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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ABC1E it is the complementary color #8543E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ABC1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ABC1E shade: #7FBC19, #90CE2C, #A1E03F, #B2F252 and #C3FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ABC1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ABC1E shade: #7ABC1E, #69AA0B, #589800, #478600 and #367400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ABC1E shade: #7ABC1E, #A5BC1E, #BCA91E, #BC7E1E and #BC541E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ABC1E shade: #7ABC1E, #50BC1E, #25BC1E, #1EBC42 and #1EBC6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ABC1E shade matches the following richer shades: #7ABC1E and #7DCE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ABC1E shade: #7ABC1E, #77AA30, #749942, #718753 and #6E7565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ABC1E shade: #BCAA1E, #A4BC1E, #7ABC1E, #50BC1E and #26BC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ABC1E shade: #4C7513, #639918, #7ABC1E, #91DC28 and #A3E14B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ABC1E shade: #7ABC1E, #1EBC80 and #BC1EB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ABC1E shade: #7ABC1E, #1E7ABC and #BC1E7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ABC1E shade: #7ABC1E, #1EBC80, #601EBC and #BC1E5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ABC1E shade: #7ABC1E, #1EBCAF, #601EBC and #BC1E2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

Complementary color

CMYK 41 / 70 / 0 / 12

HEX #8543E1

RGB 133 67 225

HSL 265.06, 0.72%, 0.57%

LAB 44.85, 59.21, -69.88

 

CMYK 32 / 0 / 87 / 26

HEX #7FBC19

RGB 127 188 25

HSL 82.45, 0.77%, 0.42%

LAB 69.86, -41.76, 66.68

 

CMYK 30 / 0 / 79 / 19

HEX #90CE2C

RGB 144 206 44

HSL 82.96, 0.65%, 0.49%

LAB 76.22, -42.49, 67.91

 

CMYK 28 / 0 / 72 / 12

HEX #A1E03F

RGB 161 224 63

HSL 83.48, 0.72%, 0.56%

LAB 82.51, -43.02, 68.19

 

CMYK 26 / 0 / 66 / 5

HEX #B2F252

RGB 178 242 82

HSL 84, 0.86%, 0.64%

LAB 88.72, -43.41, 67.89

 

CMYK 24 / 0 / 60 / 0

HEX #C3FF65

RGB 195 255 101

HSL 83.38, 1%, 0.7%

LAB 93.48, -41.51, 65.73

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 38 / 0 / 94 / 33

HEX #69AA0B

RGB 105 170 11

HSL 84.53, 0.88%, 0.35%

LAB 63.16, -42.52, 63.08

 

CMYK 42 / 0 / 100 / 40

HEX #589800

RGB 88 152 0

HSL 85.26, 1%, 0.3%

LAB 56.62, -41.29, 59.1

 

CMYK 47 / 0 / 100 / 47

HEX #478600

RGB 71 134 0

HSL 88.21, 1%, 0.26%

LAB 49.97, -39.76, 53.57

 

CMYK 53 / 0 / 100 / 55

HEX #367400

RGB 54 116 0

HSL 92.07, 1%, 0.23%

LAB 43.17, -38.09, 47.94

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 12 / 0 / 84 / 26

HEX #A5BC1E

RGB 165 188 30

HSL 68.73, 0.72%, 0.43%

LAB 72.27, -26.46, 68.58

 

CMYK 0 / 10 / 84 / 26

HEX #BCA91E

RGB 188 169 30

HSL 52.78, 0.72%, 0.43%

LAB 68.87, -6.88, 66.46

 

CMYK 0 / 33 / 84 / 26

HEX #BC7E1E

RGB 188 126 30

HSL 36.46, 0.72%, 0.43%

LAB 57.76, 16.48, 57.05

 

CMYK 0 / 55 / 84 / 26

HEX #BC541E

RGB 188 84 30

HSL 20.51, 0.72%, 0.43%

LAB 48.42, 38.99, 48.95

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 57 / 0 / 84 / 26

HEX #50BC1E

RGB 80 188 30

HSL 101.01, 0.72%, 0.43%

LAB 67.85, -56.64, 63.01

 

CMYK 80 / 0 / 84 / 26

HEX #25BC1E

RGB 37 188 30

HSL 117.34, 0.72%, 0.43%

LAB 66.86, -64.92, 61.75

 

CMYK 84 / 0 / 65 / 26

HEX #1EBC42

RGB 30 188 66

HSL 133.67, 0.72%, 0.43%

LAB 67, -62.87, 49.41

 

