB 48.05, -20.64, 13.87

 

CMYK 27 / 31 / 0 / 52

HEX #5A557B

RGB 90 85 123

HSL 247.89, 0.18%, 0.41%

LAB 38.02, 11.1, -20.75

 

CMYK 0 / 26 / 30 / 52

HEX #7A5A55

RGB 122 90 85

HSL 8.11, 0.18%, 0.41%

LAB 41.38, 12.38, 8.02

 

CMYK 11 / 0 / 31 / 52

HEX #6E7B55

RGB 110 123 85

HSL 80.53, 0.18%, 0.41%

LAB 49.66, -11.91, 19.23

 

CMYK 31 / 4 / 0 / 52

HEX #55767B

RGB 85 118 123

HSL 187.89, 0.18%, 0.41%

LAB 47.39, -10.44, -6.56

 

CMYK 20 / 31 / 0 / 52

HEX #62557B

RGB 98 85 123

HSL 260.53, 0.18%, 0.41%

LAB 38.77, 13.8, -19.54

 

CMYK 0 / 26 / 30 / 52

HEX #7A5A55

RGB 122 90 85

HSL 8.11, 0.18%, 0.41%

LAB 41.38, 12.38, 8.02

 

CMYK 20 / 0 / 31 / 52

HEX #637B55

RGB 99 123 85

HSL 97.89, 0.18%, 0.41%

LAB 48.85, -16.31, 18

 

CMYK 31 / 4 / 0 / 52

HEX #55767B

RGB 85 118 123

HSL 187.89, 0.18%, 0.41%

LAB 47.39, -10.44, -6.56

 

CMYK 11 / 31 / 0 / 52

HEX #6D557B

RGB 109 85 123

HSL 277.89, 0.18%, 0.41%

LAB 39.88, 17.62, -17.73

 

Description

Color code: HEX #7A5A55 | qconv.com Color code: HEX #7A5A55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 90 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 90 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 30 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 30% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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