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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A99EA it is the complementary color #856615. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A99EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A99EA shade: #7F99E5, #90ABF8, #A1BDFF, #B2CFFF and #C3E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A99EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A99EA shade: #7A99EA, #6987D7, #5875C4, #4763B1 and #36519E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A99EA shade: #7A99EA, #7A7BEA, #977AEA, #B67AEA and #D47AEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A99EA shade: #7A99EA, #7A7BEA and #7A7AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A99EA shade matches the following richer shades: #7A99EA and #6E94F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A99EA shade: #7A99EA, #879FDD, #93A4D1, #9FAAC5 and #ACAFB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A99EA shade: #7AD5EA, #7AB8EA, #7A9AEA, #7A7CEA and #967AEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A99EA shade: #3362DF, #567EE4, #7A99EA, #9EB4EF and #C2D0F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A99EA shade: #7A99EA, #E17AEA and #C6EA7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A99EA shade: #7A99EA, #EA7A9A and #9AEA7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A99EA shade: #7A99EA, #E17AEA, #EACA7A and #83EA7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A99EA shade: #7A99EA, #EA7AD2, #EACA7A and #7AEA92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

Complementary color

CMYK 0 / 23 / 84 / 48

HEX #856615

RGB 133 102 21

HSL 43.39, 0.73%, 0.3%

LAB 45, 4.59, 46.5

 

CMYK 45 / 33 / 0 / 10

HEX #7F99E5

RGB 127 153 229

HSL 224.71, 0.66%, 0.7%

LAB 64.12, 10.58, -41.33

 

CMYK 42 / 31 / 0 / 3

HEX #90ABF8

RGB 144 171 248

HSL 224.42, 0.88%, 0.77%

LAB 70.76, 9.92, -41.27

 

CMYK 37 / 26 / 0 / 0

HEX #A1BDFF

RGB 161 189 255

HSL 222.13, 1%, 0.82%

LAB 76.8, 6.18, -35.58

 

CMYK 30 / 19 / 0 / 0

HEX #B2CFFF

RGB 178 207 255

HSL 217.4, 1%, 0.85%

LAB 82.55, 1.09, -26.65

 

CMYK 24 / 12 / 0 / 0

HEX #C3E1FF

RGB 195 225 255

HSL 210, 1%, 0.88%

LAB 88.29, -3.48, -17.83

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 51 / 37 / 0 / 16

HEX #6987D7

RGB 105 135 215

HSL 223.64, 0.58%, 0.63%

LAB 57.31, 11.71, -44.36

 

CMYK 55 / 40 / 0 / 23

HEX #5875C4

RGB 88 117 196

HSL 223.89, 0.48%, 0.56%

LAB 50.43, 12.77, -44.53

 

CMYK 60 / 44 / 0 / 31

HEX #4763B1

RGB 71 99 177

HSL 224.15, 0.43%, 0.49%

LAB 43.42, 14.08, -44.75

 

CMYK 66 / 49 / 0 / 38

HEX #36519E

RGB 54 81 158

HSL 224.42, 0.49%, 0.42%

LAB 36.25, 15.73, -45

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 48 / 47 / 0 / 8

HEX #7A7BEA

RGB 122 123 234

HSL 239.46, 0.73%, 0.7%

LAB 56.33, 28.51, -56.47

 

CMYK 35 / 48 / 0 / 8

HEX #977AEA

RGB 151 122 234

HSL 255.54, 0.73%, 0.7%

LAB 58.45, 36.01, -52.95

 

CMYK 22 / 48 / 0 / 8

HEX #B67AEA

RGB 182 122 234

HSL 272.14, 0.73%, 0.7%

LAB 61.49, 44.12, -47.94

 

CMYK 9 / 48 / 0 / 8

HEX #D47AEA

RGB 212 122 234

HSL 288.21, 0.73%, 0.7%

LAB 64.85, 52.33, -42.42

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 48 / 47 / 0 / 8

HEX #7A7BEA

RGB 122 123 234

HSL 239.46, 0.73%, 0.7%

LAB 56.33, 28.51, -56.47

 

CMYK 48 / 48 / 0 / 8

HEX #7A7AEA

RGB 122 122 234

HSL 240, 0.73%, 0.7%

LAB 56.08, 29.1, -56.86

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 55 / 40 / 0 / 4

HEX #6E94F6

RGB 110 148 246

HSL 223.24, 0.88%, 0.7%

LAB 62.63, 14.8, -53.11

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 39 / 28 / 0 / 13

HEX #879FDD

RGB 135 159 221

HSL 223.26, 0.56%, 0.7%

LAB 65.88, 6.95, -34.14

 

