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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A6C1E it is the complementary color #8593E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A6C1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A6C1E shade: #7F6C19, #907E2C, #A1903F, #B2A252 and #C3B465

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A6C1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A6C1E shade: #7A6C1E, #695A0B, #584800, #473600 and #362400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A6C1E shade: #7B6C1D, #7B531D, #7B3A1D, #7B211D and #7B1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A6C1E shade: #7B6C1D, #707B1D, #577B1D, #3D7B1D and #247B1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A6C1E shade matches the following richer shades: #7B6C1D, #877511 and #937E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A6C1E shade: #7B6C1D, #6E642A, #625B36, #565342 and #494A4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A6C1E shade: #7B391D, #7B521D, #7B6B1D, #717B1D and #587B1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A6C1E shade: #38320D, #594F15, #7B6C1D, #9C8A25 and #BDA72D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A6C1E shade: #7A6C1E, #1D7B20 and #461D7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A6C1E shade: #7A6C1E, #1D7B6B and #6B1D7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A6C1E shade: #7A6C1E, #1D7B20, #1D2D7B and #7B1D78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A6C1E shade: #7A6C1E, #1D7B3C, #1D2D7B and #7B1D5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 75 / 52

HEX #7A6C1E

RGB 122 108 30

HSL 50.87, 0.61%, 0.3%

LAB 45.57, -3.74, 43.2

 

Complementary color

CMYK 41 / 35 / 0 / 12

HEX #8593E1

RGB 133 147 225

HSL 230.87, 0.61%, 0.7%

LAB 62.75, 14.43, -41.24

 

CMYK 0 / 15 / 80 / 50

HEX #7F6C19

RGB 127 108 25

HSL 48.82, 0.67%, 0.3%

LAB 46.05, -1.6, 45.78

 

CMYK 0 / 13 / 69 / 44

HEX #907E2C

RGB 144 126 44

HSL 49.2, 0.53%, 0.37%

LAB 52.99, -2.87, 45.37

 

CMYK 0 / 11 / 61 / 37

HEX #A1903F

RGB 161 144 63

HSL 49.59, 0.44%, 0.44%

LAB 59.78, -3.88, 44.4

 

CMYK 0 / 9 / 54 / 30

HEX #B2A252

RGB 178 162 82

HSL 50, 0.38%, 0.51%

LAB 66.45, -4.69, 43.21

 

CMYK 0 / 8 / 48 / 24

HEX #C3B465

RGB 195 180 101

HSL 50.43, 0.44%, 0.58%

LAB 73.01, -5.35, 41.98

 

CMYK 0 / 11 / 75 / 52

HEX #7A6C1E

RGB 122 108 30

HSL 50.87, 0.61%, 0.3%

LAB 45.57, -3.74, 43.2

 

CMYK 0 / 14 / 90 / 59

HEX #695A0B

RGB 105 90 11

HSL 50.43, 0.81%, 0.23%

LAB 38.45, -2.29, 42.83

 

CMYK 0 / 18 / 100 / 65

HEX #584800

RGB 88 72 0

HSL 49.09, 1%, 0.17%

LAB 31.14, -0.38, 39.94

 

CMYK 0 / 24 / 100 / 72

HEX #473600

RGB 71 54 0

HSL 45.63, 1%, 0.14%

LAB 23.6, 2.03, 32.66

 

CMYK 0 / 33 / 100 / 79

HEX #362400

RGB 54 36 0

HSL 40, 1%, 0.11%

LAB 15.73, 4.7, 23.09

 

CMYK 0 / 12 / 76 / 52

HEX #7B6C1D

RGB 123 108 29

HSL 50.43, 0.62%, 0.3%

LAB 45.67, -3.32, 43.73

 

CMYK 0 / 33 / 76 / 52

HEX #7B531D

RGB 123 83 29

HSL 34.47, 0.62%, 0.3%

LAB 38.7, 11.4, 36.86

 

