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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A7D5A it is the complementary color #8582A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A7D5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A7D5A shade: #7F7D55, #908F68, #A1A17B, #B2B38E and #C3C5A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A7D5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A7D5A shade: #7A7D5A, #696B47, #585934, #474721 and #36350E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A7D5A shade: #797C59, #7C7559, #7C6C59, #7C6359 and #7C5A59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A7D5A shade: #797C59, #707C59, #667C59, #5D7C59 and #597C5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A7D5A shade matches the following richer shades: #797C59, #878D48, #969E37, #A4B025 and #B2C114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A7D5A shade: #797C59, #6A6A6B, #5C597C, #4E488D and #3F369F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A7D5A shade: #7C6C59, #7C7559, #797C59, #707C59 and #677C59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A7D5A shade: #4A4C37, #616448, #797C59, #90946B and #A2A583

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A7D5A shade: #7A7D5A, #597C63 and #71597C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A7D5A shade: #7A7D5A, #59797C and #7C5979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A7D5A shade: #7A7D5A, #597C63, #5C597C and #7C5972

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A7D5A shade: #7A7D5A, #597C6D, #5C597C and #7C5968

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 28 / 51

HEX #7A7D5A

RGB 122 125 90

HSL 65.14, 0.16%, 0.42%

LAB 51.32, -7.32, 18.76

 

Complementary color

CMYK 19 / 21 / 0 / 35

HEX #8582A5

RGB 133 130 165

HSL 245.14, 0.16%, 0.58%

LAB 55.75, 8.69, -18.17

 

CMYK 0 / 2 / 33 / 50

HEX #7F7D55

RGB 127 125 85

HSL 57.14, 0.2%, 0.42%

LAB 51.65, -5.93, 22.13

 

CMYK 0 / 1 / 28 / 44

HEX #908F68

RGB 144 143 104

HSL 58.5, 0.16%, 0.49%

LAB 58.58, -6.21, 20.95

 

CMYK 0 / 0 / 24 / 37

HEX #A1A17B

RGB 161 161 123

HSL 60, 0.17%, 0.56%

LAB 65.36, -6.43, 19.85

 

CMYK 1 / 0 / 21 / 30

HEX #B2B38E

RGB 178 179 142

HSL 61.62, 0.2%, 0.63%

LAB 72, -6.61, 18.83

 

CMYK 1 / 0 / 18 / 23

HEX #C3C5A1

RGB 195 197 161

HSL 63.33, 0.24%, 0.7%

LAB 78.52, -6.77, 17.87

 

CMYK 2 / 0 / 28 / 51

HEX #7A7D5A

RGB 122 125 90

HSL 65.14, 0.16%, 0.42%

LAB 51.32, -7.32, 18.76

 

CMYK 2 / 0 / 34 / 58

HEX #696B47

RGB 105 107 71

HSL 63.33, 0.2%, 0.35%

LAB 44.2, -7.1, 19.97

 

CMYK 1 / 0 / 42 / 65

HEX #585934

RGB 88 89 52

HSL 61.62, 0.26%, 0.28%

LAB 36.87, -6.8, 21.28

 

CMYK 0 / 0 / 54 / 72

HEX #474721

RGB 71 71 33

HSL 60, 0.37%, 0.2%

LAB 29.3, -6.35, 22.67

 

CMYK 0 / 2 / 74 / 79

HEX #36350E

RGB 54 53 14

HSL 58.5, 0.59%, 0.13%

LAB 21.44, -5.61, 23.91

 

CMYK 2 / 0 / 28 / 51

HEX #797C59

RGB 121 124 89

HSL 65.14, 0.16%, 0.42%

LAB 50.92, -7.32, 18.79

 

CMYK 0 / 6 / 28 / 51

HEX #7C7559

RGB 124 117 89

HSL 48, 0.16%, 0.42%

LAB 49.17, -2.09, 16.45

 

CMYK 0 / 13 / 28 / 51

HEX #7C6C59

RGB 124 108 89

HSL 32.57, 0.16%, 0.42%

LAB 46.62, 3.13, 12.96

 

