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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A6AEC it is the complementary color #859513. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A6AEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A6AEC shade: #7F6AE7, #907CFA, #A18EFF, #B2A0FF and #C3B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A6AEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A6AEC shade: #7A6AEC, #6958D9, #5846C6, #4734B3 and #3622A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A6AEC shade: #796AEB, #9C6AEB, #BF6AEB, #E26AEB and #EB6AD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A6AEC shade: #796AEB and #6A6AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A6AEC shade matches the following richer shades: #796AEB and #6F5CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A6AEC shade: #796AEB, #8477DE, #8E85D0, #9892C2 and #A3A0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A6AEC shade: #6AA0EB, #6A7DEB, #796AEB, #9B6AEB and #BE6AEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A6AEC shade: #3821E2, #5945E6, #796AEB, #9A8EF0 and #BBB3F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A6AEC shade: #7A6AEC, #EB6AC2 and #8EEB6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A6AEC shade: #7A6AEC, #EB796A and #6AEB79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A6AEC shade: #7A6AEC, #EB6AC2, #DCEB6A and #6AEB93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A6AEC shade: #7A6AEC, #EB6A9B, #DCEB6A and #6AEBB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 55 / 0 / 7

HEX #7A6AEC

RGB 122 106 236

HSL 247.38, 0.77%, 0.67%

LAB 52.4, 39.13, -63.9

 

Complementary color

CMYK 11 / 0 / 87 / 42

HEX #859513

RGB 133 149 19

HSL 67.38, 0.77%, 0.33%

LAB 58.54, -21.24, 58.58

 

CMYK 45 / 54 / 0 / 9

HEX #7F6AE7

RGB 127 106 231

HSL 250.08, 0.72%, 0.66%

LAB 52.5, 38.75, -60.92

 

CMYK 42 / 50 / 0 / 2

HEX #907CFA

RGB 144 124 250

HSL 249.52, 0.93%, 0.73%

LAB 59.2, 37.5, -60.65

 

CMYK 37 / 44 / 0 / 0

HEX #A18EFF

RGB 161 142 255

HSL 250.09, 1%, 0.78%

LAB 65.08, 32.64, -53.95

 

CMYK 30 / 37 / 0 / 0

HEX #B2A0FF

RGB 178 160 255

HSL 251.37, 1%, 0.81%

LAB 70.75, 26.94, -44.9

 

CMYK 24 / 30 / 0 / 0

HEX #C3B2FF

RGB 195 178 255

HSL 253.25, 1%, 0.85%

LAB 76.47, 21.75, -35.88

 

CMYK 48 / 55 / 0 / 7

HEX #7A6AEC

RGB 122 106 236

HSL 247.38, 0.77%, 0.67%

LAB 52.4, 39.13, -63.9

 

CMYK 52 / 59 / 0 / 15

HEX #6958D9

RGB 105 88 217

HSL 247.91, 0.63%, 0.6%

LAB 45.62, 40.63, -64.19

 

CMYK 56 / 65 / 0 / 22

HEX #5846C6

RGB 88 70 198

HSL 248.44, 0.53%, 0.53%

LAB 38.78, 42.28, -64.44

 

CMYK 60 / 71 / 0 / 30

HEX #4734B3

RGB 71 52 179

HSL 248.98, 0.55%, 0.45%

LAB 31.92, 44.02, -64.54

 

CMYK 66 / 79 / 0 / 37

HEX #3622A0

RGB 54 34 160

HSL 249.52, 0.65%, 0.38%

LAB 25.16, 45.65, -64.29

 

CMYK 49 / 55 / 0 / 8

HEX #796AEB

RGB 121 106 235

HSL 246.98, 0.76%, 0.67%

LAB 52.25, 38.63, -63.58

 

CMYK 34 / 55 / 0 / 8

HEX #9C6AEB

RGB 156 106 235

HSL 263.26, 0.76%, 0.67%

LAB 55.46, 46.45, -58.26

 

CMYK 19 / 55 / 0 / 8

HEX #BF6AEB

RGB 191 106 235

HSL 279.53, 0.76%, 0.67%

LAB 59.33, 55.05, -51.86

 

CMYK 4 / 55 / 0 / 8

HEX #E26AEB

RGB 226 106 235

HSL 295.81, 0.76%, 0.67%

LAB 63.73, 63.98, -44.6

 

CMYK 0 / 55 / 11 / 8

HEX #EB6AD1

RGB 235 106 209

HSL 312.09, 0.76%, 0.67%

LAB 63.81, 62.07, -29.86

 

CMYK 49 / 55 / 0 / 8

HEX #796AEB

RGB 121 106 235

HSL 246.98, 0.76%, 0.67%

LAB 52.25, 38.63, -63.58

 

CMYK 55 / 55 / 0 / 8

HEX #6A6AEB

RGB 106 106 235

HSL 240, 0.76%, 0.67%

LAB 51.12, 35.66, -65.47

 

CMYK 49 / 55 / 0 / 8

HEX #796AEB

RGB 121 106 235

HSL 246.98, 0.76%, 0.67%

LAB 52.25, 38.63, -63.58

 

CMYK 55 / 63 / 0 / 2

HEX #6F5CF9

RGB 111 92 249

HSL 247.26, 0.93%, 0.67%

LAB 49.34, 48.98, -76.16

 

CMYK 49 / 55 / 0 / 8

HEX #796AEB

RGB 121 106 235

HSL 246.98, 0.76%, 0.67%

LAB 52.25, 38.63, -63.58

 

CMYK 41 / 46 / 0 / 13

HEX #8477DE

RGB 132 119 222

HSL 247.57, 0.61%, 0.67%

LAB 55.45, 29.76, -51.11

 

