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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AA4CC it is the complementary color #855B33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AA4CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AA4CC shade: #7FA4C7, #90B6DA, #A1C8ED, #B2DAFF and #C3ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AA4CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AA4CC shade: #7AA4CC, #6992B9, #5880A6, #476E93 and #365C80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AA4CC shade: #79A4CC, #798DCC, #7C79CC, #9279CC and #A879CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AA4CC shade: #79A4CC, #798DCC and #7979CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AA4CC shade matches the following richer shades: #79A4CC, #6BA4DB, #5CA4EA and #4DA5F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AA4CC shade: #79A4CC, #88A3BD, #97A3AE, #A6A39F and #B5A291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AA4CC shade: #79CCC8, #79BACC, #79A4CC, #798ECC and #7B79CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AA4CC shade: #437BB0, #5B8FC1, #79A4CC, #97B8D7 and #B5CDE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AA4CC shade: #7AA4CC, #B279CC and #C5CC79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AA4CC shade: #7AA4CC, #CC79A4 and #A4CC79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AA4CC shade: #7AA4CC, #B279CC, #CCA179 and #94CC79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AA4CC shade: #7AA4CC, #CB79CC, #CCA179 and #7BCC79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 20 / 0 / 20

HEX #7AA4CC

RGB 122 164 204

HSL 209.27, 0.45%, 0.64%

LAB 65.79, -3.97, -24.93

 

Complementary color

CMYK 0 / 32 / 62 / 48

HEX #855B33

RGB 133 91 51

HSL 29.27, 0.45%, 0.36%

LAB 42.32, 12.75, 29.67

 

CMYK 36 / 18 / 0 / 22

HEX #7FA4C7

RGB 127 164 199

HSL 209.17, 0.39%, 0.64%

LAB 65.89, -3.94, -21.97

 

CMYK 34 / 17 / 0 / 15

HEX #90B6DA

RGB 144 182 218

HSL 209.19, 0.5%, 0.71%

LAB 72.53, -4.14, -22.22

 

CMYK 32 / 16 / 0 / 7

HEX #A1C8ED

RGB 161 200 237

HSL 209.21, 0.68%, 0.78%

LAB 79.04, -4.32, -22.48

 

CMYK 30 / 15 / 0 / 0

HEX #B2DAFF

RGB 178 218 255

HSL 208.83, 1%, 0.85%

LAB 85.42, -4.72, -22.28

 

CMYK 24 / 7 / 0 / 0

HEX #C3ECFF

RGB 195 236 255

HSL 199, 1%, 0.88%

LAB 91.15, -9.14, -13.54

 

CMYK 40 / 20 / 0 / 20

HEX #7AA4CC

RGB 122 164 204

HSL 209.27, 0.45%, 0.64%

LAB 65.79, -3.97, -24.93

 

CMYK 43 / 21 / 0 / 27

HEX #6992B9

RGB 105 146 185

HSL 209.25, 0.36%, 0.57%

LAB 59.03, -3.65, -24.74

 

CMYK 47 / 23 / 0 / 35

HEX #5880A6

RGB 88 128 166

HSL 209.23, 0.31%, 0.5%

LAB 52.14, -3.27, -24.57

 

CMYK 52 / 25 / 0 / 42

HEX #476E93

RGB 71 110 147

HSL 209.21, 0.35%, 0.43%

LAB 45.08, -2.77, -24.42

 

CMYK 58 / 28 / 0 / 50

HEX #365C80

RGB 54 92 128

HSL 209.19, 0.41%, 0.36%

LAB 37.84, -2.11, -24.3

 

CMYK 41 / 20 / 0 / 20

HEX #79A4CC

RGB 121 164 204

HSL 208.92, 0.45%, 0.64%

LAB 65.73, -4.23, -25.02

 

CMYK 41 / 31 / 0 / 20

HEX #798DCC

RGB 121 141 204

HSL 225.54, 0.45%, 0.64%

LAB 59.41, 8.87, -34.8

 

