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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ADBA2 it is the complementary color #85245D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ADBA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ADBA2 shade: #7FDB9D, #90EDB0, #A1FFC3, #B2FFD6 and #C3FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ADBA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ADBA2 shade: #7ADBA2, #69C98F, #58B77C, #47A569 and #369356

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ADBA2 shade: #7ADAA2, #7ADA88, #87DA7A, #A0DA7A and #BADA7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ADBA2 shade: #7ADAA2, #7ADABC, #7ADAD6, #7AC5DA and #7AABDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ADBA2 shade matches the following richer shades: #7ADAA2, #6DE8A0 and #5FF69D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ADBA2 shade: #7ADAA2, #88CDA4, #96BFA7, #A3B1A9 and #B1A4AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ADBA2 shade: #87DA7A, #7ADA87, #7ADAA1, #7ADABA and #7ADAD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ADBA2 shade: #3AC975, #5AD18B, #7ADAA2, #9BE3B9 and #BBECCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ADBA2 shade: #7ADBA2, #7AA1DA and #DA7A7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ADBA2 shade: #7ADBA2, #A17ADA and #DAA17A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ADBA2 shade: #7ADBA2, #7AA1DA, #DA7AB4 and #DAB47A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ADBA2 shade: #7ADBA2, #7A84DA, #DA7AB4 and #DAD17A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 26 / 14

HEX #7ADBA2

RGB 122 219 162

HSL 144.74, 0.57%, 0.67%

LAB 80.41, -41.24, 19.3

 

Complementary color

CMYK 0 / 73 / 30 / 48

HEX #85245D

RGB 133 36 93

HSL 324.74, 0.57%, 0.33%

LAB 31.89, 46.32, -10.76

 

CMYK 42 / 0 / 28 / 14

HEX #7FDB9D

RGB 127 219 157

HSL 139.57, 0.56%, 0.68%

LAB 80.52, -40.82, 22.11

 

CMYK 39 / 0 / 26 / 7

HEX #90EDB0

RGB 144 237 176

HSL 140.65, 0.72%, 0.75%

LAB 86.82, -40.56, 21.04

 

CMYK 37 / 0 / 24 / 0

HEX #A1FFC3

RGB 161 255 195

HSL 141.7, 1%, 0.82%

LAB 93.03, -40.31, 20.03

 

CMYK 30 / 0 / 16 / 0

HEX #B2FFD6

RGB 178 255 214

HSL 148.05, 1%, 0.85%

LAB 94.24, -31.85, 12.13

 

CMYK 24 / 0 / 9 / 0

HEX #C3FFE9

RGB 195 255 233

HSL 158, 1%, 0.88%

LAB 95.58, -23.12, 4.39

 

CMYK 44 / 0 / 26 / 14

HEX #7ADBA2

RGB 122 219 162

HSL 144.74, 0.57%, 0.67%

LAB 80.41, -41.24, 19.3

 

CMYK 48 / 0 / 29 / 21

HEX #69C98F

RGB 105 201 143

HSL 143.75, 0.47%, 0.6%

LAB 74.04, -41.45, 20.43

 

CMYK 52 / 0 / 32 / 28

HEX #58B77C

RGB 88 183 124

HSL 142.74, 0.4%, 0.53%

LAB 67.57, -41.61, 21.64

 

CMYK 57 / 0 / 36 / 35

HEX #47A569

RGB 71 165 105

HSL 141.7, 0.4%, 0.46%

LAB 61.02, -41.67, 22.96

 

CMYK 63 / 0 / 41 / 42

HEX #369356

RGB 54 147 86

HSL 140.65, 0.46%, 0.39%

LAB 54.37, -41.57, 24.4

 

CMYK 44 / 0 / 26 / 15

HEX #7ADAA2

RGB 122 218 162

HSL 145, 0.56%, 0.67%

LAB 80.12, -40.8, 18.9

 

CMYK 44 / 0 / 38 / 15

HEX #7ADA88

RGB 122 218 136

HSL 128.75, 0.56%, 0.67%

LAB 79.65, -45.42, 31.75

 

