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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AEAC3 it is the complementary color #85153C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AEAC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AEAC3 shade: #7FEABE, #90FCD1, #A1FFE4, #B2FFF7 and #C3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AEAC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AEAC3 shade: #7AEAC3, #69D8B0, #58C69D, #47B48A and #36A277

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AEAC3 shade: #7AEAC3, #7AEAA5, #7AEA87, #8CEA7A and #AAEA7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AEAC3 shade: #7AEAC3, #7AEAE1, #7AD4EA, #7AB6EA and #7A98EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AEAC3 shade matches the following richer shades: #7AEAC3 and #6EF6C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AEAC3 shade: #7AEAC3, #87DDBF, #93D1BB, #9FC5B8 and #ACB8B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AEAC3 shade: #7AEA87, #7AEAA5, #7AEAC3, #7AEAE1 and #7AD5EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AEAC3 shade: #33DFA3, #56E4B3, #7AEAC3, #9EEFD3 and #C2F5E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AEAC3 shade: #7AEAC3, #7A8BEA and #EA967A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AEAC3 shade: #7AEAC3, #C37AEA and #EAC37A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AEAC3 shade: #7AEAC3, #7A8BEA, #EA7AA1 and #EAD97A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AEAC3 shade: #7AEAC3, #8B7AEA, #EA7AA1 and #D9EA7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

Complementary color

CMYK 0 / 84 / 55 / 48

HEX #85153C

RGB 133 21 60

HSL 339.11, 0.73%, 0.3%

LAB 29.03, 47.76, 6.8

 

CMYK 46 / 0 / 19 / 8

HEX #7FEABE

RGB 127 234 190

HSL 155.33, 0.72%, 0.71%

LAB 85.54, -40.98, 11.87

 

CMYK 43 / 0 / 17 / 1

HEX #90FCD1

RGB 144 252 209

HSL 156.11, 0.95%, 0.78%

LAB 91.75, -40.8, 10.94

 

CMYK 37 / 0 / 11 / 0

HEX #A1FFE4

RGB 161 255 228

HSL 162.77, 1%, 0.82%

LAB 93.75, -33.78, 4.1

 

CMYK 30 / 0 / 3 / 0

HEX #B2FFF7

RGB 178 255 247

HSL 173.77, 1%, 0.85%

LAB 95.03, -25.12, -3.73

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 51 / 0 / 19 / 15

HEX #69D8B0

RGB 105 216 176

HSL 158.38, 0.59%, 0.63%

LAB 79.18, -41.23, 10.1

 

CMYK 56 / 0 / 21 / 22

HEX #58C69D

RGB 88 198 157

HSL 157.64, 0.49%, 0.56%

LAB 72.82, -41.28, 11.15

 

CMYK 61 / 0 / 23 / 29

HEX #47B48A

RGB 71 180 138

HSL 156.88, 0.43%, 0.49%

LAB 66.38, -41.23, 12.3

 

CMYK 67 / 0 / 27 / 36

HEX #36A277

RGB 54 162 119

HSL 156.11, 0.5%, 0.42%

LAB 59.85, -41.03, 13.57

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 48 / 0 / 29 / 8

HEX #7AEAA5

RGB 122 234 165

HSL 143.04, 0.73%, 0.7%

LAB 84.84, -47.18, 23.85

 

CMYK 48 / 0 / 42 / 8

HEX #7AEA87

RGB 122 234 135

HSL 126.96, 0.73%, 0.7%

LAB 84.35, -52.23, 38.38

 

CMYK 40 / 0 / 48 / 8

HEX #8CEA7A

RGB 140 234 122

HSL 110.36, 0.73%, 0.7%

LAB 84.91, -48.89, 45.58

 

CMYK 27 / 0 / 48 / 8

HEX #AAEA7A

RGB 170 234 122

HSL 94.29, 0.73%, 0.7%

LAB 86.4, -39.08, 47.76

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 48 / 0 / 4 / 8

HEX #7AEAE1

RGB 122 234 225

HSL 175.18, 0.73%, 0.7%

LAB 86.22, -34.18, -5.54

 

CMYK 48 / 9 / 0 / 8

HEX #7AD4EA

RGB 122 212 234

HSL 191.79, 0.73%, 0.7%

LAB 80.27, -21.21, -19.19

 

CMYK 48 / 22 / 0 / 8

HEX #7AB6EA

RGB 122 182 234

HSL 207.86, 0.73%, 0.7%

LAB 71.92, -5.49, -31.97

 

