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Color name
HEX #7A5A5F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A5A5F it is the complementary color #85A5A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A5A5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A5A5F shade: #7F5A5A, #906C6D, #A17E80, #B29093 and #C3A2A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A5A5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A5A5F shade: #7A5A5F, #69484C, #583639, #472426 and #361213

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A5A5F shade: #7B5B60 and #7B5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A5A5F shade: #7B5B60, #7B5B68, #7B5B71, #7B5B7A and #735B7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A5A5F shade matches the following richer shades: #7B5B60, #8C4954, #9D3848, #AF273C and #C01530

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A5A5F shade: #7B5B60, #696C6B, #587D77, #478F83 and #35A08F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A5A5F shade: #7B5B71, #7B5B68, #7B5B60, #7B5E5B and #7B665B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A5A5F shade: #4B373B, #63494D, #7B5B60, #926C72 and #A48489

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A5A5F shade: #7A5A5F, #7A7B5B and #5B6D7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A5A5F shade: #7A5A5F, #607B5B and #5B607B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A5A5F shade: #7A5A5F, #7A7B5B, #5B7B75 and #5C5B7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A5A5F shade: #7A5A5F, #707B5B, #5B7B75 and #655B7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 22 / 52

HEX #7A5A5F

RGB 122 90 95

HSL 350.63, 0.15%, 0.42%

LAB 41.65, 13.96, 2.27

 

Complementary color

CMYK 19 / 0 / 3 / 35

HEX #85A5A0

RGB 133 165 160

HSL 170.63, 0.15%, 0.58%

LAB 65.31, -12.03, -1.06

 

CMYK 0 / 29 / 29 / 50

HEX #7F5A5A

RGB 127 90 90

HSL 0, 0.17%, 0.43%

LAB 42.1, 15.23, 6.05

 

CMYK 0 / 25 / 24 / 44

HEX #906C6D

RGB 144 108 109

HSL 358.33, 0.14%, 0.49%

LAB 49.2, 14.48, 5.02

 

CMYK 0 / 22 / 20 / 37

HEX #A17E80

RGB 161 126 128

HSL 356.57, 0.16%, 0.56%

LAB 56.15, 13.83, 4.09

 

CMYK 0 / 19 / 17 / 30

HEX #B29093

RGB 178 144 147

HSL 354.71, 0.18%, 0.63%

LAB 62.94, 13.27, 3.25

 

CMYK 0 / 17 / 15 / 24

HEX #C3A2A6

RGB 195 162 166

HSL 352.73, 0.22%, 0.7%

LAB 69.61, 12.77, 2.47

 

CMYK 0 / 26 / 22 / 52

HEX #7A5A5F

RGB 122 90 95

HSL 350.63, 0.15%, 0.42%

LAB 41.65, 13.96, 2.27

 

CMYK 0 / 31 / 28 / 59

HEX #69484C

RGB 105 72 76

HSL 352.73, 0.19%, 0.35%

LAB 34.31, 14.75, 3.28

 

CMYK 0 / 39 / 35 / 65

HEX #583639

RGB 88 54 57

HSL 354.71, 0.24%, 0.28%

LAB 26.76, 15.69, 4.49

 

CMYK 0 / 49 / 46 / 72

HEX #472426

RGB 71 36 38

HSL 356.57, 0.33%, 0.21%

LAB 18.98, 16.83, 6.04

 

CMYK 0 / 67 / 65 / 79

HEX #361213

RGB 54 18 19

HSL 358.33, 0.5%, 0.14%

LAB 11.02, 18.15, 8.1

 

CMYK 0 / 26 / 22 / 52

HEX #7B5B60

RGB 123 91 96

HSL 350.63, 0.15%, 0.42%

LAB 42.06, 13.94, 2.26

 

CMYK 0 / 26 / 26 / 52

HEX #7B5B5B

RGB 123 91 91

HSL 0, 0.15%, 0.42%

LAB 41.92, 13.12, 5.12

 

