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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B008D it is the complementary color #84FF72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B008D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B008D shade: #800088, #91129B, #A224AE, #B336C1 and #C448D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B008D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B008D shade: #7B008D, #6A007A, #590067, #480054 and #370041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B008D shade: #7C008E, #8E007A, #8E0054, #8E002D and #8E0006

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B008D shade: #7C008E, #56008E, #2F008E, #09008E and #00008E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B008D shade matches the following richer shades: #7C008E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B008D shade: #7C008E, #730B83, #6B1777, #62226C and #5A2E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B008D shade: #2F008E, #55008E, #7B008E, #8E007B and #8E0055

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B008D shade: #34003C, #580065, #7C008E, #A000B8 and #C400E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B008D shade: #7B008D, #8E0900 and #008E42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B008D shade: #7B008D, #8E7B00 and #008E7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B008D shade: #7B008D, #8E0900, #138E00 and #00858E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B008D shade: #7B008D, #8E3400, #138E00 and #005A8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 100 / 0 / 45

HEX #7B008D

RGB 123 0 141

HSL 292.34, 1%, 0.28%

LAB 29.75, 60.27, -44.72

 

Complementary color

CMYK 48 / 0 / 55 / 0

HEX #84FF72

RGB 132 255 114

HSL 112.34, 1%, 0.72%

LAB 90.62, -60.51, 56.1

 

CMYK 6 / 100 / 0 / 47

HEX #800088

RGB 128 0 136

HSL 296.47, 1%, 0.27%

LAB 30.32, 60.23, -40.65

 

CMYK 6 / 88 / 0 / 39

HEX #91129B

RGB 145 18 155

HSL 295.62, 0.79%, 0.34%

LAB 35.63, 63.56, -43.64

 

CMYK 7 / 79 / 0 / 32

HEX #A224AE

RGB 162 36 174

HSL 294.78, 0.66%, 0.41%

LAB 41.21, 65.73, -45.94

 

CMYK 7 / 72 / 0 / 24

HEX #B336C1

RGB 179 54 193

HSL 293.96, 0.56%, 0.48%

LAB 47.07, 66.82, -47.59

 

CMYK 8 / 66 / 0 / 17

HEX #C448D4

RGB 196 72 212

HSL 293.14, 0.62%, 0.56%

LAB 53.08, 67.19, -48.78

 

CMYK 13 / 100 / 0 / 45

HEX #7B008D

RGB 123 0 141

HSL 292.34, 1%, 0.28%

LAB 29.75, 60.27, -44.72

 

CMYK 13 / 100 / 0 / 52

HEX #6A007A

RGB 106 0 122

HSL 292.13, 1%, 0.24%

LAB 25.17, 54.25, -40.35

 

CMYK 14 / 100 / 0 / 60

HEX #590067

RGB 89 0 103

HSL 291.84, 1%, 0.2%

LAB 20.45, 48.06, -35.85

 

CMYK 14 / 100 / 0 / 67

HEX #480054

RGB 72 0 84

HSL 291.43, 1%, 0.16%

LAB 15.58, 41.66, -31.2

 

CMYK 15 / 100 / 0 / 75

HEX #370041

RGB 55 0 65

HSL 290.77, 1%, 0.13%

LAB 10.51, 35.01, -26.37

 

CMYK 13 / 100 / 0 / 44

HEX #7C008E

RGB 124 0 142

HSL 292.39, 1%, 0.28%

LAB 30.01, 60.6, -44.92

 

CMYK 0 / 100 / 14 / 44

HEX #8E007A

RGB 142 0 122

HSL 308.45, 1%, 0.28%

LAB 32.16, 60.61, -28.77

 

CMYK 0 / 100 / 41 / 44

HEX #8E0054

RGB 142 0 84

HSL 324.51, 1%, 0.28%

LAB 30.38, 56.09, -6.99

 

CMYK 0 / 100 / 68 / 44

HEX #8E002D

RGB 142 0 45

HSL 340.99, 1%, 0.28%

LAB 29.26, 53.13, 17.52

 

CMYK 0 / 100 / 96 / 44

HEX #8E0006

RGB 142 0 6

HSL 357.46, 1%, 0.28%

LAB 28.81, 51.9, 39.73

 

CMYK 13 / 100 / 0 / 44

HEX #7C008E

RGB 124 0 142

HSL 292.39, 1%, 0.28%

LAB 30.01, 60.6, -44.92

 

CMYK 39 / 100 / 0 / 44

HEX #56008E

RGB 86 0 142

HSL 276.34, 1%, 0.28%

LAB 23.44, 55.5, -55.9

 

CMYK 67 / 100 / 0 / 44

HEX #2F008E

RGB 47 0 142

HSL 259.86, 1%, 0.28%

LAB 18.18, 52.38, -64.78

 

CMYK 94 / 100 / 0 / 44

HEX #09008E

RGB 9 0 142

HSL 243.8, 1%, 0.28%

LAB 15.55, 51.32, -69.24

 

CMYK 100 / 100 / 0 / 44

HEX #00008E

RGB 0 0 142

HSL 240, 1%, 0.28%

LAB 15.24, 51.22, -69.76

 

CMYK 13 / 100 / 0 / 44

HEX #7C008E

RGB 124 0 142

HSL 292.39, 1%, 0.28%

LAB 30.01, 60.6, -44.92

 

CMYK 13 / 100 / 0 / 44

HEX #7C008E

RGB 124 0 142

HSL 292.39, 1%, 0.28%

LAB 30.01, 60.6, -44.92

 

