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Color name
HEX #7A6ACD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A6ACD it is the complementary color #859532. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A6ACD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A6ACD shade: #7F6AC8, #907CDB, #A18EEE, #B2A0FF and #C3B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A6ACD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A6ACD shade: #7A6ACD, #6958BA, #5846A7, #473494 and #362281

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A6ACD shade: #7969CD, #9469CD, #AF69CD, #CA69CD and #CD69B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A6ACD shade: #7969CD and #6969CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A6ACD shade matches the following richer shades: #7969CD, #6F59DD, #6449ED and #5939FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A6ACD shade: #7969CD, #8479BD, #8F8AAD, #9A9A9D and #A5AA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A6ACD shade: #698FCD, #6975CD, #7869CD, #9369CD and #AD69CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A6ACD shade: #4B39AB, #5E4AC2, #7969CD, #9588D7 and #B1A7E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A6ACD shade: #7A6ACD, #CD69AA and #82CD69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A6ACD shade: #7A6ACD, #CD7869 and #69CD78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A6ACD shade: #7A6ACD, #CD69AA, #BECD69 and #69CD8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A6ACD shade: #7A6ACD, #CD698C, #BECD69 and #69CDAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 48 / 0 / 20

HEX #7A6ACD

RGB 122 106 205

HSL 249.7, 0.5%, 0.61%

LAB 50.52, 30.2, -49.4

 

Complementary color

CMYK 11 / 0 / 66 / 42

HEX #859532

RGB 133 149 50

HSL 69.7, 0.5%, 0.39%

LAB 58.71, -19.76, 48.43

 

CMYK 37 / 47 / 0 / 22

HEX #7F6AC8

RGB 127 106 200

HSL 253.4, 0.46%, 0.6%

LAB 50.68, 30.08, -46.26

 

CMYK 34 / 43 / 0 / 14

HEX #907CDB

RGB 144 124 219

HSL 252.63, 0.57%, 0.67%

LAB 57.52, 29.1, -46.08

 

CMYK 32 / 40 / 0 / 7

HEX #A18EEE

RGB 161 142 238

HSL 251.88, 0.74%, 0.75%

LAB 64.24, 28.22, -45.94

 

CMYK 30 / 37 / 0 / 0

HEX #B2A0FF

RGB 178 160 255

HSL 251.37, 1%, 0.81%

LAB 70.75, 26.94, -44.9

 

CMYK 24 / 30 / 0 / 0

HEX #C3B2FF

RGB 195 178 255

HSL 253.25, 1%, 0.85%

LAB 76.47, 21.75, -35.88

 

CMYK 40 / 48 / 0 / 20

HEX #7A6ACD

RGB 122 106 205

HSL 249.7, 0.5%, 0.61%

LAB 50.52, 30.2, -49.4

 

CMYK 44 / 53 / 0 / 27

HEX #6958BA

RGB 105 88 186

HSL 250.41, 0.42%, 0.54%

LAB 43.55, 31.4, -49.66

 

CMYK 47 / 58 / 0 / 35

HEX #5846A7

RGB 88 70 167

HSL 251.13, 0.41%, 0.46%

LAB 36.45, 32.78, -49.94

 

CMYK 52 / 65 / 0 / 42

HEX #473494

RGB 71 52 148

HSL 251.88, 0.48%, 0.39%

LAB 29.24, 34.32, -50.19

 

CMYK 58 / 74 / 0 / 49

HEX #362281

RGB 54 34 129

HSL 252.63, 0.58%, 0.32%

LAB 21.99, 35.94, -50.28

 

CMYK 41 / 49 / 0 / 20

HEX #7969CD

RGB 121 105 205

HSL 249.6, 0.5%, 0.61%

LAB 50.19, 30.55, -49.93

 

CMYK 28 / 49 / 0 / 20

HEX #9469CD

RGB 148 105 205

HSL 265.8, 0.5%, 0.61%

LAB 52.74, 37.53, -45.71

 

CMYK 15 / 49 / 0 / 20

HEX #AF69CD

RGB 175 105 205

HSL 282, 0.5%, 0.61%

LAB 55.71, 44.97, -40.82

 

CMYK 1 / 49 / 0 / 20

HEX #CA69CD

RGB 202 105 205

HSL 298.2, 0.5%, 0.61%

LAB 59.04, 52.59, -35.37

 

CMYK 0 / 49 / 12 / 20

HEX #CD69B5

RGB 205 105 181

HSL 314.4, 0.5%, 0.61%

LAB 58.43, 49.34, -22.59

 

CMYK 41 / 49 / 0 / 20

HEX #7969CD

RGB 121 105 205

HSL 249.6, 0.5%, 0.61%

LAB 50.19, 30.55, -49.93

 

CMYK 49 / 49 / 0 / 20

HEX #6969CD

RGB 105 105 205

HSL 240, 0.5%, 0.61%

LAB 48.9, 26.77, -52.05

 

CMYK 41 / 49 / 0 / 20

HEX #7969CD

RGB 121 105 205

HSL 249.6, 0.5%, 0.61%

LAB 50.19, 30.55, -49.93

 

CMYK 50 / 60 / 0 / 13

HEX #6F59DD

RGB 111 89 221

HSL 250, 0.66%, 0.61%

LAB 46.64, 42.39, -64.8

 

CMYK 58 / 69 / 0 / 7

HEX #6449ED

RGB 100 73 237

HSL 249.88, 0.82%, 0.61%

LAB 43.64, 54.18, -78.79

 

CMYK 65 / 77 / 0 / 1

HEX #5939FD

RGB 89 57 253

HSL 249.8, 0.98%, 0.61%

LAB 41.44, 65.39, -91.43

 

