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Color name
HEX #7AB115

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AB115 it is the complementary color #854EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AB115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AB115 shade: #7FB110, #90C323, #A1D536, #B2E749 and #C3F95C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AB115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AB115 shade: #7AB115, #699F02, #588D00, #477B00 and #366900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AB115 shade: #7AB214, #A4B214, #B29414, #B26A14 and #B23F14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AB115 shade: #7AB214, #50B214, #25B214, #14B22E and #14B258

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AB115 shade matches the following richer shades: #7AB214 and #7FC204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AB115 shade: #7AB214, #75A124, #719135, #6C8145 and #677155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AB115 shade: #B29514, #A4B214, #7BB214, #51B214 and #27B214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AB115 shade: #47680C, #618D10, #7AB214, #94D619 and #A7E632

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AB115 shade: #7AB115, #14B26B and #AA14B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AB115 shade: #7AB115, #147BB2 and #B2147B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AB115 shade: #7AB115, #14B26B, #4B14B2 and #B2145B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AB115 shade: #7AB115, #14B29A, #4B14B2 and #B2142C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 88 / 31

HEX #7AB115

RGB 122 177 21

HSL 81.15, 0.79%, 0.39%

LAB 66.24, -38.97, 64.32

 

Complementary color

CMYK 43 / 67 / 0 / 8

HEX #854EEA

RGB 133 78 234

HSL 261.15, 0.79%, 0.61%

LAB 47.46, 56.14, -70.72

 

CMYK 28 / 0 / 91 / 31

HEX #7FB110

RGB 127 177 16

HSL 78.63, 0.83%, 0.38%

LAB 66.52, -37.17, 65.56

 

CMYK 26 / 0 / 82 / 24

HEX #90C323

RGB 144 195 35

HSL 79.13, 0.7%, 0.45%

LAB 72.95, -38.03, 67.41

 

CMYK 24 / 0 / 75 / 16

HEX #A1D536

RGB 161 213 54

HSL 79.62, 0.65%, 0.52%

LAB 79.29, -38.68, 68.07

 

CMYK 23 / 0 / 68 / 9

HEX #B2E749

RGB 178 231 73

HSL 80.13, 0.77%, 0.6%

LAB 85.55, -39.17, 68

 

CMYK 22 / 0 / 63 / 2

HEX #C3F95C

RGB 195 249 92

HSL 80.64, 0.93%, 0.67%

LAB 91.74, -39.54, 67.49

 

CMYK 31 / 0 / 88 / 31

HEX #7AB115

RGB 122 177 21

HSL 81.15, 0.79%, 0.39%

LAB 66.24, -38.97, 64.32

 

CMYK 34 / 0 / 99 / 38

HEX #699F02

RGB 105 159 2

HSL 80.64, 0.98%, 0.32%

LAB 59.71, -37.97, 61.58

 

CMYK 38 / 0 / 100 / 45

HEX #588D00

RGB 88 141 0

HSL 82.55, 1%, 0.28%

LAB 53.09, -36.59, 56.36

 

CMYK 42 / 0 / 100 / 52

HEX #477B00

RGB 71 123 0

HSL 85.37, 1%, 0.24%

LAB 46.32, -35.11, 50.73

 

CMYK 49 / 0 / 100 / 59

HEX #366900

RGB 54 105 0

HSL 89.14, 1%, 0.21%

LAB 39.39, -33.52, 44.98

 

CMYK 31 / 0 / 89 / 30

HEX #7AB214

RGB 122 178 20

HSL 81.27, 0.8%, 0.39%

LAB 66.54, -39.44, 64.77

 

CMYK 8 / 0 / 89 / 30

HEX #A4B214

RGB 164 178 20

HSL 65.32, 0.8%, 0.39%

LAB 69.32, -22.25, 68.18

 

CMYK 0 / 17 / 89 / 30

HEX #B29414

RGB 178 148 20

HSL 48.61, 0.8%, 0.39%

LAB 62.25, -0.38, 63.04

 

CMYK 0 / 40 / 89 / 30

HEX #B26A14

RGB 178 106 20

HSL 32.66, 0.8%, 0.39%

LAB 51.64, 22.9, 54.63

 

CMYK 0 / 65 / 89 / 30

HEX #B23F14

RGB 178 63 20

HSL 16.33, 0.8%, 0.39%

LAB 42.87, 44.95, 47.72

 

CMYK 31 / 0 / 89 / 30

HEX #7AB214

RGB 122 178 20

HSL 81.27, 0.8%, 0.39%

LAB 66.54, -39.44, 64.77

 

CMYK 55 / 0 / 89 / 30

HEX #50B214

RGB 80 178 20

HSL 97.22, 0.8%, 0.39%

LAB 64.64, -53.43, 62.4

 

CMYK 79 / 0 / 89 / 30

HEX #25B214

RGB 37 178 20

HSL 113.54, 0.8%, 0.39%

LAB 63.58, -62.35, 61.06

 

CMYK 89 / 0 / 74 / 30

HEX #14B22E

RGB 20 178 46

HSL 129.87, 0.8%, 0.39%

LAB 63.5, -62.6, 53.59

 

CMYK 89 / 0 / 51 / 30

HEX #14B258

RGB 20 178 88

HSL 145.82, 0.8%, 0.39%

LAB 63.91, -57.48, 35.42

 

CMYK 31 / 0 / 89 / 30

HEX #7AB214

RGB 122 178 20

HSL 81.27, 0.8%, 0.39%

LAB 66.54, -39.44, 64.77

 

CMYK 35 / 0 / 98 / 24

HEX #7FC204

RGB 127 194 4

HSL 81.16, 0.96%, 0.39%

LAB 71.63, -44.74, 71.13

 