CMYK 48 / 35 / 0 / 8

HEX #7A98EA

RGB 122 152 234

HSL 223.93, 0.73%, 0.7%

LAB 63.78, 11.41, -44.65

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 55 / 0 / 19 / 4

HEX #6EF6C7

RGB 110 246 199

HSL 159.26, 0.88%, 0.7%

LAB 88.61, -48.12, 11.48

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 39 / 0 / 14 / 13

HEX #87DDBF

RGB 135 221 191

HSL 159.07, 0.56%, 0.7%

LAB 82.18, -32.75, 6.58

 

CMYK 30 / 0 / 11 / 18

HEX #93D1BB

RGB 147 209 187

HSL 158.71, 0.4%, 0.7%

LAB 79.27, -24.42, 4.59

 

CMYK 19 / 0 / 7 / 23

HEX #9FC5B8

RGB 159 197 184

HSL 159.47, 0.25%, 0.7%

LAB 76.54, -15.27, 2.33

 

CMYK 7 / 0 / 2 / 28

HEX #ACB8B4

RGB 172 184 180

HSL 160, 0.08%, 0.7%

LAB 73.77, -4.92, 0.59

 

CMYK 48 / 0 / 42 / 8

HEX #7AEA87

RGB 122 234 135

HSL 126.96, 0.73%, 0.7%

LAB 84.35, -52.23, 38.38

 

CMYK 48 / 0 / 29 / 8

HEX #7AEAA5

RGB 122 234 165

HSL 143.04, 0.73%, 0.7%

LAB 84.84, -47.18, 23.85

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 48 / 0 / 4 / 8

HEX #7AEAE1

RGB 122 234 225

HSL 175.18, 0.73%, 0.7%

LAB 86.22, -34.18, -5.54

 

CMYK 48 / 9 / 0 / 8

HEX #7AD5EA

RGB 122 213 234

HSL 191.25, 0.73%, 0.7%

LAB 80.55, -21.71, -18.77

 

CMYK 77 / 0 / 27 / 13

HEX #33DFA3

RGB 51 223 163

HSL 159.07, 0.73%, 0.54%

LAB 79.68, -56.23, 17.48

 

CMYK 62 / 0 / 21 / 11

HEX #56E4B3

RGB 86 228 179

HSL 159.3, 0.72%, 0.62%

LAB 82.23, -49.59, 12.75

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 34 / 0 / 12 / 6

HEX #9EEFD3

RGB 158 239 211

HSL 159.26, 0.72%, 0.78%

LAB 88.78, -30.68, 5.72

 

CMYK 21 / 0 / 7 / 4

HEX #C2F5E3

RGB 194 245 227

HSL 158.82, 0.72%, 0.86%

LAB 92.72, -19.74, 3.33

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 48 / 41 / 0 / 8

HEX #7A8BEA

RGB 122 139 234

HSL 230.89, 0.73%, 0.7%

LAB 60.38, 19.02, -50.03

 

CMYK 0 / 36 / 48 / 8

HEX #EA967A

RGB 234 150 122

HSL 15, 0.73%, 0.7%

LAB 69.97, 28.57, 27.88

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 17 / 48 / 0 / 8

HEX #C37AEA

RGB 195 122 234

HSL 279.11, 0.73%, 0.7%

LAB 62.9, 47.65, -45.62

 

CMYK 0 / 17 / 48 / 8

HEX #EAC37A

RGB 234 195 122

HSL 39.11, 0.73%, 0.7%

LAB 80.7, 4.74, 41.71

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 48 / 41 / 0 / 8

HEX #7A8BEA

RGB 122 139 234

HSL 230.89, 0.73%, 0.7%

LAB 60.38, 19.02, -50.03

 

CMYK 0 / 48 / 31 / 8

HEX #EA7AA1

RGB 234 122 161

HSL 339.11, 0.73%, 0.7%

LAB 64.95, 47.37, -0.97

 

CMYK 0 / 7 / 48 / 8

HEX #EAD97A

RGB 234 217 122

HSL 50.89, 0.73%, 0.7%

LAB 86.27, -6.58, 48.6

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC3

RGB 122 234 195

HSL 159.11, 0.73%, 0.7%

LAB 85.47, -41.13, 9.12

 

CMYK 41 / 48 / 0 / 8

HEX #8B7AEA

RGB 139 122 234

HSL 249.11, 0.73%, 0.7%

LAB 57.41, 33.05, -54.66

 

CMYK 0 / 48 / 31 / 8

HEX #EA7AA1

RGB 234 122 161

HSL 339.11, 0.73%, 0.7%

LAB 64.95, 47.37, -0.97

 

CMYK 7 / 0 / 48 / 8

HEX #D9EA7A

RGB 217 234 122

HSL 69.11, 0.73%, 0.7%

LAB 89.39, -21.7, 52.09

 

Description

Color code: HEX #7AEAC3 | qconv.com Color code: HEX #7AEAC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 234 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 234 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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