CMYK 38 / 0 / 44 / 15

HEX #87DA7A

RGB 135 218 122

HSL 111.88, 0.56%, 0.67%

LAB 80.01, -43.64, 39.38

 

CMYK 27 / 0 / 44 / 15

HEX #A0DA7A

RGB 160 218 122

HSL 96.25, 0.56%, 0.67%

LAB 81.3, -35.33, 41.29

 

CMYK 15 / 0 / 44 / 15

HEX #BADA7A

RGB 186 218 122

HSL 80, 0.56%, 0.67%

LAB 82.91, -25.86, 43.64

 

CMYK 44 / 0 / 26 / 15

HEX #7ADAA2

RGB 122 218 162

HSL 145, 0.56%, 0.67%

LAB 80.12, -40.8, 18.9

 

CMYK 44 / 0 / 14 / 15

HEX #7ADABC

RGB 122 218 188

HSL 161.25, 0.56%, 0.67%

LAB 80.69, -35.4, 5.96

 

CMYK 44 / 0 / 2 / 15

HEX #7ADAD6

RGB 122 218 214

HSL 177.5, 0.56%, 0.67%

LAB 81.37, -29.31, -6.89

 

CMYK 44 / 10 / 0 / 15

HEX #7AC5DA

RGB 122 197 218

HSL 193.13, 0.56%, 0.67%

LAB 75.53, -17.84, -17.76

 

CMYK 44 / 22 / 0 / 15

HEX #7AABDA

RGB 122 171 218

HSL 209.38, 0.56%, 0.67%

LAB 68.26, -3.98, -28.86

 

CMYK 44 / 0 / 26 / 15

HEX #7ADAA2

RGB 122 218 162

HSL 145, 0.56%, 0.67%

LAB 80.12, -40.8, 18.9

 

CMYK 53 / 0 / 31 / 9

HEX #6DE8A0

RGB 109 232 160

HSL 144.88, 0.73%, 0.67%

LAB 83.71, -50.42, 24.8

 

CMYK 61 / 0 / 36 / 4

HEX #5FF69D

RGB 95 246 157

HSL 144.64, 0.89%, 0.67%

LAB 87.38, -59.5, 31.21

 

CMYK 44 / 0 / 26 / 15

HEX #7ADAA2

RGB 122 218 162

HSL 145, 0.56%, 0.67%

LAB 80.12, -40.8, 18.9

 

CMYK 34 / 0 / 20 / 20

HEX #88CDA4

RGB 136 205 164

HSL 144.35, 0.41%, 0.67%

LAB 77.03, -30.44, 13.61

 

CMYK 21 / 0 / 13 / 25

HEX #96BFA7

RGB 150 191 167

HSL 144.88, 0.24%, 0.67%

LAB 73.89, -18.53, 7.65

 

CMYK 8 / 0 / 5 / 31

HEX #A3B1A9

RGB 163 177 169

HSL 145.71, 0.08%, 0.67%

LAB 70.94, -6.42, 2.41

 

CMYK 0 / 7 / 3 / 31

HEX #B1A4AB

RGB 177 164 171

HSL 327.69, 0.08%, 0.67%

LAB 68.63, 5.97, -1.92

 

CMYK 38 / 0 / 44 / 15

HEX #87DA7A

RGB 135 218 122

HSL 111.88, 0.56%, 0.67%

LAB 80.01, -43.64, 39.38

 

CMYK 44 / 0 / 38 / 15

HEX #7ADA87

RGB 122 218 135

HSL 128.13, 0.56%, 0.67%

LAB 79.63, -45.58, 32.24

 

CMYK 44 / 0 / 26 / 15

HEX #7ADAA1

RGB 122 218 161

HSL 144.38, 0.56%, 0.67%

LAB 80.1, -40.99, 19.4

 

CMYK 44 / 0 / 15 / 15

HEX #7ADABA

RGB 122 218 186

HSL 160, 0.56%, 0.67%

LAB 80.64, -35.84, 6.95

 

