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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AB3E5 it is the complementary color #854C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AB3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AB3E5 shade: #7FB3E0, #90C5F3, #A1D7FF, #B2E9FF and #C3FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AB3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AB3E5 shade: #7AB3E5, #69A1D2, #588FBF, #477DAC and #366B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AB3E5 shade: #7AB3E4, #7A96E4, #7B7AE4, #987AE4 and #B47AE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AB3E5 shade: #7AB3E4, #7A96E4 and #7A7AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AB3E5 shade matches the following richer shades: #7AB3E4, #6EB4F1 and #61B5FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AB3E5 shade: #7AB3E4, #87B2D8, #94B1CB, #A1B0BE and #AEB0B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AB3E5 shade: #7AE4DD, #7ACFE4, #7AB3E4, #7A97E4 and #7A7AE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AB3E5 shade: #368BD7, #589FDE, #7AB3E4, #9DC7EB and #BFDAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AB3E5 shade: #7AB3E5, #C17AE4 and #DDE47A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AB3E5 shade: #7AB3E5, #E47AB3 and #B3E47A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AB3E5 shade: #7AB3E5, #C17AE4, #E4AC7A and #9EE47A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AB3E5 shade: #7AB3E5, #E17AE4, #E4AC7A and #7EE47A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 22 / 0 / 10

HEX #7AB3E5

RGB 122 179 229

HSL 208.04, 0.67%, 0.69%

LAB 70.89, -5.27, -30.82

 

Complementary color

CMYK 0 / 43 / 80 / 48

HEX #854C1A

RGB 133 76 26

HSL 28.04, 0.67%, 0.31%

LAB 38.25, 20.04, 38.28

 

CMYK 43 / 20 / 0 / 12

HEX #7FB3E0

RGB 127 179 224

HSL 207.84, 0.61%, 0.69%

LAB 70.96, -5.45, -27.97

 

CMYK 41 / 19 / 0 / 5

HEX #90C5F3

RGB 144 197 243

HSL 207.88, 0.8%, 0.76%

LAB 77.48, -5.74, -28.17

 

CMYK 37 / 16 / 0 / 0

HEX #A1D7FF

RGB 161 215 255

HSL 205.53, 1%, 0.82%

LAB 83.65, -7.77, -25.05

 

CMYK 30 / 9 / 0 / 0

HEX #B2E9FF

RGB 178 233 255

HSL 197.14, 1%, 0.85%

LAB 89.38, -12.45, -16.3

 

CMYK 24 / 2 / 0 / 0

HEX #C3FBFF

RGB 195 251 255

HSL 184, 1%, 0.88%

LAB 95.08, -16.66, -7.69

 

CMYK 47 / 22 / 0 / 10

HEX #7AB3E5

RGB 122 179 229

HSL 208.04, 0.67%, 0.69%

LAB 70.89, -5.27, -30.82

 

CMYK 50 / 23 / 0 / 18

HEX #69A1D2

RGB 105 161 210

HSL 208, 0.54%, 0.62%

LAB 64.28, -4.83, -30.66

 

CMYK 54 / 25 / 0 / 25

HEX #588FBF

RGB 88 143 191

HSL 207.96, 0.45%, 0.55%

LAB 57.54, -4.28, -30.51

 

CMYK 59 / 27 / 0 / 33

HEX #477DAC

RGB 71 125 172

HSL 207.92, 0.42%, 0.48%

LAB 50.67, -3.58, -30.38

 

CMYK 65 / 30 / 0 / 40

HEX #366B99

RGB 54 107 153

HSL 207.88, 0.48%, 0.41%

LAB 43.65, -2.66, -30.26

 

CMYK 46 / 21 / 0 / 11

HEX #7AB3E4

RGB 122 179 228

HSL 207.74, 0.66%, 0.69%

LAB 70.86, -5.56, -30.33

 

