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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AEDC9 it is the complementary color #851236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AEDC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AEDC9 shade: #7FEDC4, #90FFD7, #A1FFEA, #B2FFFD and #C3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AEDC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AEDC9 shade: #7AEDC9, #69DBB6, #58C9A3, #47B790 and #36A57D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AEDC9 shade: #78ECC8, #78ECA8, #78EC89, #86EC78 and #A5EC78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AEDC9 shade: #78ECC8, #78ECE7, #78D2EC, #78B2EC and #7893EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AEDC9 shade matches the following richer shades: #78ECC8 and #6BF9CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AEDC9 shade: #78ECC8, #84E0C3, #91D3BE, #9DC7BA and #A9BBB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AEDC9 shade: #78EC89, #78ECA8, #78ECC7, #78ECE6 and #78D3EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AEDC9 shade: #2FE2AA, #54E7B9, #78ECC8, #9CF1D7 and #C0F6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AEDC9 shade: #7AEDC9, #7885EC and #EC9978

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AEDC9 shade: #7AEDC9, #C778EC and #ECC778

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AEDC9 shade: #7AEDC9, #7885EC, #EC789D and #ECDF78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AEDC9 shade: #7AEDC9, #8D78EC, #EC789D and #D7EC78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 15 / 7

HEX #7AEDC9

RGB 122 237 201

HSL 161.22, 0.76%, 0.7%

LAB 86.47, -41.15, 7.42

 

Complementary color

CMYK 0 / 86 / 59 / 48

HEX #851236

RGB 133 18 54

HSL 341.22, 0.76%, 0.3%

LAB 28.6, 48.07, 10.25

 

CMYK 46 / 0 / 17 / 7

HEX #7FEDC4

RGB 127 237 196

HSL 157.64, 0.75%, 0.71%

LAB 86.54, -41.05, 10.15

 

CMYK 44 / 0 / 16 / 0

HEX #90FFD7

RGB 144 255 215

HSL 158.38, 1%, 0.78%

LAB 92.73, -40.88, 9.24

 

CMYK 37 / 0 / 8 / 0

HEX #A1FFEA

RGB 161 255 234

HSL 166.6, 1%, 0.82%

LAB 93.9, -32.49, 1.22

 

CMYK 30 / 0 / 1 / 0

HEX #B2FFFD

RGB 178 255 253

HSL 178.44, 1%, 0.85%

LAB 95.19, -23.81, -6.6

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 49 / 0 / 15 / 7

HEX #7AEDC9

RGB 122 237 201

HSL 161.22, 0.76%, 0.7%

LAB 86.47, -41.15, 7.42

 

CMYK 52 / 0 / 17 / 14

HEX #69DBB6

RGB 105 219 182

HSL 160.53, 0.61%, 0.64%

LAB 80.2, -41.23, 8.37

 

CMYK 56 / 0 / 19 / 21

HEX #58C9A3

RGB 88 201 163

HSL 159.82, 0.51%, 0.57%

LAB 73.86, -41.25, 9.39

 

CMYK 61 / 0 / 21 / 28

HEX #47B790

RGB 71 183 144

HSL 159.11, 0.44%, 0.5%

LAB 67.44, -41.17, 10.51

 

CMYK 67 / 0 / 24 / 35

HEX #36A57D

RGB 54 165 125

HSL 158.38, 0.51%, 0.43%

LAB 60.94, -40.93, 11.75

 

CMYK 49 / 0 / 15 / 7

HEX #78ECC8

RGB 120 236 200

HSL 161.38, 0.75%, 0.7%

LAB 86.08, -41.38, 7.38

 

CMYK 49 / 0 / 29 / 7

HEX #78ECA8

RGB 120 236 168

HSL 144.83, 0.75%, 0.7%

LAB 85.41, -47.96, 23.07

 