CMYK 0 / 26 / 22 / 52

HEX #7B5B60

RGB 123 91 96

HSL 350.63, 0.15%, 0.42%

LAB 42.06, 13.94, 2.26

 

CMYK 0 / 26 / 15 / 52

HEX #7B5B68

RGB 123 91 104

HSL 335.63, 0.15%, 0.42%

LAB 42.3, 15.32, -2.29

 

CMYK 0 / 26 / 8 / 52

HEX #7B5B71

RGB 123 91 113

HSL 318.75, 0.15%, 0.42%

LAB 42.59, 17, -7.36

 

CMYK 0 / 26 / 1 / 52

HEX #7B5B7A

RGB 123 91 122

HSL 301.88, 0.15%, 0.42%

LAB 42.91, 18.79, -12.36

 

CMYK 7 / 26 / 0 / 52

HEX #735B7B

RGB 115 91 123

HSL 285, 0.15%, 0.42%

LAB 42.09, 16.09, -14.3

 

CMYK 0 / 26 / 22 / 52

HEX #7B5B60

RGB 123 91 96

HSL 350.63, 0.15%, 0.42%

LAB 42.06, 13.94, 2.26

 

CMYK 0 / 48 / 40 / 45

HEX #8C4954

RGB 140 73 84

HSL 350.15, 0.31%, 0.42%

LAB 39.55, 29.55, 6.37

 

CMYK 0 / 64 / 54 / 38

HEX #9D3848

RGB 157 56 72

HSL 350.5, 0.47%, 0.42%

LAB 38.66, 43.24, 13.07

 

CMYK 0 / 78 / 66 / 31

HEX #AF273C

RGB 175 39 60

HSL 350.74, 0.64%, 0.42%

LAB 39.4, 54.7, 22.19

 

CMYK 0 / 89 / 75 / 25

HEX #C01530

RGB 192 21 48

HSL 350.53, 0.8%, 0.42%

LAB 41.15, 63.17, 32.51

 

CMYK 0 / 26 / 22 / 52

HEX #7B5B60

RGB 123 91 96

HSL 350.63, 0.15%, 0.42%

LAB 42.06, 13.94, 2.26

 

CMYK 3 / 0 / 1 / 58

HEX #696C6B

RGB 105 108 107

HSL 160, 0.01%, 0.42%

LAB 45.35, -1.36, 0.15

 

CMYK 30 / 0 / 5 / 51

HEX #587D77

RGB 88 125 119

HSL 170.27, 0.17%, 0.42%

LAB 49.59, -14.38, -0.93

 

CMYK 50 / 0 / 8 / 44

HEX #478F83

RGB 71 143 131

HSL 170, 0.34%, 0.42%

LAB 54.68, -25.64, -0.55

 

CMYK 67 / 0 / 11 / 37

HEX #35A08F

RGB 53 160 143

HSL 170.47, 0.5%, 0.42%

LAB 59.78, -34.31, -0.01

 

CMYK 0 / 26 / 8 / 52

HEX #7B5B71

RGB 123 91 113

HSL 318.75, 0.15%, 0.42%

LAB 42.59, 17, -7.36

 

CMYK 0 / 26 / 15 / 52

HEX #7B5B68

RGB 123 91 104

HSL 335.63, 0.15%, 0.42%

LAB 42.3, 15.32, -2.29

 

CMYK 0 / 26 / 22 / 52

HEX #7B5B60

RGB 123 91 96

HSL 350.63, 0.15%, 0.42%

LAB 42.06, 13.94, 2.26

 

CMYK 0 / 24 / 26 / 52

HEX #7B5E5B

RGB 123 94 91

HSL 5.63, 0.15%, 0.42%

LAB 42.72, 11.33, 6.27

 

CMYK 0 / 17 / 26 / 52

HEX #7B665B

RGB 123 102 91

HSL 20.63, 0.15%, 0.42%

LAB 44.9, 6.55, 9.35

 