CMYK 46 / 34 / 0 / 11

HEX #7A96E4

RGB 122 150 228

HSL 224.15, 0.66%, 0.69%

LAB 62.97, 10.8, -42.61

 

CMYK 46 / 46 / 0 / 11

HEX #7B7AE4

RGB 123 122 228

HSL 240.57, 0.66%, 0.69%

LAB 55.82, 27.56, -53.93

 

CMYK 33 / 46 / 0 / 11

HEX #987AE4

RGB 152 122 228

HSL 256.98, 0.66%, 0.69%

LAB 58.22, 34.7, -49.96

 

CMYK 21 / 46 / 0 / 11

HEX #B47AE4

RGB 180 122 228

HSL 272.83, 0.66%, 0.69%

LAB 60.98, 42.22, -45.42

 

CMYK 46 / 21 / 0 / 11

HEX #7AB3E4

RGB 122 179 228

HSL 207.74, 0.66%, 0.69%

LAB 70.86, -5.56, -30.33

 

CMYK 46 / 34 / 0 / 11

HEX #7A96E4

RGB 122 150 228

HSL 224.15, 0.66%, 0.69%

LAB 62.97, 10.8, -42.61

 

CMYK 46 / 46 / 0 / 11

HEX #7A7AE4

RGB 122 122 228

HSL 240, 0.66%, 0.69%

LAB 55.74, 27.32, -54.05

 

CMYK 46 / 21 / 0 / 11

HEX #7AB3E4

RGB 122 179 228

HSL 207.74, 0.66%, 0.69%

LAB 70.86, -5.56, -30.33

 

CMYK 54 / 25 / 0 / 5

HEX #6EB4F1

RGB 110 180 241

HSL 207.94, 0.82%, 0.69%

LAB 71.08, -4.99, -37.1

 

CMYK 62 / 29 / 0 / 0

HEX #61B5FE

RGB 97 181 254

HSL 207.9, 0.99%, 0.69%

LAB 71.38, -4.01, -43.71

 

CMYK 46 / 21 / 0 / 11

HEX #7AB3E4

RGB 122 179 228

HSL 207.74, 0.66%, 0.69%

LAB 70.86, -5.56, -30.33

 

CMYK 38 / 18 / 0 / 15

HEX #87B2D8

RGB 135 178 216

HSL 208.15, 0.51%, 0.69%

LAB 70.84, -4.96, -23.75

 

CMYK 27 / 13 / 0 / 20

HEX #94B1CB

RGB 148 177 203

HSL 208.36, 0.35%, 0.69%

LAB 70.91, -3.96, -16.44

 

CMYK 15 / 7 / 0 / 25

HEX #A1B0BE

RGB 161 176 190

HSL 208.97, 0.18%, 0.69%

LAB 71.11, -2.29, -8.91

 

CMYK 2 / 1 / 0 / 31

HEX #AEB0B1

RGB 174 176 177

HSL 200, 0.02%, 0.69%

LAB 71.71, -0.51, -0.77

 

CMYK 46 / 0 / 3 / 11

HEX #7AE4DD

RGB 122 228 221

HSL 176.04, 0.66%, 0.69%

LAB 84.4, -32.35, -6.11

 

CMYK 46 / 9 / 0 / 11

HEX #7ACFE4

RGB 122 207 228

HSL 191.89, 0.66%, 0.69%

LAB 78.67, -20.29, -18.4

 

CMYK 46 / 21 / 0 / 11

HEX #7AB3E4

RGB 122 179 228

HSL 207.74, 0.66%, 0.69%

LAB 70.86, -5.56, -30.33

 

CMYK 46 / 34 / 0 / 11

HEX #7A97E4

RGB 122 151 228

HSL 223.58, 0.66%, 0.69%

LAB 63.24, 10.22, -42.19

 

CMYK 46 / 46 / 0 / 11

HEX #7A7AE4

RGB 122 122 228

HSL 240, 0.66%, 0.69%

LAB 55.74, 27.32, -54.05

 

