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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B1EC9 it is the complementary color #84E136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B1EC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B1EC9 shade: #801EC4, #9130D7, #A242EA, #B354FD and #C466FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B1EC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B1EC9 shade: #7B1EC9, #6A0CB6, #5900A3, #480090 and #37007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B1EC9 shade: #7A1DC7, #A71DC7, #C71DB9, #C71D8B and #C71D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B1EC9 shade: #7A1DC7, #4C1DC7, #1E1DC7 and #1D1DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B1EC9 shade matches the following richer shades: #7A1DC7 and #7B0BDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B1EC9 shade: #7A1DC7, #7830B5, #7642A2, #75558F and #73687D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B1EC9 shade: #1D1DC7, #4B1DC7, #781DC7, #A51DC7 and #C71DBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B1EC9 shade: #4E137F, #6418A3, #7A1DC7, #8F2EDF and #A252E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B1EC9 shade: #7B1EC9, #C71D4B and #1DC734

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B1EC9 shade: #7B1EC9, #C7781D and #1DC778

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B1EC9 shade: #7B1EC9, #C71D4B, #6DC71D and #1DC79A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B1EC9 shade: #7B1EC9, #C7231D, #6DC71D and #1DC2C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 85 / 0 / 21

HEX #7B1EC9

RGB 123 30 201

HSL 272.63, 0.74%, 0.45%

LAB 36.66, 66.26, -69.5

 

Complementary color

CMYK 41 / 0 / 76 / 12

HEX #84E136

RGB 132 225 54

HSL 92.63, 0.74%, 0.55%

LAB 81.3, -53.98, 69.47

 

CMYK 35 / 85 / 0 / 23

HEX #801EC4

RGB 128 30 196

HSL 275.42, 0.73%, 0.44%

LAB 36.94, 65.87, -66.1

 

CMYK 33 / 78 / 0 / 16

HEX #9130D7

RGB 145 48 215

HSL 274.85, 0.68%, 0.52%

LAB 42.82, 66.81, -67.4

 

CMYK 31 / 72 / 0 / 8

HEX #A242EA

RGB 162 66 234

HSL 274.29, 0.8%, 0.59%

LAB 48.91, 66.97, -68.23

 

CMYK 29 / 67 / 0 / 1

HEX #B354FD

RGB 179 84 253

HSL 273.73, 0.98%, 0.66%

LAB 55.09, 66.68, -68.74

 

CMYK 23 / 60 / 0 / 0

HEX #C466FF

RGB 196 102 255

HSL 276.86, 1%, 0.7%

LAB 60.3, 62.44, -61.35

 

CMYK 39 / 85 / 0 / 21

HEX #7B1EC9

RGB 123 30 201

HSL 272.63, 0.74%, 0.45%

LAB 36.66, 66.26, -69.5

 

CMYK 42 / 93 / 0 / 29

HEX #6A0CB6

RGB 106 12 182

HSL 273.18, 0.88%, 0.38%

LAB 31.12, 64.16, -67.49

 

CMYK 45 / 100 / 0 / 36

HEX #5900A3

RGB 89 0 163

HSL 272.76, 1%, 0.32%

LAB 26.06, 60.35, -64.49

 

CMYK 50 / 100 / 0 / 44

HEX #480090

RGB 72 0 144

HSL 270, 1%, 0.28%

LAB 21.55, 54.57, -60.34

 

CMYK 56 / 100 / 0 / 51

HEX #37007D

RGB 55 0 125

HSL 266.4, 1%, 0.25%

LAB 16.95, 48.7, -56.04

 

CMYK 39 / 85 / 0 / 22

HEX #7A1DC7

RGB 122 29 199

HSL 272.82, 0.75%, 0.45%

LAB 36.25, 65.97, -69.01

 

CMYK 16 / 85 / 0 / 22

HEX #A71DC7

RGB 167 29 199

HSL 288.71, 0.75%, 0.45%

LAB 43.09, 72.7, -57.57

 