CMYK 41 / 49 / 0 / 20

HEX #7969CD

RGB 121 105 205

HSL 249.6, 0.5%, 0.61%

LAB 50.19, 30.55, -49.93

 

CMYK 30 / 36 / 0 / 26

HEX #8479BD

RGB 132 121 189

HSL 249.71, 0.34%, 0.61%

LAB 54.3, 19.64, -34.22

 

CMYK 17 / 20 / 0 / 32

HEX #8F8AAD

RGB 143 138 173

HSL 248.57, 0.18%, 0.61%

LAB 59.01, 9.23, -17.73

 

CMYK 2 / 2 / 0 / 38

HEX #9A9A9D

RGB 154 154 157

HSL 240, 0.02%, 0.61%

LAB 63.68, 0.59, -1.58

 

CMYK 3 / 0 / 18 / 33

HEX #A5AA8C

RGB 165 170 140

HSL 70, 0.15%, 0.61%

LAB 68.49, -7.09, 14.89

 

CMYK 49 / 30 / 0 / 20

HEX #698FCD

RGB 105 143 205

HSL 217.2, 0.5%, 0.61%

LAB 59.03, 3.94, -36.03

 

CMYK 49 / 43 / 0 / 20

HEX #6975CD

RGB 105 117 205

HSL 232.8, 0.5%, 0.61%

LAB 51.99, 19.46, -47.13

 

CMYK 41 / 49 / 0 / 20

HEX #7869CD

RGB 120 105 205

HSL 249, 0.5%, 0.61%

LAB 50.1, 30.3, -50.07

 

CMYK 28 / 49 / 0 / 20

HEX #9369CD

RGB 147 105 205

HSL 265.2, 0.5%, 0.61%

LAB 52.64, 37.26, -45.88

 

CMYK 16 / 49 / 0 / 20

HEX #AD69CD

RGB 173 105 205

HSL 280.8, 0.5%, 0.61%

LAB 55.48, 44.41, -41.2

 

CMYK 56 / 67 / 0 / 33

HEX #4B39AB

RGB 75 57 171

HSL 249.47, 0.5%, 0.45%

LAB 32.62, 39.27, -58.61

 

CMYK 52 / 62 / 0 / 24

HEX #5E4AC2

RGB 94 74 194

HSL 250, 0.5%, 0.53%

LAB 39.87, 39.8, -60.31

 

CMYK 41 / 49 / 0 / 20

HEX #7969CD

RGB 121 105 205

HSL 249.6, 0.5%, 0.61%

LAB 50.19, 30.55, -49.93

 

CMYK 31 / 37 / 0 / 16

HEX #9588D7

RGB 149 136 215

HSL 249.87, 0.5%, 0.69%

LAB 60.7, 22.47, -38.81

 

CMYK 21 / 26 / 0 / 12

HEX #B1A7E1

RGB 177 167 225

HSL 250.34, 0.49%, 0.77%

LAB 71.16, 15.56, -27.93

 

CMYK 40 / 48 / 0 / 20

HEX #7A6ACD

RGB 122 106 205

HSL 249.7, 0.5%, 0.61%

LAB 50.52, 30.2, -49.4

 

CMYK 0 / 49 / 17 / 20

HEX #CD69AA

RGB 205 105 170

HSL 321, 0.5%, 0.61%

LAB 58.02, 47.61, -16.88

 

CMYK 37 / 0 / 49 / 20

HEX #82CD69

RGB 130 205 105

HSL 105, 0.5%, 0.61%

LAB 75.72, -41.84, 42.33

 

CMYK 40 / 48 / 0 / 20

HEX #7A6ACD

RGB 122 106 205

HSL 249.7, 0.5%, 0.61%

LAB 50.52, 30.2, -49.4

 

CMYK 0 / 41 / 49 / 20

HEX #CD7869

RGB 205 120 105

HSL 9, 0.5%, 0.61%

LAB 59.37, 31.59, 22.59

 

CMYK 49 / 0 / 41 / 20

HEX #69CD78

RGB 105 205 120

HSL 129, 0.5%, 0.61%

LAB 74.84, -47.2, 33.5

 

CMYK 40 / 48 / 0 / 20

HEX #7A6ACD

RGB 122 106 205

HSL 249.7, 0.5%, 0.61%

LAB 50.52, 30.2, -49.4

 

CMYK 0 / 49 / 17 / 20

HEX #CD69AA

RGB 205 105 170

HSL 321, 0.5%, 0.61%

LAB 58.02, 47.61, -16.88

 

CMYK 7 / 0 / 49 / 20

HEX #BECD69

RGB 190 205 105

HSL 69, 0.5%, 0.61%

LAB 79.4, -19.75, 47.67

 

CMYK 49 / 0 / 32 / 20

HEX #69CD8C

RGB 105 205 140

HSL 141, 0.5%, 0.61%

LAB 75.18, -43.76, 23.57

 

CMYK 40 / 48 / 0 / 20

HEX #7A6ACD

RGB 122 106 205

HSL 249.7, 0.5%, 0.61%

LAB 50.52, 30.2, -49.4

 

CMYK 0 / 49 / 32 / 20

HEX #CD698C

RGB 205 105 140

HSL 339, 0.5%, 0.61%

LAB 57.05, 43.37, -0.91

 

CMYK 7 / 0 / 49 / 20

HEX #BECD69

RGB 190 205 105

HSL 69, 0.5%, 0.61%

LAB 79.4, -19.75, 47.67

 

CMYK 49 / 0 / 17 / 20

HEX #69CDAA

RGB 105 205 170

HSL 159, 0.5%, 0.61%

LAB 75.8, -37.62, 8.48

 

Description

Color code: HEX #7A6ACD | qconv.com Color code: HEX #7A6ACD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 106 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 106 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 48 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 48% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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