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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AB5E5 it is the complementary color #854A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AB5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AB5E5 shade: #7FB5E0, #90C7F3, #A1D9FF, #B2EBFF and #C3FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AB5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AB5E5 shade: #7AB5E5, #69A3D2, #5891BF, #477FAC and #366D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AB5E5 shade: #7AB5E4, #7A98E4, #7A7CE4, #967AE4 and #B27AE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AB5E5 shade: #7AB5E4, #7A98E4, #7A7CE4 and #7A7AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AB5E5 shade matches the following richer shades: #7AB5E4, #6EB6F1 and #61B8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AB5E5 shade: #7AB5E4, #87B4D8, #94B2CB, #A1B1BE and #AEB0B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AB5E5 shade: #7AE4DA, #7AD3E4, #7AB7E4, #7A9AE4 and #7A7EE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AB5E5 shade: #368ED7, #58A2DE, #7AB5E4, #9DC8EB and #BFDBF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AB5E5 shade: #7AB5E5, #BE7AE4 and #E1E47A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AB5E5 shade: #7AB5E5, #E47AB7 and #B7E47A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AB5E5 shade: #7AB5E5, #BE7AE4, #E4A87A and #A1E47A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AB5E5 shade: #7AB5E5, #DD7AE4, #E4A87A and #82E47A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 21 / 0 / 10

HEX #7AB5E5

RGB 122 181 229

HSL 206.92, 0.67%, 0.69%

LAB 71.45, -6.36, -29.97

 

Complementary color

CMYK 0 / 44 / 80 / 48

HEX #854A1A

RGB 133 74 26

HSL 26.92, 0.67%, 0.31%

LAB 37.77, 21.2, 37.81

 

CMYK 43 / 19 / 0 / 12

HEX #7FB5E0

RGB 127 181 224

HSL 206.6, 0.61%, 0.69%

LAB 71.52, -6.53, -27.12

 

CMYK 41 / 18 / 0 / 5

HEX #90C7F3

RGB 144 199 243

HSL 206.67, 0.8%, 0.76%

LAB 78.02, -6.81, -27.34

 

CMYK 37 / 15 / 0 / 0

HEX #A1D9FF

RGB 161 217 255

HSL 204.26, 1%, 0.82%

LAB 84.19, -8.81, -24.24

 

CMYK 30 / 8 / 0 / 0

HEX #B2EBFF

RGB 178 235 255

HSL 195.58, 1%, 0.85%

LAB 89.91, -13.47, -15.5

 

CMYK 24 / 1 / 0 / 0

HEX #C3FDFF

RGB 195 253 255

HSL 182, 1%, 0.88%

LAB 95.61, -17.65, -6.91

 

CMYK 47 / 21 / 0 / 10

HEX #7AB5E5

RGB 122 181 229

HSL 206.92, 0.67%, 0.69%

LAB 71.45, -6.36, -29.97

 

CMYK 50 / 22 / 0 / 18

HEX #69A3D2

RGB 105 163 210

HSL 206.86, 0.54%, 0.62%

LAB 64.84, -5.94, -29.79

 

CMYK 54 / 24 / 0 / 25

HEX #5891BF

RGB 88 145 191

HSL 206.8, 0.45%, 0.55%

LAB 58.12, -5.42, -29.62

 

CMYK 59 / 26 / 0 / 33

HEX #477FAC

RGB 71 127 172

HSL 206.73, 0.42%, 0.48%

LAB 51.26, -4.76, -29.46

 

CMYK 65 / 29 / 0 / 40

HEX #366D99

RGB 54 109 153

HSL 206.67, 0.48%, 0.41%

LAB 44.26, -3.87, -29.31

 

CMYK 46 / 21 / 0 / 11

HEX #7AB5E4

RGB 122 181 228

HSL 206.6, 0.66%, 0.69%

LAB 71.41, -6.65, -29.48

 

CMYK 46 / 33 / 0 / 11

HEX #7A98E4

RGB 122 152 228

HSL 223.02, 0.66%, 0.69%

LAB 63.5, 9.64, -41.77

 

