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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B1CA6 it is the complementary color #84E359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B1CA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B1CA6 shade: #801CA1, #912EB4, #A240C7, #B352DA and #C464ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B1CA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B1CA6 shade: #7B1CA6, #6A0A93, #590080, #48006D and #37005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B1CA6 shade: #7A1CA5, #9F1CA5, #A51C86, #A51C61 and #A51C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B1CA6 shade: #7A1CA5, #551CA5, #301CA5 and #1C1CA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B1CA6 shade matches the following richer shades: #7A1CA5 and #800CB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B1CA6 shade: #7A1CA5, #742B96, #6F3B86, #694B76 and #635A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B1CA6 shade: #301CA5, #551CA5, #7A1CA5, #9E1CA5 and #A51C87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B1CA6 shade: #46105F, #601682, #7A1CA5, #9422C8 and #A937DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B1CA6 shade: #7B1CA6, #A51C2C and #1CA543

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B1CA6 shade: #7B1CA6, #A57A1C and #1CA57A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B1CA6 shade: #7B1CA6, #A51C2C, #47A51C and #1CA595

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B1CA6 shade: #7B1CA6, #A5351C, #47A51C and #1C8CA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 83 / 0 / 35

HEX #7B1CA6

RGB 123 28 166

HSL 281.3, 0.71%, 0.38%

LAB 33.55, 59.39, -53.84

 

Complementary color

CMYK 42 / 0 / 61 / 11

HEX #84E359

RGB 132 227 89

HSL 101.3, 0.71%, 0.62%

LAB 82.14, -52.16, 57.26

 

CMYK 20 / 83 / 0 / 37

HEX #801CA1

RGB 128 28 161

HSL 285.11, 0.7%, 0.37%

LAB 33.97, 59.25, -50.11

 

CMYK 19 / 74 / 0 / 29

HEX #912EB4

RGB 145 46 180

HSL 284.33, 0.59%, 0.44%

LAB 40.03, 60.25, -51.54

 

CMYK 19 / 68 / 0 / 22

HEX #A240C7

RGB 162 64 199

HSL 283.56, 0.55%, 0.52%

LAB 46.27, 60.44, -52.48

 

CMYK 18 / 62 / 0 / 15

HEX #B352DA

RGB 179 82 218

HSL 282.79, 0.65%, 0.59%

LAB 52.6, 60.17, -53.11

 

CMYK 17 / 58 / 0 / 7

HEX #C464ED

RGB 196 100 237

HSL 282.04, 0.79%, 0.66%

LAB 58.94, 59.64, -53.55

 

CMYK 26 / 83 / 0 / 35

HEX #7B1CA6

RGB 123 28 166

HSL 281.3, 0.71%, 0.38%

LAB 33.55, 59.39, -53.84

 

CMYK 28 / 93 / 0 / 42

HEX #6A0A93

RGB 106 10 147

HSL 282.04, 0.87%, 0.31%

LAB 27.81, 57.15, -51.72

 

CMYK 30 / 100 / 0 / 50

HEX #590080

RGB 89 0 128

HSL 281.72, 1%, 0.25%

LAB 22.59, 52.92, -48.48

 

CMYK 34 / 100 / 0 / 57

HEX #48006D

RGB 72 0 109

HSL 279.63, 1%, 0.21%

LAB 17.84, 46.76, -44.17

 

CMYK 39 / 100 / 0 / 65

HEX #37005A

RGB 55 0 90

HSL 276.67, 1%, 0.18%

LAB 12.93, 40.41, -39.73

 

CMYK 26 / 83 / 0 / 35

HEX #7A1CA5

RGB 122 28 165

HSL 281.17, 0.71%, 0.38%

LAB 33.32, 59.02, -53.62

 

CMYK 4 / 83 / 0 / 35

HEX #9F1CA5

RGB 159 28 165

HSL 297.37, 0.71%, 0.38%

LAB 39.44, 65.7, -43.43

 

CMYK 0 / 83 / 19 / 35

HEX #A51C86

RGB 165 28 134

HSL 313.58, 0.71%, 0.38%

LAB 38.81, 62.29, -25.5

 

CMYK 0 / 83 / 41 / 35

HEX #A51C61

RGB 165 28 97

HSL 329.78, 0.71%, 0.38%

LAB 37.29, 57.93, -4.62

 

CMYK 0 / 83 / 64 / 35

HEX #A51C3C

RGB 165 28 60

HSL 345.99, 0.71%, 0.38%

LAB 36.28, 54.96, 17.77

 

CMYK 26 / 83 / 0 / 35

HEX #7A1CA5

RGB 122 28 165

HSL 281.17, 0.71%, 0.38%

LAB 33.32, 59.02, -53.62

 

CMYK 48 / 83 / 0 / 35

HEX #551CA5

RGB 85 28 165

HSL 264.96, 0.71%, 0.38%

LAB 28.06, 53.42, -62.44

 

CMYK 71 / 83 / 0 / 35

HEX #301CA5

RGB 48 28 165

HSL 248.76, 0.71%, 0.38%

LAB 24.24, 49.48, -68.86

 

CMYK 83 / 83 / 0 / 35

HEX #1C1CA5

RGB 28 28 165

HSL 240, 0.71%, 0.38%

LAB 22.98, 48.2, -71

 

CMYK 26 / 83 / 0 / 35

HEX #7A1CA5

RGB 122 28 165

HSL 281.17, 0.71%, 0.38%

LAB 33.32, 59.02, -53.62

 

CMYK 29 / 93 / 0 / 29

HEX #800CB5

RGB 128 12 181

HSL 281.18, 0.88%, 0.38%

LAB 34.37, 66.64, -61.44

 

