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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AC8EC it is the complementary color #853713. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AC8EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AC8EC shade: #7FC8E7, #90DAFA, #A1ECFF, #B2FEFF and #C3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AC8EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AC8EC shade: #7AC8EC, #69B6D9, #58A4C6, #4792B3 and #3680A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AC8EC shade: #79C7EB, #79A8EB, #7989EB, #8779EB and #A679EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AC8EC shade: #79C7EB, #79A8EB, #7989EB and #7979EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AC8EC shade matches the following richer shades: #79C7EB and #6CCCF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AC8EC shade: #79C7EB, #85C3DF, #91BED3, #9EB9C6 and #AAB5BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AC8EC shade: #79EBD1, #79E8EB, #79C9EB, #79AAEB and #798CEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AC8EC shade: #30A9E1, #55B8E6, #79C7EB, #9DD6F1 and #C1E5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AC8EC shade: #7AC8EC, #B279EB and #EBE079

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AC8EC shade: #7AC8EC, #EB79C9 and #C9EB79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AC8EC shade: #7AC8EC, #B279EB, #EB9B79 and #B2EB79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AC8EC shade: #7AC8EC, #D479EB, #EB9B79 and #90EB79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 15 / 0 / 7

HEX #7AC8EC

RGB 122 200 236

HSL 198.95, 0.75%, 0.7%

LAB 76.98, -14.52, -25.27

 

Complementary color

CMYK 0 / 59 / 86 / 48

HEX #853713

RGB 133 55 19

HSL 18.95, 0.75%, 0.3%

LAB 33.49, 31.49, 37.1

 

CMYK 45 / 13 / 0 / 9

HEX #7FC8E7

RGB 127 200 231

HSL 197.88, 0.68%, 0.7%

LAB 77.04, -14.72, -22.48

 

CMYK 42 / 13 / 0 / 2

HEX #90DAFA

RGB 144 218 250

HSL 198.11, 0.91%, 0.77%

LAB 83.43, -14.9, -22.82

 

CMYK 37 / 7 / 0 / 0

HEX #A1ECFF

RGB 161 236 255

HSL 192.13, 1%, 0.82%

LAB 89.29, -18.49, -16.51

 

CMYK 30 / 0 / 0 / 0

HEX #B2FEFF

RGB 178 254 255

HSL 180.78, 1%, 0.85%

LAB 94.98, -22.88, -7.94

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 48 / 15 / 0 / 7

HEX #7AC8EC

RGB 122 200 236

HSL 198.95, 0.75%, 0.7%

LAB 76.98, -14.52, -25.27

 

CMYK 52 / 16 / 0 / 15

HEX #69B6D9

RGB 105 182 217

HSL 198.75, 0.6%, 0.63%

LAB 70.5, -14.21, -24.94

 

CMYK 56 / 17 / 0 / 22

HEX #58A4C6

RGB 88 164 198

HSL 198.55, 0.49%, 0.56%

LAB 63.92, -13.81, -24.6

 

CMYK 60 / 18 / 0 / 30

HEX #4792B3

RGB 71 146 179

HSL 198.33, 0.43%, 0.49%

LAB 57.22, -13.28, -24.25

 

CMYK 66 / 20 / 0 / 37

HEX #3680A0

RGB 54 128 160

HSL 198.11, 0.5%, 0.42%

LAB 50.41, -12.56, -23.88

 

CMYK 49 / 15 / 0 / 8

HEX #79C7EB

RGB 121 199 235

HSL 198.95, 0.74%, 0.7%

LAB 76.62, -14.5, -25.28

 

CMYK 49 / 29 / 0 / 8

HEX #79A8EB

RGB 121 168 235

HSL 215.26, 0.74%, 0.7%

LAB 68.07, 2.32, -38.48

 

CMYK 49 / 42 / 0 / 8

HEX #7989EB

RGB 121 137 235

HSL 231.58, 0.74%, 0.7%

LAB 59.85, 20.28, -51.42

 

CMYK 43 / 49 / 0 / 8

HEX #8779EB

RGB 135 121 235

HSL 247.37, 0.74%, 0.7%

LAB 56.9, 32.96, -56.05

 

CMYK 29 / 49 / 0 / 8

HEX #A679EB

RGB 166 121 235

HSL 263.68, 0.74%, 0.7%

LAB 59.69, 40.66, -51.45

 

CMYK 49 / 15 / 0 / 8

HEX #79C7EB

RGB 121 199 235

HSL 198.95, 0.74%, 0.7%

LAB 76.62, -14.5, -25.28

 

CMYK 49 / 29 / 0 / 8

HEX #79A8EB

RGB 121 168 235

HSL 215.26, 0.74%, 0.7%

LAB 68.07, 2.32, -38.48

 

CMYK 49 / 42 / 0 / 8

HEX #7989EB

RGB 121 137 235

HSL 231.58, 0.74%, 0.7%

LAB 59.85, 20.28, -51.42

 

CMYK 49 / 49 / 0 / 8

HEX #7979EB

RGB 121 121 235

HSL 240, 0.74%, 0.7%

LAB 55.82, 29.77, -57.84

 

CMYK 49 / 15 / 0 / 8

HEX #79C7EB

RGB 121 199 235

HSL 198.95, 0.74%, 0.7%

LAB 76.62, -14.5, -25.28

 

CMYK 56 / 18 / 0 / 3

HEX #6CCCF8

RGB 108 204 248

HSL 198.86, 0.91%, 0.7%

LAB 77.96, -16.13, -30.24

 

CMYK 49 / 15 / 0 / 8

HEX #79C7EB

RGB 121 199 235

HSL 198.95, 0.74%, 0.7%

LAB 76.62, -14.5, -25.28

 

