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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A8CDA it is the complementary color #857325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A8CDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A8CDA shade: #7F8CD5, #909EE8, #A1B0FB, #B2C2FF and #C3D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A8CDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A8CDA shade: #7A8CDA, #697AC7, #5868B4, #4756A1 and #36448E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A8CDA shade: #7B8DD9, #837BD9, #9C7BD9, #B67BD9 and #CF7BD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A8CDA shade: #7B8DD9 and #7B7BD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A8CDA shade matches the following richer shades: #7B8DD9, #6E84E7 and #607CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A8CDA shade: #7B8DD9, #8995CC, #969EBE, #A4A6B1 and #B2AFA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A8CDA shade: #7BC0D9, #7BA7D9, #7B8ED9, #827BD9 and #9B7BD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A8CDA shade: #3B55C7, #5B71D0, #7B8DD9, #9BA9E3 and #BCC5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A8CDA shade: #7A8CDA, #D97BD9 and #B4D97B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A8CDA shade: #7A8CDA, #D97B8E and #8ED97B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A8CDA shade: #7A8CDA, #D97BD9, #D9C77B and #7BD97B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A8CDA shade: #7A8CDA, #D97BBD, #D9C77B and #7BD998

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 36 / 0 / 15

HEX #7A8CDA

RGB 122 140 218

HSL 228.75, 0.56%, 0.67%

LAB 59.85, 13.72, -41.96

 

Complementary color

CMYK 0 / 14 / 72 / 48

HEX #857325

RGB 133 115 37

HSL 48.75, 0.56%, 0.33%

LAB 48.74, -2.17, 43.75

 

CMYK 40 / 34 / 0 / 16

HEX #7F8CD5

RGB 127 140 213

HSL 230.93, 0.51%, 0.67%

LAB 59.95, 13.58, -38.97

 

CMYK 38 / 32 / 0 / 9

HEX #909EE8

RGB 144 158 232

HSL 230.45, 0.66%, 0.74%

LAB 66.68, 12.91, -38.9

 

CMYK 36 / 30 / 0 / 2

HEX #A1B0FB

RGB 161 176 251

HSL 230, 0.92%, 0.81%

LAB 73.28, 12.33, -38.88

 

CMYK 30 / 24 / 0 / 0

HEX #B2C2FF

RGB 178 194 255

HSL 227.53, 1%, 0.85%

LAB 79.2, 8.1, -31.78

 

CMYK 24 / 17 / 0 / 0

HEX #C3D4FF

RGB 195 212 255

HSL 223, 1%, 0.88%

LAB 84.95, 3.34, -22.88

 

CMYK 44 / 36 / 0 / 15

HEX #7A8CDA

RGB 122 140 218

HSL 228.75, 0.56%, 0.67%

LAB 59.85, 13.72, -41.96

 

CMYK 47 / 39 / 0 / 22

HEX #697AC7

RGB 105 122 199

HSL 229.15, 0.46%, 0.6%

LAB 53, 14.59, -42.11

 

CMYK 51 / 42 / 0 / 29

HEX #5868B4

RGB 88 104 180

HSL 229.57, 0.38%, 0.53%

LAB 46, 15.63, -42.32

 

CMYK 56 / 47 / 0 / 37

HEX #4756A1

RGB 71 86 161

HSL 230, 0.39%, 0.45%

LAB 38.84, 16.92, -42.58

 

CMYK 62 / 52 / 0 / 44

HEX #36448E

RGB 54 68 142

HSL 230.45, 0.45%, 0.38%

LAB 31.51, 18.54, -42.91

 

CMYK 43 / 35 / 0 / 15

HEX #7B8DD9

RGB 123 141 217

HSL 228.51, 0.55%, 0.67%

LAB 60.13, 13.1, -40.95

 

CMYK 40 / 43 / 0 / 15

HEX #837BD9

RGB 131 123 217

HSL 245.11, 0.55%, 0.67%

LAB 56.09, 25.75, -47.29

 

CMYK 28 / 43 / 0 / 15

HEX #9C7BD9

RGB 156 123 217

HSL 261.06, 0.55%, 0.67%

LAB 58.27, 32.43, -43.7

 

CMYK 16 / 43 / 0 / 15

HEX #B67BD9

RGB 182 123 217

HSL 277.66, 0.55%, 0.67%

LAB 60.89, 39.81, -39.4

 

CMYK 5 / 43 / 0 / 15

HEX #CF7BD9

RGB 207 123 217

HSL 293.62, 0.55%, 0.67%

LAB 63.71, 47.12, -34.79

 

CMYK 43 / 35 / 0 / 15

HEX #7B8DD9

RGB 123 141 217

HSL 228.51, 0.55%, 0.67%

LAB 60.13, 13.1, -40.95

 

CMYK 43 / 43 / 0 / 15

HEX #7B7BD9

RGB 123 123 217

HSL 240, 0.55%, 0.67%

LAB 55.47, 23.75, -48.31

 

CMYK 43 / 35 / 0 / 15

HEX #7B8DD9

RGB 123 141 217

HSL 228.51, 0.55%, 0.67%

LAB 60.13, 13.1, -40.95

 

CMYK 52 / 43 / 0 / 9

HEX #6E84E7

RGB 110 132 231

HSL 229.09, 0.72%, 0.67%

LAB 57.64, 19.59, -52.75

 

CMYK 61 / 49 / 0 / 4

HEX #607CF5

RGB 96 124 245

HSL 228.72, 0.88%, 0.67%

LAB 55.58, 26.19, -63.88

 

CMYK 43 / 35 / 0 / 15

HEX #7B8DD9

RGB 123 141 217

HSL 228.51, 0.55%, 0.67%

LAB 60.13, 13.1, -40.95

 

