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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A5AC3 it is the complementary color #85A53C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A5AC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A5AC3 shade: #7F5ABE, #906CD1, #A17EE4, #B290F7 and #C3A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A5AC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A5AC3 shade: #7A5AC3, #6948B0, #58369D, #47248A and #361277

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A5AC3 shade: #7A5AC3, #965AC3, #B35AC3, #C35AB7 and #C35A9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A5AC3 shade: #7A5AC3, #5D5AC3 and #5A5AC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A5AC3 shade matches the following richer shades: #7A5AC3, #7347D5, #6C35E7 and #6423F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A5AC3 shade: #7A5AC3, #816CB1, #887E9F, #8F908D and #96A27A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A5AC3 shade: #5A72C3, #5D5AC3, #795AC3, #955AC3 and #B15AC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A5AC3 shade: #523595, #6340B3, #7A5AC3, #9278CE and #AB96D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A5AC3 shade: #7A5AC3, #C35A8E and #64C35A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A5AC3 shade: #7A5AC3, #C3795A and #5AC379

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A5AC3 shade: #7A5AC3, #C35A8E, #A3C35A and #5AC38E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A5AC3 shade: #7A5AC3, #C35A6F, #A3C35A and #5AC3AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

Complementary color

CMYK 19 / 0 / 64 / 35

HEX #85A53C

RGB 133 165 60

HSL 78.29, 0.47%, 0.44%

LAB 63.53, -27.01, 49.25

 

CMYK 33 / 53 / 0 / 25

HEX #7F5ABE

RGB 127 90 190

HSL 262.2, 0.43%, 0.55%

LAB 46.37, 36.78, -47.35

 

CMYK 31 / 48 / 0 / 18

HEX #906CD1

RGB 144 108 209

HSL 261.39, 0.52%, 0.62%

LAB 53.23, 35.76, -47.23

 

CMYK 29 / 45 / 0 / 11

HEX #A17EE4

RGB 161 126 228

HSL 260.59, 0.65%, 0.69%

LAB 59.98, 34.81, -47.12

 

CMYK 28 / 42 / 0 / 3

HEX #B290F7

RGB 178 144 247

HSL 259.81, 0.87%, 0.77%

LAB 66.62, 33.94, -47.04

 

CMYK 24 / 36 / 0 / 0

HEX #C3A2FF

RGB 195 162 255

HSL 261.29, 1%, 0.82%

LAB 72.67, 30.58, -41.79

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 40 / 59 / 0 / 31

HEX #6948B0

RGB 105 72 176

HSL 259.04, 0.42%, 0.49%

LAB 39.19, 38.05, -50.78

 

CMYK 44 / 66 / 0 / 38

HEX #58369D

RGB 88 54 157

HSL 259.81, 0.49%, 0.41%

LAB 32.14, 39.29, -50.9

 

CMYK 49 / 74 / 0 / 46

HEX #47248A

RGB 71 36 138

HSL 260.59, 0.59%, 0.34%

LAB 25.06, 40.44, -50.83

 

CMYK 55 / 85 / 0 / 53

HEX #361277

RGB 54 18 119

HSL 261.39, 0.74%, 0.27%

LAB 18.14, 41.04, -50.25

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 23 / 54 / 0 / 24

HEX #965AC3

RGB 150 90 195

HSL 274.29, 0.47%, 0.56%

LAB 49.17, 44, -45.62

 

CMYK 8 / 54 / 0 / 24

HEX #B35AC3

RGB 179 90 195

HSL 290.86, 0.47%, 0.56%

LAB 52.77, 51.76, -39.7

 

CMYK 0 / 54 / 6 / 24

HEX #C35AB7

RGB 195 90 183

HSL 306.86, 0.47%, 0.56%

LAB 54.38, 54.03, -30.11

 

CMYK 0 / 54 / 21 / 24

HEX #C35A9B

RGB 195 90 155

HSL 322.86, 0.47%, 0.56%

LAB 53.26, 49.6, -15.51

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 52 / 54 / 0 / 24

HEX #5D5AC3

RGB 93 90 195

HSL 241.71, 0.47%, 0.56%

LAB 43.62, 30.24, -54.82

 

CMYK 54 / 54 / 0 / 24

HEX #5A5AC3

RGB 90 90 195

HSL 240, 0.47%, 0.56%

LAB 43.4, 29.62, -55.2

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 46 / 67 / 0 / 16

HEX #7347D5

RGB 115 71 213

HSL 258.59, 0.63%, 0.56%

LAB 42.7, 50.86, -66.62

 

CMYK 53 / 77 / 0 / 9

HEX #6C35E7

RGB 108 53 231

HSL 258.54, 0.79%, 0.56%

LAB 40.42, 63.27, -80.66

 