CMYK 0 / 27 / 21 / 71

HEX #4B373B

RGB 75 55 59

HSL 348, 0.15%, 0.25%

LAB 25.39, 9.64, 0.97

 

CMYK 0 / 26 / 22 / 61

HEX #63494D

RGB 99 73 77

HSL 350.77, 0.15%, 0.34%

LAB 33.89, 11.75, 1.93

 

CMYK 0 / 26 / 22 / 52

HEX #7B5B60

RGB 123 91 96

HSL 350.63, 0.15%, 0.42%

LAB 42.06, 13.94, 2.26

 

CMYK 0 / 26 / 22 / 43

HEX #926C72

RGB 146 108 114

HSL 350.53, 0.15%, 0.5%

LAB 49.56, 16.07, 2.59

 

CMYK 0 / 20 / 16 / 36

HEX #A48489

RGB 164 132 137

HSL 350.63, 0.15%, 0.58%

LAB 58.23, 13.05, 1.95

 

CMYK 0 / 26 / 22 / 52

HEX #7A5A5F

RGB 122 90 95

HSL 350.63, 0.15%, 0.42%

LAB 41.65, 13.96, 2.27

 

CMYK 1 / 0 / 26 / 52

HEX #7A7B5B

RGB 122 123 91

HSL 61.88, 0.15%, 0.42%

LAB 50.76, -6.04, 17.43

 

CMYK 26 / 11 / 0 / 52

HEX #5B6D7B

RGB 91 109 123

HSL 206.25, 0.15%, 0.42%

LAB 45.07, -3.27, -9.99

 

CMYK 0 / 26 / 22 / 52

HEX #7A5A5F

RGB 122 90 95

HSL 350.63, 0.15%, 0.42%

LAB 41.65, 13.96, 2.27

 

CMYK 22 / 0 / 26 / 52

HEX #607B5B

RGB 96 123 91

HSL 110.63, 0.15%, 0.42%

LAB 48.77, -16.42, 14.39

 

CMYK 26 / 22 / 0 / 52

HEX #5B607B

RGB 91 96 123

HSL 230.63, 0.15%, 0.42%

LAB 41.25, 4.58, -15.78

 

CMYK 0 / 26 / 22 / 52

HEX #7A5A5F

RGB 122 90 95

HSL 350.63, 0.15%, 0.42%

LAB 41.65, 13.96, 2.27

 

CMYK 1 / 0 / 26 / 52

HEX #7A7B5B

RGB 122 123 91

HSL 61.88, 0.15%, 0.42%

LAB 50.76, -6.04, 17.43

 

CMYK 26 / 0 / 5 / 52

HEX #5B7B75

RGB 91 123 117

HSL 168.75, 0.15%, 0.42%

LAB 49.1, -12.77, -0.44

 

CMYK 25 / 26 / 0 / 52

HEX #5C5B7B

RGB 92 91 123

HSL 241.88, 0.15%, 0.42%

LAB 39.89, 8.01, -17.85

 

CMYK 0 / 26 / 22 / 52

HEX #7A5A5F

RGB 122 90 95

HSL 350.63, 0.15%, 0.42%

LAB 41.65, 13.96, 2.27

 

CMYK 9 / 0 / 26 / 52

HEX #707B5B

RGB 112 123 91

HSL 80.63, 0.15%, 0.42%

LAB 49.94, -10.14, 16.18

 

CMYK 26 / 0 / 5 / 52

HEX #5B7B75

RGB 91 123 117

HSL 168.75, 0.15%, 0.42%

LAB 49.1, -12.77, -0.44

 

CMYK 18 / 26 / 0 / 52

HEX #655B7B

RGB 101 91 123

HSL 258.75, 0.15%, 0.42%

LAB 40.7, 11.1, -16.54

 

Description

Color code: HEX #7A5A5F | qconv.com Color code: HEX #7A5A5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 90 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 90 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 22 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 22% 52% C M Y K

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