CMYK 33 / 27 / 0 / 20

HEX #8995CC

RGB 137 149 204

HSL 229.25, 0.4%, 0.67%

LAB 62.65, 8.68, -29.68

 

CMYK 21 / 17 / 0 / 25

HEX #969EBE

RGB 150 158 190

HSL 228, 0.24%, 0.67%

LAB 65.48, 4.07, -17.44

 

CMYK 7 / 6 / 0 / 31

HEX #A4A6B1

RGB 164 166 177

HSL 230.77, 0.08%, 0.67%

LAB 68.27, 1.46, -5.91

 

CMYK 0 / 2 / 8 / 30

HEX #B2AFA3

RGB 178 175 163

HSL 48, 0.09%, 0.67%

LAB 71.4, -1.08, 6.52

 

CMYK 43 / 12 / 0 / 15

HEX #7BC0D9

RGB 123 192 217

HSL 195.96, 0.55%, 0.67%

LAB 74.14, -15.27, -19.33

 

CMYK 43 / 23 / 0 / 15

HEX #7BA7D9

RGB 123 167 217

HSL 211.91, 0.55%, 0.67%

LAB 67.17, -1.79, -29.99

 

CMYK 43 / 35 / 0 / 15

HEX #7B8ED9

RGB 123 142 217

HSL 227.87, 0.55%, 0.67%

LAB 60.4, 12.51, -40.53

 

CMYK 40 / 43 / 0 / 15

HEX #827BD9

RGB 130 123 217

HSL 244.47, 0.55%, 0.67%

LAB 56.01, 25.5, -47.42

 

CMYK 29 / 43 / 0 / 15

HEX #9B7BD9

RGB 155 123 217

HSL 260.43, 0.55%, 0.67%

LAB 58.17, 32.15, -43.86

 

CMYK 70 / 57 / 0 / 22

HEX #3B55C7

RGB 59 85 199

HSL 228.86, 0.56%, 0.51%

LAB 40.49, 28.85, -62.32

 

CMYK 56 / 46 / 0 / 18

HEX #5B71D0

RGB 91 113 208

HSL 228.72, 0.55%, 0.59%

LAB 50.2, 19.79, -51.74

 

CMYK 43 / 35 / 0 / 15

HEX #7B8DD9

RGB 123 141 217

HSL 228.51, 0.55%, 0.67%

LAB 60.13, 13.1, -40.95

 

CMYK 32 / 26 / 0 / 11

HEX #9BA9E3

RGB 155 169 227

HSL 228.33, 0.56%, 0.75%

LAB 70.1, 8.42, -30.79

 

CMYK 20 / 17 / 0 / 7

HEX #BCC5EC

RGB 188 197 236

HSL 228.75, 0.56%, 0.83%

LAB 80, 4.99, -20.32

 

CMYK 44 / 36 / 0 / 15

HEX #7A8CDA

RGB 122 140 218

HSL 228.75, 0.56%, 0.67%

LAB 59.85, 13.72, -41.96

 

CMYK 0 / 43 / 0 / 15

HEX #D97BD9

RGB 217 123 217

HSL 300, 0.55%, 0.67%

LAB 64.9, 50.06, -32.84

 

CMYK 17 / 0 / 43 / 15

HEX #B4D97B

RGB 180 217 123

HSL 83.62, 0.55%, 0.67%

LAB 82.25, -27.51, 42.24

 

CMYK 44 / 36 / 0 / 15

HEX #7A8CDA

RGB 122 140 218

HSL 228.75, 0.56%, 0.67%

LAB 59.85, 13.72, -41.96

 

CMYK 0 / 43 / 35 / 15

HEX #D97B8E

RGB 217 123 142

HSL 347.87, 0.55%, 0.67%

LAB 62.4, 38.58, 5.88

 

CMYK 35 / 0 / 43 / 15

HEX #8ED97B

RGB 142 217 123

HSL 107.87, 0.55%, 0.67%

LAB 80.07, -40.83, 39.03

 

CMYK 44 / 36 / 0 / 15

HEX #7A8CDA

RGB 122 140 218

HSL 228.75, 0.56%, 0.67%

LAB 59.85, 13.72, -41.96

 

CMYK 0 / 43 / 0 / 15

HEX #D97BD9

RGB 217 123 217

HSL 300, 0.55%, 0.67%

LAB 64.9, 50.06, -32.84

 

CMYK 0 / 8 / 43 / 15

HEX #D9C77B

RGB 217 199 123

HSL 48.51, 0.55%, 0.67%

LAB 80.2, -4.09, 40.25

 

CMYK 43 / 0 / 43 / 15

HEX #7BD97B

RGB 123 217 123

HSL 120, 0.55%, 0.67%

LAB 79.19, -46.7, 37.74

 

CMYK 44 / 36 / 0 / 15

HEX #7A8CDA

RGB 122 140 218

HSL 228.75, 0.56%, 0.67%

LAB 59.85, 13.72, -41.96

 

CMYK 0 / 43 / 13 / 15

HEX #D97BBD

RGB 217 123 189

HSL 317.87, 0.55%, 0.67%

LAB 63.83, 45.27, -18.76

 

CMYK 0 / 8 / 43 / 15

HEX #D9C77B

RGB 217 199 123

HSL 48.51, 0.55%, 0.67%

LAB 80.2, -4.09, 40.25

 

CMYK 43 / 0 / 30 / 15

HEX #7BD998

RGB 123 217 152

HSL 138.51, 0.55%, 0.67%

LAB 79.67, -41.96, 23.53

 

Description

Color code: HEX #7A8CDA | qconv.com Color code: HEX #7A8CDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 140 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 140 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 36 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 36% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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