CMYK 84 / 0 / 42 / 26

HEX #1EBC6D

RGB 30 188 109

HSL 150, 0.72%, 0.43%

LAB 67.54, -56.47, 29.3

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 39 / 0 / 94 / 19

HEX #7DCE0C

RGB 125 206 12

HSL 85.05, 0.89%, 0.43%

LAB 75.16, -50.25, 73.05

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 30 / 0 / 72 / 33

HEX #77AA30

RGB 119 170 48

HSL 85.08, 0.56%, 0.43%

LAB 64.07, -35.74, 54.43

 

CMYK 24 / 0 / 57 / 40

HEX #749942

RGB 116 153 66

HSL 85.52, 0.4%, 0.43%

LAB 58.87, -27.44, 40.97

 

CMYK 16 / 0 / 39 / 47

HEX #718753

RGB 113 135 83

HSL 85.38, 0.24%, 0.43%

LAB 53.45, -17.46, 25.4

 

CMYK 6 / 0 / 14 / 54

HEX #6E7565

RGB 110 117 101

HSL 86.25, 0.07%, 0.43%

LAB 48.23, -5.82, 7.93

 

CMYK 0 / 10 / 84 / 26

HEX #BCAA1E

RGB 188 170 30

HSL 53.16, 0.72%, 0.43%

LAB 69.14, -7.4, 66.68

 

CMYK 13 / 0 / 84 / 26

HEX #A4BC1E

RGB 164 188 30

HSL 69.11, 0.72%, 0.43%

LAB 72.2, -26.87, 68.49

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 57 / 0 / 84 / 26

HEX #50BC1E

RGB 80 188 30

HSL 101.01, 0.72%, 0.43%

LAB 67.85, -56.64, 63.01

 

CMYK 80 / 0 / 84 / 26

HEX #26BC1E

RGB 38 188 30

HSL 116.96, 0.72%, 0.43%

LAB 66.88, -64.8, 61.77

 

CMYK 35 / 0 / 84 / 54

HEX #4C7513

RGB 76 117 19

HSL 85.1, 0.72%, 0.27%

LAB 44.67, -29.79, 45.02

 

CMYK 35 / 0 / 84 / 40

HEX #639918

RGB 99 153 24

HSL 85.12, 0.73%, 0.35%

LAB 57.56, -37.02, 55.66

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 34 / 0 / 82 / 14

HEX #91DC28

RGB 145 220 40

HSL 85, 0.72%, 0.51%

LAB 80.38, -48.22, 72.76

 

CMYK 28 / 0 / 67 / 12

HEX #A3E14B

RGB 163 225 75

HSL 84.8, 0.71%, 0.59%

LAB 82.99, -41.96, 64.33

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 84 / 0 / 32 / 26

HEX #1EBC80

RGB 30 188 128

HSL 157.22, 0.72%, 0.43%

LAB 67.87, -52.61, 19.68

 

CMYK 0 / 84 / 2 / 26

HEX #BC1EB9

RGB 188 30 185

HSL 301.14, 0.72%, 0.43%

LAB 45.8, 73.9, -44.85

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 84 / 35 / 0 / 26

HEX #1E7ABC

RGB 30 122 188

HSL 205.06, 0.72%, 0.43%

LAB 49.28, -2.07, -41.89

 

CMYK 0 / 84 / 35 / 26

HEX #BC1E7A

RGB 188 30 122

HSL 325.06, 0.72%, 0.43%

LAB 42.8, 65.69, -11.59

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 84 / 0 / 32 / 26

HEX #1EBC80

RGB 30 188 128

HSL 157.22, 0.72%, 0.43%

LAB 67.87, -52.61, 19.68

 

CMYK 49 / 84 / 0 / 26

HEX #601EBC

RGB 96 30 188

HSL 265.06, 0.72%, 0.43%

LAB 31.91, 59.82, -69.8

 

CMYK 0 / 84 / 52 / 26

HEX #BC1E5B

RGB 188 30 91

HSL 336.84, 0.72%, 0.43%

LAB 41.81, 62.83, 6.32

 

CMYK 35 / 0 / 84 / 26

HEX #7ABC1E

RGB 122 188 30

HSL 85.06, 0.72%, 0.43%

LAB 69.61, -43.42, 65.24

 

CMYK 84 / 0 / 7 / 26

HEX #1EBCAF

RGB 30 188 175

HSL 175.06, 0.72%, 0.43%

LAB 69, -40.72, -4.36

 

CMYK 49 / 84 / 0 / 26

HEX #601EBC

RGB 96 30 188

HSL 265.06, 0.72%, 0.43%

LAB 31.91, 59.82, -69.8

 

CMYK 0 / 84 / 77 / 26

HEX #BC1E2B

RGB 188 30 43

HSL 355.06, 0.72%, 0.43%

LAB 40.89, 60.1, 34.97

 

Description

Color code: HEX #7ABC1E | qconv.com Color code: HEX #7ABC1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 188 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 188 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 84 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 84% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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