CMYK 46 / 46 / 0 / 11

HEX #7A7CE4

RGB 122 124 228

HSL 238.87, 0.66%, 0.69%

LAB 56.24, 26.13, -53.26

 

CMYK 34 / 46 / 0 / 11

HEX #967AE4

RGB 150 122 228

HSL 255.85, 0.66%, 0.69%

LAB 58.04, 34.19, -50.26

 

CMYK 22 / 46 / 0 / 11

HEX #B27AE4

RGB 178 122 228

HSL 271.7, 0.66%, 0.69%

LAB 60.77, 41.67, -45.76

 

CMYK 46 / 21 / 0 / 11

HEX #7AB5E4

RGB 122 181 228

HSL 206.6, 0.66%, 0.69%

LAB 71.41, -6.65, -29.48

 

CMYK 46 / 33 / 0 / 11

HEX #7A98E4

RGB 122 152 228

HSL 223.02, 0.66%, 0.69%

LAB 63.5, 9.64, -41.77

 

CMYK 46 / 46 / 0 / 11

HEX #7A7CE4

RGB 122 124 228

HSL 238.87, 0.66%, 0.69%

LAB 56.24, 26.13, -53.26

 

CMYK 46 / 46 / 0 / 11

HEX #7A7AE4

RGB 122 122 228

HSL 240, 0.66%, 0.69%

LAB 55.74, 27.32, -54.05

 

CMYK 46 / 21 / 0 / 11

HEX #7AB5E4

RGB 122 181 228

HSL 206.6, 0.66%, 0.69%

LAB 71.41, -6.65, -29.48

 

CMYK 54 / 24 / 0 / 5

HEX #6EB6F1

RGB 110 182 241

HSL 207.02, 0.82%, 0.69%

LAB 71.64, -6.09, -36.24

 

CMYK 62 / 28 / 0 / 0

HEX #61B8FE

RGB 97 184 254

HSL 206.75, 0.99%, 0.69%

LAB 72.21, -5.66, -42.41

 

CMYK 46 / 21 / 0 / 11

HEX #7AB5E4

RGB 122 181 228

HSL 206.6, 0.66%, 0.69%

LAB 71.41, -6.65, -29.48

 

CMYK 38 / 17 / 0 / 15

HEX #87B4D8

RGB 135 180 216

HSL 206.67, 0.51%, 0.69%

LAB 71.39, -6.05, -22.91

 

CMYK 27 / 12 / 0 / 20

HEX #94B2CB

RGB 148 178 203

HSL 207.27, 0.35%, 0.69%

LAB 71.18, -4.5, -16.03

 

CMYK 15 / 7 / 0 / 25

HEX #A1B1BE

RGB 161 177 190

HSL 206.9, 0.18%, 0.69%

LAB 71.38, -2.83, -8.51

 

CMYK 2 / 1 / 0 / 31

HEX #AEB0B1

RGB 174 176 177

HSL 200, 0.02%, 0.69%

LAB 71.71, -0.51, -0.77

 

CMYK 46 / 0 / 4 / 11

HEX #7AE4DA

RGB 122 228 218

HSL 174.34, 0.66%, 0.69%

LAB 84.32, -33.08, -4.65

 

CMYK 46 / 7 / 0 / 11

HEX #7AD3E4

RGB 122 211 228

HSL 189.62, 0.66%, 0.69%

LAB 79.8, -22.3, -16.7

 

CMYK 46 / 20 / 0 / 11

HEX #7AB7E4

RGB 122 183 228

HSL 205.47, 0.66%, 0.69%

LAB 71.96, -7.73, -28.63

 

CMYK 46 / 32 / 0 / 11

HEX #7A9AE4

RGB 122 154 228

HSL 221.89, 0.66%, 0.69%

LAB 64.04, 8.49, -40.93

 

CMYK 46 / 45 / 0 / 11

HEX #7A7EE4

RGB 122 126 228

HSL 237.74, 0.66%, 0.69%

LAB 56.74, 24.95, -52.46

 