CMYK 44 / 0 / 3 / 15

HEX #7ADAD4

RGB 122 218 212

HSL 176.25, 0.56%, 0.67%

LAB 81.31, -29.8, -5.91

 

CMYK 71 / 0 / 42 / 21

HEX #3AC975

RGB 58 201 117

HSL 144.76, 0.57%, 0.51%

LAB 72.2, -56.25, 31.34

 

CMYK 57 / 0 / 33 / 18

HEX #5AD18B

RGB 90 209 139

HSL 144.71, 0.56%, 0.59%

LAB 75.85, -49.23, 24.92

 

CMYK 44 / 0 / 26 / 15

HEX #7ADAA2

RGB 122 218 162

HSL 145, 0.56%, 0.67%

LAB 80.12, -40.8, 18.9

 

CMYK 32 / 0 / 19 / 11

HEX #9BE3B9

RGB 155 227 185

HSL 145, 0.56%, 0.75%

LAB 84.69, -31.09, 13.46

 

CMYK 21 / 0 / 12 / 7

HEX #BBECCF

RGB 187 236 207

HSL 144.49, 0.56%, 0.83%

LAB 89.42, -21.35, 8.93

 

CMYK 44 / 0 / 26 / 14

HEX #7ADBA2

RGB 122 219 162

HSL 144.74, 0.57%, 0.67%

LAB 80.41, -41.24, 19.3

 

CMYK 44 / 26 / 0 / 15

HEX #7AA1DA

RGB 122 161 218

HSL 215.63, 0.56%, 0.67%

LAB 65.51, 1.61, -33.12

 

CMYK 0 / 44 / 44 / 15

HEX #DA7A7A

RGB 218 122 122

HSL 0, 0.56%, 0.67%

LAB 61.85, 37.2, 16.56

 

CMYK 44 / 0 / 26 / 14

HEX #7ADBA2

RGB 122 219 162

HSL 144.74, 0.57%, 0.67%

LAB 80.41, -41.24, 19.3

 

CMYK 26 / 44 / 0 / 15

HEX #A17ADA

RGB 161 122 218

HSL 264.38, 0.56%, 0.67%

LAB 58.56, 34.63, -43.77

 

CMYK 0 / 26 / 44 / 15

HEX #DAA17A

RGB 218 161 122

HSL 24.38, 0.56%, 0.67%

LAB 70.73, 16.34, 28.56

 

CMYK 44 / 0 / 26 / 14

HEX #7ADBA2

RGB 122 219 162

HSL 144.74, 0.57%, 0.67%

LAB 80.41, -41.24, 19.3

 

CMYK 44 / 26 / 0 / 15

HEX #7AA1DA

RGB 122 161 218

HSL 215.63, 0.56%, 0.67%

LAB 65.51, 1.61, -33.12

 

CMYK 0 / 44 / 17 / 15

HEX #DA7AB4

RGB 218 122 180

HSL 323.75, 0.56%, 0.67%

LAB 63.44, 44.69, -14.24

 

CMYK 0 / 17 / 44 / 15

HEX #DAB47A

RGB 218 180 122

HSL 36.25, 0.56%, 0.67%

LAB 75.42, 6.17, 34.68

 

CMYK 44 / 0 / 26 / 14

HEX #7ADBA2

RGB 122 219 162

HSL 144.74, 0.57%, 0.67%

LAB 80.41, -41.24, 19.3

 

CMYK 44 / 39 / 0 / 15

HEX #7A84DA

RGB 122 132 218

HSL 233.75, 0.56%, 0.67%

LAB 57.75, 18.44, -45.26

 

CMYK 0 / 44 / 17 / 15

HEX #DA7AB4

RGB 218 122 180

HSL 323.75, 0.56%, 0.67%

LAB 63.44, 44.69, -14.24

 

CMYK 0 / 4 / 44 / 15

HEX #DAD17A

RGB 218 209 122

HSL 54.38, 0.56%, 0.67%

LAB 82.87, -8.92, 44.11

 

Description

Color code: HEX #7ADBA2 | qconv.com Color code: HEX #7ADBA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 219 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 219 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 26% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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