CMYK 49 / 0 / 42 / 7

HEX #78EC89

RGB 120 236 137

HSL 128.79, 0.75%, 0.7%

LAB 84.89, -53.26, 38.08

 

CMYK 43 / 0 / 49 / 7

HEX #86EC78

RGB 134 236 120

HSL 112.76, 0.75%, 0.7%

LAB 85.21, -51.76, 46.84

 

CMYK 30 / 0 / 49 / 7

HEX #A5EC78

RGB 165 236 120

HSL 96.72, 0.75%, 0.7%

LAB 86.68, -41.91, 48.98

 

CMYK 49 / 0 / 15 / 7

HEX #78ECC8

RGB 120 236 200

HSL 161.38, 0.75%, 0.7%

LAB 86.08, -41.38, 7.38

 

CMYK 49 / 0 / 2 / 7

HEX #78ECE7

RGB 120 236 231

HSL 177.41, 0.75%, 0.7%

LAB 86.88, -34.06, -7.73

 

CMYK 49 / 11 / 0 / 7

HEX #78D2EC

RGB 120 210 236

HSL 193.45, 0.75%, 0.7%

LAB 79.69, -20.11, -21.14

 

CMYK 49 / 25 / 0 / 7

HEX #78B2EC

RGB 120 178 236

HSL 210, 0.75%, 0.7%

LAB 70.8, -3.19, -34.79

 

CMYK 49 / 38 / 0 / 7

HEX #7893EC

RGB 120 147 236

HSL 226.03, 0.75%, 0.7%

LAB 62.44, 14.46, -47.88

 

CMYK 49 / 0 / 15 / 7

HEX #78ECC8

RGB 120 236 200

HSL 161.38, 0.75%, 0.7%

LAB 86.08, -41.38, 7.38

 

CMYK 57 / 0 / 18 / 2

HEX #6BF9CC

RGB 107 249 204

HSL 160.99, 0.92%, 0.7%

LAB 89.5, -48.89, 10.14

 

CMYK 49 / 0 / 15 / 7

HEX #78ECC8

RGB 120 236 200

HSL 161.38, 0.75%, 0.7%

LAB 86.08, -41.38, 7.38

 

CMYK 41 / 0 / 13 / 12

HEX #84E0C3

RGB 132 224 195

HSL 161.09, 0.6%, 0.7%

LAB 83, -34.09, 5.63

 

CMYK 31 / 0 / 10 / 17

HEX #91D3BE

RGB 145 211 190

HSL 160.91, 0.43%, 0.7%

LAB 79.8, -25.36, 3.74

 

CMYK 21 / 0 / 7 / 22

HEX #9DC7BA

RGB 157 199 186

HSL 161.43, 0.27%, 0.7%

LAB 77.02, -16.53, 1.94

 

CMYK 10 / 0 / 3 / 27

HEX #A9BBB5

RGB 169 187 181

HSL 160, 0.12%, 0.7%

LAB 74.39, -7.34, 0.92

 

CMYK 49 / 0 / 42 / 7

HEX #78EC89

RGB 120 236 137

HSL 128.79, 0.75%, 0.7%

LAB 84.89, -53.26, 38.08

 

CMYK 49 / 0 / 29 / 7

HEX #78ECA8

RGB 120 236 168

HSL 144.83, 0.75%, 0.7%

LAB 85.41, -47.96, 23.07

 

CMYK 49 / 0 / 16 / 7

HEX #78ECC7

RGB 120 236 199

HSL 160.86, 0.75%, 0.7%

LAB 86.06, -41.6, 7.87

 

CMYK 49 / 0 / 3 / 7

HEX #78ECE6

RGB 120 236 230

HSL 176.9, 0.75%, 0.7%

LAB 86.85, -34.31, -7.24

 

CMYK 49 / 11 / 0 / 7

HEX #78D3EC

RGB 120 211 236

HSL 192.93, 0.75%, 0.7%

LAB 79.98, -20.61, -20.72

 