CMYK 0 / 53 / 76 / 52

HEX #7B3A1D

RGB 123 58 29

HSL 18.51, 0.62%, 0.3%

LAB 32.54, 26.07, 30.44

 

CMYK 0 / 73 / 76 / 52

HEX #7B211D

RGB 123 33 29

HSL 2.55, 0.62%, 0.3%

LAB 27.81, 38.5, 25.24

 

CMYK 0 / 76 / 76 / 52

HEX #7B1D1D

RGB 123 29 29

HSL 0, 0.62%, 0.3%

LAB 27.24, 40.08, 24.59

 

CMYK 0 / 12 / 76 / 52

HEX #7B6C1D

RGB 123 108 29

HSL 50.43, 0.62%, 0.3%

LAB 45.67, -3.32, 43.73

 

CMYK 9 / 0 / 76 / 52

HEX #707B1D

RGB 112 123 29

HSL 67.02, 0.62%, 0.3%

LAB 49.13, -16.75, 46.7

 

CMYK 29 / 0 / 76 / 52

HEX #577B1D

RGB 87 123 29

HSL 82.98, 0.62%, 0.3%

LAB 47.34, -27.63, 44.35

 

CMYK 50 / 0 / 76 / 52

HEX #3D7B1D

RGB 61 123 29

HSL 99.57, 0.62%, 0.3%

LAB 45.97, -37.3, 42.54

 

CMYK 71 / 0 / 76 / 52

HEX #247B1D

RGB 36 123 29

HSL 115.53, 0.62%, 0.3%

LAB 45.12, -44.04, 41.41

 

CMYK 0 / 12 / 76 / 52

HEX #7B6C1D

RGB 123 108 29

HSL 50.43, 0.62%, 0.3%

LAB 45.67, -3.32, 43.73

 

CMYK 0 / 13 / 87 / 47

HEX #877511

RGB 135 117 17

HSL 50.85, 0.78%, 0.3%

LAB 49.39, -3.2, 51.54

 

CMYK 0 / 14 / 97 / 42

HEX #937E05

RGB 147 126 5

HSL 51.13, 0.93%, 0.3%

LAB 53.1, -2.83, 57.45

 

CMYK 0 / 12 / 76 / 52

HEX #7B6C1D

RGB 123 108 29

HSL 50.43, 0.62%, 0.3%

LAB 45.67, -3.32, 43.73

 

CMYK 0 / 9 / 62 / 57

HEX #6E642A

RGB 110 100 42

HSL 51.18, 0.45%, 0.3%

LAB 42.15, -4.02, 33.66

 

CMYK 0 / 7 / 45 / 62

HEX #625B36

RGB 98 91 54

HSL 50.45, 0.29%, 0.3%

LAB 38.45, -3.14, 22.32

 

CMYK 0 / 3 / 23 / 66

HEX #565342

RGB 86 83 66

HSL 51, 0.13%, 0.3%

LAB 35.12, -2, 10.42

 

CMYK 8 / 6 / 0 / 69

HEX #494A4F

RGB 73 74 79

HSL 230, 0.04%, 0.3%

LAB 31.53, 0.73, -3.12

 

CMYK 0 / 54 / 76 / 52

HEX #7B391D

RGB 123 57 29

HSL 17.87, 0.62%, 0.3%

LAB 32.32, 26.62, 30.2

 

CMYK 0 / 33 / 76 / 52

HEX #7B521D

RGB 123 82 29

HSL 33.83, 0.62%, 0.3%

LAB 38.44, 12, 36.59

 

CMYK 0 / 13 / 76 / 52

HEX #7B6B1D

RGB 123 107 29

HSL 49.79, 0.62%, 0.3%

LAB 45.38, -2.74, 43.45

 

CMYK 8 / 0 / 76 / 52

HEX #717B1D

RGB 113 123 29

HSL 66.38, 0.62%, 0.3%

LAB 49.21, -16.3, 46.8

 

CMYK 28 / 0 / 76 / 52

HEX #587B1D

RGB 88 123 29

HSL 82.34, 0.62%, 0.3%

LAB 47.4, -27.22, 44.44

 

