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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A5AAE it is the complementary color #85A551. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A5AAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A5AAE shade: #7F5AA9, #906CBC, #A17ECF, #B290E2 and #C3A2F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A5AAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A5AAE shade: #7A5AAE, #69489B, #583688, #472475 and #361262

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A5AAE shade: #7A5AAE, #915AAE, #A75AAE, #AE5A9E and #AE5A87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A5AAE shade: #7A5AAE, #645AAE and #5A5AAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A5AAE shade matches the following richer shades: #7A5AAE, #7547C2, #7133D5, #6C1FE9 and #670BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A5AAE shade: #7A5AAE, #7F6E9A, #848286, #889672 and #8DAA5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A5AAE shade: #5A68AE, #635AAE, #795AAE, #8F5AAE and #A55AAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A5AAE shade: #533C7A, #664996, #7A5AAE, #9076BB and #A792C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A5AAE shade: #7A5AAE, #AE5A7F and #5DAE5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A5AAE shade: #7A5AAE, #AE795A and #5AAE79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A5AAE shade: #7A5AAE, #AE5A7F, #8FAE5A and #5AAE8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A5AAE shade: #7A5AAE, #AE5A66, #8FAE5A and #5AAEA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

Complementary color

CMYK 19 / 0 / 51 / 35

HEX #85A551

RGB 133 165 81

HSL 82.86, 0.34%, 0.48%

LAB 63.75, -25.04, 39.62

 

CMYK 25 / 47 / 0 / 34

HEX #7F5AA9

RGB 127 90 169

HSL 268.1, 0.31%, 0.51%

LAB 45.21, 31.43, -36.92

 

CMYK 23 / 43 / 0 / 26

HEX #906CBC

RGB 144 108 188

HSL 267, 0.37%, 0.58%

LAB 52.16, 30.54, -36.91

 

CMYK 22 / 39 / 0 / 19

HEX #A17ECF

RGB 161 126 207

HSL 265.93, 0.46%, 0.65%

LAB 58.98, 29.73, -36.93

 

CMYK 21 / 36 / 0 / 11

HEX #B290E2

RGB 178 144 226

HSL 264.88, 0.59%, 0.73%

LAB 65.67, 28.98, -36.96

 

CMYK 20 / 34 / 0 / 4

HEX #C3A2F5

RGB 195 162 245

HSL 263.86, 0.81%, 0.8%

LAB 72.25, 28.3, -37.02

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 32 / 54 / 0 / 39

HEX #69489B

RGB 105 72 155

HSL 263.86, 0.37%, 0.45%

LAB 37.85, 32.32, -40.4

 

CMYK 35 / 60 / 0 / 47

HEX #583688

RGB 88 54 136

HSL 264.88, 0.43%, 0.37%

LAB 30.62, 33.42, -40.49

 

CMYK 39 / 69 / 0 / 54

HEX #472475

RGB 71 36 117

HSL 265.93, 0.53%, 0.3%

LAB 23.29, 34.49, -40.46

 

CMYK 45 / 82 / 0 / 62

HEX #361262

RGB 54 18 98

HSL 267, 0.69%, 0.23%

LAB 16, 35.16, -40.06

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 17 / 48 / 0 / 32

HEX #915AAE

RGB 145 90 174

HSL 279.29, 0.34%, 0.52%

LAB 47.48, 37.84, -36.14

 

CMYK 4 / 48 / 0 / 32

HEX #A75AAE

RGB 167 90 174

HSL 295, 0.34%, 0.52%

LAB 50.2, 44.29, -31.68

 

CMYK 0 / 48 / 9 / 32

HEX #AE5A9E

RGB 174 90 158

HSL 311.43, 0.34%, 0.52%

LAB 50.43, 43.5, -21.86

 

CMYK 0 / 48 / 22 / 32

HEX #AE5A87

RGB 174 90 135

HSL 327.86, 0.34%, 0.52%

LAB 49.57, 39.79, -9.52

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 43 / 48 / 0 / 32

HEX #645AAE

RGB 100 90 174

HSL 247.14, 0.34%, 0.52%

LAB 42.88, 25.42, -43.72

 

CMYK 48 / 48 / 0 / 32

HEX #5A5AAE

RGB 90 90 174

HSL 240, 0.34%, 0.52%

LAB 42.06, 22.97, -45.07

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 40 / 63 / 0 / 24

HEX #7547C2

RGB 117 71 194

HSL 262.44, 0.5%, 0.52%

LAB 41.51, 46.15, -57.55

 

CMYK 47 / 76 / 0 / 16

HEX #7133D5

RGB 113 51 213

HSL 262.96, 0.66%, 0.52%

LAB 39.04, 60.17, -72.6

 

CMYK 54 / 87 / 0 / 9

HEX #6C1FE9

RGB 108 31 233

HSL 262.87, 0.82%, 0.52%

LAB 37.93, 71.62, -85.89

 