CMYK 0 / 85 / 7 / 22

HEX #C71DB9

RGB 199 29 185

HSL 304.94, 0.75%, 0.45%

LAB 47.65, 76.16, -41.79

 

CMYK 0 / 85 / 30 / 22

HEX #C71D8B

RGB 199 29 139

HSL 321.18, 0.75%, 0.45%

LAB 45.48, 70.27, -17.75

 

CMYK 0 / 85 / 53 / 22

HEX #C71D5D

RGB 199 29 93

HSL 337.41, 0.75%, 0.45%

LAB 43.96, 65.99, 8.42

 

CMYK 39 / 85 / 0 / 22

HEX #7A1DC7

RGB 122 29 199

HSL 272.82, 0.75%, 0.45%

LAB 36.25, 65.97, -69.01

 

CMYK 62 / 85 / 0 / 22

HEX #4C1DC7

RGB 76 29 199

HSL 256.59, 0.75%, 0.45%

LAB 30.73, 60.91, -78.29

 

CMYK 85 / 85 / 0 / 22

HEX #1E1DC7

RGB 30 29 199

HSL 240.35, 0.75%, 0.45%

LAB 27.51, 58.18, -83.73

 

CMYK 85 / 85 / 0 / 22

HEX #1D1DC7

RGB 29 29 199

HSL 240, 0.75%, 0.45%

LAB 27.47, 58.15, -83.8

 

CMYK 39 / 85 / 0 / 22

HEX #7A1DC7

RGB 122 29 199

HSL 272.82, 0.75%, 0.45%

LAB 36.25, 65.97, -69.01

 

CMYK 44 / 95 / 0 / 15

HEX #7B0BDA

RGB 123 11 218

HSL 272.46, 0.9%, 0.45%

LAB 36.95, 73.75, -78.87

 

CMYK 39 / 85 / 0 / 22

HEX #7A1DC7

RGB 122 29 199

HSL 272.82, 0.75%, 0.45%

LAB 36.25, 65.97, -69.01

 

CMYK 34 / 73 / 0 / 29

HEX #7830B5

RGB 120 48 181

HSL 272.48, 0.58%, 0.45%

LAB 36.82, 54.81, -57.5

 

CMYK 27 / 59 / 0 / 36

HEX #7642A2

RGB 118 66 162

HSL 272.5, 0.42%, 0.45%

LAB 38.48, 40.93, -43.53

 

CMYK 18 / 41 / 0 / 44

HEX #75558F

RGB 117 85 143

HSL 273.1, 0.25%, 0.45%

LAB 41.63, 25.02, -27.11

 

CMYK 8 / 17 / 0 / 51

HEX #73687D

RGB 115 104 125

HSL 271.43, 0.09%, 0.45%

LAB 45.67, 8.65, -10.09

 

CMYK 85 / 85 / 0 / 22

HEX #1D1DC7

RGB 29 29 199

HSL 240, 0.75%, 0.45%

LAB 27.47, 58.15, -83.8

 

CMYK 62 / 85 / 0 / 22

HEX #4B1DC7

RGB 75 29 199

HSL 256.24, 0.75%, 0.45%

LAB 30.64, 60.82, -78.46

 

CMYK 40 / 85 / 0 / 22

HEX #781DC7

RGB 120 29 199

HSL 272.12, 0.75%, 0.45%

LAB 35.98, 65.7, -69.47

 

CMYK 17 / 85 / 0 / 22

HEX #A51DC7

RGB 165 29 199

HSL 288, 0.75%, 0.45%

LAB 42.77, 72.37, -58.11

 

CMYK 0 / 85 / 6 / 22

HEX #C71DBC

RGB 199 29 188

HSL 303.88, 0.75%, 0.45%

LAB 47.82, 76.59, -43.28

 