CMYK 31 / 0 / 89 / 30

HEX #7AB214

RGB 122 178 20

HSL 81.27, 0.8%, 0.39%

LAB 66.54, -39.44, 64.77

 

CMYK 27 / 0 / 78 / 37

HEX #75A124

RGB 117 161 36

HSL 81.12, 0.63%, 0.39%

LAB 61.13, -33.1, 55.76

 

CMYK 22 / 0 / 63 / 43

HEX #719135

RGB 113 145 53

HSL 80.87, 0.46%, 0.39%

LAB 56.11, -25.93, 43.91

 

CMYK 16 / 0 / 47 / 49

HEX #6C8145

RGB 108 129 69

HSL 81, 0.3%, 0.39%

LAB 51.06, -18.19, 29.93

 

CMYK 9 / 0 / 25 / 56

HEX #677155

RGB 103 113 85

HSL 81.43, 0.14%, 0.39%

LAB 46.11, -9.19, 14.32

 

CMYK 0 / 16 / 89 / 30

HEX #B29514

RGB 178 149 20

HSL 48.99, 0.8%, 0.39%

LAB 62.52, -0.92, 63.25

 

CMYK 8 / 0 / 89 / 30

HEX #A4B214

RGB 164 178 20

HSL 65.32, 0.8%, 0.39%

LAB 69.32, -22.25, 68.18

 

CMYK 31 / 0 / 89 / 30

HEX #7BB214

RGB 123 178 20

HSL 80.89, 0.8%, 0.39%

LAB 66.6, -39.06, 64.83

 

CMYK 54 / 0 / 89 / 30

HEX #51B214

RGB 81 178 20

HSL 96.84, 0.8%, 0.39%

LAB 64.68, -53.15, 62.44

 

CMYK 78 / 0 / 89 / 30

HEX #27B214

RGB 39 178 20

HSL 112.78, 0.8%, 0.39%

LAB 63.61, -62.07, 61.1

 

CMYK 32 / 0 / 88 / 59

HEX #47680C

RGB 71 104 12

HSL 81.52, 0.79%, 0.23%

LAB 40.03, -25.94, 42.78

 

CMYK 31 / 0 / 89 / 45

HEX #618D10

RGB 97 141 16

HSL 81.12, 0.8%, 0.31%

LAB 53.63, -32.67, 54.14

 

CMYK 31 / 0 / 89 / 30

HEX #7AB214

RGB 122 178 20

HSL 81.27, 0.8%, 0.39%

LAB 66.54, -39.44, 64.77

 

CMYK 31 / 0 / 88 / 16

HEX #94D619

RGB 148 214 25

HSL 80.95, 0.79%, 0.47%

LAB 78.73, -45.1, 74.59

 

CMYK 27 / 0 / 78 / 10

HEX #A7E632

RGB 167 230 50

HSL 81, 0.78%, 0.55%

LAB 84.5, -44.06, 74.27

 

CMYK 31 / 0 / 88 / 31

HEX #7AB115

RGB 122 177 21

HSL 81.15, 0.79%, 0.39%

LAB 66.24, -38.97, 64.32

 

CMYK 89 / 0 / 40 / 30

HEX #14B26B

RGB 20 178 107

HSL 153.04, 0.8%, 0.39%

LAB 64.2, -54.05, 25.94

 

CMYK 4 / 89 / 0 / 30

HEX #AA14B2

RGB 170 20 178

HSL 296.96, 0.8%, 0.39%

LAB 41.63, 71.38, -47.58

 

CMYK 31 / 0 / 88 / 31

HEX #7AB115

RGB 122 177 21

HSL 81.15, 0.79%, 0.39%

LAB 66.24, -38.97, 64.32

 

CMYK 89 / 31 / 0 / 30

HEX #147BB2

RGB 20 123 178

HSL 200.89, 0.8%, 0.39%

LAB 48.92, -7.2, -36.7

 

CMYK 0 / 89 / 31 / 30

HEX #B2147B

RGB 178 20 123

HSL 320.89, 0.8%, 0.39%

LAB 40.24, 65.45, -16.29

 

CMYK 31 / 0 / 88 / 31

HEX #7AB115

RGB 122 177 21

HSL 81.15, 0.79%, 0.39%

LAB 66.24, -38.97, 64.32

 

CMYK 89 / 0 / 40 / 30

HEX #14B26B

RGB 20 178 107

HSL 153.04, 0.8%, 0.39%

LAB 64.2, -54.05, 25.94

 

CMYK 58 / 89 / 0 / 30

HEX #4B14B2

RGB 75 20 178

HSL 260.89, 0.8%, 0.39%

LAB 27.33, 58.29, -71.5

 

CMYK 0 / 89 / 49 / 30

HEX #B2145B

RGB 178 20 91

HSL 333.04, 0.8%, 0.39%

LAB 39.11, 62.32, 2.18

 

CMYK 31 / 0 / 88 / 31

HEX #7AB115

RGB 122 177 21

HSL 81.15, 0.79%, 0.39%

LAB 66.24, -38.97, 64.32

 

CMYK 89 / 0 / 13 / 30

HEX #14B29A

RGB 20 178 154

HSL 170.89, 0.8%, 0.39%

LAB 65.22, -42.89, 1.69

 

CMYK 58 / 89 / 0 / 30

HEX #4B14B2

RGB 75 20 178

HSL 260.89, 0.8%, 0.39%

LAB 27.33, 58.29, -71.5

 

CMYK 0 / 89 / 75 / 30

HEX #B2142C

RGB 178 20 44

HSL 350.89, 0.8%, 0.39%

LAB 38.11, 59.47, 30.7

 

Description

Color code: HEX #7AB115 | qconv.com Color code: HEX #7AB115 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 177 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 177 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 88% 31% C M Y K

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Provide designers and agencies with accurate color values.

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