CMYK 39 / 41 / 0 / 20

HEX #7C79CC

RGB 124 121 204

HSL 242.17, 0.45%, 0.64%

LAB 54.36, 21.48, -42.71

 

CMYK 28 / 41 / 0 / 20

HEX #9279CC

RGB 146 121 204

HSL 258.07, 0.45%, 0.64%

LAB 56.23, 27.53, -39.64

 

CMYK 18 / 41 / 0 / 20

HEX #A879CC

RGB 168 121 204

HSL 273.98, 0.45%, 0.64%

LAB 58.38, 33.95, -36.12

 

CMYK 41 / 20 / 0 / 20

HEX #79A4CC

RGB 121 164 204

HSL 208.92, 0.45%, 0.64%

LAB 65.73, -4.23, -25.02

 

CMYK 41 / 31 / 0 / 20

HEX #798DCC

RGB 121 141 204

HSL 225.54, 0.45%, 0.64%

LAB 59.41, 8.87, -34.8

 

CMYK 41 / 41 / 0 / 20

HEX #7979CC

RGB 121 121 204

HSL 240, 0.45%, 0.64%

LAB 54.13, 20.7, -43.09

 

CMYK 41 / 20 / 0 / 20

HEX #79A4CC

RGB 121 164 204

HSL 208.92, 0.45%, 0.64%

LAB 65.73, -4.23, -25.02

 

CMYK 51 / 25 / 0 / 14

HEX #6BA4DB

RGB 107 164 219

HSL 209.46, 0.61%, 0.64%

LAB 65.59, -3.37, -33.61

 

CMYK 61 / 30 / 0 / 8

HEX #5CA4EA

RGB 92 164 234

HSL 209.58, 0.77%, 0.64%

LAB 65.57, -1.8, -41.95

 

CMYK 69 / 34 / 0 / 2

HEX #4DA5F9

RGB 77 165 249

HSL 209.3, 0.93%, 0.64%

LAB 66, 0.13, -49.5

 

CMYK 41 / 20 / 0 / 20

HEX #79A4CC

RGB 121 164 204

HSL 208.92, 0.45%, 0.64%

LAB 65.73, -4.23, -25.02

 

CMYK 28 / 14 / 0 / 26

HEX #88A3BD

RGB 136 163 189

HSL 209.43, 0.29%, 0.64%

LAB 65.83, -3.3, -16.45

 

CMYK 13 / 6 / 0 / 32

HEX #97A3AE

RGB 151 163 174

HSL 208.7, 0.12%, 0.64%

LAB 66.39, -1.94, -7.14

 

CMYK 0 / 2 / 4 / 35

HEX #A6A39F

RGB 166 163 159

HSL 34.29, 0.04%, 0.64%

LAB 67.13, 0.34, 2.45

 

CMYK 0 / 10 / 20 / 29

HEX #B5A291

RGB 181 162 145

HSL 28.33, 0.2%, 0.64%

LAB 67.81, 4.14, 11.37

 

CMYK 41 / 0 / 2 / 20

HEX #79CCC8

RGB 121 204 200

HSL 177.11, 0.45%, 0.64%

LAB 76.93, -26.18, -5.95

 

CMYK 41 / 9 / 0 / 20

HEX #79BACC

RGB 121 186 204

HSL 193.01, 0.45%, 0.64%

LAB 71.92, -16.06, -15.61

 

CMYK 41 / 20 / 0 / 20

HEX #79A4CC

RGB 121 164 204

HSL 208.92, 0.45%, 0.64%

LAB 65.73, -4.23, -25.02

 

CMYK 41 / 30 / 0 / 20

HEX #798ECC

RGB 121 142 204

HSL 224.82, 0.45%, 0.64%

LAB 59.68, 8.28, -34.38

 

CMYK 40 / 41 / 0 / 20

HEX #7B79CC

RGB 123 121 204

HSL 241.45, 0.45%, 0.64%

LAB 54.29, 21.22, -42.84

 