CMYK 79 / 0 / 25 / 11

HEX #2FE2AA

RGB 47 226 170

HSL 161.23, 0.76%, 0.54%

LAB 80.68, -56.24, 15.19

 

CMYK 64 / 0 / 20 / 9

HEX #54E7B9

RGB 84 231 185

HSL 161.22, 0.75%, 0.62%

LAB 83.2, -49.83, 10.97

 

CMYK 49 / 0 / 15 / 7

HEX #78ECC8

RGB 120 236 200

HSL 161.38, 0.75%, 0.7%

LAB 86.08, -41.38, 7.38

 

CMYK 35 / 0 / 11 / 5

HEX #9CF1D7

RGB 156 241 215

HSL 161.65, 0.75%, 0.78%

LAB 89.34, -31.34, 4.43

 

CMYK 22 / 0 / 7 / 4

HEX #C0F6E5

RGB 192 246 229

HSL 161.11, 0.75%, 0.86%

LAB 92.92, -20.45, 2.57

 

CMYK 49 / 0 / 15 / 7

HEX #7AEDC9

RGB 122 237 201

HSL 161.22, 0.76%, 0.7%

LAB 86.47, -41.15, 7.42

 

CMYK 49 / 44 / 0 / 7

HEX #7885EC

RGB 120 133 236

HSL 233.28, 0.75%, 0.7%

LAB 58.81, 22.72, -53.63

 

CMYK 0 / 35 / 49 / 7

HEX #EC9978

RGB 236 153 120

HSL 17.07, 0.75%, 0.7%

LAB 70.85, 27.58, 30.17

 

CMYK 49 / 0 / 15 / 7

HEX #7AEDC9

RGB 122 237 201

HSL 161.22, 0.76%, 0.7%

LAB 86.47, -41.15, 7.42

 

CMYK 16 / 49 / 0 / 7

HEX #C778EC

RGB 199 120 236

HSL 280.86, 0.75%, 0.7%

LAB 63.04, 50.2, -46.48

 

CMYK 0 / 16 / 49 / 7

HEX #ECC778

RGB 236 199 120

HSL 40.86, 0.75%, 0.7%

LAB 81.86, 3.28, 44.2

 

CMYK 49 / 0 / 15 / 7

HEX #7AEDC9

RGB 122 237 201

HSL 161.22, 0.76%, 0.7%

LAB 86.47, -41.15, 7.42

 

CMYK 49 / 44 / 0 / 7

HEX #7885EC

RGB 120 133 236

HSL 233.28, 0.75%, 0.7%

LAB 58.81, 22.72, -53.63

 

CMYK 0 / 49 / 33 / 7

HEX #EC789D

RGB 236 120 157

HSL 340.86, 0.75%, 0.7%

LAB 64.72, 48.54, 1

 

CMYK 0 / 6 / 49 / 7

HEX #ECDF78

RGB 236 223 120

HSL 53.28, 0.75%, 0.7%

LAB 87.95, -8.98, 51.64

 

CMYK 49 / 0 / 15 / 7

HEX #7AEDC9

RGB 122 237 201

HSL 161.22, 0.76%, 0.7%

LAB 86.47, -41.15, 7.42

 

CMYK 40 / 49 / 0 / 7

HEX #8D78EC

RGB 141 120 236

HSL 250.86, 0.75%, 0.7%

LAB 57.22, 35.24, -56.07

 

CMYK 0 / 49 / 33 / 7

HEX #EC789D

RGB 236 120 157

HSL 340.86, 0.75%, 0.7%

LAB 64.72, 48.54, 1

 

CMYK 9 / 0 / 49 / 7

HEX #D7EC78

RGB 215 236 120

HSL 70.86, 0.75%, 0.7%

LAB 89.76, -23.63, 53.43

 

Description

Color code: HEX #7AEDC9 | qconv.com Color code: HEX #7AEDC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 237 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 237 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 15 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 15% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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