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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AEA9F it is the complementary color #851560. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AEA9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AEA9F shade: #7FEA9A, #90FCAD, #A1FFC0, #B2FFD3 and #C3FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AEA9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AEA9F shade: #7AEA9F, #69D88C, #58C679, #47B466 and #36A253

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AEA9F shade: #7AEA9F, #7AEA81, #91EA7A, #B0EA7A and #CEEA7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AEA9F shade: #7AEA9F, #7AEABD, #7AEADB, #7ADAEA and #7ABCEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AEA9F shade matches the following richer shades: #7AEA9F and #6EF69B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AEA9F shade: #7AEA9F, #87DDA3, #93D1A7, #9FC5AC and #ACB8B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AEA9F shade: #92EA7A, #7AEA80, #7AEA9E, #7AEABB and #7AEAD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AEA9F shade: #33DF6C, #56E485, #7AEA9F, #9EEFB9 and #C2F5D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AEA9F shade: #7AEA9F, #7AB0EA and #EA7A83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AEA9F shade: #7AEA9F, #9E7AEA and #EA9E7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AEA9F shade: #7AEA9F, #7AB0EA, #EA7AC6 and #EAB47A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AEA9F shade: #7AEA9F, #7A8FEA, #EA7AC6 and #EAD57A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

Complementary color

CMYK 0 / 84 / 28 / 48

HEX #851560

RGB 133 21 96

HSL 319.82, 0.73%, 0.3%

LAB 30.32, 51.54, -15.11

 

CMYK 46 / 0 / 34 / 8

HEX #7FEA9A

RGB 127 234 154

HSL 135.14, 0.72%, 0.71%

LAB 84.84, -47.84, 29.52

 

CMYK 43 / 0 / 31 / 1

HEX #90FCAD

RGB 144 252 173

HSL 136.11, 0.95%, 0.78%

LAB 91.04, -47.63, 28.36

 

CMYK 37 / 0 / 25 / 0

HEX #A1FFC0

RGB 161 255 192

HSL 139.79, 1%, 0.82%

LAB 92.97, -40.85, 21.48

 

CMYK 30 / 0 / 17 / 0

HEX #B2FFD3

RGB 178 255 211

HSL 145.71, 1%, 0.85%

LAB 94.18, -32.42, 13.57

 

CMYK 24 / 0 / 10 / 0

HEX #C3FFE6

RGB 195 255 230

HSL 155, 1%, 0.88%

LAB 95.51, -23.71, 5.83

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 51 / 0 / 35 / 15

HEX #69D88C

RGB 105 216 140

HSL 138.92, 0.59%, 0.63%

LAB 78.47, -48.41, 28.01

 

CMYK 56 / 0 / 39 / 22

HEX #58C679

RGB 88 198 121

HSL 138, 0.49%, 0.56%

LAB 72.12, -48.46, 29.32

 

CMYK 61 / 0 / 43 / 29

HEX #47B466

RGB 71 180 102

HSL 137.06, 0.43%, 0.49%

LAB 65.7, -48.38, 30.71

 

CMYK 67 / 0 / 49 / 36

HEX #36A253

RGB 54 162 83

HSL 136.11, 0.5%, 0.42%

LAB 59.2, -48.06, 32.2

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 48 / 0 / 45 / 8

HEX #7AEA81

RGB 122 234 129

HSL 123.75, 0.73%, 0.7%

LAB 84.26, -53.11, 41.22

 

CMYK 38 / 0 / 48 / 8

HEX #91EA7A

RGB 145 234 122

HSL 107.68, 0.73%, 0.7%

LAB 85.13, -47.35, 45.91

 

CMYK 25 / 0 / 48 / 8

HEX #B0EA7A

RGB 176 234 122

HSL 91.07, 0.73%, 0.7%

LAB 86.74, -36.98, 48.25

 

CMYK 12 / 0 / 48 / 8

HEX #CEEA7A

RGB 206 234 122

HSL 75, 0.73%, 0.7%

LAB 88.63, -25.93, 50.98

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 48 / 0 / 19 / 8

HEX #7AEABD

RGB 122 234 189

HSL 155.89, 0.73%, 0.7%

LAB 85.33, -42.41, 12.07

 

CMYK 48 / 0 / 6 / 8

HEX #7AEADB

RGB 122 234 219

HSL 171.96, 0.73%, 0.7%

LAB 86.06, -35.63, -2.62

 

CMYK 48 / 7 / 0 / 8

HEX #7ADAEA

RGB 122 218 234

HSL 188.57, 0.73%, 0.7%

LAB 81.96, -24.2, -16.65

 

