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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AFE61 it is the complementary color #85019E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AFE61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AFE61 shade: #7FFE5C, #90FF6F, #A1FF82, #B2FF95 and #C3FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AFE61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AFE61 shade: #7AFE61, #69EC4E, #58DA3B, #47C828 and #36B615

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AFE61 shade: #7AFE61, #A4FE61, #CFFE61, #F9FE61 and #FED861

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AFE61 shade: #7AFE61, #61FE72, #61FE9D, #61FEC7 and #61FEF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AFE61 shade matches the following richer shades: #7AFE61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AFE61 shade: #7AFE61, #83F16E, #8CE47B, #94D788 and #9DCB94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AFE61 shade: #CFFE61, #A5FE61, #7BFE61, #61FE71 and #61FE9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AFE61 shade: #35FD0F, #58FE38, #7AFE61, #9DFE8A and #BFFEB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AFE61 shade: #7AFE61, #61F8FE and #FE61BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AFE61 shade: #7AFE61, #617BFE and #FE617B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AFE61 shade: #7AFE61, #61F8FE, #E461FE and #FE6661

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AFE61 shade: #7AFE61, #61CAFE, #E461FE and #FE9561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

Complementary color

CMYK 16 / 99 / 0 / 38

HEX #85019E

RGB 133 1 158

HSL 290.45, 0.99%, 0.31%

LAB 32.87, 64.6, -50.03

 

CMYK 50 / 0 / 64 / 0

HEX #7FFE5C

RGB 127 254 92

HSL 107.04, 0.99%, 0.68%

LAB 89.94, -63.71, 64.59

 

CMYK 44 / 0 / 56 / 0

HEX #90FF6F

RGB 144 255 111

HSL 106.25, 1%, 0.72%

LAB 91.05, -57.45, 58.05

 

CMYK 37 / 0 / 49 / 0

HEX #A1FF82

RGB 161 255 130

HSL 105.12, 1%, 0.75%

LAB 92, -50.17, 50.76

 

CMYK 30 / 0 / 42 / 0

HEX #B2FF95

RGB 178 255 149

HSL 103.58, 1%, 0.79%

LAB 93.08, -42.35, 43.24

 

CMYK 24 / 0 / 34 / 0

HEX #C3FFA8

RGB 195 255 168

HSL 101.38, 1%, 0.83%

LAB 94.29, -34.12, 35.66

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 56 / 0 / 67 / 7

HEX #69EC4E

RGB 105 236 78

HSL 109.75, 0.81%, 0.62%

LAB 83.73, -64.13, 63.18

 

CMYK 60 / 0 / 73 / 15

HEX #58DA3B

RGB 88 218 59

HSL 109.06, 0.68%, 0.54%

LAB 77.6, -63.44, 63.65

 

CMYK 65 / 0 / 80 / 22

HEX #47C828

RGB 71 200 40

HSL 108.38, 0.67%, 0.47%

LAB 71.42, -62.39, 63.53

 

CMYK 70 / 0 / 88 / 29

HEX #36B615

RGB 54 182 21

HSL 107.7, 0.79%, 0.4%

LAB 65.2, -60.82, 62.39

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 35 / 0 / 62 / 0

HEX #A4FE61

RGB 164 254 97

HSL 94.39, 0.99%, 0.69%

LAB 91.52, -52.15, 64.75

 

CMYK 19 / 0 / 62 / 0

HEX #CFFE61

RGB 207 254 97

HSL 77.96, 0.99%, 0.69%

LAB 93.89, -36.94, 68.01

 

CMYK 2 / 0 / 62 / 0

HEX #F9FE61

RGB 249 254 97

HSL 61.91, 0.99%, 0.69%

LAB 96.77, -20.66, 71.96

 

CMYK 0 / 15 / 62 / 0

HEX #FED861

RGB 254 216 97

HSL 45.48, 0.99%, 0.69%

LAB 87.51, 0.13, 62.07

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 62 / 0 / 55 / 0

HEX #61FE72

RGB 97 254 114

HSL 126.5, 0.99%, 0.69%

LAB 89.22, -68.5, 54.18

 

CMYK 62 / 0 / 38 / 0

HEX #61FE9D

RGB 97 254 157

HSL 142.93, 0.99%, 0.69%

LAB 89.79, -62.15, 34.44

 

CMYK 62 / 0 / 22 / 0

HEX #61FEC7

RGB 97 254 199

HSL 158.98, 0.99%, 0.69%

LAB 90.57, -53.92, 14.2

 

CMYK 62 / 0 / 5 / 0

HEX #61FEF1

RGB 97 254 241

HSL 175.03, 0.99%, 0.69%

LAB 91.58, -43.94, -6.06

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 46 / 0 / 54 / 5

HEX #83F16E

RGB 131 241 110

HSL 110.38, 0.82%, 0.69%

LAB 86.44, -55.83, 52.94

 