CMYK 62 / 30 / 0 / 31

HEX #437BB0

RGB 67 123 176

HSL 209.17, 0.45%, 0.48%

LAB 50.09, -1.87, -33.62

 

CMYK 53 / 26 / 0 / 24

HEX #5B8FC1

RGB 91 143 193

HSL 209.41, 0.45%, 0.56%

LAB 57.77, -2.99, -31.28

 

CMYK 41 / 20 / 0 / 20

HEX #79A4CC

RGB 121 164 204

HSL 208.92, 0.45%, 0.64%

LAB 65.73, -4.23, -25.02

 

CMYK 30 / 14 / 0 / 16

HEX #97B8D7

RGB 151 184 215

HSL 209.06, 0.44%, 0.72%

LAB 73.39, -3.97, -19.22

 

CMYK 20 / 10 / 0 / 11

HEX #B5CDE3

RGB 181 205 227

HSL 208.7, 0.45%, 0.8%

LAB 81.31, -3.41, -13.58

 

CMYK 40 / 20 / 0 / 20

HEX #7AA4CC

RGB 122 164 204

HSL 209.27, 0.45%, 0.64%

LAB 65.79, -3.97, -24.93

 

CMYK 13 / 41 / 0 / 20

HEX #B279CC

RGB 178 121 204

HSL 281.2, 0.45%, 0.64%

LAB 59.43, 36.94, -34.39

 

CMYK 3 / 0 / 41 / 20

HEX #C5CC79

RGB 197 204 121

HSL 65.06, 0.45%, 0.64%

LAB 79.86, -14.83, 40.49

 

CMYK 40 / 20 / 0 / 20

HEX #7AA4CC

RGB 122 164 204

HSL 209.27, 0.45%, 0.64%

LAB 65.79, -3.97, -24.93

 

CMYK 0 / 41 / 20 / 20

HEX #CC79A4

RGB 204 121 164

HSL 328.92, 0.45%, 0.64%

LAB 60.95, 38.07, -9.03

 

CMYK 20 / 0 / 41 / 20

HEX #A4CC79

RGB 164 204 121

HSL 88.92, 0.45%, 0.64%

LAB 77.55, -27.46, 37.08

 

CMYK 40 / 20 / 0 / 20

HEX #7AA4CC

RGB 122 164 204

HSL 209.27, 0.45%, 0.64%

LAB 65.79, -3.97, -24.93

 

CMYK 13 / 41 / 0 / 20

HEX #B279CC

RGB 178 121 204

HSL 281.2, 0.45%, 0.64%

LAB 59.43, 36.94, -34.39

 

CMYK 0 / 21 / 41 / 20

HEX #CCA179

RGB 204 161 121

HSL 28.92, 0.45%, 0.64%

LAB 69.26, 10.59, 26.88

 

CMYK 27 / 0 / 41 / 20

HEX #94CC79

RGB 148 204 121

HSL 100.48, 0.45%, 0.64%

LAB 76.6, -33.19, 35.66

 

CMYK 40 / 20 / 0 / 20

HEX #7AA4CC

RGB 122 164 204

HSL 209.27, 0.45%, 0.64%

LAB 65.79, -3.97, -24.93

 

CMYK 0 / 41 / 0 / 20

HEX #CB79CC

RGB 203 121 204

HSL 299.28, 0.45%, 0.64%

LAB 62.28, 44.53, -29.75

 

CMYK 0 / 21 / 41 / 20

HEX #CCA179

RGB 204 161 121

HSL 28.92, 0.45%, 0.64%

LAB 69.26, 10.59, 26.88

 

CMYK 40 / 0 / 41 / 20

HEX #7BCC79

RGB 123 204 121

HSL 118.55, 0.45%, 0.64%

LAB 75.31, -41.41, 33.75

 

Description

Color code: HEX #7AA4CC | qconv.com Color code: HEX #7AA4CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 164 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 164 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 20 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 20% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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