CMYK 48 / 20 / 0 / 8

HEX #7ABCEA

RGB 122 188 234

HSL 204.64, 0.73%, 0.7%

LAB 73.57, -8.73, -29.41

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 55 / 0 / 37 / 4

HEX #6EF69B

RGB 110 246 155

HSL 139.85, 0.88%, 0.7%

LAB 87.77, -56.73, 32.82

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 39 / 0 / 26 / 13

HEX #87DDA3

RGB 135 221 163

HSL 139.53, 0.56%, 0.7%

LAB 81.57, -38.34, 20.47

 

CMYK 30 / 0 / 20 / 18

HEX #93D1A7

RGB 147 209 167

HSL 139.35, 0.4%, 0.7%

LAB 78.81, -28.39, 14.6

 

CMYK 19 / 0 / 13 / 23

HEX #9FC5AC

RGB 159 197 172

HSL 140.53, 0.25%, 0.7%

LAB 76.24, -17.63, 8.39

 

CMYK 7 / 0 / 4 / 28

HEX #ACB8B0

RGB 172 184 176

HSL 140, 0.08%, 0.7%

LAB 73.67, -5.68, 2.62

 

CMYK 38 / 0 / 48 / 8

HEX #92EA7A

RGB 146 234 122

HSL 107.14, 0.73%, 0.7%

LAB 85.18, -47.03, 45.98

 

CMYK 48 / 0 / 45 / 8

HEX #7AEA80

RGB 122 234 128

HSL 123.21, 0.73%, 0.7%

LAB 84.25, -53.25, 41.69

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9E

RGB 122 234 158

HSL 139.29, 0.73%, 0.7%

LAB 84.72, -48.45, 27.28

 

CMYK 48 / 0 / 20 / 8

HEX #7AEABB

RGB 122 234 187

HSL 154.82, 0.73%, 0.7%

LAB 85.29, -42.83, 13.05

 

CMYK 48 / 0 / 7 / 8

HEX #7AEAD9

RGB 122 234 217

HSL 170.89, 0.73%, 0.7%

LAB 86, -36.11, -1.65

 

CMYK 77 / 0 / 52 / 13

HEX #33DF6C

RGB 51 223 108

HSL 139.88, 0.73%, 0.54%

LAB 78.79, -66.41, 44.12

 

CMYK 62 / 0 / 42 / 11

HEX #56E485

RGB 86 228 133

HSL 139.86, 0.72%, 0.62%

LAB 81.38, -58.59, 35.31

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 34 / 0 / 23 / 6

HEX #9EEFB9

RGB 158 239 185

HSL 140, 0.72%, 0.78%

LAB 88.21, -35.78, 18.43

 

CMYK 21 / 0 / 14 / 4

HEX #C2F5D3

RGB 194 245 211

HSL 140, 0.72%, 0.86%

LAB 92.34, -22.77, 11.08

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 48 / 25 / 0 / 8

HEX #7AB0EA

RGB 122 176 234

HSL 211.07, 0.73%, 0.7%

LAB 70.27, -2.2, -34.52

 

CMYK 0 / 48 / 44 / 8

HEX #EA7A83

RGB 234 122 131

HSL 355.18, 0.73%, 0.7%

LAB 64.2, 43.97, 15.03

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 32 / 48 / 0 / 8

HEX #9E7AEA

RGB 158 122 234

HSL 259.29, 0.73%, 0.7%

LAB 59.09, 37.79, -51.89

 

CMYK 0 / 32 / 48 / 8

HEX #EA9E7A

RGB 234 158 122

HSL 19.29, 0.73%, 0.7%

LAB 71.79, 24.32, 30.28

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 48 / 25 / 0 / 8

HEX #7AB0EA

RGB 122 176 234

HSL 211.07, 0.73%, 0.7%

LAB 70.27, -2.2, -34.52

 

CMYK 0 / 48 / 15 / 8

HEX #EA7AC6

RGB 234 122 198

HSL 319.29, 0.73%, 0.7%

LAB 66.13, 52.53, -20.14

 

CMYK 0 / 23 / 48 / 8

HEX #EAB47A

RGB 234 180 122

HSL 31.07, 0.73%, 0.7%

LAB 77.01, 12.63, 37.03

 

CMYK 48 / 0 / 32 / 8

HEX #7AEA9F

RGB 122 234 159

HSL 139.82, 0.73%, 0.7%

LAB 84.73, -48.27, 26.79

 

CMYK 48 / 39 / 0 / 8

HEX #7A8FEA

RGB 122 143 234

HSL 228.75, 0.73%, 0.7%

LAB 61.41, 16.67, -48.38

 

CMYK 0 / 48 / 15 / 8

HEX #EA7AC6

RGB 234 122 198

HSL 319.29, 0.73%, 0.7%

LAB 66.13, 52.53, -20.14

 

CMYK 0 / 9 / 48 / 8

HEX #EAD57A

RGB 234 213 122

HSL 48.75, 0.73%, 0.7%

LAB 85.24, -4.55, 47.35

 

Description

Color code: HEX #7AEA9F | qconv.com Color code: HEX #7AEA9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 234 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 234 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 32 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 32% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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