CMYK 39 / 0 / 46 / 11

HEX #8CE47B

RGB 140 228 123

HSL 110.29, 0.66%, 0.69%

LAB 83.17, -46.23, 42.93

 

CMYK 31 / 0 / 37 / 16

HEX #94D788

RGB 148 215 136

HSL 110.89, 0.5%, 0.69%

LAB 80, -36.12, 32.44

 

CMYK 23 / 0 / 27 / 20

HEX #9DCB94

RGB 157 203 148

HSL 110.18, 0.35%, 0.69%

LAB 77.29, -25.54, 22.66

 

CMYK 19 / 0 / 62 / 0

HEX #CFFE61

RGB 207 254 97

HSL 77.96, 0.99%, 0.69%

LAB 93.89, -36.94, 68.01

 

CMYK 35 / 0 / 62 / 0

HEX #A5FE61

RGB 165 254 97

HSL 94.01, 0.99%, 0.69%

LAB 91.57, -51.82, 64.82

 

CMYK 52 / 0 / 62 / 0

HEX #7BFE61

RGB 123 254 97

HSL 110.06, 0.99%, 0.69%

LAB 89.84, -64.3, 62.41

 

CMYK 62 / 0 / 56 / 0

HEX #61FE71

RGB 97 254 113

HSL 126.11, 0.99%, 0.69%

LAB 89.21, -68.62, 54.61

 

CMYK 62 / 0 / 39 / 0

HEX #61FE9B

RGB 97 254 155

HSL 142.17, 0.99%, 0.69%

LAB 89.76, -62.49, 35.39

 

CMYK 79 / 0 / 94 / 1

HEX #35FD0F

RGB 53 253 15

HSL 110.42, 0.98%, 0.53%

LAB 87.51, -82.12, 81.96

 

CMYK 65 / 0 / 78 / 0

HEX #58FE38

RGB 88 254 56

HSL 110.3, 0.99%, 0.61%

LAB 88.56, -75.45, 75.27

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 38 / 0 / 46 / 0

HEX #9DFE8A

RGB 157 254 138

HSL 110.17, 0.98%, 0.77%

LAB 91.63, -49.99, 46.49

 

CMYK 25 / 0 / 30 / 0

HEX #BFFEB3

RGB 191 254 179

HSL 110.4, 0.97%, 0.85%

LAB 93.98, -33.37, 29.69

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 62 / 2 / 0 / 0

HEX #61F8FE

RGB 97 248 254

HSL 182.29, 0.99%, 0.69%

LAB 90.24, -37.82, -14.8

 

CMYK 0 / 62 / 27 / 0

HEX #FE61BA

RGB 254 97 186

HSL 325.99, 0.99%, 0.69%

LAB 64.29, 68.05, -15.87

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 62 / 52 / 0 / 0

HEX #617BFE

RGB 97 123 254

HSL 230.06, 0.99%, 0.69%

LAB 55.95, 29.93, -68.25

 

CMYK 0 / 62 / 52 / 0

HEX #FE617B

RGB 254 97 123

HSL 350.06, 0.99%, 0.69%

LAB 62.55, 61.58, 17.78

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 62 / 2 / 0 / 0

HEX #61F8FE

RGB 97 248 254

HSL 182.29, 0.99%, 0.69%

LAB 90.24, -37.82, -14.8

 

CMYK 10 / 62 / 0 / 0

HEX #E461FE

RGB 228 97 254

HSL 290.06, 0.99%, 0.69%

LAB 63.51, 71.82, -55.44

 

CMYK 0 / 60 / 62 / 0

HEX #FE6661

RGB 254 102 97

HSL 1.91, 0.99%, 0.69%

LAB 62.87, 57.59, 33.02

 

CMYK 52 / 0 / 62 / 0

HEX #7AFE61

RGB 122 254 97

HSL 110.45, 0.99%, 0.69%

LAB 89.81, -64.56, 62.37

 

CMYK 62 / 20 / 0 / 0

HEX #61CAFE

RGB 97 202 254

HSL 199.87, 0.99%, 0.69%

LAB 77.24, -15.3, -34.59

 

CMYK 10 / 62 / 0 / 0

HEX #E461FE

RGB 228 97 254

HSL 290.06, 0.99%, 0.69%

LAB 63.51, 71.82, -55.44

 

CMYK 0 / 41 / 62 / 0

HEX #FE9561

RGB 254 149 97

HSL 19.87, 0.99%, 0.69%

LAB 71.85, 34.91, 44.06

 

Description

Color code: HEX #7AFE61 | qconv.com Color code: HEX #7AFE61 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 254 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 254 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 62 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 62% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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