CMYK 12 / 92 / 0 / 49

HEX #730B83

RGB 115 11 131

HSL 292, 0.85%, 0.28%

LAB 28.18, 55.35, -41.1

 

CMYK 10 / 81 / 0 / 53

HEX #6B1777

RGB 107 23 119

HSL 292.5, 0.68%, 0.28%

LAB 26.93, 48.59, -35.58

 

CMYK 9 / 69 / 0 / 58

HEX #62226C

RGB 98 34 108

HSL 291.89, 0.52%, 0.28%

LAB 26.23, 39.96, -29.75

 

CMYK 6 / 52 / 0 / 62

HEX #5A2E60

RGB 90 46 96

HSL 292.8, 0.35%, 0.28%

LAB 26.66, 28.72, -21.38

 

CMYK 67 / 100 / 0 / 44

HEX #2F008E

RGB 47 0 142

HSL 259.86, 1%, 0.28%

LAB 18.18, 52.38, -64.78

 

CMYK 40 / 100 / 0 / 44

HEX #55008E

RGB 85 0 142

HSL 275.92, 1%, 0.28%

LAB 23.29, 55.39, -56.17

 

CMYK 13 / 100 / 0 / 44

HEX #7B008E

RGB 123 0 142

HSL 291.97, 1%, 0.28%

LAB 29.82, 60.44, -45.22

 

CMYK 0 / 100 / 13 / 44

HEX #8E007B

RGB 142 0 123

HSL 308.03, 1%, 0.28%

LAB 32.22, 60.75, -29.31

 

CMYK 0 / 100 / 40 / 44

HEX #8E0055

RGB 142 0 85

HSL 324.08, 1%, 0.28%

LAB 30.42, 56.18, -7.6

 

CMYK 13 / 100 / 0 / 76

HEX #34003C

RGB 52 0 60

HSL 292, 1%, 0.12%

LAB 9.45, 33.47, -24.55

 

CMYK 13 / 100 / 0 / 60

HEX #580065

RGB 88 0 101

HSL 292.28, 1%, 0.2%

LAB 20.1, 47.53, -35.11

 

CMYK 13 / 100 / 0 / 44

HEX #7C008E

RGB 124 0 142

HSL 292.39, 1%, 0.28%

LAB 30.01, 60.6, -44.92

 

CMYK 13 / 100 / 0 / 28

HEX #A000B8

RGB 160 0 184

HSL 292.17, 1%, 0.36%

LAB 39.47, 73.16, -54.69

 

CMYK 13 / 100 / 0 / 12

HEX #C400E1

RGB 196 0 225

HSL 292.27, 1%, 0.44%

LAB 48.48, 85.04, -63.59

 

CMYK 13 / 100 / 0 / 45

HEX #7B008D

RGB 123 0 141

HSL 292.34, 1%, 0.28%

LAB 29.75, 60.27, -44.72

 

CMYK 0 / 94 / 100 / 44

HEX #8E0900

RGB 142 9 0

HSL 3.8, 1%, 0.28%

LAB 29.28, 50.36, 42.54

 

CMYK 100 / 0 / 54 / 44

HEX #008E42

RGB 0 142 66

HSL 147.89, 1%, 0.28%

LAB 51.54, -50.03, 31.3

 

CMYK 13 / 100 / 0 / 45

HEX #7B008D

RGB 123 0 141

HSL 292.34, 1%, 0.28%

LAB 29.75, 60.27, -44.72

 

CMYK 0 / 13 / 100 / 44

HEX #8E7B00

RGB 142 123 0

HSL 51.97, 1%, 0.28%

LAB 51.74, -3.6, 57.19

 

CMYK 100 / 0 / 13 / 44

HEX #008E7B

RGB 0 142 123

HSL 171.97, 1%, 0.28%

LAB 52.7, -36.89, 1

 

CMYK 13 / 100 / 0 / 45

HEX #7B008D

RGB 123 0 141

HSL 292.34, 1%, 0.28%

LAB 29.75, 60.27, -44.72

 

CMYK 0 / 94 / 100 / 44

HEX #8E0900

RGB 142 9 0

HSL 3.8, 1%, 0.28%

LAB 29.28, 50.36, 42.54

 

CMYK 87 / 0 / 100 / 44

HEX #138E00

RGB 19 142 0

HSL 111.97, 1%, 0.28%

LAB 51.25, -54.29, 53.99

 

CMYK 100 / 6 / 0 / 44

HEX #00858E

RGB 0 133 142

HSL 183.8, 1%, 0.28%

LAB 50.37, -26.68, -13.52

 

CMYK 13 / 100 / 0 / 45

HEX #7B008D

RGB 123 0 141

HSL 292.34, 1%, 0.28%

LAB 29.75, 60.27, -44.72

 

CMYK 0 / 63 / 100 / 44

HEX #8E3400

RGB 142 52 0

HSL 21.97, 1%, 0.28%

LAB 34.41, 36.19, 46.01

 

CMYK 87 / 0 / 100 / 44

HEX #138E00

RGB 19 142 0

HSL 111.97, 1%, 0.28%

LAB 51.25, -54.29, 53.99

 

CMYK 100 / 37 / 0 / 44

HEX #005A8E

RGB 0 90 142

HSL 201.97, 1%, 0.28%

LAB 36.49, -2.32, -35.04

 

Description

Color code: HEX #7B008D | qconv.com Color code: HEX #7B008D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, none green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 0 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 100 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 100% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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