CMYK 30 / 22 / 0 / 18

HEX #93A4D1

RGB 147 164 209

HSL 223.55, 0.4%, 0.7%

LAB 67.54, 4.37, -24.87

 

CMYK 19 / 14 / 0 / 23

HEX #9FAAC5

RGB 159 170 197

HSL 222.63, 0.25%, 0.7%

LAB 69.58, 1.88, -15.07

 

CMYK 7 / 5 / 0 / 28

HEX #ACAFB8

RGB 172 175 184

HSL 225, 0.08%, 0.7%

LAB 71.48, 0.7, -4.96

 

CMYK 48 / 9 / 0 / 8

HEX #7AD5EA

RGB 122 213 234

HSL 191.25, 0.73%, 0.7%

LAB 80.55, -21.71, -18.77

 

CMYK 48 / 21 / 0 / 8

HEX #7AB8EA

RGB 122 184 234

HSL 206.79, 0.73%, 0.7%

LAB 72.47, -6.58, -31.11

 

CMYK 48 / 34 / 0 / 8

HEX #7A9AEA

RGB 122 154 234

HSL 222.86, 0.73%, 0.7%

LAB 64.31, 10.26, -43.81

 

CMYK 48 / 47 / 0 / 8

HEX #7A7CEA

RGB 122 124 234

HSL 238.93, 0.73%, 0.7%

LAB 56.58, 27.92, -56.07

 

CMYK 36 / 48 / 0 / 8

HEX #967AEA

RGB 150 122 234

HSL 255, 0.73%, 0.7%

LAB 58.36, 35.76, -53.09

 

CMYK 77 / 56 / 0 / 13

HEX #3362DF

RGB 51 98 223

HSL 223.6, 0.73%, 0.54%

LAB 45.31, 28.34, -68.25

 

CMYK 62 / 45 / 0 / 11

HEX #567EE4

RGB 86 126 228

HSL 223.1, 0.72%, 0.62%

LAB 54.56, 17.53, -56.08

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 34 / 25 / 0 / 6

HEX #9EB4EF

RGB 158 180 239

HSL 223.7, 0.72%, 0.78%

LAB 73.64, 6.2, -31.85

 

CMYK 21 / 15 / 0 / 4

HEX #C2D0F5

RGB 194 208 245

HSL 223.53, 0.72%, 0.86%

LAB 83.53, 2.94, -19.74

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 4 / 48 / 0 / 8

HEX #E17AEA

RGB 225 122 234

HSL 295.18, 0.73%, 0.7%

LAB 66.42, 55.94, -39.85

 

CMYK 15 / 0 / 48 / 8

HEX #C6EA7A

RGB 198 234 122

HSL 79.29, 0.73%, 0.7%

LAB 88.09, -28.95, 50.21

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 0 / 48 / 34 / 8

HEX #EA7A9A

RGB 234 122 154

HSL 342.86, 0.73%, 0.7%

LAB 64.76, 46.51, 2.73

 

CMYK 34 / 0 / 48 / 8

HEX #9AEA7A

RGB 154 234 122

HSL 102.86, 0.73%, 0.7%

LAB 85.56, -44.47, 46.54

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 4 / 48 / 0 / 8

HEX #E17AEA

RGB 225 122 234

HSL 295.18, 0.73%, 0.7%

LAB 66.42, 55.94, -39.85

 

CMYK 0 / 14 / 48 / 8

HEX #EACA7A

RGB 234 202 122

HSL 42.86, 0.73%, 0.7%

LAB 82.45, 1.1, 43.9

 

CMYK 44 / 0 / 48 / 8

HEX #83EA7A

RGB 131 234 122

HSL 115.18, 0.73%, 0.7%

LAB 84.52, -51.56, 45.02

 

CMYK 48 / 35 / 0 / 8

HEX #7A99EA

RGB 122 153 234

HSL 223.39, 0.73%, 0.7%

LAB 64.05, 10.83, -44.23

 

CMYK 0 / 48 / 10 / 8

HEX #EA7AD2

RGB 234 122 210

HSL 312.86, 0.73%, 0.7%

LAB 66.57, 54.41, -26.18

 

CMYK 0 / 14 / 48 / 8

HEX #EACA7A

RGB 234 202 122

HSL 42.86, 0.73%, 0.7%

LAB 82.45, 1.1, 43.9

 

CMYK 48 / 0 / 38 / 8

HEX #7AEA92

RGB 122 234 146

HSL 132.86, 0.73%, 0.7%

LAB 84.51, -50.5, 33.1

 

Description

Color code: HEX #7A99EA | qconv.com Color code: HEX #7A99EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 153 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 153 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 35 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 35% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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