CMYK 59 / 96 / 0 / 1

HEX #670BFD

RGB 103 11 253

HSL 262.81, 0.98%, 0.52%

LAB 38.23, 79.84, -96.72

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 18 / 29 / 0 / 40

HEX #7F6E9A

RGB 127 110 154

HSL 263.18, 0.18%, 0.52%

LAB 49.49, 15.9, -21.4

 

CMYK 1 / 3 / 0 / 47

HEX #848286

RGB 132 130 134

HSL 270, 0.02%, 0.52%

LAB 54.65, 1.54, -1.9

 

CMYK 9 / 0 / 24 / 41

HEX #889672

RGB 136 150 114

HSL 83.33, 0.15%, 0.52%

LAB 60.12, -11.67, 17.36

 

CMYK 17 / 0 / 45 / 33

HEX #8DAA5E

RGB 141 170 94

HSL 82.89, 0.31%, 0.52%

LAB 65.92, -22.89, 35.82

 

CMYK 48 / 40 / 0 / 32

HEX #5A68AE

RGB 90 104 174

HSL 230, 0.34%, 0.52%

LAB 45.81, 14.21, -39.11

 

CMYK 43 / 48 / 0 / 32

HEX #635AAE

RGB 99 90 174

HSL 246.43, 0.34%, 0.52%

LAB 42.79, 25.17, -43.86

 

CMYK 30 / 48 / 0 / 32

HEX #795AAE

RGB 121 90 174

HSL 262.14, 0.34%, 0.52%

LAB 44.85, 31, -40.47

 

CMYK 18 / 48 / 0 / 32

HEX #8F5AAE

RGB 143 90 174

HSL 277.86, 0.34%, 0.52%

LAB 47.25, 37.26, -36.52

 

CMYK 5 / 48 / 0 / 32

HEX #A55AAE

RGB 165 90 174

HSL 293.57, 0.34%, 0.52%

LAB 49.94, 43.7, -32.1

 

CMYK 32 / 51 / 0 / 52

HEX #533C7A

RGB 83 60 122

HSL 262.26, 0.34%, 0.36%

LAB 30.58, 24.51, -31.85

 

CMYK 32 / 51 / 0 / 41

HEX #664996

RGB 102 73 150

HSL 262.6, 0.35%, 0.44%

LAB 37.47, 29.56, -38.02

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 23 / 37 / 0 / 27

HEX #9076BB

RGB 144 118 187

HSL 262.61, 0.34%, 0.6%

LAB 54.53, 24.49, -32.63

 

CMYK 17 / 27 / 0 / 21

HEX #A792C9

RGB 167 146 201

HSL 262.91, 0.34%, 0.68%

LAB 64.15, 18.8, -25.49

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 0 / 48 / 27 / 32

HEX #AE5A7F

RGB 174 90 127

HSL 333.57, 0.34%, 0.52%

LAB 49.31, 38.62, -5.13

 

CMYK 47 / 0 / 48 / 32

HEX #5DAE5A

RGB 93 174 90

HSL 117.86, 0.34%, 0.52%

LAB 64.43, -42.06, 35.44

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 0 / 30 / 48 / 32

HEX #AE795A

RGB 174 121 90

HSL 22.14, 0.34%, 0.52%

LAB 55.49, 16.99, 25.25

 

CMYK 48 / 0 / 30 / 32

HEX #5AAE79

RGB 90 174 121

HSL 142.14, 0.34%, 0.52%

LAB 64.82, -37.69, 19.53

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 0 / 48 / 27 / 32

HEX #AE5A7F

RGB 174 90 127

HSL 333.57, 0.34%, 0.52%

LAB 49.31, 38.62, -5.13

 

CMYK 18 / 0 / 48 / 32

HEX #8FAE5A

RGB 143 174 90

HSL 82.14, 0.34%, 0.52%

LAB 67.16, -24.55, 39.42

 

CMYK 48 / 0 / 21 / 32

HEX #5AAE8A

RGB 90 174 138

HSL 154.29, 0.34%, 0.52%

LAB 65.18, -34.17, 10.71

 

CMYK 30 / 48 / 0 / 32

HEX #7A5AAE

RGB 122 90 174

HSL 262.86, 0.34%, 0.52%

LAB 44.95, 31.28, -40.3

 

CMYK 0 / 48 / 41 / 32

HEX #AE5A66

RGB 174 90 102

HSL 351.43, 0.34%, 0.52%

LAB 48.6, 35.42, 8.86

 

CMYK 18 / 0 / 48 / 32

HEX #8FAE5A

RGB 143 174 90

HSL 82.14, 0.34%, 0.52%

LAB 67.16, -24.55, 39.42

 

CMYK 48 / 0 / 6 / 32

HEX #5AAEA3

RGB 90 174 163

HSL 172.14, 0.34%, 0.52%

LAB 65.82, -28.24, -2.24

 

Description

Color code: HEX #7A5AAE | qconv.com Color code: HEX #7A5AAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 90 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 90 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 48 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 48% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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