CMYK 75 / 35 / 0 / 16

HEX #368BD7

RGB 54 139 215

HSL 208.32, 0.67%, 0.53%

LAB 56.24, 0.27, -46.18

 

CMYK 60 / 28 / 0 / 13

HEX #589FDE

RGB 88 159 222

HSL 208.21, 0.67%, 0.61%

LAB 63.46, -3.57, -38.64

 

CMYK 46 / 21 / 0 / 11

HEX #7AB3E4

RGB 122 179 228

HSL 207.74, 0.66%, 0.69%

LAB 70.86, -5.56, -30.33

 

CMYK 33 / 15 / 0 / 8

HEX #9DC7EB

RGB 157 199 235

HSL 207.69, 0.66%, 0.77%

LAB 78.47, -5.4, -22.3

 

CMYK 21 / 10 / 0 / 5

HEX #BFDAF2

RGB 191 218 242

HSL 208.24, 0.66%, 0.85%

LAB 85.82, -3.89, -14.72

 

CMYK 47 / 22 / 0 / 10

HEX #7AB3E5

RGB 122 179 229

HSL 208.04, 0.67%, 0.69%

LAB 70.89, -5.27, -30.82

 

CMYK 15 / 46 / 0 / 11

HEX #C17AE4

RGB 193 122 228

HSL 280.19, 0.66%, 0.69%

LAB 62.39, 45.83, -43.11

 

CMYK 3 / 0 / 46 / 11

HEX #DDE47A

RGB 221 228 122

HSL 63.96, 0.66%, 0.69%

LAB 88.1, -17.22, 50.59

 

CMYK 47 / 22 / 0 / 10

HEX #7AB3E5

RGB 122 179 229

HSL 208.04, 0.67%, 0.69%

LAB 70.89, -5.27, -30.82

 

CMYK 0 / 46 / 21 / 11

HEX #E47AB3

RGB 228 122 179

HSL 327.74, 0.66%, 0.69%

LAB 64.7, 47.81, -11.66

 

CMYK 21 / 0 / 46 / 11

HEX #B3E47A

RGB 179 228 122

HSL 87.74, 0.66%, 0.69%

LAB 85.24, -33.16, 46.44

 

CMYK 47 / 22 / 0 / 10

HEX #7AB3E5

RGB 122 179 229

HSL 208.04, 0.67%, 0.69%

LAB 70.89, -5.27, -30.82

 

CMYK 15 / 46 / 0 / 11

HEX #C17AE4

RGB 193 122 228

HSL 280.19, 0.66%, 0.69%

LAB 62.39, 45.83, -43.11

 

CMYK 0 / 25 / 46 / 11

HEX #E4AC7A

RGB 228 172 122

HSL 28.3, 0.66%, 0.69%

LAB 74.45, 14.47, 33.62

 

CMYK 31 / 0 / 46 / 11

HEX #9EE47A

RGB 158 228 122

HSL 99.62, 0.66%, 0.69%

LAB 84.05, -40.52, 44.7

 

CMYK 47 / 22 / 0 / 10

HEX #7AB3E5

RGB 122 179 229

HSL 208.04, 0.67%, 0.69%

LAB 70.89, -5.27, -30.82

 

CMYK 1 / 46 / 0 / 11

HEX #E17AE4

RGB 225 122 228

HSL 298.3, 0.66%, 0.69%

LAB 66.16, 54.85, -36.93

 

CMYK 0 / 25 / 46 / 11

HEX #E4AC7A

RGB 228 172 122

HSL 28.3, 0.66%, 0.69%

LAB 74.45, 14.47, 33.62

 

CMYK 45 / 0 / 46 / 11

HEX #7EE47A

RGB 126 228 122

HSL 117.74, 0.66%, 0.69%

LAB 82.55, -50.55, 42.51

 

Description

Color code: HEX #7AB3E5 | qconv.com Color code: HEX #7AB3E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 179 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 179 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 22 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 22% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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