CMYK 40 / 13 / 0 / 13

HEX #85C3DF

RGB 133 195 223

HSL 198.67, 0.58%, 0.7%

LAB 75.67, -12.74, -20.22

 

CMYK 31 / 10 / 0 / 17

HEX #91BED3

RGB 145 190 211

HSL 199.09, 0.43%, 0.7%

LAB 74.54, -9.88, -15.35

 

CMYK 20 / 7 / 0 / 22

HEX #9EB9C6

RGB 158 185 198

HSL 199.5, 0.26%, 0.7%

LAB 73.57, -6.34, -9.64

 

CMYK 9 / 3 / 0 / 27

HEX #AAB5BA

RGB 170 181 186

HSL 198.75, 0.1%, 0.7%

LAB 72.98, -2.82, -3.86

 

CMYK 49 / 0 / 11 / 8

HEX #79EBD1

RGB 121 235 209

HSL 166.32, 0.74%, 0.7%

LAB 86.05, -38.67, 2.62

 

CMYK 49 / 1 / 0 / 8

HEX #79E8EB

RGB 121 232 235

HSL 181.58, 0.74%, 0.7%

LAB 85.89, -30.95, -11.29

 

CMYK 49 / 14 / 0 / 8

HEX #79C9EB

RGB 121 201 235

HSL 197.89, 0.74%, 0.7%

LAB 77.18, -15.54, -24.43

 

CMYK 49 / 28 / 0 / 8

HEX #79AAEB

RGB 121 170 235

HSL 214.21, 0.74%, 0.7%

LAB 68.62, 1.2, -37.63

 

CMYK 49 / 40 / 0 / 8

HEX #798CEB

RGB 121 140 235

HSL 230, 0.74%, 0.7%

LAB 60.62, 18.5, -50.2

 

CMYK 79 / 25 / 0 / 12

HEX #30A9E1

RGB 48 169 225

HSL 198.98, 0.75%, 0.54%

LAB 65.31, -13.88, -37.49

 

CMYK 63 / 20 / 0 / 10

HEX #55B8E6

RGB 85 184 230

HSL 199.03, 0.74%, 0.62%

LAB 70.82, -15.26, -31.61

 

CMYK 49 / 15 / 0 / 8

HEX #79C7EB

RGB 121 199 235

HSL 198.95, 0.74%, 0.7%

LAB 76.62, -14.5, -25.28

 

CMYK 35 / 11 / 0 / 5

HEX #9DD6F1

RGB 157 214 241

HSL 199.29, 0.75%, 0.78%

LAB 82.71, -11.78, -19.08

 

CMYK 22 / 7 / 0 / 4

HEX #C1E5F6

RGB 193 229 246

HSL 199.25, 0.75%, 0.86%

LAB 88.94, -8.11, -12.15

 

CMYK 48 / 15 / 0 / 7

HEX #7AC8EC

RGB 122 200 236

HSL 198.95, 0.75%, 0.7%

LAB 76.98, -14.52, -25.27

 

CMYK 24 / 49 / 0 / 8

HEX #B279EB

RGB 178 121 235

HSL 270, 0.74%, 0.7%

LAB 60.9, 43.82, -49.45

 

CMYK 0 / 5 / 49 / 8

HEX #EBE079

RGB 235 224 121

HSL 54.21, 0.74%, 0.7%

LAB 88.14, -9.79, 51.37

 

CMYK 48 / 15 / 0 / 7

HEX #7AC8EC

RGB 122 200 236

HSL 198.95, 0.75%, 0.7%

LAB 76.98, -14.52, -25.27

 

CMYK 0 / 49 / 14 / 8

HEX #EB79C9

RGB 235 121 201

HSL 317.89, 0.74%, 0.7%

LAB 66.18, 53.78, -21.73

 

CMYK 14 / 0 / 49 / 8

HEX #C9EB79

RGB 201 235 121

HSL 77.89, 0.74%, 0.7%

LAB 88.55, -28.39, 51.28

 

CMYK 48 / 15 / 0 / 7

HEX #7AC8EC

RGB 122 200 236

HSL 198.95, 0.75%, 0.7%

LAB 76.98, -14.52, -25.27

 

CMYK 24 / 49 / 0 / 8

HEX #B279EB

RGB 178 121 235

HSL 270, 0.74%, 0.7%

LAB 60.9, 43.82, -49.45

 

CMYK 0 / 34 / 49 / 8

HEX #EB9B79

RGB 235 155 121

HSL 17.89, 0.74%, 0.7%

LAB 71.2, 26.22, 30.07

 

CMYK 24 / 0 / 49 / 8

HEX #B2EB79

RGB 178 235 121

HSL 90, 0.74%, 0.7%

LAB 87.13, -36.83, 49.22

 

CMYK 48 / 15 / 0 / 7

HEX #7AC8EC

RGB 122 200 236

HSL 198.95, 0.75%, 0.7%

LAB 76.98, -14.52, -25.27

 

CMYK 10 / 49 / 0 / 8

HEX #D479EB

RGB 212 121 235

HSL 287.89, 0.74%, 0.7%

LAB 64.7, 53.03, -43.2

 

CMYK 0 / 34 / 49 / 8

HEX #EB9B79

RGB 235 155 121

HSL 17.89, 0.74%, 0.7%

LAB 71.2, 26.22, 30.07

 

CMYK 39 / 0 / 49 / 8

HEX #90EB79

RGB 144 235 121

HSL 107.89, 0.74%, 0.7%

LAB 85.37, -48.2, 46.66

 

Description

Color code: HEX #7AC8EC | qconv.com Color code: HEX #7AC8EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 200 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 200 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 15 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 15% 0% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - グリーンシャワー - 商品情報|ポッカサ...
Link: http://www.pokkasapporo-fb.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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