CMYK 0 / 11 / 77 / 78

HEX #38320D

RGB 56 50 13

HSL 51.63, 0.62%, 0.14%

LAB 20.64, -2.7, 23.58

 

CMYK 0 / 11 / 76 / 65

HEX #594F15

RGB 89 79 21

HSL 51.18, 0.62%, 0.22%

LAB 33.5, -3.27, 34.04

 

CMYK 0 / 12 / 76 / 52

HEX #7B6C1D

RGB 123 108 29

HSL 50.43, 0.62%, 0.3%

LAB 45.67, -3.32, 43.73

 

CMYK 0 / 12 / 76 / 39

HEX #9C8A25

RGB 156 138 37

HSL 50.92, 0.62%, 0.38%

LAB 57.44, -4.39, 53.01

 

CMYK 0 / 12 / 76 / 26

HEX #BDA72D

RGB 189 167 45

HSL 50.83, 0.62%, 0.46%

LAB 68.49, -4.87, 61.62

 

CMYK 0 / 11 / 75 / 52

HEX #7A6C1E

RGB 122 108 30

HSL 50.87, 0.61%, 0.3%

LAB 45.57, -3.74, 43.2

 

CMYK 76 / 0 / 74 / 52

HEX #1D7B20

RGB 29 123 32

HSL 121.91, 0.62%, 0.3%

LAB 44.99, -45.12, 40.03

 

CMYK 43 / 76 / 0 / 52

HEX #461D7B

RGB 70 29 123

HSL 266.17, 0.62%, 0.3%

LAB 22.34, 39.63, -45.84

 

CMYK 0 / 11 / 75 / 52

HEX #7A6C1E

RGB 122 108 30

HSL 50.87, 0.61%, 0.3%

LAB 45.57, -3.74, 43.2

 

CMYK 76 / 0 / 13 / 52

HEX #1D7B6B

RGB 29 123 107

HSL 169.79, 0.62%, 0.3%

LAB 46.3, -30.58, 1.08

 

CMYK 13 / 76 / 0 / 52

HEX #6B1D7B

RGB 107 29 123

HSL 289.79, 0.62%, 0.3%

LAB 27.94, 47.26, -36.51

 

CMYK 0 / 11 / 75 / 52

HEX #7A6C1E

RGB 122 108 30

HSL 50.87, 0.61%, 0.3%

LAB 45.57, -3.74, 43.2

 

CMYK 76 / 0 / 74 / 52

HEX #1D7B20

RGB 29 123 32

HSL 121.91, 0.62%, 0.3%

LAB 44.99, -45.12, 40.03

 

CMYK 76 / 63 / 0 / 52

HEX #1D2D7B

RGB 29 45 123

HSL 229.79, 0.62%, 0.3%

LAB 22.19, 22.99, -46.24

 

CMYK 0 / 76 / 2 / 52

HEX #7B1D78

RGB 123 29 120

HSL 301.91, 0.62%, 0.3%

LAB 30.51, 50.34, -30.34

 

CMYK 0 / 11 / 75 / 52

HEX #7A6C1E

RGB 122 108 30

HSL 50.87, 0.61%, 0.3%

LAB 45.57, -3.74, 43.2

 

CMYK 76 / 0 / 51 / 52

HEX #1D7B3C

RGB 29 123 60

HSL 139.79, 0.62%, 0.3%

LAB 45.29, -41.44, 26.8

 

CMYK 76 / 63 / 0 / 52

HEX #1D2D7B

RGB 29 45 123

HSL 229.79, 0.62%, 0.3%

LAB 22.19, 22.99, -46.24

 

CMYK 0 / 76 / 25 / 52

HEX #7B1D5C

RGB 123 29 92

HSL 319.79, 0.62%, 0.3%

LAB 29.06, 45.98, -14.6

 

Description

Color code: HEX #7A6C1E | qconv.com Color code: HEX #7A6C1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 108 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 108 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 75 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 75% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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