CMYK 26 / 83 / 0 / 35

HEX #7A1CA5

RGB 122 28 165

HSL 281.17, 0.71%, 0.38%

LAB 33.32, 59.02, -53.62

 

CMYK 23 / 71 / 0 / 41

HEX #742B96

RGB 116 43 150

HSL 280.93, 0.55%, 0.38%

LAB 33.23, 49.15, -44.71

 

CMYK 17 / 56 / 0 / 47

HEX #6F3B86

RGB 111 59 134

HSL 281.6, 0.39%, 0.38%

LAB 34.45, 36.27, -32.96

 

CMYK 11 / 36 / 0 / 54

HEX #694B76

RGB 105 75 118

HSL 281.86, 0.22%, 0.38%

LAB 36.64, 21.21, -19.68

 

CMYK 3 / 12 / 0 / 60

HEX #635A66

RGB 99 90 102

HSL 285, 0.06%, 0.38%

LAB 39.45, 6.11, -5.55

 

CMYK 71 / 83 / 0 / 35

HEX #301CA5

RGB 48 28 165

HSL 248.76, 0.71%, 0.38%

LAB 24.24, 49.48, -68.86

 

CMYK 48 / 83 / 0 / 35

HEX #551CA5

RGB 85 28 165

HSL 264.96, 0.71%, 0.38%

LAB 28.06, 53.42, -62.44

 

CMYK 26 / 83 / 0 / 35

HEX #7A1CA5

RGB 122 28 165

HSL 281.17, 0.71%, 0.38%

LAB 33.32, 59.02, -53.62

 

CMYK 4 / 83 / 0 / 35

HEX #9E1CA5

RGB 158 28 165

HSL 296.93, 0.71%, 0.38%

LAB 39.27, 65.51, -43.72

 

CMYK 0 / 83 / 18 / 35

HEX #A51C87

RGB 165 28 135

HSL 313.14, 0.71%, 0.38%

LAB 38.86, 62.43, -26.04

 

CMYK 26 / 83 / 0 / 63

HEX #46105F

RGB 70 16 95

HSL 281.01, 0.71%, 0.22%

LAB 17.91, 38.34, -34.84

 

CMYK 26 / 83 / 0 / 49

HEX #601682

RGB 96 22 130

HSL 281.11, 0.71%, 0.3%

LAB 25.78, 48.99, -44.5

 

CMYK 26 / 83 / 0 / 35

HEX #7A1CA5

RGB 122 28 165

HSL 281.17, 0.71%, 0.38%

LAB 33.32, 59.02, -53.62

 

CMYK 26 / 83 / 0 / 22

HEX #9422C8

RGB 148 34 200

HSL 281.2, 0.71%, 0.46%

LAB 40.59, 68.6, -62.35

 

CMYK 24 / 75 / 0 / 13

HEX #A937DD

RGB 169 55 221

HSL 281.2, 0.71%, 0.54%

LAB 47.48, 69.74, -63.12

 

CMYK 26 / 83 / 0 / 35

HEX #7B1CA6

RGB 123 28 166

HSL 281.3, 0.71%, 0.38%

LAB 33.55, 59.39, -53.84

 

CMYK 0 / 83 / 73 / 35

HEX #A51C2C

RGB 165 28 44

HSL 352.99, 0.71%, 0.38%

LAB 36.01, 54.12, 27.57

 

CMYK 83 / 0 / 59 / 35

HEX #1CA543

RGB 28 165 67

HSL 137.08, 0.71%, 0.38%

LAB 59.49, -55.51, 40.4

 

CMYK 26 / 83 / 0 / 35

HEX #7B1CA6

RGB 123 28 166

HSL 281.3, 0.71%, 0.38%

LAB 33.55, 59.39, -53.84

 

CMYK 0 / 26 / 83 / 35

HEX #A57A1C

RGB 165 122 28

HSL 41.17, 0.71%, 0.38%

LAB 54.03, 8.3, 53.43

 

CMYK 83 / 0 / 26 / 35

HEX #1CA57A

RGB 28 165 122

HSL 161.17, 0.71%, 0.38%

LAB 60.39, -45.12, 12.59

 

CMYK 26 / 83 / 0 / 35

HEX #7B1CA6

RGB 123 28 166

HSL 281.3, 0.71%, 0.38%

LAB 33.55, 59.39, -53.84

 

CMYK 0 / 83 / 73 / 35

HEX #A51C2C

RGB 165 28 44

HSL 352.99, 0.71%, 0.38%

LAB 36.01, 54.12, 27.57

 

CMYK 57 / 0 / 83 / 35

HEX #47A51C

RGB 71 165 28

HSL 101.17, 0.71%, 0.38%

LAB 60.19, -50.82, 56.5

 

CMYK 83 / 0 / 10 / 35

HEX #1CA595

RGB 28 165 149

HSL 172.99, 0.71%, 0.38%

LAB 61.07, -38.01, -1.57

 

CMYK 26 / 83 / 0 / 35

HEX #7B1CA6

RGB 123 28 166

HSL 281.3, 0.71%, 0.38%

LAB 33.55, 59.39, -53.84

 

CMYK 0 / 68 / 83 / 35

HEX #A5351C

RGB 165 53 28

HSL 10.95, 0.71%, 0.38%

LAB 38.95, 44.86, 39.82

 

CMYK 57 / 0 / 83 / 35

HEX #47A51C

RGB 71 165 28

HSL 101.17, 0.71%, 0.38%

LAB 60.19, -50.82, 56.5

 

CMYK 83 / 15 / 0 / 35

HEX #1C8CA5

RGB 28 140 165

HSL 190.95, 0.71%, 0.38%

LAB 53.73, -20.8, -21.71

 

Description

Color code: HEX #7B1CA6 | qconv.com Color code: HEX #7B1CA6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 28 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 28 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 83 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 83% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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