CMYK 60 / 86 / 0 / 2

HEX #6423F9

RGB 100 35 249

HSL 258.22, 0.95%, 0.56%

LAB 39.16, 73.63, -92.94

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 27 / 39 / 0 / 31

HEX #816CB1

RGB 129 108 177

HSL 258.26, 0.31%, 0.56%

LAB 50.18, 23.38, -33.77

 

CMYK 14 / 21 / 0 / 38

HEX #887E9F

RGB 136 126 159

HSL 258.18, 0.15%, 0.56%

LAB 54.72, 10.64, -16.26

 

CMYK 1 / 0 / 2 / 44

HEX #8F908D

RGB 143 144 141

HSL 80, 0.01%, 0.56%

LAB 59.63, -0.94, 1.46

 

CMYK 7 / 0 / 25 / 36

HEX #96A27A

RGB 150 162 122

HSL 78, 0.18%, 0.56%

LAB 64.75, -11.4, 19.43

 

CMYK 54 / 42 / 0 / 24

HEX #5A72C3

RGB 90 114 195

HSL 226.29, 0.47%, 0.56%

LAB 49.68, 14.73, -45.15

 

CMYK 52 / 54 / 0 / 24

HEX #5D5AC3

RGB 93 90 195

HSL 241.71, 0.47%, 0.56%

LAB 43.62, 30.24, -54.82

 

CMYK 38 / 54 / 0 / 24

HEX #795AC3

RGB 121 90 195

HSL 257.71, 0.47%, 0.56%

LAB 46.07, 36.61, -50.77

 

CMYK 24 / 54 / 0 / 24

HEX #955AC3

RGB 149 90 195

HSL 273.71, 0.47%, 0.56%

LAB 49.06, 43.74, -45.82

 

CMYK 9 / 54 / 0 / 24

HEX #B15AC3

RGB 177 90 195

HSL 289.71, 0.47%, 0.56%

LAB 52.51, 51.22, -40.13

 

CMYK 45 / 64 / 0 / 42

HEX #523595

RGB 82 53 149

HSL 258.13, 0.48%, 0.4%

LAB 30.66, 36.29, -48.45

 

CMYK 45 / 64 / 0 / 30

HEX #6340B3

RGB 99 64 179

HSL 258.26, 0.47%, 0.48%

LAB 37.07, 42.16, -56.03

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 29 / 42 / 0 / 19

HEX #9278CE

RGB 146 120 206

HSL 258.14, 0.47%, 0.64%

LAB 56.09, 28.61, -41

 

CMYK 21 / 31 / 0 / 15

HEX #AB96D9

RGB 171 150 217

HSL 258.81, 0.47%, 0.72%

LAB 66.12, 21.43, -31.33

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 0 / 54 / 27 / 24

HEX #C35A8E

RGB 195 90 142

HSL 330.29, 0.47%, 0.56%

LAB 52.8, 47.77, -8.53

 

CMYK 49 / 0 / 54 / 24

HEX #64C35A

RGB 100 195 90

HSL 114.29, 0.47%, 0.56%

LAB 71.2, -48.74, 43.78

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 0 / 38 / 54 / 24

HEX #C3795A

RGB 195 121 90

HSL 17.71, 0.47%, 0.56%

LAB 58.05, 25.68, 29.07

 

CMYK 54 / 0 / 38 / 24

HEX #5AC379

RGB 90 195 121

HSL 137.71, 0.47%, 0.56%

LAB 71.27, -46.75, 28.2

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 0 / 54 / 27 / 24

HEX #C35A8E

RGB 195 90 142

HSL 330.29, 0.47%, 0.56%

LAB 52.8, 47.77, -8.53

 

CMYK 16 / 0 / 54 / 24

HEX #A3C35A

RGB 163 195 90

HSL 78.29, 0.47%, 0.56%

LAB 74.54, -26.96, 48.56

 

CMYK 54 / 0 / 27 / 24

HEX #5AC38E

RGB 90 195 142

HSL 149.71, 0.47%, 0.56%

LAB 71.66, -42.74, 17.6

 

CMYK 37 / 54 / 0 / 24

HEX #7A5AC3

RGB 122 90 195

HSL 258.29, 0.47%, 0.56%

LAB 46.16, 36.86, -50.61

 

CMYK 0 / 54 / 43 / 24

HEX #C35A6F

RGB 195 90 111

HSL 348, 0.47%, 0.56%

LAB 51.91, 44.02, 8.59

 

CMYK 16 / 0 / 54 / 24

HEX #A3C35A

RGB 163 195 90

HSL 78.29, 0.47%, 0.56%

LAB 74.54, -26.96, 48.56

 

CMYK 54 / 0 / 11 / 24

HEX #5AC3AE

RGB 90 195 174

HSL 168, 0.47%, 0.56%

LAB 72.4, -35.5, 1.34

 

Description

Color code: HEX #7A5AC3 | qconv.com Color code: HEX #7A5AC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 90 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 90 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 54 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 54% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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