CMYK 32 / 36 / 0 / 18

HEX #8E85D0

RGB 142 133 208

HSL 247.2, 0.44%, 0.67%

LAB 59.05, 20.42, -37.5

 

CMYK 22 / 25 / 0 / 24

HEX #9892C2

RGB 152 146 194

HSL 247.5, 0.28%, 0.67%

LAB 62.62, 12.44, -24.04

 

CMYK 10 / 12 / 0 / 29

HEX #A3A0B5

RGB 163 160 181

HSL 248.57, 0.12%, 0.67%

LAB 66.72, 5.26, -10.45

 

CMYK 55 / 32 / 0 / 8

HEX #6AA0EB

RGB 106 160 235

HSL 214.88, 0.76%, 0.67%

LAB 65.12, 3.55, -43.15

 

CMYK 55 / 47 / 0 / 8

HEX #6A7DEB

RGB 106 125 235

HSL 231.16, 0.76%, 0.67%

LAB 55.82, 24.22, -57.91

 

CMYK 49 / 55 / 0 / 8

HEX #796AEB

RGB 121 106 235

HSL 246.98, 0.76%, 0.67%

LAB 52.25, 38.63, -63.58

 

CMYK 34 / 55 / 0 / 8

HEX #9B6AEB

RGB 155 106 235

HSL 262.79, 0.76%, 0.67%

LAB 55.35, 46.21, -58.43

 

CMYK 19 / 55 / 0 / 8

HEX #BE6AEB

RGB 190 106 235

HSL 279.07, 0.76%, 0.67%

LAB 59.21, 54.8, -52.05

 

CMYK 75 / 85 / 0 / 11

HEX #3821E2

RGB 56 33 226

HSL 247.15, 0.77%, 0.51%

LAB 32.74, 65.41, -90.64

 

CMYK 61 / 70 / 0 / 10

HEX #5945E6

RGB 89 69 230

HSL 247.45, 0.76%, 0.59%

LAB 41.36, 52.75, -78.6

 

CMYK 49 / 55 / 0 / 8

HEX #796AEB

RGB 121 106 235

HSL 246.98, 0.76%, 0.67%

LAB 52.25, 38.63, -63.58

 

CMYK 36 / 41 / 0 / 6

HEX #9A8EF0

RGB 154 142 240

HSL 247.35, 0.77%, 0.75%

LAB 63.76, 26.89, -47.84

 

CMYK 24 / 27 / 0 / 4

HEX #BBB3F5

RGB 187 179 245

HSL 247.27, 0.77%, 0.83%

LAB 75.7, 16.54, -31.74

 

CMYK 48 / 55 / 0 / 7

HEX #7A6AEC

RGB 122 106 236

HSL 247.38, 0.77%, 0.67%

LAB 52.4, 39.13, -63.9

 

CMYK 0 / 55 / 17 / 8

HEX #EB6AC2

RGB 235 106 194

HSL 319.07, 0.76%, 0.67%

LAB 63.23, 59.82, -22.29

 

CMYK 40 / 0 / 55 / 8

HEX #8EEB6A

RGB 142 235 106

HSL 103.26, 0.76%, 0.67%

LAB 85.1, -50.57, 53.29

 

CMYK 48 / 55 / 0 / 7

HEX #7A6AEC

RGB 122 106 236

HSL 247.38, 0.77%, 0.67%

LAB 52.4, 39.13, -63.9

 

CMYK 0 / 49 / 55 / 8

HEX #EB796A

RGB 235 121 106

HSL 6.98, 0.76%, 0.67%

LAB 63.65, 42.57, 28.42

 

CMYK 55 / 0 / 49 / 8

HEX #6AEB79

RGB 106 235 121

HSL 126.98, 0.76%, 0.67%

LAB 83.89, -58.7, 44.51

 

CMYK 48 / 55 / 0 / 7

HEX #7A6AEC

RGB 122 106 236

HSL 247.38, 0.77%, 0.67%

LAB 52.4, 39.13, -63.9

 

CMYK 0 / 55 / 17 / 8

HEX #EB6AC2

RGB 235 106 194

HSL 319.07, 0.76%, 0.67%

LAB 63.23, 59.82, -22.29

 

CMYK 6 / 0 / 55 / 8

HEX #DCEB6A

RGB 220 235 106

HSL 66.98, 0.76%, 0.67%

LAB 89.71, -22.41, 59.81

 

CMYK 55 / 0 / 37 / 8

HEX #6AEB93

RGB 106 235 147

HSL 139.07, 0.76%, 0.67%

LAB 84.27, -54.66, 32.18

 

CMYK 48 / 55 / 0 / 7

HEX #7A6AEC

RGB 122 106 236

HSL 247.38, 0.77%, 0.67%

LAB 52.4, 39.13, -63.9

 

CMYK 0 / 55 / 34 / 8

HEX #EB6A9B

RGB 235 106 155

HSL 337.21, 0.76%, 0.67%

LAB 61.94, 54.69, -1.93

 

CMYK 6 / 0 / 55 / 8

HEX #DCEB6A

RGB 220 235 106

HSL 66.98, 0.76%, 0.67%

LAB 89.71, -22.41, 59.81

 

CMYK 55 / 0 / 21 / 8

HEX #6AEBB9

RGB 106 235 185

HSL 156.74, 0.76%, 0.67%

LAB 84.99, -47.31, 13.6

 

Description

Color code: HEX #7A6AEC | qconv.com Color code: HEX #7A6AEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 106 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 106 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 55 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 55% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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