CMYK 39 / 85 / 0 / 50

HEX #4E137F

RGB 78 19 127

HSL 272.78, 0.74%, 0.29%

LAB 22.37, 46.25, -48.29

 

CMYK 39 / 85 / 0 / 36

HEX #6418A3

RGB 100 24 163

HSL 272.81, 0.74%, 0.37%

LAB 29.43, 56.35, -58.89

 

CMYK 39 / 85 / 0 / 22

HEX #7A1DC7

RGB 122 29 199

HSL 272.82, 0.75%, 0.45%

LAB 36.25, 65.97, -69.01

 

CMYK 36 / 79 / 0 / 13

HEX #8F2EDF

RGB 143 46 223

HSL 272.88, 0.73%, 0.53%

LAB 42.95, 68.93, -71.8

 

CMYK 29 / 64 / 0 / 10

HEX #A252E5

RGB 162 82 229

HSL 272.65, 0.74%, 0.61%

LAB 51.12, 58.74, -61.82

 

CMYK 39 / 85 / 0 / 21

HEX #7B1EC9

RGB 123 30 201

HSL 272.63, 0.74%, 0.45%

LAB 36.66, 66.26, -69.5

 

CMYK 0 / 85 / 62 / 22

HEX #C71D4B

RGB 199 29 75

HSL 343.76, 0.75%, 0.45%

LAB 43.55, 64.8, 19.13

 

CMYK 85 / 0 / 74 / 22

HEX #1DC734

RGB 29 199 52

HSL 128.12, 0.75%, 0.45%

LAB 70.42, -67.63, 58.49

 

CMYK 39 / 85 / 0 / 21

HEX #7B1EC9

RGB 123 30 201

HSL 272.63, 0.74%, 0.45%

LAB 36.66, 66.26, -69.5

 

CMYK 0 / 40 / 85 / 22

HEX #C7781D

RGB 199 120 29

HSL 32.12, 0.75%, 0.45%

LAB 57.72, 24.54, 57.9

 

CMYK 85 / 0 / 40 / 22

HEX #1DC778

RGB 29 199 120

HSL 152.12, 0.75%, 0.45%

LAB 71.19, -58.39, 28.38

 

CMYK 39 / 85 / 0 / 21

HEX #7B1EC9

RGB 123 30 201

HSL 272.63, 0.74%, 0.45%

LAB 36.66, 66.26, -69.5

 

CMYK 0 / 85 / 62 / 22

HEX #C71D4B

RGB 199 29 75

HSL 343.76, 0.75%, 0.45%

LAB 43.55, 64.8, 19.13

 

CMYK 45 / 0 / 85 / 22

HEX #6DC71D

RGB 109 199 29

HSL 91.76, 0.75%, 0.45%

LAB 72.35, -52.34, 67.63

 

CMYK 85 / 0 / 23 / 22

HEX #1DC79A

RGB 29 199 154

HSL 164.12, 0.75%, 0.45%

LAB 71.85, -50.96, 11.22

 

CMYK 39 / 85 / 0 / 21

HEX #7B1EC9

RGB 123 30 201

HSL 272.63, 0.74%, 0.45%

LAB 36.66, 66.26, -69.5

 

CMYK 0 / 82 / 85 / 22

HEX #C7231D

RGB 199 35 29

HSL 2.12, 0.75%, 0.45%

LAB 43.41, 61.6, 45.81

 

CMYK 45 / 0 / 85 / 22

HEX #6DC71D

RGB 109 199 29

HSL 91.76, 0.75%, 0.45%

LAB 72.35, -52.34, 67.63

 

CMYK 85 / 3 / 0 / 22

HEX #1DC2C7

RGB 29 194 199

HSL 181.76, 0.75%, 0.45%

LAB 71.53, -36.46, -13.72

 

Description

Color code: HEX #7B1EC9 | qconv.com Color code: HEX #7B1EC9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 30 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 30 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 85 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 85% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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