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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B1C10 it is the complementary color #84E3EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B1C10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B1C10 shade: #801C0B, #912E1E, #A24031, #B35244 and #C46457

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B1C10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B1C10 shade: #7B1C10, #6A0A00, #590000, #480000 and #370000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B1C10 shade: #791B0F and #790F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B1C10 shade: #791B0F, #79380F, #79540F, #79710F and #65790F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B1C10 shade matches the following richer shades: #791B0F and #851304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B1C10 shade: #791B0F, #6E241A, #632D26, #583531 and #4D3E3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B1C10 shade: #790F3D, #790F21, #791A0F, #79360F and #79520F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B1C10 shade: #300B06, #55130B, #791B0F, #9E2414 and #C22C19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B1C10 shade: #7B1C10, #5A790F and #0F2F79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B1C10 shade: #7B1C10, #0F791A and #1A0F79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B1C10 shade: #7B1C10, #5A790F, #0F6F79 and #2F0F79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B1C10 shade: #7B1C10, #3A790F, #0F6F79 and #4F0F79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 87 / 52

HEX #7B1C10

RGB 123 28 16

HSL 6.73, 0.77%, 0.27%

LAB 26.96, 39.97, 32

 

Complementary color

CMYK 45 / 5 / 0 / 6

HEX #84E3EF

RGB 132 227 239

HSL 186.73, 0.77%, 0.73%

LAB 85.04, -25.08, -14.64

 

CMYK 0 / 78 / 91 / 50

HEX #801C0B

RGB 128 28 11

HSL 8.72, 0.84%, 0.27%

LAB 27.96, 41.54, 35.72

 

CMYK 0 / 68 / 79 / 43

HEX #912E1E

RGB 145 46 30

HSL 8.35, 0.66%, 0.34%

LAB 34.12, 40.83, 32.73

 

CMYK 0 / 60 / 70 / 36

HEX #A24031

RGB 162 64 49

HSL 7.96, 0.54%, 0.41%

LAB 40.52, 39.66, 29.73

 

CMYK 0 / 54 / 62 / 30

HEX #B35244

RGB 179 82 68

HSL 7.57, 0.45%, 0.48%

LAB 47.02, 38.35, 27.15

 

CMYK 0 / 49 / 56 / 23

HEX #C46457

RGB 196 100 87

HSL 7.16, 0.48%, 0.55%

LAB 53.53, 37.06, 24.96

 

CMYK 0 / 77 / 87 / 52

HEX #7B1C10

RGB 123 28 16

HSL 6.73, 0.77%, 0.27%

LAB 26.96, 39.97, 32

 

CMYK 0 / 91 / 100 / 58

HEX #6A0A00

RGB 106 10 0

HSL 5.66, 1%, 0.21%

LAB 21.14, 39.59, 31.95

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 78 / 88 / 53

HEX #791B0F

RGB 121 27 15

HSL 6.79, 0.78%, 0.27%

LAB 26.4, 39.63, 31.88

 

CMYK 0 / 88 / 88 / 53

HEX #790F0F

RGB 121 15 15

HSL 0, 0.78%, 0.27%

LAB 25.08, 43.35, 30.65

 

CMYK 0 / 78 / 88 / 53

HEX #791B0F

RGB 121 27 15

HSL 6.79, 0.78%, 0.27%

LAB 26.4, 39.63, 31.88

 

CMYK 0 / 54 / 88 / 53

HEX #79380F

RGB 121 56 15

HSL 23.21, 0.78%, 0.27%

LAB 31.64, 25.75, 36.49

 

CMYK 0 / 31 / 88 / 53

HEX #79540F

RGB 121 84 15

HSL 39.06, 0.78%, 0.27%

LAB 38.62, 9.27, 42.48

 

CMYK 0 / 7 / 88 / 53

HEX #79710F

RGB 121 113 15

HSL 55.47, 0.78%, 0.27%

LAB 46.86, -7.65, 49.4

 

CMYK 17 / 0 / 88 / 53

HEX #65790F

RGB 101 121 15

HSL 71.32, 0.78%, 0.27%

LAB 47.59, -21.27, 49.34

 

CMYK 0 / 78 / 88 / 53

HEX #791B0F

RGB 121 27 15

HSL 6.79, 0.78%, 0.27%

LAB 26.4, 39.63, 31.88

 

CMYK 0 / 86 / 97 / 48

HEX #851304

RGB 133 19 4

HSL 6.98, 0.94%, 0.27%

LAB 28.01, 45.77, 39.06

 

CMYK 0 / 78 / 88 / 53

HEX #791B0F

RGB 121 27 15

HSL 6.79, 0.78%, 0.27%

LAB 26.4, 39.63, 31.88

 

CMYK 0 / 67 / 76 / 57

HEX #6E241A

RGB 110 36 26

HSL 7.14, 0.62%, 0.27%

LAB 25.72, 32.21, 24.06

 

CMYK 0 / 55 / 62 / 61

HEX #632D26

RGB 99 45 38

HSL 6.89, 0.45%, 0.27%

LAB 25.77, 23.72, 15.97

 