CMYK 75 / 34 / 0 / 16

HEX #368ED7

RGB 54 142 215

HSL 207.2, 0.67%, 0.53%

LAB 57.11, -1.49, -44.81

 

CMYK 60 / 27 / 0 / 13

HEX #58A2DE

RGB 88 162 222

HSL 206.87, 0.67%, 0.61%

LAB 64.31, -5.26, -37.31

 

CMYK 46 / 21 / 0 / 11

HEX #7AB5E4

RGB 122 181 228

HSL 206.6, 0.66%, 0.69%

LAB 71.41, -6.65, -29.48

 

CMYK 33 / 15 / 0 / 8

HEX #9DC8EB

RGB 157 200 235

HSL 206.92, 0.66%, 0.77%

LAB 78.74, -5.93, -21.89

 

CMYK 21 / 10 / 0 / 5

HEX #BFDBF2

RGB 191 219 242

HSL 207.06, 0.66%, 0.85%

LAB 86.08, -4.42, -14.33

 

CMYK 47 / 21 / 0 / 10

HEX #7AB5E5

RGB 122 181 229

HSL 206.92, 0.67%, 0.69%

LAB 71.45, -6.36, -29.97

 

CMYK 17 / 46 / 0 / 11

HEX #BE7AE4

RGB 190 122 228

HSL 278.49, 0.66%, 0.69%

LAB 62.06, 44.99, -43.65

 

CMYK 1 / 0 / 46 / 11

HEX #E1E47A

RGB 225 228 122

HSL 61.7, 0.66%, 0.69%

LAB 88.4, -15.65, 51.03

 

CMYK 47 / 21 / 0 / 10

HEX #7AB5E5

RGB 122 181 229

HSL 206.92, 0.67%, 0.69%

LAB 71.45, -6.36, -29.97

 

CMYK 0 / 46 / 20 / 11

HEX #E47AB7

RGB 228 122 183

HSL 325.47, 0.66%, 0.69%

LAB 64.83, 48.39, -13.72

 

CMYK 20 / 0 / 46 / 11

HEX #B7E47A

RGB 183 228 122

HSL 85.47, 0.66%, 0.69%

LAB 85.48, -31.7, 46.8

 

CMYK 47 / 21 / 0 / 10

HEX #7AB5E5

RGB 122 181 229

HSL 206.92, 0.67%, 0.69%

LAB 71.45, -6.36, -29.97

 

CMYK 17 / 46 / 0 / 11

HEX #BE7AE4

RGB 190 122 228

HSL 278.49, 0.66%, 0.69%

LAB 62.06, 44.99, -43.65

 

CMYK 0 / 26 / 46 / 11

HEX #E4A87A

RGB 228 168 122

HSL 26.04, 0.66%, 0.69%

LAB 73.48, 16.6, 32.37

 

CMYK 29 / 0 / 46 / 11

HEX #A1E47A

RGB 161 228 122

HSL 97.92, 0.66%, 0.69%

LAB 84.21, -39.5, 44.94

 

CMYK 47 / 21 / 0 / 10

HEX #7AB5E5

RGB 122 181 229

HSL 206.92, 0.67%, 0.69%

LAB 71.45, -6.36, -29.97

 

CMYK 3 / 46 / 0 / 11

HEX #DD7AE4

RGB 221 122 228

HSL 296.04, 0.66%, 0.69%

LAB 65.67, 53.72, -37.74

 

CMYK 0 / 26 / 46 / 11

HEX #E4A87A

RGB 228 168 122

HSL 26.04, 0.66%, 0.69%

LAB 73.48, 16.6, 32.37

 

CMYK 43 / 0 / 46 / 11

HEX #82E47A

RGB 130 228 122

HSL 115.47, 0.66%, 0.69%

LAB 82.72, -49.39, 42.76

 

Description

Color code: HEX #7AB5E5 | qconv.com Color code: HEX #7AB5E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 181 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 181 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 21 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 21% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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