CMYK 0 / 20 / 28 / 51

HEX #7C6359

RGB 124 99 89

HSL 17.14, 0.16%, 0.42%

LAB 44.13, 8.45, 9.49

 

CMYK 0 / 27 / 28 / 51

HEX #7C5A59

RGB 124 90 89

HSL 1.71, 0.16%, 0.42%

LAB 41.72, 13.83, 6.08

 

CMYK 2 / 0 / 28 / 51

HEX #797C59

RGB 121 124 89

HSL 65.14, 0.16%, 0.42%

LAB 50.92, -7.32, 18.79

 

CMYK 10 / 0 / 28 / 51

HEX #707C59

RGB 112 124 89

HSL 80.57, 0.16%, 0.42%

LAB 50.19, -11.02, 17.68

 

CMYK 18 / 0 / 28 / 51

HEX #667C59

RGB 102 124 89

HSL 97.71, 0.16%, 0.42%

LAB 49.45, -15, 16.54

 

CMYK 25 / 0 / 28 / 51

HEX #5D7C59

RGB 93 124 89

HSL 113.14, 0.16%, 0.42%

LAB 48.84, -18.44, 15.61

 

CMYK 28 / 0 / 23 / 51

HEX #597C5F

RGB 89 124 95

HSL 130.29, 0.16%, 0.42%

LAB 48.72, -18.77, 11.92

 

CMYK 2 / 0 / 28 / 51

HEX #797C59

RGB 121 124 89

HSL 65.14, 0.16%, 0.42%

LAB 50.92, -7.32, 18.79

 

CMYK 4 / 0 / 49 / 45

HEX #878D48

RGB 135 141 72

HSL 65.22, 0.32%, 0.42%

LAB 56.75, -12.82, 35.8

 

CMYK 5 / 0 / 65 / 38

HEX #969E37

RGB 150 158 55

HSL 64.66, 0.48%, 0.42%

LAB 62.69, -16.71, 50.88

 

CMYK 7 / 0 / 79 / 31

HEX #A4B025

RGB 164 176 37

HSL 65.18, 0.65%, 0.42%

LAB 68.81, -20.75, 63.69

 

CMYK 8 / 0 / 90 / 24

HEX #B2C114

RGB 178 193 20

HSL 65.2, 0.81%, 0.42%

LAB 74.61, -23.64, 72.87

 

CMYK 2 / 0 / 28 / 51

HEX #797C59

RGB 121 124 89

HSL 65.14, 0.16%, 0.42%

LAB 50.92, -7.32, 18.79

 

CMYK 1 / 1 / 0 / 58

HEX #6A6A6B

RGB 106 106 107

HSL 240, 0%, 0.42%

LAB 44.85, 0.21, -0.56

 

CMYK 26 / 28 / 0 / 51

HEX #5C597C

RGB 92 89 124

HSL 245.14, 0.16%, 0.42%

LAB 39.37, 9.52, -19.27

 

CMYK 45 / 49 / 0 / 45

HEX #4E488D

RGB 78 72 141

HSL 245.22, 0.32%, 0.42%

LAB 34.35, 21.1, -37.64

 

CMYK 60 / 66 / 0 / 38

HEX #3F369F

RGB 63 54 159

HSL 245.14, 0.49%, 0.42%

LAB 29.91, 35.19, -55.85

 

CMYK 0 / 13 / 28 / 51

HEX #7C6C59

RGB 124 108 89

HSL 32.57, 0.16%, 0.42%

LAB 46.62, 3.13, 12.96

 

CMYK 0 / 6 / 28 / 51

HEX #7C7559

RGB 124 117 89

HSL 48, 0.16%, 0.42%

LAB 49.17, -2.09, 16.45

 

CMYK 2 / 0 / 28 / 51

HEX #797C59

RGB 121 124 89

HSL 65.14, 0.16%, 0.42%

LAB 50.92, -7.32, 18.79

 

CMYK 10 / 0 / 28 / 51

HEX #707C59

RGB 112 124 89

HSL 80.57, 0.16%, 0.42%

LAB 50.19, -11.02, 17.68

 