CMYK 0 / 40 / 44 / 65

HEX #583531

RGB 88 53 49

HSL 6.15, 0.28%, 0.27%

LAB 26.28, 15.19, 9.11

 

CMYK 0 / 19 / 22 / 70

HEX #4D3E3C

RGB 77 62 60

HSL 7.06, 0.12%, 0.27%

LAB 27.71, 6.15, 3.68

 

CMYK 0 / 88 / 50 / 53

HEX #790F3D

RGB 121 15 61

HSL 333.96, 0.78%, 0.27%

LAB 25.99, 46.04, 1.45

 

CMYK 0 / 88 / 73 / 53

HEX #790F21

RGB 121 15 33

HSL 349.81, 0.78%, 0.27%

LAB 25.31, 44.04, 19.61

 

CMYK 0 / 79 / 88 / 53

HEX #791A0F

RGB 121 26 15

HSL 6.23, 0.78%, 0.27%

LAB 26.27, 40, 31.76

 

CMYK 0 / 55 / 88 / 53

HEX #79360F

RGB 121 54 15

HSL 22.08, 0.78%, 0.27%

LAB 31.2, 26.86, 36.11

 

CMYK 0 / 32 / 88 / 53

HEX #79520F

RGB 121 82 15

HSL 37.92, 0.78%, 0.27%

LAB 38.08, 10.47, 42.03

 

CMYK 0 / 77 / 88 / 81

HEX #300B06

RGB 48 11 6

HSL 7.14, 0.78%, 0.11%

LAB 7.96, 18.46, 9.86

 

CMYK 0 / 78 / 87 / 67

HEX #55130B

RGB 85 19 11

HSL 6.49, 0.77%, 0.19%

LAB 17.56, 29.84, 22.11

 

CMYK 0 / 78 / 88 / 53

HEX #791B0F

RGB 121 27 15

HSL 6.79, 0.78%, 0.27%

LAB 26.4, 39.63, 31.88

 

CMYK 0 / 77 / 87 / 38

HEX #9E2414

RGB 158 36 20

HSL 6.96, 0.78%, 0.35%

LAB 35.17, 48.8, 39.9

 

CMYK 0 / 77 / 87 / 24

HEX #C22C19

RGB 194 44 25

HSL 6.75, 0.77%, 0.43%

LAB 43.27, 57.55, 47.19

 

CMYK 0 / 77 / 87 / 52

HEX #7B1C10

RGB 123 28 16

HSL 6.73, 0.77%, 0.27%

LAB 26.96, 39.97, 32

 

CMYK 26 / 0 / 88 / 53

HEX #5A790F

RGB 90 121 15

HSL 77.55, 0.78%, 0.27%

LAB 46.82, -26.09, 48.37

 

CMYK 88 / 61 / 0 / 53

HEX #0F2F79

RGB 15 47 121

HSL 221.89, 0.78%, 0.27%

LAB 22, 19.27, -45.3

 

CMYK 0 / 77 / 87 / 52

HEX #7B1C10

RGB 123 28 16

HSL 6.73, 0.77%, 0.27%

LAB 26.96, 39.97, 32

 

CMYK 88 / 0 / 79 / 53

HEX #0F791A

RGB 15 121 26

HSL 126.23, 0.78%, 0.27%

LAB 44.02, -46.94, 41.31

 

CMYK 79 / 88 / 0 / 53

HEX #1A0F79

RGB 26 15 121

HSL 246.23, 0.78%, 0.27%

LAB 15.18, 40.22, -56.52

 

CMYK 0 / 77 / 87 / 52

HEX #7B1C10

RGB 123 28 16

HSL 6.73, 0.77%, 0.27%

LAB 26.96, 39.97, 32

 

CMYK 26 / 0 / 88 / 53

HEX #5A790F

RGB 90 121 15

HSL 77.55, 0.78%, 0.27%

LAB 46.82, -26.09, 48.37

 

CMYK 88 / 8 / 0 / 53

HEX #0F6F79

RGB 15 111 121

HSL 185.66, 0.78%, 0.27%

LAB 42.54, -21.65, -12.91

 

CMYK 61 / 88 / 0 / 53

HEX #2F0F79

RGB 47 15 121

HSL 258.11, 0.78%, 0.27%

LAB 17.11, 42.01, -53.25

 

CMYK 0 / 77 / 87 / 52

HEX #7B1C10

RGB 123 28 16

HSL 6.73, 0.77%, 0.27%

LAB 26.96, 39.97, 32

 

CMYK 52 / 0 / 88 / 53

HEX #3A790F

RGB 58 121 15

HSL 95.66, 0.78%, 0.27%

LAB 45.09, -38.27, 46.2

 

CMYK 88 / 8 / 0 / 53

HEX #0F6F79

RGB 15 111 121

HSL 185.66, 0.78%, 0.27%

LAB 42.54, -21.65, -12.91

 

CMYK 35 / 88 / 0 / 53

HEX #4F0F79

RGB 79 15 121

HSL 276.23, 0.78%, 0.27%

LAB 21.52, 46.31, -45.84

 

Description

Color code: HEX #7B1C10 | qconv.com Color code: HEX #7B1C10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 28 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 28 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 87 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 87% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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