CMYK 17 / 0 / 28 / 51

HEX #677C59

RGB 103 124 89

HSL 96, 0.16%, 0.42%

LAB 49.52, -14.61, 16.65

 

CMYK 3 / 0 / 28 / 70

HEX #4A4C37

RGB 74 76 55

HSL 65.71, 0.16%, 0.26%

LAB 31.58, -4.92, 12.25

 

CMYK 3 / 0 / 28 / 61

HEX #616448

RGB 97 100 72

HSL 66.43, 0.16%, 0.34%

LAB 41.41, -6.37, 15.54

 

CMYK 2 / 0 / 28 / 51

HEX #797C59

RGB 121 124 89

HSL 65.14, 0.16%, 0.42%

LAB 50.92, -7.32, 18.79

 

CMYK 3 / 0 / 28 / 42

HEX #90946B

RGB 144 148 107

HSL 65.85, 0.16%, 0.5%

LAB 60.04, -8.5, 21.25

 

CMYK 2 / 0 / 21 / 35

HEX #A2A583

RGB 162 165 131

HSL 65.29, 0.16%, 0.58%

LAB 66.7, -6.98, 17.31

 

CMYK 2 / 0 / 28 / 51

HEX #7A7D5A

RGB 122 125 90

HSL 65.14, 0.16%, 0.42%

LAB 51.32, -7.32, 18.76

 

CMYK 28 / 0 / 20 / 51

HEX #597C63

RGB 89 124 99

HSL 137.14, 0.16%, 0.42%

LAB 48.81, -17.96, 9.71

 

CMYK 9 / 28 / 0 / 51

HEX #71597C

RGB 113 89 124

HSL 281.14, 0.16%, 0.42%

LAB 41.39, 16.81, -15.99

 

CMYK 2 / 0 / 28 / 51

HEX #7A7D5A

RGB 122 125 90

HSL 65.14, 0.16%, 0.42%

LAB 51.32, -7.32, 18.76

 

CMYK 28 / 2 / 0 / 51

HEX #59797C

RGB 89 121 124

HSL 185.14, 0.16%, 0.42%

LAB 48.58, -10.61, -5.36

 

CMYK 0 / 28 / 2 / 51

HEX #7C5979

RGB 124 89 121

HSL 305.14, 0.16%, 0.42%

LAB 42.48, 20.15, -12.4

 

CMYK 2 / 0 / 28 / 51

HEX #7A7D5A

RGB 122 125 90

HSL 65.14, 0.16%, 0.42%

LAB 51.32, -7.32, 18.76

 

CMYK 28 / 0 / 20 / 51

HEX #597C63

RGB 89 124 99

HSL 137.14, 0.16%, 0.42%

LAB 48.81, -17.96, 9.71

 

CMYK 26 / 28 / 0 / 51

HEX #5C597C

RGB 92 89 124

HSL 245.14, 0.16%, 0.42%

LAB 39.37, 9.52, -19.27

 

CMYK 0 / 28 / 8 / 51

HEX #7C5972

RGB 124 89 114

HSL 317.14, 0.16%, 0.42%

LAB 42.22, 18.77, -8.51

 

CMYK 2 / 0 / 28 / 51

HEX #7A7D5A

RGB 122 125 90

HSL 65.14, 0.16%, 0.42%

LAB 51.32, -7.32, 18.76

 

CMYK 28 / 0 / 12 / 51

HEX #597C6D

RGB 89 124 109

HSL 154.29, 0.16%, 0.42%

LAB 49.06, -15.82, 4.2

 

CMYK 26 / 28 / 0 / 51

HEX #5C597C

RGB 92 89 124

HSL 245.14, 0.16%, 0.42%

LAB 39.37, 9.52, -19.27

 

CMYK 0 / 28 / 16 / 51

HEX #7C5968

RGB 124 89 104

HSL 334.29, 0.16%, 0.42%

LAB 41.89, 16.92, -2.88

 

Description

Color code: HEX #7A7D5A | qconv.com Color code: HEX #7A7D5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 125 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 125 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 28 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 28% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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